Guardi Collection (page 2)

Venice: Entrance to the Cannaregio, c19th century. Painting held in The National Gallery, London. From A History of Painting, Volume III by Haldane MacFall. [T. C. and E. C

The Dogana and Salute, Venice, c1775, (1938). Artist: Francesco Guardi
The Dogana and Salute, Venice, c1775, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

The Island of San Giorgio, Venice, c1770, (1938). Artist: Francesco Guardi
The Island of San Giorgio, Venice, c1770, (1938). Painting held at the Scottish National Gallery, Edinburgh. From A Catalogue of the Pictures

Venice. The Grand Canal with Palazzo Pesaro, 1755-1760. Artist: Guardi, Francesco (1712-1793)
Venice. The Grand Canal with Palazzo Pesaro, 1755-1760. Found in the collection of the National Gallery, London

Venice. The Arsenal, 1755-1760. Artist: Guardi, Francesco (1712-1793)
Venice. The Arsenal, 1755-1760. Found in the collection of the National Gallery, London

Venice, Piazza San Marco, ca 1760. Artist: Guardi, Francesco (1712-1793)
Venice, Piazza San Marco, ca 1760. Found in the collection of the National Gallery, London

A Gondola on the Lagoon near Mestre, after 1780. Artist: Guardi, Francesco (1712-1793)
A Gondola on the Lagoon near Mestre, after 1780. Found in the collection of the National Gallery, London

The Entrance to the Arsenal in Venice, after 1776. Artist: Guardi, Francesco (1712-1793)
The Entrance to the Arsenal in Venice, after 1776. Found in the collection of the Art History Museum, Vienne

Scene in the Garden of a Serraglio, ca 1743. Artist: Guardi, Giovanni Antonio (1699-1760)
Scene in the Garden of a Serraglio, ca 1743. Found in the collection of the Thyssen-Bornemisza Collections

The Bucintoro Festival of Venice, Mid of the 18th cen Artist: Guardi, Francesco (1712-1793)
The Bucintoro Festival of Venice, Mid of the 18th cen.. Found in the collection of the Statens Museum for Kunst, Copenhagen

View of the Santa Maria della Salute Church, 18th century. Artist: Francesco Guardi
View of the Santa Maria della Salute Church, 18th century. Guardi, Giacomo (1764-1835). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

View of the San Giorgio Maggiore Island, between 1765 and 1775. Artist: Francesco Guardi
View of the San Giorgio Maggiore Island, between 1765 and 1775. Guardi, Francesco (1712-1793). Found in the collection of the State Hermitage, St. Petersburg

View of a Square and a Palace, between 1775 and 1780. Artist: Francesco Guardi
View of a Square and a Palace, between 1775 and 1780. Guardi, Francesco (1712-1793). Found in the collection of the State Hermitage, St. Petersburg

Venetian Courtyard, 1770s. Artist: Francesco Guardi
Venetian Courtyard, 1770s. Guardi, Francesco (1712-1793). Found in the collection of the State A. Pushkin Museum of Fine Arts, Moscow

City View, 1770s. Artist: Francesco Guardi
City View, 1770s. Guardi, Francesco (1712-1793). Found in the collection of the State Hermitage, St. Petersburg

The Grand Canal, Venice, c1732-1790. Artist: Francesco Guardi
The Grand Canal, Venice, c1732-1790. Located in the collection at, Kenwood House, London

The Feast of Ascension in the Piazza San Marco, c1775. Artist: Francesco Guardi
The Feast of Ascension in the Piazza San Marco, c1775. The veduta, considered one of Guardi?s masterpieces, shows the Piazza San Marco decorated for the most important festivities in Venice

Venice, c1775 Artist: Francesco Guardi
Venice, c1775. Located in the collection at, Museum Calouste Gulbenkian, Portugal

Female Saint Contemplating Crucifix Attributed
A Female Saint Contemplating a Crucifix; Attributed to Giovanni Antonio Guardi (Italian, 1699 - 1760); Italy; about 1745; Pen and brown ink with light brown wash, heightened with white bodycolor

Half-Length Figure Magus verso Seated Ruler Half-Length
Half-Length Figure of a Magus; verso, A Seated Ruler Half-Length Carrying a Scepter; Giovanni Antonio Guardi (Italian, 1699 - 1760); 1750 - 1760; Red chalk

Fire in the oil depot at San Marcuola, 1789, by Francesco Gu
Francesco Guardi (1712-1793), Italian painter. Fire in the oil depot at San Marcuola, 1789, Alte Pinakothek. Munich. Germany

Gian Antonio Guardi, Italian (1699-1761), Male Nude [verso], c. 1750s, red chalk heightened with white on brown paper

Attributed to Francesco Guardi, Italian (1712-1793), View of the Rialto Bridge, Venice, pen and brown ink with brown wash and watercolor on laid paper, laid down

Francesco Guardi (Italian, 1712 - 1793), An Elegantly Dressed Woman Struggling with a Lion, 1782, pen and brown ink with white heightening on blue laid paper

Francesco Guardi and Giacomo Guardi (Italian, 1712 - 1793), The Island of Madonna della Grazia, pen and brown ink with brown wash on two joined sheets of laid paper

Giacomo Guardi (Italian, 1764 - 1835), Capriccio of Classical Ruins with a Fortress, pen and brown ink with gray wash on laid paper

Gian Antonio Guardi and Francesco Guardi, Carlo and Ubaldo Resisting the Enchantments of Armidas Nymphs, Italian, 1699 - 1761, 1750-1755, oil on canvas

A Theatrical Performance; Francesco Guardi, Italian, 1712 - 1793; Italy, Europe; 1782; Pen and brown ink and brush with brown wash over black chalk; 27.5 x 38.4 cm (10 13/16 x 15 1/8 in.)

A Female Saint Contemplating a Crucifix; Attributed to Giovanni Antonio Guardi, Italian, 1699 - 1760; Italy, Europe; about 1745; Pen and brown ink with light brown wash

Portrait of a Halberdier (Francesco Guardi?); Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557; Italy, Europe; 1528 - 1530; Oil (or oil and tempera)

View of Campo S. Polo; Francesco Guardi, Italian, 1712 - 1793; about 1790; Pen and brown ink and brown wash over black chalk; 19.2 x 28.6 cm (7 9/16 x 11 1/4 in.)

An Imaginary View of a Venetian Lagoon, with a Fortress by the Shore; Francesco Guardi, Italian, 1712 - 1793; about 1750 - 1755; Pen and brown ink, brown wash

Half Length Figure of a Magi (verso: A Seated Ruler Half-Length Carrying a Scepter); Giovanni Antonio Guardi, Italian, 1699 - 1760; 1750 - 1760; Red chalk

The Grand Canal in Venice with Palazzo Bembo; Francesco Guardi, Italian, 1712 - 1793; about 1768; Oil on canvas; Unframed: 47 x 76.5 cm (18 1/2 x 30 1/8 in.)

Francesco Guardi, View on the Cannaregio Canal, Venice, Italian, 1712-1793, c. 1775-1780, oil on canvas

VENICE: GIOVEDI GRASSO. The Festival of Giovedi Grasso on the Pizzetta in Venice, Italy. Drawing by Francesco Guardi, 18th century

GUARDI: VENICE. Francesco Guardi (1712-1793): Venice: The Grand Canal towards Santa Chiara. Canvas

GUARDI: DOGE. The Doge Alvise IV at the Basilica di Santa Maria della Salute in Venice, Italy. Oil on canvas by Francesco Guardi, 1766-70

FRANCESCO GUARDI: VENICE. Church and Square of Saint John and Saint Paul. Canvas

GUARDI: VENICE. Venice: Gondola on the Lagoon. Oil on canvas by Francesco Guardi

VENICE: FESTIVAL, 1797. Festival of the Liberty Tree at Saint Marks Plaza in Venice, Italy, after its fall to Napoleon Bonapartes forces in 1797. Painting by Giacomo Guardi

GUARDI: CONCERT IN VENICE. Oil on canvas; mid-18th century, by Francesco Guardi

GUARDI, Francesco (1712-1793). Alexander the Great at the Body of the Persian King Darius. 18th c. Rococo. Painting; Oil on canvas. RUSSIA. Moscow. Pushkin Museum of Fine Arts

Ragusa, Corpi di Guardi Square, Dalmatia, Austro-Hungary. Date between ca. 1890 and ca. 1900

VENICE: SAINT MARK S. Doge Alvise IV at Saint Marks Square, being carried on the backs on men, and distributing coins held on gondolier batons to the crowd. Painting by Francesco Guardi, c1770

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Francesco Guardi, a renowned Italian artist of the late 18th century, captured the essence of Venice in his exquisite paintings. From the bustling Piazza San Marco to the serene Isola del Lazzaretto Vecchio, Guardi's works transport us back in time. In one of his masterpieces, Guardi takes us to Piazza San Marco during the late 1760s. The square comes alive with its grand architecture and lively atmosphere. As we gaze upon this painting, we can almost hear the sounds of footsteps echoing against ancient cobblestones. On Isola del Lazzaretto Vecchio, Guardi unveils a hidden gem from the second half of the 18th century. This tranquil island is depicted with such precision that we can feel a gentle breeze rustling through lush greenery as we explore its shores. Moving along to another piece by Guardi, our eyes are drawn towards The Grand Canal with Ca Pesaro. With deft strokes of black chalk and pen and brown ink, he captures both the majesty of Venetian palaces lining this iconic waterway and their reflection shimmering on its surface. It also immortalizes Campo San Zanipolo in front of Scuola di San Marco with his depiction of The Loggia Erected. We can almost imagine ourselves standing beneath this elegant structure as it stands proudly against an azure sky. Not limited to landscapes alone, Guardi showcases his talent for portraiture in his captivating portrayal of King Ferdinand VI of Spain. Through oil on canvas laid on panel technique, he brings forth every intricate detail that defines royalty. Santa Maria delle Salute and Entrance to Grand Canal beckon us next as they stand tall amidst Venetian splendor. Looking eastward from afar allows us to appreciate their architectural brilliance while basking in Venice's timeless beauty. The Rialto Bridge takes center stage in another one of Guardi's works.