Hans Collection (page 19)

Cleopatra, c1880-1882. Artist: W Unger
Cleopatra, c1880-1882. Cleopatra committing suicide with the aid of an asp. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Hans Makart, Austrian artist, c1880-1882. Artist: W Unger
Hans Makart, Austrian artist, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Maximilian I, Holy Roman Emperor, (1816). Artist: Charles Turner
Maximilian I, Holy Roman Emperor, (1816). A print from Fifteen Splendid Portraits of Royal Personages, engraved in mezzotinto by Richard Earlom, Charles Turner and R Dunkarton, printed by J McCreery

The little studio of Hans Makart, Vienna, Austria, c1880-1882. Makart (1840-1884) was an influential Austrian artist, painter and draughtsman

The larger studio of Hans Makart, Vienna, Austria, c1880-1882. Makart (1840-1884) was an influential Austrian artist, painter and draughtsman

Henry VIII, c1517-1540. Artist: Hans Holbein the Younger
Henry VIII, c1517-1540. From the collection at Windsor Castle

Joseph Joachim and Hans von Bulow, c1900. Musicians Joseph Joachim (1831-1907) and Hans von Bulow (1830-1894). French advertising for Liebig, extract of meat, c1900

Landscape with Two Youths, c1510, (1937). Artist: Titian
Landscape with Two Youths, c1510, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Jacopo Strada, 1568, (1937). Artist: Titian
Jacopo Strada, 1568, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

The Crowning with Thorns, c1542, (1937). Artist: Titian
The Crowning with Thorns, c1542, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

Venus of Urbino, c1538, (1937). Artist: Titian
Venus of Urbino, c1538, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

Portrait of a Noblewoman, or La Bella, c1536, (1937). Artist: Titian
Portrait of a Noblewoman, or La Bella, c1536, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

The Man with a Glove, c1520, (1937). Artist: Titian
The Man with a Glove, c1520, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937. Found in the collection of the Louvre, Paris, France

The Tribute Money, 1518, (1937). Artist: Titian
The Tribute Money, 1518, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze, Phaidon Press, Vienna, 1937

The Gypsy Madonna, c1510, (1937). Artist: Titian
The Gypsy Madonna, c1510, (1937). A print from Titian Paintings and Drawings, introduction by Hans Tietze. (Vienna), Phaidon Press, 1937

Cardinal Thomas Wolsey (c1475-1530), 1832. Artist: WT Mote
Cardinal Thomas Wolsey (c1475-1530), 1832. Wolsey was an English statesman and a cardinal of the Roman Catholic Church. He was Henry VIIIs most important government minister

Christina of Denmark, Duchess of Milan, 1538, (1902). Artist: Hans Holbein the Younger
Christina of Denmark, Duchess of Milan, 1538, (1902). Christina (1522-1590), aged sixteen when this portrait was painted, was a prospective bride of Henry VIII

Anne of Cleves, 1539, (1902). Artist: Hans Holbein the Younger
Anne of Cleves, 1539, (1902). Anne (1515-1557) did not appeal to Henry VIII physically and became known unflatteringly as The Flanders Mare

Prince Edward, later King Edward VI, c1540, (1902). Artist: Bruckmann
Prince Edward, later King Edward VI, c1540, (1902). The son of Henry VIII and Jane Seymour, Edward VI (1537-1553) became king in 1547 when just 9 years old

Jane Seymour, 1536, (1902). Artist: Hans Holbein the Younger
Jane Seymour, 1536, (1902). Portrait after Holbein of Henry VIIIs third wife Jane Seymour (1509-1537), mother of Edward VI

Henry VIII, c1540, (1902). Artist: Hans Holbein the Younger
Henry VIII, c1540, (1902). Portrait of King Henry VIII (1491-1547) who ruled 1509-1547, from a chalk drawing by Holbein, in the Royal Print Cabinet, Munich

Thomas Howard, Third Duke of Norfolk, c1530s, (1902). Artist: Hans Holbein the Younger
Thomas Howard, Third Duke of Norfolk, c1530s, (1902). Howard (1473-1554) was a prominent Tudor politician. Illustration, after a painting by Holbein in the Royal Collection at Windsor Castle

Henry VIII, (1902). Artist: Hans Holbein the Younger
Henry VIII, (1902). Portrait from a miniature of King Henry VIII (1491-1547) who ruled 1509-1547. Illustration from Henry VIII, by A F Pollard, published by Goupil and Co, (London, New York, Paris)

Hans Holbein, 1543, (1902). Artist: Hans Holbein the Younger
Hans Holbein, 1543, (1902). The German artist Holbein (1497-1543) was court painter to King Henry VIII. Illustration, after a self-portrait miniature, from Henry VIII, by A F Pollard

Henry VIII, c1543, (1902). Artist: Hans Holbein the Younger
Henry VIII, c1543, (1902). Portrait of King Henry VIII (1491-1547) who ruled 1509-1547. Illustration from Henry VIII, by A F Pollard, published by Goupil and Co, (London, New York, Paris, Edinburgh)

Relics associated with Henry VIII, (19th century). Artist: R Anderson
Relics associated with Henry VIII, (19th century). The items include a gun, a sword, a container surmounted by a royal coat of arms, a rosary

Henry VIII, Granting a Charter to the Barbers and Surgeons Guilds, 1541, (1902). Artist: Hans Holbein the Younger
Henry VIII, Granting a Charter to the Barbers and Surgeons Guilds, 1541, (1902). King Henry VIII handing over a charter to Thomas Vicary, commemorating the joining of the Barbers and Surgeons Guilds

Henry VIII of England, (1491-1547). Portrait of King Henry who acceded in 1509

Henry VIII of England, (1491-1547). Artist: Edwards
Portrait of King Henry who acceded in 1509

Don Salteros Coffee House, Cheyne Walk, Chelsea, 1723, (1840). The exterior of Don Salteros Coffee House and Curiosity Museum by the River Thames, with signatures of its founder James Salter

Agnes Howard, Duchess of Norfolk, (1793). The daughter of Hugh Tilney of Boston Agnes (1478-1545) was the second wife of Thomas Howard, Duke of Norfolk

Queen Mary I of England, (1836). Artist: Henry Thomas Ryall
Queen Mary I of England, (1836). Mary Tudor (1516-1558) was Queen of England and Queen of Ireland from 1553 until her death

Charles V, King of Spain and Holy Roman Emperor, (1836). Artist: W Holl
Charles V, King of Spain and Holy Roman Emperor, (1836). Charles (1500-1558) depicted wearing the chain of the Order of the Golden Fleece

King Henry VIII, c1538-1547, (c1900-1920). A print after a painting in the Royal Collection, Windsor Castle, from Art History and Literature Illustrations, by Jessie Noakes, Virtue and Co, (London)

The Departure of St Ursula from Basel, before 1489, (c1900-1920). Artist: Hans Memling
The Departure of St Ursula from Basel, before 1489, (c1900-1920). A print after a panel in the Shrine of St Ursula in the Hospital of St John, Bruges, from Art History and Literature Illustrations

The old physic garden, Chelsea, 1890. View of Chelsea Physic Garden with its statue of Hans Sloane, which was founded in 1673 as the Apothecaries Garden

Swiss four man bobsleigh team, Winter Olympic Games, Garmisch-Partenkirchen, Germany, 1936. The team of Reto Capradut, Hans Aichele, Fritz Feierabend and Hans Butikofer

Episodes of the Life of Famous Painters: Hans Holbein, (c1900). The queen and her lady-in-waiting wish to be painted in Greek costume by Holbein (1497-1543), without being recognised

Tumbling, 14th century, (1833). Man bending himself backwards in an extraordinary manner. The original is from the library of Sir Hans Sloane

Henry Fitzalan, 19th Earl of Arundel. Arundel (c1511-1580) was a prominent figure at the courts of Edward VI, Mary and Elizabeth I

Letter from John Locke to Hans Sloane, 2nd December 1699. Artist: John Locke
Letter from John Locke to Hans Sloane, 2nd December 1699. Letter from writer and philosopher John Locke to Dr (later Sir) Hans Sloane, physician, naturalist and founder of British Museum

The archdukes and high barons of Germany at the coronation of the Emperor Maximilian, 16th century, (1870). A fragment taken from the Triumph of Maximilian, by J Burgkmair

St Ursula and the Holy Virgins, from the Reliquary of St Ursula, 1489, (1870). Found in the collection of the Memling Museum, Bruges, Belgium

The Ambassadors, 1533, (1912). Artist: Hans Holbein the Younger
The Ambassadors, 1533, (1912). Portrait of Jean de Dinteville (left), French Ambassador to England in 1533 and Georges de Selve, Bishop of Lavaur, who visited him in London

Self Portrait at the Age of 45, 1542, (1936). Artist: Hans Holbein the Younger
Self Portrait at the Age of 45, 1542, (1936)

Edward VI, 16th century, (1910). Portrait after Holbein of Edward (1537-1553) who became king in 1547 at nine years of age

Jane Seymour, 16th century, (1910). Portrait after Holbein of Henry VIIIs third wife wearing the Transition style of headdress, a combination of the coif and the kennel

The Lady Buts, 16th century, (1910). Portrait after Holbein of Lady Buts wearing the Transition style of headdress, a combination of the coif and the kennel, with lingering traces of the kennel

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"Hans: A Master of Art and Imagination" Hans, a name that echoes through the annals of art history. From the intricate brushstrokes of Memling's "Passion of the Christ" to Holbein, the Younger's captivating portraits, it has left an indelible mark on the world. In his hands, King Henry VIII comes to life in vivid detail. Whether it be the regal gaze captured in "Portrait of King Henry VIII of England, 1540, " or the introspective portrayal seen in "Portrait of King Henry VIII of England, 1537-1541, " Hans reveals both power and vulnerability within this iconic monarch. But Hans' talent extends beyond royal subjects. In Bohrdt's propaganda piece titled "The Last Man, " we witness his ability to evoke emotion and provoke thought with every stroke. Similarly, Edmund Dulac brings enchantment to life with his illustration for Hans Christian Andersen's fairy tale - a shining potion held delicately by a mysterious figure. Holbein, known for his attention to detail and realism, showcases his mastery once again in woodcuts like "Death and the Soldier" from The Dance of Death series. These haunting images remind us all that mortality is an ever-present companion. Yet amidst these somber depictions lies beauty too - as exemplified by Jeannie Harbour's drawing capturing Andersen's beloved character from "The Little Mermaid. " It transports us into a world where dreams merge seamlessly with reality. Hans' versatility shines through not only in portraiture but also landscapes like Donegal's farmlands - a testament to his ability to capture nature’s essence on canvas. And let us not forget Rutherford and Geiger immortalized forever in their laboratory by unknown hands; their groundbreaking scientific discoveries preserved for generations. Jane Seymour gazes back at us from Holbein’s portrait.