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Harlem Renaissance Collection

The Harlem Renaissance: A Cultural Revolution Unveiled Step into the vibrant world of the Harlem Renaissance, a period that ignited an explosion of African American art

Background imageHarlem Renaissance Collection: LANGSTON HUGHES (1902-1967). American writer. Oil over a photograph, 1939, by Carl Van Vechten

LANGSTON HUGHES (1902-1967). American writer. Oil over a photograph, 1939, by Carl Van Vechten

Background imageHarlem Renaissance Collection: JITTERBUGGERS, c1939. At the Savoy Ballroom, New York City

JITTERBUGGERS, c1939. At the Savoy Ballroom, New York City

Background imageHarlem Renaissance Collection: Arthur Schomburg and William Edouard Scott with others, 1930 (b/w photo)

Arthur Schomburg and William Edouard Scott with others, 1930 (b/w photo)
8679868 Arthur Schomburg and William Edouard Scott with others, 1930 (b/w photo) by Unknown photographer, (20th century); New York Public Library

Background imageHarlem Renaissance Collection: Arthur Schomburg, c.1896 (b/w photo)

Arthur Schomburg, c.1896 (b/w photo)
8610716 Arthur Schomburg, c.1896 (b/w photo) by Unknown photographer, (19th century); New York Public Library, USA; (add.info.: Arthur Schomburg)

Background imageHarlem Renaissance Collection: Woman Washing, c. 1934 (watercolor)

Woman Washing, c. 1934 (watercolor)
7276859 Woman Washing, c. 1934 (watercolor) by Johnson, Malvin Gray (1896-1934); 45.72x30.48 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Uncle Joe, 1934 (oil on canvas)

Uncle Joe, 1934 (oil on canvas)
7276858 Uncle Joe, 1934 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 77.47x59.69 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Thinning Corn, 1934 (oil on canvas)

Thinning Corn, 1934 (oil on canvas)
7276857 Thinning Corn, 1934 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 54.61x73.66 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Study of a Girl #2, 1931 (ink on paper)

Study of a Girl #2, 1931 (ink on paper)
7276825 Study of a Girl #2, 1931 (ink on paper) by Johnson, Malvin Gray (1896-1934); 46.99x26.67 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Study of a Girl with Earring, 1931 (ink on paper)

Study of a Girl with Earring, 1931 (ink on paper)
7276822 Study of a Girl with Earring, 1931 (ink on paper) by Johnson, Malvin Gray (1896-1934); 41.91x26.67 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Market, Nice, France, 1931 (oi on canvas)

Market, Nice, France, 1931 (oi on canvas)
7276957 Market, Nice, France, 1931 (oi on canvas) by Smith, Albert A. (1896-1940); 60.96x50.17 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Study of a Girl #4, 1931 (ink on paper)

Study of a Girl #4, 1931 (ink on paper)
7276823 Study of a Girl #4, 1931 (ink on paper) by Johnson, Malvin Gray (1896-1934); 41.91x25.4 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Elks Marching, c. 1933 (oil on canvas)

Elks Marching, c. 1933 (oil on canvas)
7276828 Elks Marching, c. 1933 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 55.88x63.5 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Study of a Girl #3, 1931 (ink on paper)

Study of a Girl #3, 1931 (ink on paper)
7276824 Study of a Girl #3, 1931 (ink on paper) by Johnson, Malvin Gray (1896-1934); 41.91x26.67 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Tenements, c. 1933 (oil on canvas)

Tenements, c. 1933 (oil on canvas)
7276860 Tenements, c. 1933 (oil on canvas) by Johnson, Malvin Gray (1896-1934); 40.01x34.93 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Seated Figure, c. 1934 (watercolor on paper)

Seated Figure, c. 1934 (watercolor on paper)
7276827 Seated Figure, c.1934 (watercolor on paper) by Johnson, Malvin Gray (1896-1934); 45.72x30.48 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Study of a Mask, 1931 (ink on paper)

Study of a Mask, 1931 (ink on paper)
7276821 Study of a Mask, 1931 (ink on paper) by Johnson, Malvin Gray (1896-1934); 38.74x25.4 cm; Amistad Research Center, New Orleans, LA

Background imageHarlem Renaissance Collection: Abraham Lincoln and his Father (oil on panel)

Abraham Lincoln and his Father (oil on panel)
BRN187488 Abraham Lincoln and his Father (oil on panel) by Pippin, Horace (1888-1946); The Barnes Foundation, Philadelphia, Pennsylvania

Background imageHarlem Renaissance Collection: Asleep, 1943 (oil on canvas board)

Asleep, 1943 (oil on canvas board)
3472208 Asleep, 1943 (oil on canvas board) by Pippin, Horace (1888-1946); 22.9x30.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageHarlem Renaissance Collection: Self-Portrait II, 1944 (oil on canvas, adhered to cardboard)

Self-Portrait II, 1944 (oil on canvas, adhered to cardboard)
3472207 Self-Portrait II, 1944 (oil on canvas, adhered to cardboard) by Pippin, Horace (1888-1946); 21.6x16.5 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageHarlem Renaissance Collection: Victorian Interior I, 1945 (oil on canvas)

Victorian Interior I, 1945 (oil on canvas)
3472204 Victorian Interior I, 1945 (oil on canvas) by Pippin, Horace (1888-1946); 50.8x61 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageHarlem Renaissance Collection: Chairs, 1946 (oil on canvas)

Chairs, 1946 (oil on canvas)
3472203 Chairs, 1946 (oil on canvas) by Pippin, Horace (1888-1946); 22.9x27.9 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageHarlem Renaissance Collection: Woman of Samaria, 1940 (oil on canvas)

Woman of Samaria, 1940 (oil on canvas)
BRN195080 Woman of Samaria, 1940 (oil on canvas) by Pippin, Horace (1888-1946); The Barnes Foundation, Philadelphia, Pennsylvania, USA; © Barnes Foundation; American, out of copyright

Background imageHarlem Renaissance Collection: Harmonizing, 1944 (oil on canvas)

Harmonizing, 1944 (oil on canvas)
ALM283423 Harmonizing, 1944 (oil on canvas) by Pippin, Horace (1888-1946); 62.2x77.2 cm; Allen Memorial Art Museum, Oberlin College, Ohio

Background imageHarlem Renaissance Collection: Family Supper, 1946 (oil on canvas)

Family Supper, 1946 (oil on canvas)
3472205 Family Supper, 1946 (oil on canvas) by Pippin, Horace (1888-1946); 45.7x55.9 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageHarlem Renaissance Collection: Victorian Interior II, 1945 (oil on canvas)

Victorian Interior II, 1945 (oil on canvas)
3472202 Victorian Interior II, 1945 (oil on canvas) by Pippin, Horace (1888-1946); 64.1x76.2 cm; Metropolitan Museum of Art, New York, USA; American, out of copyright

Background imageHarlem Renaissance Collection: THEATER POSTER, 1920s. Advertisement for a jazz program at the Layfayette Theater in Harlem

THEATER POSTER, 1920s. Advertisement for a jazz program at the Layfayette Theater in Harlem, New York, in the 1920s

Background imageHarlem Renaissance Collection: SELMA BURKE (1900-1995). American sculptor. Photographed with her bust of Booker T

SELMA BURKE (1900-1995). American sculptor. Photographed with her bust of Booker T. Washington, c1935

Background imageHarlem Renaissance Collection: BLANCHE DUNN, 1941. Caribbean-born American socialite. Photographed by Carl Van Vechten

BLANCHE DUNN, 1941. Caribbean-born American socialite. Photographed by Carl Van Vechten, 1941

Background imageHarlem Renaissance Collection: LANGSTON HUGHES (1902-1967). American writer

LANGSTON HUGHES (1902-1967). American writer. Oil over a photograph of the 1920s by Nickolas Muray

Background imageHarlem Renaissance Collection: COUNTEE CULLEN (1903-46). American poet. Caricature, 1929, by Eva Herrmann

COUNTEE CULLEN (1903-46). American poet. Caricature, 1929, by Eva Herrmann

Background imageHarlem Renaissance Collection: CLAUDE McKAY (1890-1948). American (Jamaican-born) writer. Photograph, c1920

CLAUDE McKAY (1890-1948). American (Jamaican-born) writer. Photograph, c1920

Background imageHarlem Renaissance Collection: JELLY ROLL MORTON (1885-1941). Ferdinand Joseph La Menthe. American musician

JELLY ROLL MORTON (1885-1941). Ferdinand Joseph La Menthe. American musician. Jelly Roll Morton (at piano) with his group, The Red Hot Peppers, 1926

Background imageHarlem Renaissance Collection: JAMES W. JOHNSON (1871-1938). American author and civil rights activist. Caricature by Eva Herrmann

JAMES W. JOHNSON (1871-1938). American author and civil rights activist. Caricature by Eva Herrmann, 1929

Background imageHarlem Renaissance Collection: HARLEM REVUE POSTER, 1920s. Advertisement for a musical review at Connies Inn in Harlem

HARLEM REVUE POSTER, 1920s. Advertisement for a musical review at Connies Inn in Harlem, New York City, including a performance by Louis Armstrong, 1920s

Background imageHarlem Renaissance Collection: HURSTON & HUGHES. Zora Neale Hurston (1903-1960), American writer and anthropologist

HURSTON & HUGHES. Zora Neale Hurston (1903-1960), American writer and anthropologist, at far right, with Jessie Fauset and Langston Hughes at Tuskegee, Alabama, posing beside a statue of Booker T

Background imageHarlem Renaissance Collection: LANGSTON HUGHES (1902-1967). American writer

LANGSTON HUGHES (1902-1967). American writer. Photographed in the 1920s by Nickolas Muray

Background imageHarlem Renaissance Collection: ZORA NEALE HURSTON (1903?-1960). American writer and anthropologist

ZORA NEALE HURSTON (1903?-1960). American writer and anthropologist. Oil over a photograph by Carl Van Vechten, 3 April 1938

Background imageHarlem Renaissance Collection: CLAUDE McKAY (1890-1948). American (Jamaican-born) writer; photographed in 1920

CLAUDE McKAY (1890-1948). American (Jamaican-born) writer; photographed in 1920

Background imageHarlem Renaissance Collection: MCKAY: HARLEM SHADOWS. The title page of Harlem Shadows by Claude McKay, 1922

MCKAY: HARLEM SHADOWS. The title page of Harlem Shadows by Claude McKay, 1922

Background imageHarlem Renaissance Collection: JESSIE REDMON FAUSET (1882-1961). American writer

JESSIE REDMON FAUSET (1882-1961). American writer

Background imageHarlem Renaissance Collection: JAZZ MUSICIANS, c1925. The Sam Wooding Orchestra

JAZZ MUSICIANS, c1925. The Sam Wooding Orchestra



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The Harlem Renaissance: A Cultural Revolution Unveiled Step into the vibrant world of the Harlem Renaissance, a period that ignited an explosion of African American art, literature, and music in the early 20th century. This captivating movement brought forth voices that had long been silenced, reshaping America's cultural landscape forever. One of the prominent figures during this era was Langston Hughes, an influential American writer whose words resonated with truth and power. In Carl Van Vechten's oil-over-photograph portrait from 1939, we catch a glimpse of Hughes' enigmatic spirit captured on canvas. His work became a beacon for those seeking to express their experiences as African Americans in a racially divided society. As we venture further into this transformative time, we encounter Jitterbuggers at the Savoy Ballroom in New York City circa 1939. The energy is palpable as dancers glide across the floor with grace and rhythm. Their movements embody freedom and joy amidst adversity—a testament to how art can transcend boundaries. Gordon Parks immortalizes Langston Hughes through his lens in 1943. The photograph captures Hughes' contemplative gaze—an introspective moment frozen in time. It serves as a reminder of his profound impact on both literature and civil rights activism. Artistic expressions take various forms within this renaissance; watercolor paintings like "Woman Washing" transport us to intimate domestic scenes filled with tenderness and resilience. Meanwhile, Uncle Joe's stoic presence depicted in oil on canvas evokes strength rooted deep within African American heritage. Amidst these visual narratives emerge landscapes such as "Thinning Corn, " where rural life intertwines with artistic representation—nature becoming a backdrop for storytelling through paintbrush strokes. Ink sketches like "Study of a Girl #2" and "Study of a Girl with Earring" unveil delicate portraits capturing individuality while challenging societal norms surrounding beauty standards at that time. The Harlem Renaissance was not confined to American soil alone.