Guilt Collection (#2)

Illustration for The Vicar of Wakefield by Oliver Goldsmith (litho)
6028822 Illustration for The Vicar of Wakefield by Oliver Goldsmith (litho) by Sullivan, Edmund Joseph (1869-1933); Private Collection; (add.info.: When lovely woman stoops to folly)

The kiss of Judas (chromolitho)
971993 The kiss of Judas (chromolitho) by French School, (19th century); Private Collection; (add.info.: The kiss of Judas. Educational card.); © Look and Learn

The Merciless Lady, 1865 (w / c & bodycolour on paper)
PNH468076 The Merciless Lady, 1865 (w/c & bodycolour on paper) by Rossetti, Dante Gabriel Charles (1828-82); 31x31 cm; Private Collection; (add.info)

Fletcher of Madeley (engraving)
2792964 Fletcher of Madeley (engraving) by Margetson, William Henry (1861-1940) (after); Private Collection; (add.info.: Fletcher of Madeley)

Visit to South Africa by Joseph Chamberlain (colour litho)
2795687 Visit to South Africa by Joseph Chamberlain (colour litho) by French School, (20th century); Private Collection; (add.info.: Visit to South Africa by Joseph Chamberlain)

English aristocrat in a carriage ignoring a handshake from a lady, 19th century. Mrs Lucy Somersville cut by the Countess of Caperington, Lady Scattercash

The meeting of Jacob and Esau, illustration from a catechism L
REV326576 The meeting of Jacob and Esau, illustration from a catechism L Histoire Sainte, published by Charles Delagrave, Paris, late 19th century (colour litho) by French School

Joseph allows himself to be recognised by his brothers, illustration from a catechism
REV326565 Joseph allows himself to be recognised by his brothers, illustration from a catechism L Histoire Sainte, published by Charles Delagrave, Paris

Guilty, proof of an illustration to Vol. II of Orley Farm
BBC199378 Guilty, proof of an illustration to Vol. II of Orley Farm by Anthony Trollope (1815-82) 1862 (engraving) by Millais

Christ and the Adulteress, c. 1620 (oil on canvas)
5242283 Christ and the Adulteress, c.1620 (oil on canvas) by Boulogne, Valentin de (1594-1632); 167x221.3 cm; J. Paul Getty Museum, Los Angeles

Silhouette
Busy Little Maids sewing a guilt. Artist: H G C Marsh Lambert Date: 1921

Delilah, illustration from Women of the Bible
IL281094 Delilah, illustration from Women of the Bible, published by The Religious Tract Society, 1927 (colour litho) by Copping, Harold (1863-1932); Private Collection; English, out of copyright

Pallit confesses his guilt
LLM456153 Pallit confesses his guilt by English School, (19th century); Private Collection; (add.info.: Pallit confesses his guilt)

Scene from la gazza ladra (The Thieving Magpie), opera by Gioachino Rossini (chromolitho)
2815935 Scene from la gazza ladra (The Thieving Magpie), opera by Gioachino Rossini (chromolitho) by French School, (19th century); Private Collection; (add.info)

A moving confrontation in court (colour litho)
2819131 A moving confrontation in court (colour litho) by French School, (20th century); Private Collection; (add.info.: A moving confrontation in court)

He no longer sleeps! (colour litho)
2785914 He no longer sleeps! (colour litho) by French School, (20th century); Private Collection; (add.info.: He no longer sleeps)

Comic postcard, Three Cats -- No Ma am, We Aint Seen Your Birdie. Date: circa 1910

Trespass Offering of the Poor 1840
This depicts a trespass offering (also known as a guilt offering) which was a sacrifice made as a compensation payment for transgressions that were committed through ignorance

Convict Life at Portland (engraving)
1044068 Convict Life at Portland (engraving) by English School, (19th century); Private Collection; (add.info.: Convict Life at Portland)

Christ and the Adulteress, c. 1545-50 (oil on beech)
3493049 Christ and the Adulteress, c.1545-50 (oil on beech) by Cranach, Lucas the Younger (1515-86) (studio of); 15.9x21.6 cm; Metropolitan Museum of Art, New York

Phedre, c. 1880 (oil on canvas)
3113901 PhAdre, c.1880 (oil on canvas) by Cabanel, Alexandre (1823-89); Musee Fabre, Montpellier, France; Prismatic Pictures; French, out of copyright

Drawing Room Drapery (Grecian setting) from Furniture with Candelabras
STC255718 Drawing Room Drapery (Grecian setting) from Furniture with Candelabras and Interior Decoration 1833 by Bridgens, Richard (fl.1820) colour print by Bridgens

After the feast (colour litho)
2818629 After the feast (colour litho) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: After the feast. Otto von Bismarcks birthday)

Pilate Washing His Hands, from The Engraved Passion, 1512 (engraving)
1767111 Pilate Washing His Hands, from The Engraved Passion, 1512 (engraving) by DAorer or Duerer, Albrecht (1471-1528); Private Collection; (add.info.: Pilate Washing His Hands)

Judas receiving thirty pieces of silver, detail of ivory diptych, French
BOO74234 Judas receiving thirty pieces of silver, detail of ivory diptych, French, 14th century (detail of 74233) by French School, (15th century); State Hermitage Museum, St

The Death of Lady Macbeth, 19th century (pen and ink on paper)
AMO101428 The Death of Lady Macbeth, 19th century (pen and ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); 30.7x35.8 cm; Ashmolean Museum, University of Oxford

Christian before the cross from The Pilgrims Progress From This World
5615829 Christian before the cross from The Pilgrims Progress From This World, To That Which Is To Come by John Bunyan (1628-1688) illustration by Thomas Dalziel (1823-1906)

Are YOU in this?, 1915 (colour litho)
2648879 Are YOU in this?, 1915 (colour litho) by Baden-Powell, Robert (1857-1941); 76x51 cm; Private Collection; (add.info.: Original Parliamentary Recruiting Committee poster No 112)

One of them confessed their guilt and sin (engraving)
979257 One of them confessed their guilt and sin (engraving) by French School, (19th century); Private Collection; (add.info.: One of them confessed their guilt and sin)

Judas betrays his master (colour litho)
3100208 Judas betrays his master (colour litho) by Bendixen, Siegfried Detler (1786-1864); Private Collection; (add.info.: Judas betrays his master)

Despair of Judas - Repentance of St Peter (chromolitho)
971992 Despair of Judas - Repentance of St Peter (chromolitho) by French School, (19th century); Private Collection; (add.info.: Despair of Judas - Repentance of St Peter)

The embarrassed doctor or Doctor with a pregnant young girl
CHT157478 The embarrassed doctor or Doctor with a pregnant young girl, early 19th century (coloured litho) by Coeure, Sebastien (1778-p.1831); Bibliotheque des Arts Decoratifs, Paris

Aha! My rabbit, I ve caught you eating your neighbours cabbages
CHT177892 Aha! My rabbit, I ve caught you eating your neighbours cabbages... caricature from Les Metamorphoses du Jour series

Afternoon tea in a Victorian drawing room, 19th century
6337315 Afternoon tea in a Victorian drawing room, 19th century by Leech, John (1817-64) (after); (add.info.: Afternoon tea in a Victorian drawing room, 19th century)

The husband and how to train it (colour litho)
5996093 The husband and how to train it (colour litho) by English School, (20th century); Private Collection; (add.info.: The husband and how to train it)

Its Not Me, 1872 (oil on canvas)
5984017 Its Not Me, 1872 (oil on canvas) by Schlesinger, Heinrich Wilhelm (1814-93); Private Collection; (add.info.: Feather Duster Broken Vase); German, out of copyright

It is nice in the surf but what about the men in the trenches. Go and help
1147569 It is nice in the surf but what about the men in the trenches. Go and help. 1917 (lithograph) by Souter, D. H. (1862-1935); Private Collection; Prismatic Pictures; Australian, out of copyright

Exhibition of the Royal Academy (engraving)
1618201 Exhibition of the Royal Academy (engraving) by Rankley, Alfred (1819-72); Private Collection; (add.info.: Exhibition of the Royal Academy)

Christ and the Woman taken in Adultery, c. 1570 (oil on panel)
3930916 Christ and the Woman taken in Adultery, c.1570 (oil on panel) by Aertsen, Pieter (Lange Pier) (1507/08-75); 122x180 cm; National Museum, Stockholm

Bluebeard confronts his wife after discovering blood on the key to the forbidden room (chromolitho)
1091559 Bluebeard confronts his wife after discovering blood on the key to the forbidden room (chromolitho) by French School

Christ and the Woman taken in Adultery, c. 1520-50 (oil on wood)
3588387 Christ and the Woman taken in Adultery, c.1520-50 (oil on wood) by Cranach, Lucas (1472-1553) (studio of); 77x124 cm; National Museum, Stockholm

Hell, 1614 (fresco)
3498680 Hell, 1614 (fresco) by Rovere, Giovanni Mauro della (called Fiamminghino) (c.1575-1640); Chiesa di Sant Eusebio, Peglio, Como, Lombardy, Italy; (add.info.: Peglio, s Eusebio, Fiammenghino)

Eve Repentente, c, 1865-97 (mixed media on paper laid on canvas)
480796 Eve Repentente, c, 1865-97 (mixed media on paper laid on canvas) by Watts, George Frederick (1817-1904) (after); 75x35 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

The Broken Window, 1855 (oil on canvas)
WAG13328 The Broken Window, 1855 (oil on canvas) by Knight, William Henry (1823-63); 73.7 x 96.6 cm; Wolverhampton Art Gallery, West Midlands, UK; eWolverhampton Art Gallery; English, out of copyright

Eve (bronze)
NUL120326 Eve (bronze) by Rodin, Auguste (1840-1917); height: 70 cm; Private Collection; (add.info.: study for The Gates of Hell ; ); French, out of copyright

Diana and Callisto
FTB61425 Diana and Callisto by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice, Italy; Italian, out of copyright

Before Judge and Jury, Verdict, "Guilty"(engraving)
1626438 Before Judge and Jury, Verdict, " Guilty" (engraving) by Wain, Louis (1860-1939); Private Collection; (add.info.: Before Judge and Jury, Verdict, " Guilty")

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"Guilt: A Complex Tapestry of Emotions" In Antonio Maria Fabres y Costa's painting, "The Thief, " guilt is depicted as a haunting shadow that follows the wrongdoer relentlessly. The remorseful expression on the thief's face speaks volumes about the weight of his actions. Sometimes they can arise from a miscarriage of justice, where innocent individuals bear the burden of false accusations, and is an overwhelming feeling that engulfs their every thought and action, leaving them in a constant state of anguish. But guilt isn't limited to humans alone; even our furry friends experience it. As we catch a glimpse of a pug puppy looking over its shoulder or a tricolour Border Collie puppy with sad eyes, we see innocence tainted by an unexplained sense of wrongdoing. Their expressions remind us that guilt knows no species boundaries. Nature too holds stories within its grasp. The Kakapo bird's close-up reveals sensory facial feathers that seem to reflect deep contemplation and perhaps even regret for past choices made on Codfish Island. Even historical events have left imprints upon humanity's conscience. In the 19th century depiction titled "Wife Catches Husband, " we witness the moment when secrets are unveiled and remorse floods both parties involved—a powerful reminder that deceit breeds feelings of culpability. During times like World War I, propaganda posters urging people to enlist carry an underlying message: those who don't join may be plagued by guilty consciences for not doing their part in defending their country—an emotional burden difficult to bear. Within majestic settings such as Windsor Castle's grand staircase or Semengoh Nature Reserve where orangutans reside, one might expect solace from any feelings associated with guilt. However, even amidst beauty and tranquility, introspection can give rise to self-reflection and acknowledgment—leading us down paths filled with remorse or redemption. Animals also teach us about forgiveness and redemption.