Glasgow School Collection

The Coming of Spring, 1899 (oil on canvas)
GLS314072 The Coming of Spring, 1899 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 196.6x166 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Design for a Music Room with panels by Margaret Macdonald Mackintosh (1865-1933
STC110565 Design for a Music Room with panels by Margaret Macdonald Mackintosh (1865-1933) 1901 (colour litho) by Mackintosh

Under the Apple Tree, 1896-99 (oil on canvas)
3550996 Under the Apple Tree, 1896-99 (oil on canvas) by MacNicol, Bessie (1869-1904); 75.2x64.1 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Panel (stained glass)
GLS219822 Panel (stained glass) by Walton, George (1867-1933); People's Palace, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Faded roses, 1905 (w/c on paper)
3550993 Faded roses, 1905 (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 27.2x28 cm; Glasgow Museums, UK; (add.info.: Watercolour composition showing group of blue faded flowers)

Decorative wall panel (painted oak)
3551054 Decorative wall panel (painted oak) by Walton, George (1867-1933); Glasgow Museums, UK; (add.info.: Decorative section of wall panelling from the Luncheon Room at Miss Cranston's Argyle)

Domino Clock, c. 1917 (ebonised wood with ivory and plastic inlay)
3551055 Domino Clock, c.1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Light fitting
3551050 Light fitting by Mackintosh, Charles Rennie (1868-1928); Glasgow Museums, UK; (add.info.: Basket type lampshade with wall fitting. ); © CSG CIC Glasgow Museums Collection

Folding screen, 1901 (walnut veneer)
GLS219865 Folding screen, 1901 (walnut veneer) by Logan, George (1866-1939); height: 172.1 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; (add.info.: decorated with silver)

The Dance of Spring (oil on canvas)
GLS314076 The Dance of Spring (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 142.4x95.2 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

On the River, Sainte-Gertrude, Caudebec, Normandy (oil on canvas)
GLS314079 On the River, Sainte-Gertrude, Caudebec, Normandy (oil on canvas) by Pringle, John Quinton (1864-1925); 53.5x43 cm; Glasgow Museums, UK; (add.info.: St)

Domino Clock, 1917 (ebonised wood with ivory and plastic inlay)
GLS219816 Domino Clock, 1917 (ebonised wood with ivory and plastic inlay) by Mackintosh, Charles Rennie (1868-1928); 25.5x13x12.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper)
GLS219817 Part Seen, Imagined Part, 1896 (pencil & w/c on tracing paper) by Mackintosh, Charles Rennie (1868-1928); 39x19.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Old Willie - The Village Worthy, 1886 (oil on canvas)
GLS314124 Old Willie - The Village Worthy, 1886 (oil on canvas) by Guthrie, James (1859-1930); 60.8x50.8 cm; Art Gallery and Museum, Kelvingrove, Glasgow

Pinks (w/c on paper)
GLS219860 Pinks (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); 49x49 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

O Ye All Ye That Walk in Willow Wood, 1903 (painted gesso with twine & coloured beads)
GLS219850 O Ye All Ye That Walk in Willow Wood, 1903 (painted gesso with twine & coloured beads) by MacDonald Mackintosh, Margaret (1865-1933); 164.5x58.4 cm; Art Gallery and Museum, Kelvingrove

An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms
1764778 An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms, c.1898-99 (oak) by Mackintosh

Four spoons for Miss Cranstons Tearooms
1764747 Four spoons for Miss Cranstons Tearooms by Mackintosh, Charles Rennie (1868-1928); 15. long cm; Private Collection; (add.info.: Four spoons for Miss Cranstons Tearooms)

Study of a Rhododendron, 1915 (pencil and w / c on paper)
1199519 Study of a Rhododendron, 1915 (pencil and w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh

Designs for writing desks shown in front and side elevations
CH378606 Designs for writing desks shown in front and side elevations, for the Ingram Street Tea Rooms, 1909 (pen & black ink and brown wash on linen) by Mackintosh

Armchair designed for the Argyle Street Tea Rooms, Glasgow, 1896 (stained oak)
CH378582 Armchair designed for the Argyle Street Tea Rooms, Glasgow, 1896 (stained oak) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Photo eChristies Images; Scottish

The May Queen, 1900 (pencil, w / c & bodycolour, heightened with silver
3431726 The May Queen, 1900 (pencil, w/c & bodycolour, heightened with silver, on oiled tracing paper) by MacDonald Mackintosh

Design for a wardrobe, shown in elevation, with half-full size details of decorative
991028 Design for a wardrobe, shown in elevation, with half-full size details of decorative panel, 1904 (pencil, watercolour) by Mackintosh

Design for a wardrobe, shown in elevation of the front and interior, c
991026 Design for a wardrobe, shown in elevation of the front and interior, c.1899-1900 (Pencil, watercolour) by Mackintosh

Design for benches and a table, shown in elevation and section plan, 1898 (pencil
991025 Design for benches and a table, shown in elevation and section plan, 1898 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 31x54.7 cm; Private Collection; (add.info)

Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)
991021 Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash) by Mackintosh, Charles Rennie (1868-1928); 25.2x33.7 cm; Private Collection; (add.info.: Palermo Cathedral)

Glasgow School of Art, Renfrew Street (North) entrance (photo)
3740305 Glasgow School of Art, Renfrew Street (North) entrance (photo) by Mackintosh, Charles Rennie (1868-1928); Glasgow School of Art, Scotland; (add.info.: Charles Rennie Mackintosh)

A stained glass panel depicting stylised roses (leaded stained glass, wooden frame)
985621 A stained glass panel depicting stylised roses (leaded stained glass, wooden frame) by Walton, George (1867-1933); 133.6x91.4 cm; Private Collection; (add.info)

Conversazione Programme, from the Glasgow Architectural Association, 1894 (colour litho)
CH378604 Conversazione Programme, from the Glasgow Architectural Association, 1894 (colour litho) by Mackintosh, Charles Rennie (1868-1928); 13.3x19 cm; Private Collection; (add.info)

Sidechair, c. 1905 / 10 (ebonised wood)
CH378598 Sidechair, c.1905/10 (ebonised wood) by Mackintosh, Charles Rennie (1868-1928); height: 71.5 cm; Private Collection; Photo eChristies Images; Scottish, out of copyright

Rare and important high-back chair, c. 1898-99 (oak)
CH378574 Rare and important high-back chair, c.1898-99 (oak) by Mackintosh, Charles Rennie (1868-1928); Private Collection; (add.info)

Dining Room, c. 1901 (coulour lithograph)
991165 Dining Room, c.1901 (coulour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room)

Entrance Hall, c. 1901 (colour lithograph)
991164 Entrance Hall, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Entrance Hall)

Design for an umbrella, hat and coat stand, shown in elevation and plan, c
991024 Design for an umbrella, hat and coat stand, shown in elevation and plan, c.1898-1899 (pencil, watercolour, oiled tracing paper) by Mackintosh

Stationery design for John Orr & Sons, Glasgow, c. 1894-1898 (printed paper)
991023 Stationery design for John Orr & Sons, Glasgow, c.1894-1898 (printed paper) by Mackintosh, Charles Rennie (1868-1928); 26.5x20.8 cm; Private Collection; (add.info)

Nursery, c. 1901 (colour lithograph)
991163 Nursery, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Nursery)

Design for a Dining Room, 1901 (colour litho)
STC110566 Design for a Dining Room, 1901 (colour litho) by Mackintosh, Charles Rennie (1868-1928); Private Collection; The Stapleton Collection; Scottish, out of copyright

High backed chair, c. 1897 (dark stained oak with rush seat & pierced oval back rails
FFA178126 High backed chair, c.1897 (dark stained oak with rush seat & pierced oval back rails) (b/w photo) by Mackintosh

Cactus Flower (w / c on paper)
SAG186607 Cactus Flower (w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh, Margaret (1864-1933); Sheffield Galleries and Museums Trust

Glasgow School of Art boardroom, now known as the Mackintosh Room (photo)
3740306 Glasgow School of Art boardroom, now known as the Mackintosh Room (photo) by Mackintosh, Charles Rennie (1868-1928); Glasgow School of Art, Scotland; (add.info.: Charles Rennie Mackintosh)

Designs for an upholstered chair and a spindle chair shown in elevation and plans
CH378607 Designs for an upholstered chair and a spindle chair shown in elevation and plans, 1909 (pen & black ink and w/c on linen) by Mackintosh

Hanging shade, c. 1900 (metal & leaded glass)
CH378590 Hanging shade, c.1900 (metal & leaded glass) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Photo eChristies Images; Scottish, out of copyright

Two ladder back chairs, for Miss Cranstons Tea Rooms, Glasgow, c. 1903 (stained oak)
CH378587 Two ladder back chairs, for Miss Cranstons Tea Rooms, Glasgow, c.1903 (stained oak) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Photo eChristies Images; Scottish

Design for an oak armchair, shown in front and side elevations, 1905 (pencil & w / c)
CH378580 Design for an oak armchair, shown in front and side elevations, 1905 (pencil & w/c) by Mackintosh, Charles Rennie (1868-1928)

Design for an exhibition stand for Francis Smith, used at the Glasgow Exhibition
CH378578 Design for an exhibition stand for Francis Smith, used at the Glasgow Exhibition, shown in elevation, 1901 (pencil, grey wash & w/c) by Mackintosh

Card table designed for the Argyle Street Tea Rooms, Glasgow, 1888-89 (stained oak)
CH378575 Card table designed for the Argyle Street Tea Rooms, Glasgow, 1888-89 (stained oak) by Mackintosh, Charles Rennie (1868-1928); Private Collection; Photo eChristies Images; Scottish

Textile design (w / c on paper)
STC404393 Textile design (w/c on paper) by Mackintosh, Charles Rennie (1868-1928); Private Collection; The Stapleton Collection; Scottish, out of copyright

Armchair, c. 1897 (dark stained oak with rush seat & pierced side panels) (b / w photo)
FFA178125 Armchair, c.1897 (dark stained oak with rush seat & pierced side panels) (b/w photo) by Mackintosh, Charles Rennie (1868-1928); height:96.5 cm; Private Collection; (add.info)

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The Glasgow School is a treasure trove of artistic brilliance, showcasing the incredible talent of Margaret Macdonald Mackintosh and her contemporaries. Step into their world and be transported to a realm where creativity knows no bounds. In the Design for a Music Room with panels by Margaret Macdonald Mackintosh, every brushstroke tells a story. The ethereal beauty of Under the Apple Tree captivates your senses, as you imagine yourself sitting beneath its branches, lost in its enchantment. As you gaze upon the stained glass Panel, intricate patterns dance before your eyes, casting vibrant hues across the room. Faded roses delicately painted on paper evoke nostalgia and longing for days gone by. A Decorative wall panel adorned with painted oak brings elegance to any space it graces. Its intricate design whispers tales of craftsmanship and dedication that have stood the test of time. The Domino Clock from 1917 stands as a testament to innovation and style. Ebonised wood meets ivory and plastic inlay, creating an exquisite fusion of materials that transcends mere functionality. Light fitting illuminates not only physical spaces but also our imagination. It casts shadows that playfully dance along walls while adding an air of mystery to any room it adorns. A Folding screen crafted from walnut veneer invites you to explore hidden worlds beyond its surface. Each fold reveals new dimensions waiting to be discovered—a gateway into realms unknown. The Dance of Spring comes alive on canvas as vibrant colors swirl together in harmonious chaos. It captures the essence of rebirth and renewal with each stroke—nature's symphony unfolding before your very eyes. On the River, Sainte-Gertrude transports you to Caudebec in Normandy through oil on canvas magic. Feel the gentle breeze caress your face as you drift along tranquil waters—a moment frozen forever in art's embrace. Another Domino Clock from 1917 mesmerizes with its ebony allure once again.