Gossip Collection (page 6)

An Afternoon in the Salon, 1902 (oil on canvas)
824487 An Afternoon in the Salon, 1902 (oil on canvas) by Barbudo, Salvador Sanchez (1857-1917); 55.5x85.1 cm; Private Collection; (add.info.: An Afternoon in the Salon)

She: "People are saying we are engaged. "He: "Well, I ve had worse things said about me
3620750 She: " People are saying we are engaged." He: " Well, I ve had worse things said about me." She: " Yes, but I haven t

An Interesting Topic (engraving)
2772908 An Interesting Topic (engraving) by English School, (19th century); Private Collection; (add.info.: An Interesting Topic)

A Curious Junto of Slandering Elves, or, Listen rs seldom hear good of themselves
708889 A Curious Junto of Slandering Elves, or, Listen rs seldom hear good of themselves, 1817 (hand-coloured engraving) by Cruikshank

Mrs Leicesters School (colour litho)
2811725 Mrs Leicesters School (colour litho) by Green, Wingred (fl.1890-1899); Private Collection; (add.info.: Illustration for Mrs Leicesters School written by Charles and Mary Lamb (J M Dent)

Wales, a morning gossip (colour litho)
2797099 Wales, a morning gossip (colour litho) by Farmiloe, Edith (1870-1921); Private Collection; (add.info.: Wales, a morning gossip)

Scandal refuted, or Billingsgate virtue, 1818 (hand-coloured etching)
483059 Scandal refuted, or Billingsgate virtue, 1818 (hand-coloured etching) by Williams, C. (19th century); 35x24 cm; London Metropolitan Archives

London to York - Times Up Gentlemen (oil on canvas)
CH401469 London to York - Times Up Gentlemen (oil on canvas) by Sadler, Walter Dendy (1854-1923); 147.6x193 cm; Private Collection; Photo eChristies Images; English, out of copyright

Friendly Gossips, 1889 (oil on panel)
CH402492 Friendly Gossips, 1889 (oil on panel) by Thaulow, Fritz (1847-1906); Private Collection; Photo eChristies Images; Norwegian, out of copyright

Two women arguing (colour litho)
3096335 Two women arguing (colour litho) by English School, (20th century); Private Collection; (add.info.: Two women arguing. Postcard, early 20th century.); © Look and Learn

Homemakers Chatting After Returning from Shopping, 1954 (screen print)
2630048 Homemakers Chatting After Returning from Shopping, 1954 (screen print) by American School, (20th century); Private Collection; Photo eGraphicaArtis; American, out of copyright

Hors Concours - Les Midinettes, (oil on board)
659089 Hors Concours - Les Midinettes, (oil on board) by Beraud, Jean (1849-1935); 54.6x45.3 cm; Private Collection; (add.info.: Hors Concours - Les Midinettes. Jean Beraud (1849-1935). Oil on board

On the Beach, (oil on panel)
657049 On the Beach, (oil on panel) by Ludovici, Albert Jnr. (1852-1932); Private Collection; (add.info.: On the Beach. Albert Ludovici, Jr. (1852-1932). Oil on panel

Afternoon Tea, 1889 (oil on canvas)
658616 Afternoon Tea, 1889 (oil on canvas) by Ilsted, Peter Vilhelm (1861-1933); 76x89 cm; Private Collection; (add.info.: Afternoon Tea. Peter Ilsted (1861-1933). Oil on canvas. Dated 1889

Les Crinolines, 1865 (watercolour and pencil on paper laid on card)
656678 Les Crinolines, 1865 (watercolour and pencil on paper laid on card) by Boudin, Eugene Louis (1824-98); 16.5x24.8 cm; Private Collection; (add.info.: Les Crinolines. Eugene Boudin (1824-1898)

Women in the Fish Market, Boulogne (?), (pencil and watercolour heightened with white)
652087 Women in the Fish Market, Boulogne (?), (pencil and watercolour heightened with white) by Caffieri, Hector (1847-1932); 60.9x44.4 cm; Private Collection; (add.info.: Women in the Fish Market)

Loves Mirror or a Parable of Love, 1850 - 1852 (pen & ink on paper)
BIR108181 Loves Mirror or a Parable of Love, 1850 - 1852 (pen & ink on paper) by Rossetti, Dante Gabriel Charles (1828-82); Birmingham Museums and Art Gallery; English, out of copyright

On the Terrace (oil on canvas)
BOW106505 On the Terrace (oil on canvas) by Bls, Eugen von (1843-1931); 66x46.3 cm; Private Collection; Courtesy of Simon Gillespie Studio, London; Austrian, out of copyright

The Devil to Pay: The Wife Metamorphos d, or Neptune Reposing after Fording
NCO190129 The Devil to Pay: The Wife Metamorphos d, or Neptune Reposing after Fording the Jordan, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

Humours of West Indian life (litho)
6014159 Humours of West Indian life (litho) by English School, (19th century); Private Collection; (add.info.: Humours of West Indian life)

Mary Queen of Scots with her Italian courtier, David Rizzio (litho)
6015023 Mary Queen of Scots with her Italian courtier, David Rizzio (litho) by English School, (19th century); Private Collection; (add.info.: Mary Queen of Scots with her Italian courtier)

Private and public life at Amoy, the Chinese doctor and his methods (b / w photo)
6003736 Private and public life at Amoy, the Chinese doctor and his methods (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Private and public life at Amoy)

A Thatched Cottage near Peaslake, Surrey (watercolour)
1767282 A Thatched Cottage near Peaslake, Surrey (watercolour) by Allingham, Helen (1848-1926); 23x24.5 cm; Private Collection; (add.info.: A Thatched Cottage near Peaslake, Surrey)

Betrayed, 1887 (w / c & bodycolour on paper)
1203476 Betrayed, 1887 (w/c & bodycolour on paper) by Langley, Walter (1852-1922); 75x120 cm; Private Collection; Photo eChristies Images; English, out of copyright

Breton Confidants, c. 1908 (tempera on panel)
2956888 Breton Confidants, c.1908 (tempera on panel) by Webb, Cecil J. (fl.1908); 60.96x45.72 cm; Private Collection; (add.info)

Colonial Scene; Escena Colonial, (oil onn board)
824612 Colonial Scene; Escena Colonial, (oil onn board) by Figari, Pedro (1861-1938); 23.5x30 cm; Private Collection; (add.info.: Colonial Scene; Escena Colonial. Pedro Figari (1861-1938)

Ashore (Ducks), (oil on canvas)
989963 Ashore (Ducks), (oil on canvas) by Koester, Alexander (1864-1932); 70.5x106 cm; Private Collection; (add.info.: Ashore (Ducks); Ans Ufer (Enten). Alexander Koester (1864-1932). Oil on canvas

Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel)
989917 Sir Walter Raleigh and Queen Elizabeth, 1875 (oil on panel) by Boutibonne, Charles Edouard (1816-97); 55.8x78.7 cm; Private Collection; (add.info.: Sir Walter Raleigh and Queen Elizabeth)

The Plague of Women (colour litho)
964629 The Plague of Women (colour litho) by English School, (20th century); Private Collection; (add.info.: The Plague of Women. From Truth, 25 December 1900.); © Look and Learn

A Gossip about the Water-Colour Societies (engraving)
1101912 A Gossip about the Water-Colour Societies (engraving) by English School, (19th century); Private Collection; (add.info.: A Gossip about the Water-Colour Societies)

Scheveningen, Kaffeeklatsch (Gossips), 1887 (etching)
1071358 Scheveningen, Kaffeeklatsch (Gossips), 1887 (etching) by Sickert, Walter Richard (1860-1942); 7.3x11.4 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts

The Generals Quarters, The Castle (b / w photo)
3092307 The Generals Quarters, The Castle (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Generals Quarters, the Castle)

Birds Of A Feather Flock Together (colour litho)
3095626 Birds Of A Feather Flock Together (colour litho) by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info.: Birds Of A Feather Flock Together)

The old dame in the chimney corner
931019 The old dame in the chimney corner by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Scarlet Letter, published by Metheun & Co circa 1920); British, out of copyright

Three Women on the Beach; Trois Femmes a la Plage, (oil on canvas)
825106 Three Women on the Beach; Trois Femmes a la Plage, (oil on canvas) by Lebasque, Henri (1865-1937); 96.2x128.3 cm; Private Collection; (add.info)

Ducks on a Riverbank, (oil on canvas)
827444 Ducks on a Riverbank, (oil on canvas) by Koester, Alexander (1864-1932); 54.3x82.2 cm; Private Collection; (add.info.: Ducks on a Riverbank. Alexander Koester (1864 - 1932). Oil on canvas

Three quickest ways of transmitting news (b / w photo)
3642908 Three quickest ways of transmitting news (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Three quickest ways of transmitting news)

I have found you in spite of all your tricks, 1896 (engraving)
2962862 I have found you in spite of all your tricks, 1896 (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info)

"The good wives of the village never failed, in their evening gossipings to lay all
3100390 " The good wives of the village never failed, in their evening gossipings to lay all the blame on Dame Van Winkle", from Rip Van Winkle by Washington Irving, pub

He Loves Me, He Loves Me Not! (chromolitho)
2803127 He Loves Me, He Loves Me Not! (chromolitho) by English School, (19th century); Private Collection; (add.info.: He Loves Me, He Loves Me Not)

The Morning Gossip, from The Greatest Plague of Life, pub. 1847 (engraving)
2836301 The Morning Gossip, from The Greatest Plague of Life, pub. 1847 (engraving) by Cruikshank, George (1792-1878); Private Collection; The Stapleton Collection; English, out of copyright

The Secret (engraving)
2772228 The Secret (engraving) by Marchal, Charles Francois (1825-77); Private Collection; (add.info.: The Secret. Illustration for The Illustrated Times)

The Afternoon Stroll, 1879 (oil on canvas)
651306 The Afternoon Stroll, 1879 (oil on canvas) by Firmin-Girard, Marie Francois (1838-1921); 56x45.8 cm; Private Collection; (add.info.: The Afternoon Stroll)

A Bit of Gossip, 1903 (pencil and watercolour)
659795 A Bit of Gossip, 1903 (pencil and watercolour) by Wilson, Charles Edward (1853-1941); 52x35.5 cm; Private Collection; (add.info.: A Bit of Gossip. Charles Edward Wilson (1854-1941)

The washerwoman knows the defects of the village, 1932 (colour litho)
473433 The washerwoman knows the defects of the village, 1932 (colour litho) by Bull, Rene(1872-1942); Private Collection; (add.info)

The Gossip, c. 1907 (oil on panel)
488196 The Gossip, c.1907 (oil on panel) by Dewing, Thomas Wilmer (1851-1938); 30.48 x 41.59 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mrs

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"Gossip: A Timeless Tale of Whispers and Intrigue" In the bustling streets of 1953, Harvey Nichols captivated audiences with their advertisement, showcasing the allure of fashion while igniting conversations that would transcend time. Sir Ernest Albert Waterlow's masterpiece, "Galway Gossips, " painted in c1887 but resonating well into the 1930s, captured a moment frozen in history. It depicted a scene where whispers floated through the air like delicate petals carried by an invisible breeze. Elizabeth Bennet's world was forever altered when she overheard Mr. Darcy at the Ball in Jane Austen's timeless novel "Pride & Prejudice" from 1894. The power shaped destinies and challenged societal norms as Elizabeth navigated love and society's expectations. On a serene summer evening in Skagen Southern Beach, Anna Ancher and Marie Kroyer found solace amidst whispered exchanges. Their painting from 1893 revealed that even artists were not immune to the intoxicating allure of gossip. The echoes of careless talk during World War II reverberated through minds as lives hung in balance. The haunting poster reminded all that loose lips could cost more than just secrets; they could cost lives. A typical scene unfolded within cozy pub walls—a place where tales intertwined with pints—gossip flowed freely among friends seeking refuge from daily life's monotony. Herodotus, the Greek historian known for his meticulous accounts, understood how gossip shaped civilizations throughout history. His artwork immortalized this human tendency to share stories that transcended borders and generations. From Barbados to West Indies' vibrant markets came whispers carried on tropical breezes—the market gossip danced between vendors' stalls like colorful parrots sharing tidbits about island life. Even fairies couldn't escape being subjects of speculation; folklore whispered secrets about their enchanting existence—an ethereal blend of truth and imagination passed down through generations.