Hat Pin Collection

Portrait of a Woman
IND54385 Portrait of a Woman by Ribera Ciara, Roman (1849-1935); Castilla Geltru, Vilanova i Geltru, Catalonia, Spain; Index Fototeca

The Weaker Sex, 1903 (litho)
2913422 The Weaker Sex, 1903 (litho) by Gibson, Charles Dana (1867-1944); Private Collection; The Stapleton Collection

As it was in 1400, Front Cover of Puck, July 1910 (colour litho)
2913423 As it was in 1400, Front Cover of Puck, July 1910 (colour litho) by Gordon, Ross (1873-1946); Private Collection; The Stapleton Collection

Hat pin, 1850-1900 (gilt metal wire)
2973002 Hat pin, 1850-1900 (gilt metal wire) by Turkish School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info)

Manchester weather (colour litho)
3641783 Manchester weather (colour litho) by English School, (20th century); Private Collection; (add.info.: Manchester weather. Postcard, early 20th century.); © Look and Learn

Fashions for Women (colour litho)
3642921 Fashions for Women (colour litho) by English School, (20th century); Private Collection; (add.info.: Fashions for Women. Postcard, early 20th century.); © Look and Learn

Stones of crystals called Gems of Mount Vesuvius, Plate LIIII
1275131 Stones of crystals called Gems of Mount Vesuvius, Plate LIIII, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Postcard satirising the fashion and dangers of large hats and long hair pins (colour litho)
2914683 Postcard satirising the fashion and dangers of large hats and long hair pins (colour litho) by American School, (20th century); Private Collection; © Look and Learn; American

Hat Pin, First Board; Le Chapeau Epingle, Premiere Planche, c. 1897 (lithograph)
659513 Hat Pin, First Board; Le Chapeau Epingle, Premiere Planche, c.1897 (lithograph) by Renoir, Pierre Auguste (1841-1919); 60.5x49.3 cm; Private Collection; (add.info.: Hat Pin)

Hat Designs by Martha Lowenthal, from Styl, pub. 1922 (pochoir print)
3496753 Hat Designs by Martha Lowenthal, from Styl, pub.1922 (pochoir print) by German School, (20th century); The Stapleton Collection; German, out of copyright

Stones of crystals called Gems of Mount Vesuvius, 1776
Stones of crystals called Gems of Mount Vesuvius, Plate LIIII, from Campi Phlegraei: Observations on the Volcanoes of the Two Sicilies, by Sir William Hamilton (1730-1803)

Portrait of a Young Man with a Lace Collar, 1634 (oil on canvas)
XIR87516 Portrait of a Young Man with a Lace Collar, 1634 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 70x52 cm; State Hermitage Museum, St

A couple chatting while their children are kissing under the mistletoe 25 December 1921

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"Captivating and Timeless: The Hat Pin Through the Ages" Step into the captivating world of fashion history as we explore the significance of the hat pin. From its humble beginnings in 1400 to its evolution as a symbol of women's empowerment, this small accessory has left an indelible mark on style. In "Portrait of a Woman, " we catch a glimpse of elegance and grace, with her hat adorned by a delicate hat pin. A reminder that even in 1903, society still referred to women as "The Weaker Sex, " these pins became more than just decorative pieces; they were tools for self-defense. As it was in 1400, front cover illustrations from Puck Magazine in July 1910 showcase vibrant color lithographs depicting fashionable ladies sporting elaborate hats secured by intricate hat pins. These gilt metal wire creations from 1850-1900 not only held hats in place but also reflected individuality and status. Amidst Manchester weather's unpredictable nature, women braved the elements while donning their stylish headwear. Fashions for Women captured through vivid color lithographs demonstrate how hat pins complemented ensembles, adding flair to every outfit. Stones of crystals called Gems of Mount Vesuvius take us back to ancient times when adornments held mystical meanings. Similarly, postcards satirizing large hats and long hairpins remind us that fashion can be both amusing and hazardous. Le Chapeau Epingle transports us to c. 1897 with its lithograph showcasing various styles of extravagant hats pinned securely atop heads. Martha Lowenthal's designs featured in Styl magazine (1922) further exemplify how creativity knew no bounds when it came to adorning one's headpiece. From gems dating back to 1776 found near Mount Vesuvius to modern-day innovations showcased in "The Latest, " these stones have always captivated our fascination with their beauty and allure.