Gouache And Tempera On Paper Collection

The Girl. Costume design for the ballet The Rite of Spring (Le Sacre du Printemps) by I. Stravinsky, 1912. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow

Tsar Maximilian. Costume design for the theatre play Tsar Maximilian by Aleksey Remizov, 1913. Found in the collection of the State Central A. Bakhrushin Theatre Museum, Moscow.

Recumbent model, 1919. Creator: Helmer Osslund
Recumbent model, 1919

Female back act, 1917. Creator: Schiele, Egon (1890-1918)
Female back act, 1917. Found in the Collection of Oberosterreichisches Landesmuseum

The Lenins Mausoleum (First version of the final project). Artist: Shchusev, Alexey Viktorovich
The Lenins Mausoleum (First version of the final project). Found in the collection of State Scientific A. Shchusev Research Museum of Architecture, Moscow

Set design for the opera Victory over the sun after A. Kruchenykh, 1920. Found in the Collection of State Tretyakov Gallery, Moscow

Bahman meets Zal. From the Shahnama (Book of Kings), 1335-1340. Found in the collection of Musee d art et d histoire, Genf

Stage design for the the theatre play Princess Maleine by M. Maeterlinck, 1913. Found in the Collection of Museum of Fine Arts Academy, St. Petersburg

In the theatre I, 1906-1907. Artist: Verefkin, Marianne, von (1860-1938)
In the theatre I, 1906-1907. Private Collection

Portrait of Joachim Murat. Artist: Gerard, Francois Pascal Simon (1770-1837)
Portrait of Joachim Murat. Found in the collection of the Museo del Prado, Madrid

The Horses of San Marco, 1907. Artist: Kustodiev, Boris Michaylovich (1878-1927)
The Horses of San Marco, 1907. From a private collection

Stage design for the opera Khovanshchina by M. Musorgsky, 1911. Artist: Korovin, Konstantin Alexeyevich (1861-1939)
Stage design for the opera Khovanshchina by M. Musorgsky, 1911. Found in the collection of the State Museum of Theatre and Music Art, St. Petersburg

Stage design for the opera Sadko by N. Rimsky-Korsakov, 1906. Artist: Korovin, Konstantin Alexeyevich (1861-1939)
Stage design for the opera Sadko by N. Rimsky-Korsakov, 1906. Found in the collection of the State Museum of Theatre and Music Art, St. Petersburg

All Professionally Made to Order for Quick Shipping

Gouache and tempera on paper: A vibrant fusion of colors and textures that bring artistic visions to life. From the intricate costume designs for Stravinsky's ballet The Rite of Spring by Roerich, to Schiele's captivating portrayal of a female back act, these artworks showcase the versatility and beauty of this medium. In Shchusev's depiction of The Lenin Mausoleum, we witness the meticulous attention to detail that gouache and tempera allow, capturing every architectural element with precision. Similarly, in Korovin's stage designs for operas like Victory over the Sun and Khovanshchina, we see how this technique enhances the grandeur and atmosphere of theatrical productions. But it is not only large-scale works that benefit from gouache and tempera; smaller pieces like Verefkin's In the Theatre I demonstrate its ability to convey emotion through delicate brushstrokes. Gerard's portrait of Joachim Murat showcases how this medium can capture subtle nuances in facial expressions. From historical narratives depicted in Bahman meets Zal from Shahnama or Princess Maleine by Maeterlinck, to Kustodiev's majestic portrayal of The Horses of San Marco - each artwork tells a unique story through vivid hues and rich textures. They have stood the test of time as artists continue to explore their endless possibilities. These masterpieces remind us why this combination remains a favorite among creators seeking depth, vibrancy, and an unparalleled visual experience.