Gustave Klimt Collection

The Bathroom of the Stoclet Palace, Brussels, Belgium, c1914. The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911

The Music Room of the Stoclet Palace, Brussels, Belgium, c1914. The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911

Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c
825457 Portrait of a Bearded Man; Brustbild eines Bartigan Mammes von vorne, c.1894 (black chalk, pen and black ink on paper) by Klimt

Baby (Cradle), 1917 / 1918. Creator: Gustav Klimt
Baby (Cradle), 1917/1918

Serena Pulitzer Lederer (1867-1943), 1899. Creator: Gustav Klimt
Serena Pulitzer Lederer (1867-1943), 1899

Mada Primavesi (1903-2000), 1912-13. Creator: Gustav Klimt
Mada Primavesi (1903-2000), 1912-13

Unterach am Attersee, Upper Austria, c1935. Creator: Unknown
Unterach am Attersee, Upper Austria, c1935. View of the village of Unterach which lies on the shore of the Attersee lake in the Salzkammergut region

The Secession Building, Vienna, Austria. Designed by Josef Maria Olbrich, this building was built in 1897-1898 to exhibit the work of the Viennese Art Nouveau movement known as the Vienna Secession

Die Erfullung, 1905. Artist: Gustav Klimt
Die Erfullung, 1905. Die Erfullung (Fulfilment) is part of the Stoclet Frieze a series of three mosaics for the Stoclet Palace in Brussells. From The Studio Volume 96

The Dining Room of the Stoclet Palace, Brussels, Belgium, c1914. The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911

The Hall of the Stoclet Palace, Brussels, Belgium, c1914. The Stoclet Palace was built by architect Josef Hoffmann for banker and art lover Adolphe Stoclet between 1905 and 1911

Auditorium in the Old Burgtheater, Vienna, 1888. Artist: Gustav Klimt
Auditorium in the Old Burgtheater, Vienna, 1888. From the collection of the Historical Museum der Stadt Wien, Vienna

Castello Sul Lago Atter, ( Castle Unterrach on the Attersee ) 1908. Artist: Gustav Klimt
Castello Sul Lago Atter, ( Castle Unterrach on the Attersee ) 1908

Womans Head ( Frauenkopf ), 1917. Artist: Gustav Klimt
Womans Head ( Frauenkopf ), 1917

Park, 1910. Artist: Gustav Klimt
Park, 1910. From the New York City Museum of Modern Art

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Gustav Klimt: A Master of Beauty and Elegance Step into the captivating world of Gustav Klimt, an Austrian symbolist painter who left an indelible mark on the art world. Known for his mesmerizing works that blend symbolism, sensuality, and opulence, Klimt's creations continue to enchant audiences worldwide. One of his most remarkable pieces is "The Bathroom of the Stoclet Palace, " located in Brussels, Belgium. Painted around 1914, this masterpiece showcases Klimt's ability to infuse everyday scenes with a touch of ethereal beauty. In "Portrait of a Bearded Man, " Klimt captures the essence and character of his subject with meticulous attention to detail. This striking piece offers a glimpse into the artist's skillful portrayal of human emotions. Klimt also explored themes related to motherhood and childhood in his work. "Baby (Cradle)" depicts tender moments between mother and child while highlighting the artist's signature use of gold leaf accents. His portraits are equally captivating; take for example "Serena Pulitzer Lederer. " Created in 1899, this portrait exudes elegance as it immortalizes its subject through delicate brushstrokes and rich colors. Another notable portrait is "Mada Primavesi, " which showcases both youthfulness and maturity simultaneously. Painted in 1912-13, this piece exemplifies Klimt's ability to capture inner beauty through exquisite details. Klimt was not only known for his paintings but also for architectural collaborations such as Unterach am Attersee in Upper Austria. Although created by an unknown architect around 1935, it reflects elements reminiscent of Klimt’s style - ornate patterns blending seamlessly with nature. The Secession Building in Vienna stands as a testament to Klimt’s influence on architecture during the Art Nouveau movement. Its distinctive golden dome and intricate ornamentation pay homage to Klimt's artistic vision.