Grieving Collection (page 32)

The Lamentation of Christ, ca. 1473. Creator: Simon Marmion
The Lamentation of Christ, ca. 1473

The Lamentation, ca. 1450. Creator: Petrus Christus
The Lamentation, ca. 1450

The Entombment of Christ, ca. 1702. Creator: Juan Rodriguez Juarez
The Entombment of Christ, ca. 1702

The Lamentation, ca. 1582. Creator: Lodovico Carracci
The Lamentation, ca. 1582

The Lamentation, ca. 1560. Creator: Luis de Morales
The Lamentation, ca. 1560

The Crucifixion, ca. 1400. Creator: Stefano da Verona
The Crucifixion, ca. 1400

Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin, ca. 1530-40. Creator
Christ Crowned with Thorns (Ecce Homo), and the Mourning Virgin, ca. 1530-40

The Crucifixion, possibly ca. 1440. Creator: Fra Angelico
The Crucifixion, possibly ca. 1440

The Crucifixion, ca. 1325-30. Creator: Bernardo Daddi
The Crucifixion, ca. 1325-30

Pieta, 1476. Creator: Carlo Crivelli
Pieta, 1476

The Lamentation, 1603. Creator: Domenichino
The Lamentation, 1603

The Lamentation, ca. 1520-25. Creator: Ambrosius Benson
The Lamentation, ca. 1520-25

The Entombment, 1554. Creator: Moretto da Brescia
The Entombment, 1554

Lamentation over the dead Christ, marble panel, c1470-1475, (1881). Creator: J. I
Lamentation over the dead Christ, marble panel, c1470-1475, (1881). Etching of a carved relief made by Bartolomeo Bellano in the early 1470s for the church of SS Trinita in Padua, Italy

Mary, 1922. Creator: Henry Traut
Mary, 1922. Martha Veit as the Virgin Mary in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria

Pieta, 1922. Creator: Henry Traut
Pieta, 1922. The Virgin Mary (Martha Veit) with the dead Christ (Anton Lang): players in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

The Green Shutters: Viaticum, Belgium, 1918, (c1930). Creator: Frank Spenlove-Spenlove
The Green Shutters: Viaticum, Belgium, 1918, (c1930). Old woman and child in the snow outside a house where someone has recently died, indicated by the cross on the doorstep

Pieta (after Delacroix), September 1889, (1947). Creator: Vincent van Gogh
Pieta (after Delacroix), September 1889, (1947). Variation on the original work of 1850 by Eugene Delacroix, of the Virgin Mary mourning the dead Christ. Painting in the Van Gogh Museum, Amsterdam

Men of the Lützow Free Corps with Korners body, 26 August 1813, (1936)
Men of the Lutzow Free Corps with Korners body, 26 August 1813, (1936). Die Lutzower An Der Leiche Korners, 26 August 1813

Homecoming of Eberhard of Württemberg after the battle of Doffingen, 1388, (1936)
Homecoming of Eberhard of Wurttemberg after the battle of Doffingen, 1388, (1936). Heimkehr Des Grafen Eberhard Von Wurttemberg Nach Der Schlacht Bei Doffingen, 1388

The Deposition, 1563, (1930). Creator: Jacopo Tintoretto
The Deposition, 1563, (1930). The body of Christ is taken down from the cross. Painting in the Pinacoteca di Brera, Milan, Italy. From " The Connoisseur", Volume 86, edited by C

The Wailing Wall, Jerusalem, Palestine, 1895. Creator: W &s Ltd
The Wailing Wall, Jerusalem, Palestine, 1895. Women mourning at the holiest place where Jews are permitted to pray - Jewish law imposes restrictions on entering Temple Mount which lies beyond

Lines written in an Album, at Malta, c1812. Creator: Unknown
Lines written in an Album, at Malta, c1812. Poem written on 14 September 1809 by Lord George Gordon Byron, first published in 1812

The Three Marys, c. 1905-10 (oil on canvas)
3366991 The Three Marys, c.1905-10 (oil on canvas) by Abbey, Edwin Austin (1852-1911); 172.7x172.7 cm; Yale University Art Gallery, New Haven, CT, USA; (add.info.: ); American, out of copyright

The Discovery of the Bodies of Pyramus and Thisbe, c. 1630-35 (oil on copper)
XIR417050 The Discovery of the Bodies of Pyramus and Thisbe, c.1630-35 (oil on copper) by Bramer, Leonard (1596-1674); 46x60 cm; Louvre, Paris

The Deposition (oil on panel)
XIR316367 The Deposition (oil on panel) by Bouts, Dirck (c.1415-75); Narodni Galerie, Prague, Czech Republic; Dutch, out of copyright

Portrait of Ginevra Aldrovandi Hercolani as a Widow, late 1590s (oil on canvas)
WLT218306 Portrait of Ginevra Aldrovandi Hercolani as a Widow, late 1590s (oil on canvas) by Fontana, Lavinia (1552-1614); 115x95 cm; Walters Art Museum, Baltimore, USA; Italian, out of copyright

The Children of Charles I, 1895, (c1902). Creator: Unknown
The Children of Charles I, 1895, (c1902). After a painting in the Gallery Oldham collection. From The Nations Pictures. A selection from the finest modern paintings in the public picture galleries of

Constantia at the Grave of Theodosius, 19th century. Artist: Thomas Uwins
Constantia at the Grave of Theodosius, 19th century

The Death Journey of the Lily Maid of Astolat, 1911. From Stories of the Knights of the Round Table by Henry Gilbert, first edition, 1911

Found the Queen Dead, 1905. Artist: Dora Curtis
Found the Queen Dead, 1905. An illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905

A lady weeping bitterly, 1905. Artist: Dora Curtis
A lady weeping bitterly, 1905. An illustration from Stories of King Arthur and the Round Table by Beatrice Clay, 1st Edition, 1905

The Death of Beowulf, 1910. Artist: John Henry Frederick Bacon
The Death of Beowulf, 1910. A print from Hero Myths and Legends of the British Race by MI Ebbutt, 1910

Act 5 Scene 3 from King Lear by William Shakespeare, 19th century. Lear grieving over the death of his daughter Cordelia. The play was first performed in c1605

The Zeppelin Triumph: Casualty of War, 1916. Artist: Louis Raemaekers
The Zeppelin Triumph: Casualty of War, 1916. Plate 43 from The Great War: A Neutrals Indictment by Louis Raemaekers. The Dutch graphic artist Louis Raemaekers (1869-1956)

The End of All, 1883, (1946). Artist: Paul Albert Besnard
The End of All, 1883, (1946). Print also known as The End, (La Fin de Tout) (The End of Everything in French). Deathbed scene with family members gathered round, lit by a single candle

Death of Christopher Columbus, 1506, (1872). Italian explorer and trader Columbus (1451-1506) on his deathbed. Engraving from John Gilmary Sheas A Childs History of the United States

Dr Syntax Lamenting the Loss of His Wife, 1820. Artist: Thomas Rowlandson
Dr Syntax Lamenting the Loss of His Wife, 1820. From The Second Tour of Doctor Syntax, In Search of Consolation, by William Combe. [Ackermann, London, 1820]

The Night of Good Friday, c1892, (1917). Artist: Johann Heinrich Hofmann
The Night of Good Friday, c1892, (1917). From Bibbys Annual 1917, [J. Bibby & Sons, Liverpool, 1917]

Sigismunda Mourning over the Heart of Guiscardo, 1759. Artist: William Hogarth
Sigismunda Mourning over the Heart of Guiscardo, 1759. Inspired by Boccaccios Decameron, written in the mid 14th century. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

The grief of the sister of Horatius, c1912 (1912). Artist: Ernest Dudley Heath
The grief of the sister of Horatius, c1912 (1912). When she saw Horatius wearing on his shoulders the cloak of her betrothed, she broke into bitter sobs

Antechamber at Whitehall during the Dying Moments of Charles II, 1685 (1905). From Cassells History of England, Vol. III, [Cassell and Company, Limited, London, Paris, New York & Melbourne, 1905]

The passing of the first German Emperor: the deathbed of William I, 1888 (1911). From Edward VII: His Life and Times, Volume II, edited by Sir Richard Holmes, K.C.V.O. [The Amalgated Press, Ltd

In Memoriam, 20th century. Britannia weeping over a royal tomb, possibly of either Queen Victoria or King Edward VII. Lantern slide

Front cover of Ladys Pictorial, 14th May 1910. Artist: AM Faulkner
Front cover of Ladys Pictorial, 14th May 1910. In memoriam of King Edward VII, who died on 6th May 1910. A print from Ladys Pictorial, 14th May 1910

Descent from the Cross, c1545 (1870). Artist: E Thomas
Descent from the Cross, c1545 (1870). After the painting by Daniele da Volterra in the Trinita dei Monti, Rome. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

The Empty Cradle, 1900. Image from a one guinea prize photographic compatition. A print from Black and White Budget, Vol III, WJP Monckton, London, 13th October 1900

Alone in the World, 1882. A print from The Magazine of Art Vol V, Cassell, Peter, Galpin and Company, Limited, 1882

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"Grieving: A Multifaceted Portrait of Sorrow and Loss" In the poignant artwork "Achilles Lamenting the Death of Patroclus, " created between 1760-63, we witness the heart-wrenching grief of Achilles as he mourns his fallen comrade. The delicate pen and ink strokes on paper capture the raw emotions that accompany loss. Tilda Swinton's portrayal in Derek Jarmans' film "Caravaggio" (1986) brings to life the complex character of Saint Mary Magdalene, penitent and sorrowful. Through her captivating performance, she embodies the anguish and remorse felt by this biblical figure. The oil painting "Saint Mary Magdalene Penitent" from 1625-27 depicts a repentant Mary Magdalene seeking solace for her past sins. The artist skillfully conveys her deep sorrow through vibrant brushstrokes on canvas, evoking empathy from viewers. Henry Traut's haunting masterpiece "The Wailing Women" (1922) captures a collective expression of mourning. With their anguished faces and contorted bodies, these women symbolize universal grief experienced throughout history. Amidst bustling city life at Chancery Lane Underground Station stands an individual silently grieving on a platform. This solitary figure represents how personal sorrows can be juxtaposed against the backdrop of everyday existence. Peter Paul Rubens' powerful painting "Le Coup de Lance" (1620) portrays Christ's deposition from the cross with profound sadness etched upon his face. The artist masterfully captures both physical pain and emotional suffering in this iconic piece. Antonio d Este's post-1800 rendition titled "Deposition" showcases Jesus being taken down from the cross by his disciples—a scene filled with intense grief and compassion. Each stroke reveals a depth of emotion that resonates with viewers across centuries.