Giving Alms Collection

An illuminated miniature of St. Martin dividing his cloak (from a grand choral book), 14th century (Watercolour)
7261280 An illuminated miniature of St. Martin dividing his cloak (from a grand choral book), 14th century (Watercolour) by Giotto di Bondone (c.1266-1337) (school of)

Parable of the Good Samaritan (chromolitho)
7157035 Parable of the Good Samaritan (chromolitho) by English School, (19th century); Private Collection; (add.info.: Parable of the Good Samaritan)

Personality charity Mildadigheit title object
Personality of the charity Mildadigheit (title on object) One and forty pieces, Verscheydene Sinnebeelden (series title), A female figure as personification of charity

Four representations qualities soul plate 4 man
Four representations of the qualities of the soul, plate 4, Four representations of the soul of man. Above left, marked N. 45: a man gives alms to a beggar on the side of the road

Plate 5 Ancient Temple woman descending staircase
Artokoloro

Shackling the convicts at Bicetre (wash on paper) (b / w photo)
XIR224809 Shackling the convicts at Bicetre (wash on paper) (b/w photo) by Cloquemin, Gabriel (18th-19th century); Musee de l Ile de France, Sceaux, France; French, out of copyright

Beggars for a monastery, Cornelis de Wael, 1630 - 1648

Christian assistance to the poor, print maker: Pieter Nolpe, 1640

Charity, 1851 (oil on canvas)
XIR231253 Charity, 1851 (oil on canvas) by Bonvin, Francois (1817-87); Musee des Beaux-Arts, Niort, France; French, out of copyright

Blind, old man in sedan, Cornelis de Wael, Anonymous, 1629

poverty, Jan Luyken, Christoph Weigel, 1695 - 1705

Beggars receiving alms, Pieter Hendricksz. Schut, Claes Jansz. Visscher (II), 1628 - 1650

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"An Act of Compassion: Giving Alms Through the Ages" In this captivating collection of artworks spanning centuries, we witness the timeless act - a gesture that transcends time and culture. From an illuminated miniature depicting St. Martin dividing his cloak in the 14th century to a chromolitho portraying the Parable of the Good Samaritan, these pieces remind us of our shared responsibility towards those less fortunate. One particular artwork titled "Personality charity Mildadigheit title object" captures the essence of selflessness. It portrays individuals embodying kindness and generosity, showcasing how charitable acts can shape one's character. Moving on to "Four representations qualities soul plate 4 man, " we are reminded that true compassion extends beyond material possessions. It emphasizes that giving alms is not solely about providing monetary aid but also nurturing empathy and understanding within ourselves. As we delve deeper into this visual journey, "Plate 5 Ancient Temple woman descending staircase" presents a thought-provoking scene where assistance is offered even in unexpected places. This piece serves as a powerful reminder that acts of charity should know no boundaries or limitations. Contrasting with these uplifting scenes, "Shackling the convicts at Bicetre (wash on paper) (b / w photo)" sheds light on societal injustices faced by marginalized communities throughout history. It urges us to reflect upon our duty to alleviate suffering and advocate for social change. "Beggars for a monastery" by Cornelis de Wael depicts an organized effort to provide aid through religious institutions, highlighting how faith has often played a significant role in charitable endeavors. Fast forward to Pieter Nolpe's printmaker masterpiece from 1640 titled "Christian assistance to the poor. " This work encapsulates Christian values intertwined with philanthropy, emphasizing that helping others is deeply rooted in various belief systems worldwide. The painting "Charity" from 1851 further reinforces this notion, showcasing the enduring impact of compassion across different eras.