Giovanni Collection (page 12)

Megulia - La Bien Dotee, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Megulia - La Bien Dotee, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Pauline - Femme Romaine, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Pauline - Femme Romaine, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Claudia - Verge Vestale, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Claudia - Verge Vestale, 1403, (1939). Claudia was an ancient Roman Vestal Virgin and the daughter of Appius Claudius Pulcher

Marcia - Vierge Perpetuelle, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Marcia - Vierge Perpetuelle, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Thamyris - Reine De Scythie, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Thamyris - Reine De Scythie, 1403, (1939). Tomyris ( sometimes Thomyris ) is a legendary queen of the Massagetes, famous for having put an end to the reign of Cyrus the Great

Didon - Reine De Carthage, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Didon - Reine De Carthage, 1403, (1939). Dido (Elyssa, Elissa, Elisha, Elysha or Helissa ) is a Phoenician princess, legendary founder and first queen of Carthage

Helene - Femme De Menelas, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Helene - Femme De Menelas, 1403, (1939). In Greek mythology, Helen is the daughter of Zeus and Leda. According to legend, she was the most beautiful woman in the world

Cassandre - Fille De Priam, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Cassandre - Fille De Priam, 1403, (1939). In Greek mythology, Cassandra is the daughter of Priam (King of Troy ) and Hecuba She receives from Apollo the gift of predicting the future

Argie - Fille D Adraste, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Argie - Fille D Adraste, 1403, (1939). In Greek mythology, Argie or Argia daughter of Adraste, is the wife of Polynice. She is famous for the tenderness she carries to her husband

Hippone - Dame Grecque, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Hippone - Dame Grecque, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Meduse - Fille de Phorcis, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Meduse - Fille de Phorcis, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Arachne - Native De Colophon, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Arachne - Native De Colophon, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Orithie & Antiope - Reines Des Amazones, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Orithie & Antiope - Reines Des Amazones, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Isis - Reine D Egypte, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Isis - Reine D Egypte, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Junon - Deesse Des Royaumes, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Junon - Deesse Des Royaumes, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Eve - Notre Commune Mere, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Eve - Notre Commune Mere, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees) by Giovanni Boccaccio

Zenobie - Reine De Palmyre, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Zenobie - Reine De Palmyre, 1403, (1939). Septimia Zenobia was a third-century queen of the Syria-based Palmyrene Empire. The illustration is part of the manuscript De Claris mulieribus

Gualdrade - Pucelle Florentine, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Gualdrade - Pucelle Florentine, 1403, (1939). Gualdrada was a member of the nobility in 13th century Florence, Italy. She was a daughter of Bellincion Berti

Sophonisbe - Reine De Numidie, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Sophonisbe - Reine De Numidie, 1403, (1939). Sophonisbe, born in Carthage in 235 BC died at Cirta in 203 BC was a queen of Numidia, known in Berber under the name of Sofines

La Romaine - Au Nom Inconnu, 1403, (1939). Artist: Master of Berrys Cleres Femmes
La Romaine - Au Nom Inconnu, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

Flore - Deesse Des Fleurs, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Flore - Deesse Des Fleurs, 1403, (1939). Flora in French or Flora in Latin is among the agrarian deities of Italy one of the most ancient and most powerful. Its Greek equivalent is the nymph Chloris

Semiramis - Reine D Assyrie, 1403, (1939). Artist: Master of Berrys Cleres Femmes
Semiramis - Reine D Assyrie, 1403, (1939). The illustration is part of the manuscript De Claris mulieribus, traduction anonyme en francais (Livre des femmes nobles et renommees)

The Feast of the Gods, 1514-1529. Artist: Giovanni Bellini
The Feast of the Gods, 1514-1529. The painting is part of the Widener Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Portrait of a Condottiere, 1475-1480. Artist: Giovanni Bellini
Portrait of a Condottiere, 1475-1480. The painting is part of the Kress Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

Sigismunda Mourning over the Heart of Guiscardo, 1759. Artist: William Hogarth
Sigismunda Mourning over the Heart of Guiscardo, 1759. Inspired by Boccaccios Decameron, written in the mid 14th century. From William Hogarth, by Austin Dobson. [Hachette Et Cie, Paris, 1904]

Three China Figures From The Wallace Elliot Collection, c1775
Three China Figures From The Wallace Elliot Collection, left, bow figure of a shepherd boy after Giovanni Bologna (British Museum, London), centre Longton Hall figure of a goatherd and right

The Shepherdess, c1888. Artist: Giovanni Segantini
The Shepherdess, c1888. From The Studio Volume 10. [London Offices of the Studio, London, 1897]

Tree and Woodpath, c19th century. Artist: Giovanni Fattori
Tree and Woodpath, c19th century. From The Studio Volume 94. [London Offices of the Studio, London, 1927]

Boccaccio: The Opening Scene in Decamerone (Decameron), c1900. Artist: James Dromgole Linton
Boccaccio: The Opening Scene in Decamerone (Decameron), c1900. The Decameron is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio (1313?1375). From The Studio Volume 20

Cries of London: Fresh Gathered Peas Young Hastings, 1795, (1917). Artist: Giovanni Vendramini
Cries of London: Fresh Gathered Peas Young Hastings, 1795. After Francis Wheatley (1747-1801). From The Connoisseur Vol XLVIII [Otto Limited, London, 1917.]

Doge Leonardo Loredan, 1501-2, (1911). Artist: Giovanni Bellini
Doge Leonardo Loredan, 1501-2. Leonardo Loredan was the Doge of Venice from 1501-21. He is shown here wearing his robes of state. After a work by Giovanni Bellini (c1430-1516)

Doge Leonardo Loredan (1436-1521), 1501-2. (1912)
Doge Leonardo Loredan (1436-1521), 1501-2. Leonardo Loredan was the Doge of Venice from 1501-21. In this formal portrait he is shown here wearing his robes of state

Facade of Siena Cathedral, Italy, late 19th or early 20th century. The lower part of the facade with its three portals was designed by Giovanni Pisano in Tuscan Gothic style in the 1280s

San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven
San Giobbe Altarpiece, c1478 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Miracles: the legend of the Wolf of Gubbio, c1437-1444 (1956). According to legend, a wolf terrorised the Italian city of Gubbio until it was tamed by St Francis of Assisi

Portative organ and kettledrums, c1474 (1956). Detail from Assumption of the Virgin by Matteo di Giovanni. A print from Things, a volume about the origin and early history of many things

Rialto Bridge, Venice, Italy, 19th century(?). Artist: Kirchmayn
Rialto Bridge, Venice, Italy, 19th century(?). The Rialto Bridge, which spans the Grand Canal, was designed by Antonio da Ponte and Antonio Contino and built between 1588 and 1591

St Marks Square, Venice, Italy, 19th century. Artist: Kirchmayr
St Marks Square, Venice, Italy, 19th century. The Doges Palace is on the left

Knives, Scissors and Razors to Grind, 1795, (1929). Artist: Giovanni Vendramini
Knives, Scissors and Razors to Grind, 1795, (1929). Illustration from The Cries of London in the Apollo Volume X, no 59, (November 1929)

Portrait of a Woman, 1485-1547, (1930). Artist: Giovanni Cariani
Portrait of a Woman, 1485-1547, (1930). Illustration from Apollo, A Journal of the Arts, (London 1930)

The Sacred Allegory, 1490-1500, (1925). Illustration from Apollo, A Journal of the Arts, (London 1925)

Sigismonda, with the heart of her husband, 1833. Artist: TW Shaw
Sigismonda, with the heart of her husband, 1833. Engraving after Hogarths Sigismunda Mourning over the Heart of Guiscardo of 1759, inspired by Boccaccios Decameron, written in the mid 14th century

But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw
But This Course Did Not Please His Subjects. 1899, (1923). (Griselda) From Tales from Boccaccio (Joseph Jacobs). A woman whose husband tests her loyalty by convincing her that he killed their

The Departure of John and Sebastian Cabot... on their First Voyage of Discovery in 1497, 1906
The Departure of John and Sebastian Cabot from Bristol on their First Voyage of Discovery in 1497, 1906, (c1906-1920). Italian father and son navigators John and Sebastian Cabot

Sir John Hawkwood, English mercenary or condottiere in 14th century Italy, (1819). Hawkwood (1320-1394) fought in the English army in the early years of the Hundred Years War before entering

Giovanni Lanfranco, Italian Baroque era painter, (1825). Artist: John Corner
Giovanni Lanfranco, Italian Baroque era painter, (1825). An engraving of Lanfranco (c1582-1647) from John Corners Portraits of Celebrated Painters, (London, 1825)

Giovanni Boccaccio, Italian author and poet, 19th century. Artist: Woodman
Giovanni Boccaccio, Italian author and poet, 19th century. Portrait of Boccaccio (1313-1375)

Virgin and Child, 15th or early 16th century. Artist: Giovanni Bellini
Virgin and Child, 15th or early 16th century. Found in the collection of the State Hermitage, St Petersburg

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"Giovanni: A Journey Through Art and Music" Step into the world of Giovanni, where art and music intertwine to create a captivating narrative. From Canaletto's breathtaking "Thames" to Bernini's powerful sculpture of Pluto, each masterpiece tells a unique story. In Van Eyck's "The Arnolfini Portrait, " Giovanni is depicted as a symbol of love and devotion. Meanwhile, Saint Francis of Assisi embodies his spiritual side, inspiring generations with his humility and compassion. But Giovanni's influence extends beyond the realm of visual arts. In the realm of music, we encounter the virtuoso double bassist Giovanni Bottesini, whose melodic compositions continue to mesmerize audiences today. Bernini reappears with his iconic sculpture "David, " capturing not only the biblical hero but also showcasing Giovanni's strength and determination. The statue of St Peter in Basilica di San Giovanni in Laterano stands tall as a testament to faith and resilience. Giovanni Paolo Panini invites us to an enchanting musical party through his brushstrokes. We can almost hear the melodies filling the air as musicians gather for an unforgettable celebration. Moving forward in time, we witness Giovanni Segantini's thought-provoking piece "The Punishment of Luxury. " This artwork challenges society’s obsession with materialism while urging us to reflect on our values. Fra Angelico takes us back centuries ago with his serene depiction of "The Annunciation. " The altarpiece transports us into a sacred space where divine messages are delivered by heavenly messengers like Hermes Trismegistus within Siena Cathedral. As we conclude this journey through art and music inspired by various Giovannis throughout history, let their creativity ignite our own passions. Let their stories remind us that beauty exists everywhere – from grand cathedrals to intimate portraits – waiting for us to discover it anew.