Gothick Collection (page 2)

The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo)
CLF306364 The Courtyard of the Keep, Alnwick Castle, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

Looking down the formal canal to the Orangery, Frampton Court, from 100 Favourite Houses (b/w photo)
CLF310415 Looking down the formal canal to the Orangery, Frampton Court, from 100 Favourite Houses (b/w photo) by English Photographer

Knightshayes Court, from 100 Favourite Houses (b/w photo)
CLF310469 Knightshayes Court, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: built by William Burges (1827-81)

The small parlour known as the Balcombe Room at Nymans, Sussex, from The English Manor House (b/w photo)
CLF309186 The small parlour known as the Balcombe Room at Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer

The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo)
CLF309185 The east forecourt and entrance to the Great Hall, Nymans, from The English Manor House (b/w photo) by English Photographer

Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311829 Marks Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311787 Hillington Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311774 Haverholme Priory, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Newstead Abbey, from 100 Favourite Houses (b/w photo)
CLF310433 Newstead Abbey, from 100 Favourite Houses (b/w photo) by English Photographer, (20th century); (add.info.: the priory church (on left)

Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309187 Mrs Messel's bedroom, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311813 The Great Hall, Nymans, Sussex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley
CLF311801 A window bay in the Teddington Room at Radnor House, Middlesex, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo)
CLF320662 Chimneypiece at Stouts Hill, Gloucestershire, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); Stouts Hill, Gloucestershire

The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo)
CLF309189 The Great Hall, Nymans, Sussex, from The English Manor House (b/w photo) by English Photographer, (20th century); (add.info)

The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo)
CLF320629 The south front, Newark Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info)

Woodchester Park, from Country Houses of the Cotswolds (b/w photo)
CLF320628 Woodchester Park, from Country Houses of the Cotswolds (b/w photo) by English Photographer, (20th century); (add.info.: the approach from the south east)

East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo)
CLF311703 East front of Apley Hall, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306388 The Library, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo)
CLF306385 The Chapel, Eaton Hall, Cheshire, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: the chapel)

Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006)
CLF311710 Interior at Bayons Manor, Lincolnshire, from England's Lost Houses by Giles Worsley (1961-2006) published 2002 (b/w photo) by English Photographer

Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo)
CLF310454 Walpole's Library, Strawberry Hill, Middlesex, from 100 Favourite Houses (b/w photo) by English Photographer

The east facade, Eaton Hall, from The English Country House (b/w photo)
CLF306389 The east facade, Eaton Hall, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info.: built for Hugh Lupus Grosvenor)

Design for a conversational Sofa, 1842 (pencil & w/c on paper)
BAL1340 Design for a conversational Sofa, 1842 (pencil & w/c on paper) by Cottingham, Lewis Nockalls (1787-1847); Victoria & Albert Museum, London

Design For Chancel Arch, Brigham Church, Cumberland, c. 1876 (pen & ink and w/c on paper)
5980408 Design For Chancel Arch, Brigham Church, Cumberland, c.1876 (pen & ink and w/c on paper) by Butterfield, William (1814-1900); 38.3x48.1 cm; Manchester Art Gallery

Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439)
3711008 Desk and escritoire, 1865-67 (pine, mahogany, ceramic & brass) (see also 5942439) by Burges, William (1827-81); height: 258 cm; Manchester Art Gallery

Lantern for The Light of the World, 1852 (patinated brass)
4055748 Lantern for The Light of the World, 1852 (patinated brass) by Hunt, William Holman (1827-1910); height: 35 cm; Manchester Art Gallery, UK; (add.info.: William Holman Hunt (Designer)

Madonna Enthroned (stained glass)
493274 Madonna Enthroned (stained glass) by Bertini, Giuseppe (1825-98); Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Southwark Church, Southwark, London, England
6317585 Southwark Church, Southwark, London, England by English School, (19th century); (add.info.: Southwark Church, Southwark, London, England, 19th century)

Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii
7277776 Statue of Martin Luther in front of the Protestant-Lutheran Market Church of St. Georgii by German School, (19th century); Hanover

Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo)
XIR161027 Chateau de la Reine Blanche at the Ponds of Commelles, built by the Duke of Bourbon in 1826 (photo) by French School, (19th century); Chantilly, Oise

New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper)
NCO232968 New College Oxford: Proposed passage from Old to New Buildings, 1875-77 (ink on paper) by Scott, George Gilbert (1811-1878); Courtesy of the Warden and Scholars of New College, Oxford

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Benedictine Palace. (Illustration, circa 1930)
5975927 Benedictine Palace. (Illustration, circa 1930) by French School, (20th century); Private Collection; (add.info.: Power supply)

Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833749 Ms. New Coll 380, f40r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile
833750 Ms. New Coll 380, f41r. The antiquities of the Cathedral Church of Saint Mary, Carlisle, drawn by Robert Carlile, 1795 (pen & ink and w/c on paper) by Carlile

Dido stabbing herself, opening of Book IV of Virgils Aeneid (w / c on vellum)
621801 Dido stabbing herself, opening of Book IV of Virgils Aeneid (w/c on vellum) by Morris, William (1834-96); 14x13.5 cm; Private Collection; Photo © Christies Images

Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H. C
STC156401 Tapestries, hangings and altar cloths, from The Glossary of Ecclesiastical Ornament and Costume, lithograph by H.C

Winter in Union Square, 1889-90 (oil on canvas)
3493104 Winter in Union Square, 1889-90 (oil on canvas) by Hassam, Childe Frederick (1859-1935); 46.4x45.7 cm; Metropolitan Museum of Art, New York

St John The Baptist, detail from the east window, 1861 (stained glass)
3474631 St John The Baptist, detail from the east window, 1861 (stained glass) by Barraud, Francis Philip (1824-1901); St John The Baptist, Bromsgrove

Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey)
1765212 Design for large bosses of the library ceiling for King Edward VI Grammar School, Birmingham, 1835-36 (pen & grey, red and black washes on paper) by Pugin

Mitchel Tower, 250 feet high (b / w photo)
7191245 Mitchel Tower, 250 feet high (b/w photo) by Porter, James (1874-1937); Private Collection; (add.info.: Mitchel Tower, 250 feet high)

Gothic style State Bed, 1823
6339944 Gothic style State Bed, 1823 by British School, (18th-19th century); (add.info.: Gothic style State Bed, 1823. Gothic revival four-poster bed with a canopy from a throne)

Curtains for a Gothic room
6338592 Curtains for a Gothic room by British School, (19th century); (add.info.: Curtains for a Gothic room. Ornate pelmet of gold-frnged fabric)

Design for a Gothic Bed Room, 1813
6339938 Design for a Gothic Bed Room, 1813 by British School, (18th-19th century); (add.info.: Design for a Gothic Bed Room, 1813. Bed with groined arches, tent-like canopy over bedstead with steps)

Gothic staircase and vestibule
6339902 Gothic staircase and vestibule by British School, (18th-19th century); (add.info.: Gothic staircase and vestibule)

Gothic conservatory, Regency era
6339907 Gothic conservatory, Regency era by British School, (18th-19th century); (add.info.: Gothic conservatory, Regency era)

Gothic sofa, table, chair and footstool for a library, 1810
6339904 Gothic sofa, table, chair and footstool for a library, 1810 by British School, (18th-19th century); (add.info.: Gothic sofa, table, chair and footstool for a library, 1810)

Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving)
5912988 Enmore Castle, Somerset, the seat of the 3rd Earl of Egmont, 1825 (engraving) by British School, (19th century); (add.info.: Belvoir Castle, Leicestershire, seat of John Manners)

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Step into the enchanting world of "gothick" design, where history and artistry intertwine to create breathtaking masterpieces. From the intricate stained glass windows in Lyndhurst Church depicting an ethereal Angel Harpist, to the majestic Nelsons Tower in Forres that stands as a testament to Britain's grandeur. Lady Clare's pen and ink drawing, adorned with brown and black washes on paper, transports us to a realm of dark beauty. The delicate strokes capture the essence of gothic elegance, leaving us captivated by its mysterious allure. The stained glass masterpiece of St Jacob in 1862 showcases the skillful craftsmanship that defines gothick design. Its vibrant colors dance across the light-filled space, illuminating stories from centuries past. Milton Ernest Hall beckons us with its timeless charm captured in a monochrome photograph. This architectural gem is one among England's favorite houses; it whispers tales of forgotten splendor through every corner. Osmaston Manor emerges from Giles Worsley's book "England's Lost Houses, " reminding us of treasures lost but not forgotten. The hauntingly beautiful image evokes a sense of longing for what once was. Strawberry Hill enchants with its garden front view - an embodiment architecture at its finest. Every detail tells a story, inviting our imagination to wander through hidden passages and secret gardens. Alnwick Castle welcomes visitors with a vaulted approach that exudes grandeur and majesty. As we step inside this historic marvel captured in black-and-white photography, we are transported back in time to witness the opulence enjoyed by generations past. Eaton Hall mesmerizes with its corridor adorned in timeless elegance - each step taken feels like traversing through history itself. This Cheshire estate epitomizes gothick design at its most refined form. Madresfield Court invites exploration into another era as we gaze upon this beloved house.