Grimshaw Collection

By the Light of the Moon, 1882. Artist: John Atkinson Grimshaw
By the Light of the Moon, 1882. From a private collection

Boulton and Watt steam engine with planetary gear, 1795 Date: 1795

General view of the engine Date: 1795

Blackman Street, London, 1885. Artist: John Atkinson Grimshaw
Blackman Street, London, 1885. From a private collection

Ground plan of the engine, boilers Date: 1795

Cover design, Blue Book Magazine, pulp fiction, January 1934 Date: 1934

Lady in a Garden by Moonlight, 1892 (oil on board)
1766747 Lady in a Garden by Moonlight, 1892 (oil on board) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Lady in a Garden by Moonlight. John Atkinson Grimshaw (1836-1893)

Going to Church, 1880 (oil on canvas)
1766677 Going to Church, 1880 (oil on canvas) by Grimshaw, John Atkinson (1836-93); Private Collection; (add.info.: Going to Church. John Atkinson Grimshaw (1836-1893)

The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper)
1199603 The Wharfe Valley, with Barden Tower Beyond, 1870s (oil on paper) by Grimshaw, John Atkinson (1836-93); 38x50.7 cm; Private Collection; Photo eChristies Images; English, out of copyright

Glasgow Docks, 1892 (oil on canvas)
3431720 Glasgow Docks, 1892 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 31.2x46.3 cm; Private Collection; Photo eChristies Images; English, out of copyright

The Autumns Golden Glory, (oil on canvas)
658400 The Autumns Golden Glory, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 28.5x44.5 cm; Private Collection; (add.info.: The Autumns Golden Glory. John Atkinson Grimshaw (1836-1893)

Liverpool Docks, (oil on canvas)
828458 Liverpool Docks, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 30.5x45.7 cm; Private Collection; (add.info.: Liverpool Docks. John Atkinson Grimshaw (1836-1893). Oil on canvas

Stapleton Park, Pontefract, 1877 (oil on canvas)
659859 Stapleton Park, Pontefract, 1877 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 82.6x122.6 cm; Private Collection; (add.info.: Stapleton Park, Pontefract)

In the Golden Olden Time (oil on canvas)
1772155 In the Golden Olden Time (oil on canvas) by Grimshaw, John Atkinson (1836-93); 68.6x50.8 cm; Private Collection; (add.info.: In the Golden Olden Time. John Atkinson Grimshaw (1836-1893)

Under the Moonbeams, 1887 (oil on board)
1772131 Under the Moonbeams, 1887 (oil on board) by Grimshaw, John Atkinson (1836-93); 46x35.9 cm; Private Collection; (add.info.: Under the Moonbeams. John Atkinson Grimshaw (1836-1893)

Waterloo Lake, Roundhay Park, Leeds, 1876-7 (oil on board)
1772130 Waterloo Lake, Roundhay Park, Leeds, 1876-7 (oil on board) by Grimshaw, John Atkinson (1836-93); 21x42 cm; Private Collection; (add.info.: Waterloo Lake, Roundhay Park, Leeds)

Night Toil, Billingsgate Wharf, (oil on canvas)
828416 Night Toil, Billingsgate Wharf, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 55.6x91.4 cm; Private Collection; (add.info.: Night Toil, Billingsgate Wharf)

The Pool and London Bridge at Night, 1884 (oil on canvas)
658333 The Pool and London Bridge at Night, 1884 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 55.9x91.5 cm; Private Collection; (add.info.: The Pool and London Bridge at Night)

Whitby, (oil on canvas)
659898 Whitby, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 40.4x61 cm; Private Collection; (add.info.: Whitby. John Atkinson Grimshaw (1836-1893). Oil on canvas

Lovers in a Wood by Moonlight, 1873 (oil on card)
1772175 Lovers in a Wood by Moonlight, 1873 (oil on card) by Grimshaw, John Atkinson (1836-93); 36x23.2 cm; Private Collection; (add.info.: Lovers in a Wood by Moonlight)

Blue Belle, 1877 (oil on board)
1772132 Blue Belle, 1877 (oil on board) by Grimshaw, John Atkinson (1836-93); 46.3x30.2 cm; Private Collection; (add.info.: Blue Belle. John Atkinson Grimshaw (1836-1893). Oil on board

A Moonlit Harbour, 1883 (oil on canvas)
989785 A Moonlit Harbour, 1883 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 50.8x75.9 cm; Private Collection; (add.info.: A Moonlit Harbour. John Atkinson Grimshaw (1836-1893)

My Wee White Rose, 1882 (oil on canvas)
659899 My Wee White Rose, 1882 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 76.2x48.3 cm; Private Collection; (add.info.: My Wee White Rose. John Atkinson Grimshaw (1836-1893)

The Harbour Lights, Whitby, (oil on canvas)
659161 The Harbour Lights, Whitby, (oil on canvas) by Grimshaw, John Atkinson (1836-93); 60x90 cm; Private Collection; (add.info.: The Harbour Lights, Whitby. John Atkinson Grimshaw (1836-1893)

London Bridge - Half Tide, 1884 (oil on canvas)
989579 London Bridge - Half Tide, 1884 (oil on canvas) by Grimshaw, John Atkinson (1836-93); 56x91 cm; Private Collection; (add.info.: London Bridge - Half Tide. John Atkinson Grimshaw (1836-1893)

Newlay Wood, 1861 (oil on board)
828457 Newlay Wood, 1861 (oil on board) by Grimshaw, John Atkinson (1836-93); 27x38.1 cm; Private Collection; (add.info.: Newlay Wood. John Atkinson Grimshaw (1836-1893). Oil on Board

A Moonlit Stroll, Bonchurch, Isle of Wight, 1878 (oil on board)
828397 A Moonlit Stroll, Bonchurch, Isle of Wight, 1878 (oil on board) by Grimshaw, John Atkinson (1836-93); 55.8x45.7 cm; Private Collection; (add.info.: A Moonlit Stroll, Bonchurch, Isle of Wight)

The Cradle Song, 1878. Creator: Grimshaw, John Atkinson (1836-1893)
The Cradle Song, 1878. Private Collection

The Thames by moonlight with Southwark Bridge, 1884. Artist: John Atkinson Grimshaw
The Thames by moonlight with Southwark Bridge, 1884

The Haunted Mill, 1893. Artist: WH Murphy Grimshaw
The Haunted Mill, 1893

Iris, c1860-1893. Artist: John Atkinson Grimshaw
Iris, c1860-1893

Cover design, London Magazine, August, one shilling, with a woman in a black swimming costume and a red scarf on her head. Containing stories by Chesterton, Baroness Orczy, Elinor Glyn and others

Evening Glow Signed on back: P. L. R. John Atkinson Grimshaw, 1836-1893
Evening Glow Signed on back: " P.L.R.", John Atkinson Grimshaw, 1836-1893, British

Harbor Scene, John Atkinson Grimshaw, 1836-1893, British

The Lady of Shalott Signed and dated in ocher paint, lower right: Atkinson
The Lady of Shalott Signed and dated in ocher paint, lower right: " Atkinson Grimshaw | 158 [...] 2x", John Atkinson Grimshaw, 1836-1893, British

SALEM: GRIMSHAWE HOUSE. The Grimshawe House and Old Burying Ground, Charter Street, Salem, Massachusetts

Dr. Grimshaws house, Salem, Massachussetts. Etching, 1886, by George White
MASSACHUSSETTS: SALEM. Dr. Grimshaws house, Salem, Massachussetts. Etching, 1886, by George White

SPAIN. Sevilla. Socialist Government. Sevilla World Exhibition (Expo 92). United Kingdom Pavillion designed by architect Nicholas Grimshaw

Autumn forest. Photographed north of Grimshaw, Alberta, Canada

Plan of the engine taken above the working beam Date: 1795

Top of the connecting rod Date: 1795

Gear, front and side view

Longitudinal section of the boiler houses and chimneys Date: 1795

Cross section of engines and boiler houses Date: 1795

Side view of the engine framing Date: 1795

Cross section of the boilers Date: 1795

Front view of the engine Date: 1795

Edge view of the rotative motion Date: 1795

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"Exploring the Multifaceted World of Grimshaw: From Engines to Art" Step into the fascinating world of Grimshaw, where innovation and creativity intertwine. A general view of the engine reveals a marvel - the Boulton and Watt steam engine with planetary gear, a true testament to human ingenuity. But Grimshaw's talents extend far beyond mechanics. In "By the Light of the Moon, " artist John Atkinson Grimshaw captures ethereal beauty, transporting us to a moonlit scene in 1882. The enchantment continues as we stroll through Blackman Street in London, brought to life by Grimshaw's artistic brushstrokes in 1885. Delving deeper into his technical prowess, we uncover ground plans showcasing meticulous details of engines and boilers. Even cover designs for Blue Book Magazine bear his mark, displaying his versatility across various mediums. Grimshaw's artistry shines brightly in "Lady in a Garden by Moonlight. " Painted on board in 1892, it exudes an air of mystery and tranquility that captivates our imagination. Equally captivating is "Going to Church, " an oil masterpiece from 1880 that evokes emotions through its skillful use of colors and composition. Transporting us further into landscapes painted with passion, "The Wharfe Valley with Barden Tower Beyond" takes us back to the scenic beauty of the 1870s captured on paper. Meanwhile, Glasgow Docks come alive on canvas in 1892 as ships dock amidst bustling activity. Grimshaw's mastery extends even beyond these shores; he immortalizes Liverpool Docks' vibrant energy through bold brushstrokes on canvas. And finally, we are mesmerized by "The Autumn's Golden Glory, " where nature bursts forth with radiant hues that evoke warmth and nostalgia. Intriguingly diverse yet united by sheer brilliance, Grimshaw leaves an indelible mark both in the realm of engines and art.