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Grief Collection (page 8)

"Grief: A Universal Language of Loss and Sorrow" In the depths of sorrow, we bid farewell to the old man, a soldier and his loyal horse

Background imageGrief Collection: Lamentation, c. 1540-45 (oil on oak panel)

Lamentation, c. 1540-45 (oil on oak panel)
BAL53554 Lamentation, c.1540-45 (oil on oak panel) by Heemskerck, Maerten van (1498-1574); 78.5x67.5 cm; Museum of Fine Arts (Szepmuveszeti) Budapest

Background imageGrief Collection: Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail)

Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail)
900553 Lamentation over the Dead Christ, 1436-41 (tempera on panel) (detail) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Background imageGrief Collection: Dead Christ (oil on canvas)

Dead Christ (oil on canvas)
899031 Dead Christ (oil on canvas) by Italian School, (17th century); Musee des Beaux-Arts, Nantes, France; (add.info.: Ecole napolitaine. PE6714)

Background imageGrief Collection: Death of the Strong Wicked Man, pl. 6, illustration from The Grave

Death of the Strong Wicked Man, pl. 6, illustration from The Grave, A Poem by William Blake (1757-1827)
XYC290776 Death of the Strong Wicked Man, pl.6, illustration from The Grave, A Poem by William Blake (1757-1827), engraved by Luigi Schiavonetti (1765-1810), 1808 (etching) by Blake

Background imageGrief Collection: Window depicting Pieta (stained glass)

Window depicting Pieta (stained glass)
PC344936 Window depicting Pieta (stained glass) by English School, (15th century); Church of St. Peter & St. Paul, East Harling, Norfolk, UK; (add.info.: Norwich School; )

Background imageGrief Collection: Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)

Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment)
REV326684 Entombment, from a facsimile of the Breviary of King Philip II of Spain, 1569 (parchment) by Fuente del Saz, Julian (d.1601) & Leon

Background imageGrief Collection: The Entombment (oil on canvas)

The Entombment (oil on canvas)
XIR426205 The Entombment (oil on canvas) by Orsi da Novellara, Lelio (1511-87); Musee des Beaux-Arts, Nimes, France; (add.info.: Tomb setting; )

Background imageGrief Collection: St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel)

St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel)
PWI94955 St. Jerome appearing to St. Cyril of Jerusalem, 1444 (oil on panel) by Pietro, Sano di, also Ansano di Pietro di Mencio (1406-81); 23.5x37.5 cm; Louvre, Paris, France; © Peter Willi

Background imageGrief Collection: Pieta, c. 1750 (oil on canvas)

Pieta, c. 1750 (oil on canvas)
ALM403393 Pieta, c.1750 (oil on canvas) by Italian School, (18th century); 154.9x99.7 cm; Allen Memorial Art Museum, Oberlin College, Ohio, USA; © Allen Memorial Art Museum; Mrs. F.F

Background imageGrief Collection: Achilles sacrificing his hair for Patroclus, 1800-5 (pen and ink wash on paper)

Achilles sacrificing his hair for Patroclus, 1800-5 (pen and ink wash on paper)
903194 Achilles sacrificing his hair for Patroclus, 1800-5 (pen and ink wash on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Kunsthaus, Zurich

Background imageGrief Collection: A Morning Ride in Athens (engraving)

A Morning Ride in Athens (engraving)
1047097 A Morning Ride in Athens (engraving) by Marie, Adrien Emmanuel (1848-91) (after); Private Collection; (add.info.: A Morning Ride in Athens)

Background imageGrief Collection: The Pieta, (oil on canvas)

The Pieta, (oil on canvas)
990355 The Pieta, (oil on canvas) by Carracci, Ludovico (1555-1619); 95.2x172.8 cm; Private Collection; (add.info.: The Pieta. Lodovico Carracci (1555-1619). Oil on canvas

Background imageGrief Collection: The Lamentation (pen and brown ink on white paper)

The Lamentation (pen and brown ink on white paper)
1216710 The Lamentation (pen and brown ink on white paper) by Raphael (Raffaello Sanzio of Urbino) (1483-1520); 17.9x20.6 cm; Ashmolean Museum, University of Oxford

Background imageGrief Collection: Death of Meleager (black pencil on paper)

Death of Meleager (black pencil on paper)
XIR414622 Death of Meleager (black pencil on paper) by David, Jacques Louis (1748-1825); 15.2x21.1 cm; Louvre (Cabinet de dessins), Paris

Background imageGrief Collection: The Lamentation Over the Dead Christ (oil on slate)

The Lamentation Over the Dead Christ (oil on slate)
CH438371 The Lamentation Over the Dead Christ (oil on slate) by Farinati, Paolo (1524-1606); 32.4x27.9 cm; Private Collection; Photo © Christies Images

Background imageGrief Collection: Death of Meleager (pen & brown ink & grey wash & pierre noire on paper)

Death of Meleager (pen & brown ink & grey wash & pierre noire on paper)
XIR414620 Death of Meleager (pen & brown ink & grey wash & pierre noire on paper) by David, Jacques Louis (1748-1825); 13.9x21.3 cm; Louvre (Cabinet de dessins), Paris

Background imageGrief Collection: The Entombment of Christ (oil on canvas)

The Entombment of Christ (oil on canvas)
XEH426233 The Entombment of Christ (oil on canvas) by Vouet, Simon (1590-1649); 151x153 cm; Musee des Beaux-Arts Andre Malraux, Le Havre, France; (add.info.: Christ carries to the tomb; )

Background imageGrief Collection: The Death of Meleager (pen & ink with gouache on paper)

The Death of Meleager (pen & ink with gouache on paper)
AMO418075 The Death of Meleager (pen & ink with gouache on paper) by Lippi, Filippino (c.1457-1504); 22.6x23 cm; Ashmolean Museum, University of Oxford

Background imageGrief Collection: Souvenir from the 2nd of December: The Child Was Shot Twice in the Head

Souvenir from the 2nd of December: The Child Was Shot Twice in the Head, illustration for the poem Souvenir de la nuit
CHT293600 Souvenir from the 2nd of December: The Child Was Shot Twice in the Head, illustration for the poem Souvenir de la nuit du 4 Decembre from Les Chatiments by Victor Hugo, Paris

Background imageGrief Collection: King Lear and Cordelia, 1776 (etching and aquatint with India ink)

King Lear and Cordelia, 1776 (etching and aquatint with India ink)
XYC290770 King Lear and Cordelia, 1776 (etching and aquatint with India ink) by Barry, James (1741-1806); 55.6x54.9 cm; Yale Center for British Art, Paul Mellon Collection

Background imageGrief Collection: Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles

Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho)
STC308588 Romeo and Juliet, Act V Scene 3, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageGrief Collection: The lamentation of Christ, c. 1500 (tempera on wood)

The lamentation of Christ, c. 1500 (tempera on wood)
BFM286570 The lamentation of Christ, c.1500 (tempera on wood) by Cozzarelli, Guidoccio di Giovanno (1450-1517); 21.5x40 cm; Lindenau Museum, Altenburg, Germany; Bildarchiv Foto Marburg

Background imageGrief Collection: The Triumph of Death (fresco) (detail of 34572)

The Triumph of Death (fresco) (detail of 34572)
BAL63050 The Triumph of Death (fresco) (detail of 34572) by Master of the Triumph of Death, (fl.1360-80) (attributed to); Camposanto, Pisa, Italy

Background imageGrief Collection: Early Sorrow, 1861 (oil on canvas)

Early Sorrow, 1861 (oil on canvas)
658745 Early Sorrow, 1861 (oil on canvas) by Hardy, Frederick Daniel (1826-1911); 65.5x100 cm; Private Collection; (add.info.: Early Sorrow. Frederick Daniel Hardy (1826-1911). Oil on canvas

Background imageGrief Collection: The Deposition (oil on canvas)

The Deposition (oil on canvas)
FTB95862 The Deposition (oil on canvas) by Tiepolo, Giovanni Battista (Giambattista) (1696-1770); Private Collection

Background imageGrief Collection: Jesus Mourned by the Virgin (oil on canvas)

Jesus Mourned by the Virgin (oil on canvas)
899078 Jesus Mourned by the Virgin (oil on canvas) by Guercino (Giovanni Francesco Barbieri) (1591-1666); 152x179 cm; Musee des Beaux-Arts, Rennes, France; (add.info.: PE6951)

Background imageGrief Collection: Pieta (oil on panel)

Pieta (oil on panel)
XIR161298 Pieta (oil on panel) by Morales, Luis de (1500-86); Real Academia de Bellas Artes de San Fernando, Madrid, Spain

Background imageGrief Collection: The Return of Marcus Sextus, 1799 (oil on canvas)

The Return of Marcus Sextus, 1799 (oil on canvas)
XIR83507 The Return of Marcus Sextus, 1799 (oil on canvas) by Guerin, Baron Pierre-Narcisse (1774-1833); 217x243 cm; Louvre, Paris, France; (add.info.: The Return of Marcus Sextus; )

Background imageGrief Collection: The Killing Ground (Reconstruction of Old Moscow) (oil on canvas)

The Killing Ground (Reconstruction of Old Moscow) (oil on canvas)
BCC423435 The Killing Ground (Reconstruction of Old Moscow) (oil on canvas) by Vasnetsov, Apollinari Mikhailovich (1856-1933); Private Collection; Calmann & King Ltd

Background imageGrief Collection: The Death of the baby put in the care of a nurse, engraved by Delegorgue (colour engraving)

The Death of the baby put in the care of a nurse, engraved by Delegorgue (colour engraving)
CHT184361 The Death of the baby put in the care of a nurse, engraved by Delegorgue (colour engraving) by Lebel, Charles Jacques (fl.1801-27) (after); Musee National de l Education, Rouen

Background imageGrief Collection: Pieta

Pieta
897419 Pieta by French School, (14th century); Musees Royaux des Beaux-Arts de Belgique, Brussels, Belgium; (add.info.: Pity)

Background imageGrief Collection: The Deposition (oil on canvas)

The Deposition (oil on canvas)
XIR91075 The Deposition (oil on canvas) by Ribera, Jusepe de (lo Spagnoletto) (1591-1652); 127x182 cm; Louvre, Paris, France

Background imageGrief Collection: The Death of Napoleon Bonaparte (1769-1821) c. 1840 (coloured engraving)

The Death of Napoleon Bonaparte (1769-1821) c. 1840 (coloured engraving)
CHT181946 The Death of Napoleon Bonaparte (1769-1821) c.1840 (coloured engraving) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageGrief Collection: King Edward the Confessor on his Deathbed, Bayeux Tapestry (wool embroidery on linen)

King Edward the Confessor on his Deathbed, Bayeux Tapestry (wool embroidery on linen)
XIR183125 King Edward the Confessor on his Deathbed, Bayeux Tapestry (wool embroidery on linen) by Unknown Artist, (11th century); Musee de la Tapisserie, Bayeux

Background imageGrief Collection: Burial of Edward the Confessor, illustration from a facsimile of The Life of St Edward

Burial of Edward the Confessor, illustration from a facsimile of The Life of St Edward the Confessor (colour litho)
STC286257 Burial of Edward the Confessor, illustration from a facsimile of The Life of St Edward the Confessor (colour litho) by English School; Private Collection; (add.info)

Background imageGrief Collection: Pieta, 1530-35 (oil on canvas)

Pieta, 1530-35 (oil on canvas)
XIR60343 Pieta, 1530-35 (oil on canvas) by Rosso Fiorentino, Giovanni Battista (1494-1540); 127x163 cm; Louvre, Paris, France

Background imageGrief Collection: Ms Fr 6465 f. 113 The Emperor Charlemagne Finds Rolands Corpse after the Battle of Roncevaux

Ms Fr 6465 f. 113 The Emperor Charlemagne Finds Rolands Corpse after the Battle of Roncevaux
XIR177453 Ms Fr 6465 f.113 The Emperor Charlemagne Finds Rolands Corpse after the Battle of Roncevaux, from Les Grandes Chroniques de France, c.1460 (vellum) by Fouquet

Background imageGrief Collection: The Lamentation of Christ, c. 1290s (fresco)

The Lamentation of Christ, c. 1290s (fresco)
XIR439916 The Lamentation of Christ, c. 1290s (fresco) by Giotto (Giotto di Bondone) (c.1266-1337); San Francesco, Upper Church, Assisi, Italy; (add.info.: Deploration du Christ; )

Background imageGrief Collection: The Graphic, Front Cover Saturday January 11. 1890, 1890. Creator: Charles Edwin Fripp

The Graphic, Front Cover Saturday January 11. 1890, 1890. Creator: Charles Edwin Fripp
The Graphic, Front Cover Saturday January 11. 1890, 1890

Background imageGrief Collection: A Cashmere Widow, c1891. Creator: James Grant

A Cashmere Widow, c1891. Creator: James Grant
A Cashmere Widow, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageGrief Collection: Arival of the Empress Dowager Frederick of Germany at Port Victoria, 1888. Creator: Unknown

Arival of the Empress Dowager Frederick of Germany at Port Victoria, 1888. Creator: Unknown
Arival of the Empress Dowager Frederick of Germany at Port Victoria, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume 38. July to December, 1888

Background imageGrief Collection: Infanticide on the Banks of the Jumna, c1891. Creator: James Grant

Infanticide on the Banks of the Jumna, c1891. Creator: James Grant
Infanticide on the Banks of the Jumna, c1891. From " Cassells Illustrated History of India Vol. II.", by James Grant. [Cassell Petter & Galpin, London, Paris and New York]

Background imageGrief Collection: Pictures of the Year- VII, 'Widowed and Fatherless', 1888. Creator: Thomas Benjamin Kennington

Pictures of the Year- VII, "Widowed and Fatherless", 1888. Creator: Thomas Benjamin Kennington
Pictures of the Year- VII, " Widowed and Fatherless", 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888



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"Grief: A Universal Language of Loss and Sorrow" In the depths of sorrow, we bid farewell to the old man, a soldier and his loyal horse, forever etched in the annals of WWI. Their sacrifice echoes through time, just as the Irish Brigade memorial stands tall on Little Round Top at Gettysburg battlefield. Across oceans and continents, grief knows no boundaries. In Metairie Cemetery, New Orleans, USA, an angel weeps for those lost souls at the Chapman-Hyams memorial. The weight of sadness transcends cultures and languages. From Hiawatha's heartbreak to Minnehaha's demise, love mourns its own demise. Tilda Swinton's haunting portrayal in Derek Jarman's Caravaggio (1986) captures the essence of melancholy that engulfs us all at times. Depression casts its shadow upon a woman slouched in her chair; her head rests heavily on her arm as she battles with inner demons. The double bass propped against a wall in Cienfuegos speaks volumes about unspoken sorrows lingering within Cuba's vibrant streets. Art has long been a vessel for expressing grief - Saint Mary Magdalene penitent silently confesses her pain through brushstrokes on canvas from 1625-27. While Henry Traut's wailing women unleash their anguish onto paper in 1922. Michelangelo Caravaggio immortalizes "The Laying in the Tomb" with masterful strokes from 1602-1604 - capturing both despair and hope intertwined within our mortal coil. Even ancient Greece recognized grief as an intrinsic part of human existence - bronze masks depicting tragedy remind us that sorrow is woven into our collective narrative since time immemorial. Grief unites us all; it is an emotion that traverses borders and eras alike. Whether bidding adieu to fallen soldiers or mourning lost loved ones, we find solace in the shared experience of sorrow.