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Go Between Collection

"Go Between: A Journey Through Art and Etchings" In the world of art, there exists a captivating theme known as the "go between

Background imageGo Between Collection: 193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)

193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching)
IND81650 193-0082131 She prays for her, plate 31 of Los caprichos, 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.2 cm; Private Collection; Index Fototeca

Background imageGo Between Collection: 193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching)

193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching)
IND81634 193-0082115 Wonderful advice, plate 15 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 22x15.4 cm; Private Collection; Index Fototeca

Background imageGo Between Collection: Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching)

Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching)
IND82111 Riddle of the poor, plate 11 of Proverbs, 1819-23, pub. 1864 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.7x35.8 cm; Private Collection; Index Fototeca

Background imageGo Between Collection: 193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching)

193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching)
IND81646 193-0082127 Which of them is more overcome?, plate 27 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828)

Background imageGo Between Collection: 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)

193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching)
IND81647 193-0082128 Hush, plate 28 of Los caprichos, pub. 1799 (etching) by Goya y Lucientes, Francisco Jose de (1746-1828); 21.9x15.9 cm; Private Collection; Index Fototeca

Background imageGo Between Collection: A courting messenger from the Viking Harald Harfagre to Gyda (oil on canvas)

A courting messenger from the Viking Harald Harfagre to Gyda (oil on canvas)
OVR371456 A courting messenger from the Viking Harald Harfagre to Gyda (oil on canvas) by Bergslien, Nils (1853-1928); 95x75 cm; Private Collection; (add.info.: Harald Halfdansson (850-932)

Background imageGo Between Collection: Les fiancailles du major (Majors Betrothal). Description d un salon, decoration

Les fiancailles du major (Majors Betrothal). Description d un salon, decoration, vaisselle et mobilier 19e siecle
FIA5357035 Les fiancailles du major (Majors Betrothal). Description d un salon, decoration, vaisselle et mobilier 19e siecle, Une femme agee annonce l arrivee du major

Background imageGo Between Collection: Une remontrance (An Admonition). Un couple en crise maritale visite un pretre orthodoxe et recoit

Une remontrance (An Admonition). Un couple en crise maritale visite un pretre orthodoxe et recoit une lecon de conduite
FIA5366878 Une remontrance (An Admonition). Un couple en crise maritale visite un pretre orthodoxe et recoit une lecon de conduite morale

Background imageGo Between Collection: The Valentine Letter

The Valentine Letter
BAL56381 The Valentine Letter by Willems, Florent (1823-1905); Josef Mensing Gallery, Hamm-Rhynern, Germany; Belgian, out of copyright

Background imageGo Between Collection: La Celestina wakes Melibea, engraving in La Celestina by Fernando de Rojas, published in 1883

La Celestina wakes Melibea, engraving in La Celestina by Fernando de Rojas, published in 1883

Background imageGo Between Collection: La Celestina, 1883, engraving with the Celestina making a spell

La Celestina, 1883, engraving with the Celestina making a spell

Background imageGo Between Collection: La Celestina, 1883, engraving with Calixto and Melibea under the tree

La Celestina, 1883, engraving with Calixto and Melibea under the tree

Background imageGo Between Collection: Cover of La Celestina by Fernando de Rojas, 1883 edition

Cover of La Celestina by Fernando de Rojas, 1883 edition


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"Go Between: A Journey Through Art and Etchings" In the world of art, there exists a captivating theme known as the "go between. " It is a concept that transcends time and cultures, weaving its way through various mediums to tell stories of connection, manipulation, and human interaction. One such representation can be found in Francisco Goya's etching titled "She prays for her, " plate 31 of Los caprichos from 1799. In this haunting image, we witness a woman fervently praying for another's well-being. The go-between here acts as an intermediary between the mortal realm and the divine. Moving forward to plate 15 of Los caprichos, pub. 1799 by Goya again, we encounter "Wonderful advice. " Here, a mysterious figure imparts wisdom upon others. This enigmatic character serves as a conduit for knowledge and guidance. The riddle continues with plate 11 of Proverbs from 1819-23 (pub. 1864), aptly named "Riddle of the poor. " Within this etching lies an intricate puzzle waiting to be solved—a challenge presented by those who have little but possess great wisdom hidden beneath their struggles. As we delve deeper into Goya's work with plate 27 of Los caprichos from 1799 titled "Which of them is more overcome?, " we are confronted with two figures locked in an intense struggle. The go-between becomes an arbitrator in this battle between conflicting forces—each vying for dominance over the other. Plate 17 presents us with another facet of the go-between concept in Goya's Los caprichos series. Titled "It is nicely stretched, " it portrays individuals caught within societal constraints—an invisible hand pulling strings behind closed doors. "Hush. " whispers plate 28 from Los caprichos (pub. 1799).