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Glasgow Four Collection

The Glasgow Four: Masters of Art and Design Step into the world of creativity and innovation with the Glasgow Four

Background imageGlasgow Four Collection: An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms

An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms
1764778 An oak dining chair designed by Charles Rennie Mackintosh for the Argyle Street Tearooms, c.1898-99 (oak) by Mackintosh

Background imageGlasgow Four Collection: Four spoons for Miss Cranstons Tearooms

Four spoons for Miss Cranstons Tearooms
1764747 Four spoons for Miss Cranstons Tearooms by Mackintosh, Charles Rennie (1868-1928); 15. long cm; Private Collection; (add.info.: Four spoons for Miss Cranstons Tearooms)

Background imageGlasgow Four Collection: Study of a Rhododendron, 1915 (pencil and w / c on paper)

Study of a Rhododendron, 1915 (pencil and w / c on paper)
1199519 Study of a Rhododendron, 1915 (pencil and w/c on paper) by Mackintosh, Charles Rennie (1868-1928) & MacDonald Mackintosh

Background imageGlasgow Four Collection: Design for a wardrobe, shown in elevation, with half-full size details of decorative

Design for a wardrobe, shown in elevation, with half-full size details of decorative
991028 Design for a wardrobe, shown in elevation, with half-full size details of decorative panel, 1904 (pencil, watercolour) by Mackintosh

Background imageGlasgow Four Collection: Design for a wardrobe, shown in elevation of the front and interior, c

Design for a wardrobe, shown in elevation of the front and interior, c
991026 Design for a wardrobe, shown in elevation of the front and interior, c.1899-1900 (Pencil, watercolour) by Mackintosh

Background imageGlasgow Four Collection: Design for benches and a table, shown in elevation and section plan, 1898 (pencil

Design for benches and a table, shown in elevation and section plan, 1898 (pencil
991025 Design for benches and a table, shown in elevation and section plan, 1898 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 31x54.7 cm; Private Collection; (add.info)

Background imageGlasgow Four Collection: Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)

Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)
991021 Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash) by Mackintosh, Charles Rennie (1868-1928); 25.2x33.7 cm; Private Collection; (add.info.: Palermo Cathedral)

Background imageGlasgow Four Collection: A stained glass panel depicting stylised roses (leaded stained glass, wooden frame)

A stained glass panel depicting stylised roses (leaded stained glass, wooden frame)
985621 A stained glass panel depicting stylised roses (leaded stained glass, wooden frame) by Walton, George (1867-1933); 133.6x91.4 cm; Private Collection; (add.info)

Background imageGlasgow Four Collection: Dining Room, c. 1901 (coulour lithograph)

Dining Room, c. 1901 (coulour lithograph)
991165 Dining Room, c.1901 (coulour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Dining Room)

Background imageGlasgow Four Collection: Entrance Hall, c. 1901 (colour lithograph)

Entrance Hall, c. 1901 (colour lithograph)
991164 Entrance Hall, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Entrance Hall)

Background imageGlasgow Four Collection: Design for an umbrella, hat and coat stand, shown in elevation and plan, c

Design for an umbrella, hat and coat stand, shown in elevation and plan, c
991024 Design for an umbrella, hat and coat stand, shown in elevation and plan, c.1898-1899 (pencil, watercolour, oiled tracing paper) by Mackintosh

Background imageGlasgow Four Collection: Stationery design for John Orr & Sons, Glasgow, c. 1894-1898 (printed paper)

Stationery design for John Orr & Sons, Glasgow, c. 1894-1898 (printed paper)
991023 Stationery design for John Orr & Sons, Glasgow, c.1894-1898 (printed paper) by Mackintosh, Charles Rennie (1868-1928); 26.5x20.8 cm; Private Collection; (add.info)

Background imageGlasgow Four Collection: Nursery, c. 1901 (colour lithograph)

Nursery, c. 1901 (colour lithograph)
991163 Nursery, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Nursery)

Background imageGlasgow Four Collection: Reception and Music Room, c. 1901 (colour lithograph)

Reception and Music Room, c. 1901 (colour lithograph)
991162 Reception and Music Room, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info.: Reception and Music Room)

Background imageGlasgow Four Collection: Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour)

Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour)
991022 Certosa di Pavia, studies of the ceiling decoration, 1891 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 36.3x27.5 cm; Private Collection; (add.info.: Certosa di Pavia)

Background imageGlasgow Four Collection: Design for a Music Room, c. 1901 (colour lithograph)

Design for a Music Room, c. 1901 (colour lithograph)
991159 Design for a Music Room, c.1901 (colour lithograph) by Mackintosh, Charles Rennie (1868-1928) (after); 40.5x53.3 cm; Private Collection; (add.info)

Background imageGlasgow Four Collection: Design for a wall, table and doors, for A. S. Ball, Berlin, 1905 (pencil, watercolour)

Design for a wall, table and doors, for A. S. Ball, Berlin, 1905 (pencil, watercolour)
991030 Design for a wall, table and doors, for A.S. Ball, Berlin, 1905 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 25.1x49 cm; Private Collection; (add.info.: Design for a wall)

Background imageGlasgow Four Collection: Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour)

Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour)
991029 Design for a washstand, shown in side and front elevation, 1904 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 25.7x29.8 cm; Private Collection; (add.info)

Background imageGlasgow Four Collection: Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour)

Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour)
991027 Design for the Order Desk Chair, shown in elevation and plan, 1904 (pencil, watercolour) by Mackintosh, Charles Rennie (1868-1928); 57.9x39.6 cm; Private Collection; (add.info)

Background imageGlasgow Four Collection: A writing cabinet designed for Walter W. Blackie Esq. Hill House, Edinburgh

A writing cabinet designed for Walter W. Blackie Esq. Hill House, Edinburgh
991032 A writing cabinet designed for Walter W. Blackie Esq. Hill House, Edinburgh, 1904 (mahogany, mother of pearl, metal, leaded glass, ivory, ceramic) by Mackintosh

Background imageGlasgow Four Collection: A white oval side table, originally designed for 14 Kingsborough Gardens, Glasgow

A white oval side table, originally designed for 14 Kingsborough Gardens, Glasgow
991031 A white oval side table, originally designed for 14 Kingsborough Gardens, Glasgow, 1902 (wood, inlaid ivory) by Mackintosh


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The Glasgow Four: Masters of Art and Design Step into the world of creativity and innovation with the Glasgow Four, a group of talented artists and designers who revolutionized the art scene in Scotland during the late 19th and early 20th centuries. Led by Charles Rennie Mackintosh, this quartet left an indelible mark on various mediums, from furniture design to stained glass. One iconic piece that showcases Mackintosh's genius is an oak dining chair designed for the Argyle Street Tearooms. Its sleek lines and intricate details perfectly embody his distinctive style. Another masterpiece created for Miss Cranstons Tearooms are four spoons that exude elegance while serving up delightful treats. Mackintosh's versatility shines through in his study of a Rhododendron, where he effortlessly captures its beauty using pencil and watercolor on paper. His attention to detail is also evident in his designs for wardrobes, featuring decorative elements meticulously depicted in half-full size details. Speaking of wardrobes, another design by Mackintosh showcases both exterior and interior elevations with precision. The blend of functionality and aesthetic appeal is truly remarkable. In addition to furniture design, Mackintosh dabbled in architecture as well. A study of Palermo Cathedral's entrance porch demonstrates his keen eye for capturing architectural intricacies using pencil and grey wash techniques. The they were not limited to tangible objects; they also excelled at creating stunning stained glass panels like one depicting stylized roses framed by leaded stained glass within a wooden frame—a true testament to their mastery over light manipulation. Their artistic prowess extended beyond individual pieces; they also crafted lithographs showcasing their vision for entire rooms such as the Dining Room or Entrance Hall—each bursting with color and inviting viewers into their imaginative worlds. Even everyday items received special treatment from these visionary artists. Take John Orr & Sons' stationery design—an exquisite example printed on paper that elevates the mundane into something extraordinary.