Hans Springinklee Collection

Triumphal Arch Emperor Maxmilian I n. d Woodcut
Artokoloro

A Turkish Horseman. Creator: Hans Springinklee
A Turkish Horseman

Judgment of Paris. Creator: Hans Springinklee
Judgment of Paris

Saint Jerome in Penitence. Creator: Hans Springinklee
Saint Jerome in Penitence

The Embrace (A Couple of Lovers by a Tree). Creator: Hans Springinklee
The Embrace (A Couple of Lovers by a Tree)

Saint Sebaldus. Creator: Hans Springinklee
Saint Sebaldus

Saint Augustine. Creator: Hans Springinklee
Saint Augustine

Saint Jerome Writing, 1522. Creator: Hans Springinklee
Saint Jerome Writing, 1522

The War at Hainault. Creator: Hans Springinklee
The War at Hainault

Saint John. Creator: Hans Springinklee
Saint John

The Upper Section of the Left Portal, with the Inscription on a Lion Skin; a Frieze with Busts of Roman Emperors; and Entablature of the Columns, from the Arch of Honor, proof, dated 1515

The Upper Portion of the Genealogy of Maximilian; with the Right Edge of the Scroll for the Explanatory Text, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Pinnacle of the Left Portal; and a Trumpeter and Standard from the Cupola of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Pedestal of the Central Portal with Figures of Two Archdukes of Austria, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Middle Portion of the Genealogy of Maximilian, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Lower Portion of the Genealogy of Maximilian; with the Left Edge of the Scroll for the Explanatory Text, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The First Flemish Rebellion;The Campaign Against Liege
The First Flemish Rebellion; The Campaign Against Liege; The Coronation of Maximilian; The Second Flemish Rebellion; The Alliance Between Philip I of Castile

The Emperor Seated on His Throne, Seated Between Joanna of Castile and Mary of Burgundy, Above Are Twenty-two Winged Victories; with Coats of Arms of Maximilians Noble Relatives

St George as the Emperors Patron Saint, from The Habsburg Saints (Ima... ca
St George as the Emperors Patron Saint, from The Habsburg Saints (Images de Saints et de Saints Issus de la Famille de L Emperor Maximilian I), ca.1516-18, printed 1799

The Cupola and Imperial Crown on the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Arch in the Entryway of the Left Portal (Die Porten des Lobs); and the Outer Left Column of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Upper Section of the Right Portal, with the Inscription on a Stag Skin; a Frieze with... 1515
The Upper Section of the Right Portal, with the Inscription on a Stag Skin; a Frieze with Busts of Roman Emperors; and the Entablature of the Columns, from the Arch of Honor, proof, dated 1515

Maximilian Presented by his Patron Saints to the Almighty, 1519

The Pinnacle of the Right Portal; and a Trumpeter and Standard from the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

Arch of Honor, 1515, printed 1517 / 18. 1515, printed 1517 / 18. Creator: Hieronymus Andreae
Arch of Honor, 1515, printed 1517/18

The Betrothal of Mary of Burgundy; Young Maximilian; The Struggle for the Burgundian Succession; The Battle Near Therouanne; The War in Guelderland; and The Utrecht Feud, from the Arch of Honor

The Marriage of Philip the Fair to Joanna of Austria; Maximilian Recaptures the Occupied Territories from Hungary; The Conquest of Hungary; The Swiss War; The Liberation of Naples;

The Tomb Erected by Maximilian for His Father; and The Imperial Treasure; with Portraits of Maximilians Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

Maximilians Alliance with Henry VIII; The Double Wedding in Vienna; The Campaign in Gelderland; The Investiture of Massimiliano Sforza as Duke of Milan; and The Venetian War, from the Arch of Honor

The Upper Section of the Entryway to the Central Portal with a Winged Figure Holding the Imperial Crown, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

Maximilian as Architect; with a Statue of St. Leopold; and Busts of Maximilians Ancestors and Relatives, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1517/1518

Lower Portion of the Entryway to the Right Portal (Die Porten des Adels); and the Outer Right Sockel of the Central Portal, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

The Middle Section of the Entryway to the Central Portal, the Columns Decorated by Sirens and Sleeping Soldiers Behind, from the Arch of Honor, proof, dated 1515, printed 1517-18, 1515

St. Mary and St. John Before the Cross. Creator: Hans Springinklee (German, 1540)
St. Mary and St. John Before the Cross

Maximilian Presented by His Patron Saints to the Almighty, 1519. Creator: Hans Springinklee
Maximilian Presented by His Patron Saints to the Almighty, 1519

The Emperor Maximilian Presented by His Patron Saints to the Almighty, 1519. Creator
The Emperor Maximilian Presented by His Patron Saints to the Almighty, 1519. Like Wolf Traut (on view nearby), Springinklee was a pupil of Albrecht Durer and remained in Nuremberg

Maximilian Presented Patron Saints Almighty 1519
Maximilian Presented by His Patron Saints to the Almighty, 1519. Hans Springinklee (German, 1540). Woodcut

St. Mary St. John Cross Hans Springinklee German
St. Mary and St. John Before the Cross. Hans Springinklee (German, 1540). Woodcut

Emperor Maximilian Presented Patron Saints Almighty
The Emperor Maximilian Presented by His Patron Saints to the Almighty, 1519. Hans Springinklee (German, 1540). Woodcut

Hans Springinklee (German, active 1512-1522), Saint John, woodcut

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Hans Springinklee, a renowned woodcut artist, left an indelible mark on the art world with his intricate and detailed works. One of his notable creations is the Triumphal Arch Emperor Maximilian I, a woodcut that showcases the grandeur and power of the emperor. In another masterpiece titled "The Upper Section of the Left Portal, with the Inscription on a Lion Skin, " Springinklee captures attention to detail by highlighting every element of this architectural wonder. Moving on to "The Upper Portion of the Genealogy of Maximilian, " we witness Springinklee's skill in depicting historical lineage through his meticulous woodcuts. The scroll's right edge adds depth and dimension to this piece. Similarly, in "The Pinnacle of the Left Portal, " Springinklee incorporates a trumpeter and standard from the cupola, further enhancing its regal appeal. Springinklee's talent shines through once again in "The Pedestal of the Central Portal with Figures of Two Archdukes. " This particular artwork features lifelike figures that pay homage to Austria's rich history. Continuing along this theme is "The Middle Portion of the Genealogy of Maximilian, " where he flawlessly brings together elements from various sources into one cohesive composition. "The Lower Portion of the Genealogy" delves deeper into Maximilian's lineage while showcasing Springinklee's ability to seamlessly merge different components within his work. Switching gears slightly, we encounter "The First Flemish Rebellion; The Campaign Against Liege. " Here, Springinklee depicts historical events using striking imagery that evokes emotion and tells stories beyond words. In another captivating piece titled "The Emperor Seated on His Throne, " we see Emperor Maximilian I seated between Joanna Castile and Mary Burgundy—a testament to their influential roles during that era. Additionally, St George as depicted in "Habsburg Saints" highlights how religion played an integral part in the emperor's life.