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Godess Collection (#9)

"Unveiling the Divine: A Journey through Goddesses in Art" Step into a world where ancient mythology comes alive

Background imageGodess Collection: H for Hercules (chromolitho)

H for Hercules (chromolitho)
8677363 H for Hercules (chromolitho) by French School, (19th century) (after); Private Collection; (add.info.: H for Hercules. Hercules lifting weights to show his strength)

Background imageGodess Collection: Queen Mary's Dolls House: The Entrance Hall (b/w photo)

Queen Mary's Dolls House: The Entrance Hall (b/w photo)
8674091 Queen Mary's Dolls House: The Entrance Hall (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: The Entrance Hall)

Background imageGodess Collection: Pulling down the statue of Diana at Ephesus (engraving)

Pulling down the statue of Diana at Ephesus (engraving)
8664114 Pulling down the statue of Diana at Ephesus (engraving) by English School, (19th century); Private Collection; (add.info.: Pulling down the statue of Diana at Ephesus)

Background imageGodess Collection: The Car of Thespis (litho)

The Car of Thespis (litho)
8660822 The Car of Thespis (litho) by Rowlandson, George Derville (1861-1930) (after); Private Collection; (add.info.: The Car of Thespis)

Background imageGodess Collection: Sacrifice of Persian Youths by Themistocles (litho)

Sacrifice of Persian Youths by Themistocles (litho)
8660810 Sacrifice of Persian Youths by Themistocles (litho) by Weatherstone, A.C. (fl.1888-1929); Private Collection; (add.info.: Sacrifice of Persian Youths by Themistocles)

Background imageGodess Collection: Page from Gamage's General Catalogue (96th edition), c.1927 (litho)

Page from Gamage's General Catalogue (96th edition), c.1927 (litho)
8669949 Page from Gamage's General Catalogue (96th edition), c.1927 (litho) by English School, (20th century); Private Collection; (add.info)

Background imageGodess Collection: Ancient Greek Female Costume (litho)

Ancient Greek Female Costume (litho)
8637106 Ancient Greek Female Costume (litho) by Smith, John Moyr (1839-1912); Private Collection; (add.info.: Demeter (Ceres) with double-girded chiton and himation

Background imageGodess Collection: Ancient Greek Female Costume (litho)

Ancient Greek Female Costume (litho)
8637083 Ancient Greek Female Costume (litho) by Smith, John Moyr (1839-1912); Private Collection; (add.info.: Bacchante with crotals, wears single chiton without doubled part, and scarf (mantile)

Background imageGodess Collection: The Kaiser's Garland: The Writing on the Wall (litho)

The Kaiser's Garland: The Writing on the Wall (litho)
8642729 The Kaiser's Garland: The Writing on the Wall (litho) by Sullivan, Edmund Joseph (1869-1933) (after); Private Collection; (add.info.: The Writing on the Wall)

Background imageGodess Collection: Second Period of Greek Sculpture, About 470-400 BC (engraving)

Second Period of Greek Sculpture, About 470-400 BC (engraving)
8644781 Second Period of Greek Sculpture, About 470-400 BC (engraving) by European School, (19th century); Private Collection; (add.info.: Second Period of Greek Sculpture, About 470-400 BC)

Background imageGodess Collection: Shelley: Prometheus Unbound (litho)

Shelley: Prometheus Unbound (litho)
8655241 Shelley: Prometheus Unbound (litho) by Bell, Robert Anning (1863-1933); Private Collection; (add.info.: Prometheus Unbound)

Background imageGodess Collection: The country folk drew near to wonder at him (colour litho)

The country folk drew near to wonder at him (colour litho)
8647718 The country folk drew near to wonder at him (colour litho) by Reid, Stephen (1873-1948); Private Collection; (add.info.: The country folk drew near to wonder at him)

Background imageGodess Collection: Mercury, guided by Minerva, bearing Science round the World (engraving)

Mercury, guided by Minerva, bearing Science round the World (engraving)
8649657 Mercury, guided by Minerva, bearing Science round the World (engraving) by English School, (19th century); Private Collection; (add.info.: Mercury, guided by Minerva)

Background imageGodess Collection: William Shakespeare's play: Henry V (colour litho)

William Shakespeare's play: Henry V (colour litho)
8648394 William Shakespeare's play: Henry V (colour litho) by Hammond, Gertrude E. Demain (1862-1952) (after); Private Collection; (add.info.: "God for Harry, England, and St George)

Background imageGodess Collection: Reading the Bible on Sunday afternoon (colour litho)

Reading the Bible on Sunday afternoon (colour litho)
8642092 Reading the Bible on Sunday afternoon (colour litho) by English School, (19th century); Private Collection; (add.info.: Reading the Bible on Sunday afternoon)

Background imageGodess Collection: Greek Architecture, Roman-Doric and Roman-Ionic Orders, Plans of Temples

Greek Architecture, Roman-Doric and Roman-Ionic Orders, Plans of Temples, Rock Tombs in Asia Minor, etc (engraving)
8644778 Greek Architecture, Roman-Doric and Roman-Ionic Orders, Plans of Temples, Rock Tombs in Asia Minor, etc (engraving) by European School

Background imageGodess Collection: The Historical Pageant of Bradford, July 1931 (b/w photo)

The Historical Pageant of Bradford, July 1931 (b/w photo)
8652353 The Historical Pageant of Bradford, July 1931 (b/w photo) by Scott, Walter (1878-1947); Private Collection; (add.info.: Illustration for The Historical Pageant of Bradford, the Souvenir Book)

Background imageGodess Collection: Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs

Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs, 1650-52 (wall tempera painting)
8683560 Faux gilded relief, with Bacchus astride a barrel, surrounded by some dancing cherubs, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageGodess Collection: Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting)

Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting)
8683553 Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageGodess Collection: Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus corpse into pieces

Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus corpse into pieces
8683542 Bacchus transforms the Bacchantes into trees, guilty of having cut Orpheus corpse into pieces, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense

Background imageGodess Collection: Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683538 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageGodess Collection: Wedding Banquet. On the clouds Bacchus, Ariadne and Venus with a figure pouring wine are seated at

Wedding Banquet. On the clouds Bacchus, Ariadne and Venus with a figure pouring wine are seated at a round table
8683576 Wedding Banquet. On the clouds Bacchus, Ariadne and Venus with a figure pouring wine are seated at a round table. The other gods watch from afar

Background imageGodess Collection: one of the forty-one panels with scenes, 1650-52 (wall tempera painting)

one of the forty-one panels with scenes, 1650-52 (wall tempera painting)
8683547 one of the forty-one panels with scenes, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo)

Background imageGodess Collection: Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683534 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageGodess Collection: Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo

Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy
8683533 Ceiling of the hall with the Bologna Quarters, Hall of the Guards, Este Ducal Palace, Sassuolo, Italy by Colonna, Angelo Michele (1604-1687); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Background imageGodess Collection: One of the forty-one panels with scenes which narrate the events of Bacchus

One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting)
8683586 One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageGodess Collection: One of the forty-one panels with scenes which narrate the events of Bacchus

One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting)
8683585 One of the forty-one panels with scenes which narrate the events of Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo

Background imageGodess Collection: Pirates find Bacchus, 1650-52 (wall tempera painting)

Pirates find Bacchus, 1650-52 (wall tempera painting)
8683577 Pirates find Bacchus, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna, Italy; (add.info.: Sassuolo, Este Ducal Palace)

Background imageGodess Collection: Butterfield dial for latitude 50 degrees, in its case, seen from the reverse

Butterfield dial for latitude 50 degrees, in its case, seen from the reverse. Silver instrument, 1700-20 (silver)
MMM5474073 Butterfield dial for latitude 50 degrees, in its case, seen from the reverse. Silver instrument, 1700-20 (silver) by Rowley, John (1668-1728); National Maritime Museum, London

Background imageGodess Collection: Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century

Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century, by Thomas Ducher (?) (ivory)
MMM5474011 Diptych sundial (closed), for latitude 42 degrees. Ivory instrument, mid-17th century, by Thomas Ducher (?) (ivory); National Maritime Museum, London

Background imageGodess Collection: Remains of the Macellum of Pozzuoli, southern Italy, rom The Universe or, The Infinitely Great

Remains of the Macellum of Pozzuoli, southern Italy, rom The Universe or, The Infinitely Great
7125184 Remains of the Macellum of Pozzuoli, southern Italy, rom The Universe or, The Infinitely Great and the Infinitely Little, published 1882; (add.info.: Pozzuoli); Photo © Ken Welsh

Background imageGodess Collection: Head of Zeus Amun, greco roman period, 332 BC-395 AD, marble, Egyptian Museum, Cairo, Egypt

Head of Zeus Amun, greco roman period, 332 BC-395 AD, marble, Egyptian Museum, Cairo, Egypt
7058345 Head of Zeus Amun, greco roman period, 332 BC-395 AD, marble, Egyptian Museum, Cairo, Egypt; Egyptian National Museum, Cairo, Egypt; Photo © Stefano Baldini

Background imageGodess Collection: Block statue of Hetep, 12th dynasty, reign of Amenemhat I, from Saqqara, limestone

Block statue of Hetep, 12th dynasty, reign of Amenemhat I, from Saqqara, limestone, Egyptian Museum, Cairo, Egypt
7058339 Block statue of Hetep, 12th dynasty, reign of Amenemhat I, from Saqqara, limestone, Egyptian Museum, Cairo, Egypt; Egyptian National Museum, Cairo, Egypt; Photo © Stefano Baldini

Background imageGodess Collection: Statue of Aphrodite in a crouching position with a dolphin, Boncompagni Ludovisi collection

Statue of Aphrodite in a crouching position with a dolphin, Boncompagni Ludovisi collection, National Roman Museum
6384485 Statue of Aphrodite in a crouching position with a dolphin, Boncompagni Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps

Background imageGodess Collection: Statue of Dionysus, Boncompagni Ludovisi collection, carrara marble, National Roman Museum

Statue of Dionysus, Boncompagni Ludovisi collection, carrara marble, National Roman Museum, Palazzo Altemps, Rome
6384470 Statue of Dionysus, Boncompagni Ludovisi collection, carrara marble, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome

Background imageGodess Collection: Aphrodite of Cnidos, Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy

Aphrodite of Cnidos, Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy
6384458 Aphrodite of Cnidos, Ludovisi collection, National Roman Museum, Palazzo Altemps, Rome, Italy; Museo Nazionale Romano, Palazzo Altemps, Rome, Italy; (add.info.: Aphrodite of Cnidos)

Background imageGodess Collection: Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC

Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture)
6384306 Funerary monument, tomb of Rabiri, relief of priestess of Isis and deceased, 40 BC, from via Appia (sculpture); Palazzo Massimo alle Terme & Museum, Rome, Lazio

Background imageGodess Collection: Large relief of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of

Large relief of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384409 Large relief of Mithras, end of 2nd century AD, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageGodess Collection: Head of Apollo, Hadrian period, marble, National Roman Museum at the Baths of Diocletian, Rome

Head of Apollo, Hadrian period, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384403 Head of Apollo, Hadrian period, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageGodess Collection: Head of Zeus, roman copy of an original by Phidias, marble, National Roman Museum at the Baths of

Head of Zeus, roman copy of an original by Phidias, marble, National Roman Museum at the Baths of Diocletian, Rome
6384395 Head of Zeus, roman copy of an original by Phidias, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageGodess Collection: Statue of Silvanus, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy

Statue of Silvanus, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384391 Statue of Silvanus, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome, Italy; Photo © Stefano Baldini

Background imageGodess Collection: Group of Mars and Venus, 170 AD circa, marble, National Roman Museum at the Baths of Diocletian

Group of Mars and Venus, 170 AD circa, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy
6384386 Group of Mars and Venus, 170 AD circa, marble, National Roman Museum at the Baths of Diocletian, Rome, Italy; Museo Nazionale Romano, Terme di Diocleziano, Rome

Background imageGodess Collection: Floor mosaic dating to the 1st century BC depicting Nike, from a roman villa near via Ruffinella

Floor mosaic dating to the 1st century BC depicting Nike, from a roman villa near via Ruffinella in Rome (mosaic)
6384360 Floor mosaic dating to the 1st century BC depicting Nike, from a roman villa near via Ruffinella in Rome (mosaic); Palazzo Massimo alle Terme & Museum, Rome, Lazio

Background imageGodess Collection: Roman floor mosaic depicting the struggle between Dionysus and the Indians

Roman floor mosaic depicting the struggle between Dionysus and the Indians, from the Villa de Ruffinella, Tusculum
6384359 Roman floor mosaic depicting the struggle between Dionysus and the Indians, from the Villa de Ruffinella, Tusculum, 4th century AD (mosaic); Museo Nazionale Romano

Background imageGodess Collection: Drunken Silenus (mosaic)

Drunken Silenus (mosaic)
6384192 Drunken Silenus (mosaic); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: Drunken silenus, Sileno ebbro); Photo © Stefano Baldini

Background imageGodess Collection: Latitude 46 degree sundial, with magnetic compass, 16th century (gold)

Latitude 46 degree sundial, with magnetic compass, 16th century (gold)
MMM5470214 Latitude 46 degree sundial, with magnetic compass, 16th century (gold); National Maritime Museum, London, UK; (add.info.: Latitude 46 degree sundial, with magnetic compass)

Background imageGodess Collection: Magnetic compass dial for latitude 52 degrees, c.1910-1920 (copper and cardboard)

Magnetic compass dial for latitude 52 degrees, c.1910-1920 (copper and cardboard)
MMM5469103 Magnetic compass dial for latitude 52 degrees, c.1910-1920 (copper and cardboard); National Maritime Museum, London, UK; (add.info.: Magnetic compass dial for latitude 52 degrees)

Background imageGodess Collection: Augsburg compass (Germany) and its 10-degree latitude dial, with its lid including an engraved plate

Augsburg compass (Germany) and its 10-degree latitude dial, with its lid including an engraved plate
MMM5469066 Augsburg compass (Germany) and its 10-degree latitude dial, with its lid including an engraved plate, c.1750 (copper and glass compass); National Maritime Museum, London



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"Unveiling the Divine: A Journey through Goddesses in Art" Step into a world where ancient mythology comes alive, as we explore the captivating realm of goddesses depicted in various art forms. From Roman mosaics to intricate miniatures, these masterpieces transport us back in time and reveal the timeless allure of powerful female deities. In "Diana Cacciatrice (Diana the Huntress), 1658, " we witness Diana's graceful figure frozen in action, her bow poised to strike. The mosaic captures her fierce determination and unwavering focus as she embodies both strength and femininity. Moving forward to Gian Jacopo Caraglio's "Jupiter and Mnemosyne (After Perino del Vaga), 1527, " we are mesmerized by this celestial couple. Mnemosyne, the personification of memory, stands beside Jupiter, their connection symbolizing the importance of remembrance within divine realms. The delicate "Creation of Eve" miniature from the 15th century transports us to biblical times. Here, Eve emerges from Adam's side with an ethereal glow surrounding her form—a testament to her significance as humanity's first woman. Venturing further into diverse cultures, we encounter Teoyaomqui—the Aztec goddess—in a stunning watercolor titled "Goddess Teoyaomqui and porphyry sacrificial stone. " Her regal presence emanates power while highlighting indigenous spirituality that reverberated throughout Mesoamerica during that era. "The Little Fortune, " an enchanting engraving from c. 1497, portrays a playful goddess bestowing blessings upon fortunate souls. This whimsical artwork reminds us that even divinity can possess a lighthearted nature when interacting with mortals. Apollo and Diana take center stage in an exquisite engraving created between 1501-06. Their sibling bond is beautifully captured here—Apollo radiating musical talent while Diana emanates her hunting prowess.