Giovanni Antonio Collection

The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, 1730s

The Square of Saint Mark s, Venice, 1742 / 1744. Creator: Canaletto
The Square of Saint Mark s, Venice, 1742/1744

The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s. Creator: Canaletto
The Grand Canal, Venice, Looking South toward the Rialto Bridge, 1730s

Les Trois Graces, (The Three Graces), c1785, (1913). Artist: Jean Francois Janinet
Les Trois Graces, (The Three Graces), c1785, (1913). After Giovanni Antonio Pellegrini (1675-1741). From French Colour-Prints of the XVIII Century. [William Heinemann, London, 1913]

The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony
990213 The Rialto Bridge, Venice, from the South with the Embarkation of the Prince of Saxony during his Visit in 1740, (oil on canvas) by Canaletto

The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S
990131 The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S. Giorgio Magiore, (oil on canvas) by Canaletto

The Bacino di S. Marco, Venice, from the Piazzetta, (oil on canvas)
990107 The Bacino di S. Marco, Venice, from the Piazzetta, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 60.5x92.3 cm; Private Collection; (add.info.: The Bacino di S)

A View of a Terrace in Padua, (black chalk, pen and brown ink)
990017 A View of a Terrace in Padua, (black chalk, pen and brown ink) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 34.2x43.1 cm; Private Collection; (add.info.: A View of a Terrace in Padua)

The Library and the Piazzetta, Venice, from the Doges Palace, (oil on canvas)
659336 The Library and the Piazzetta, Venice, from the Doges Palace, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 59.5x93.8 cm; Private Collection; (add.info)

Venus, Cupid and a Faun, 1708-13 (oil on canvas)
827853 Venus, Cupid and a Faun, 1708-13 (oil on canvas) by Pellegrini, Giovanni Antonio (1675-1741); 127.5x102.2 cm; Private Collection; (add.info.: Venus, Cupid and a Faun)

Old Somerset House from the River Thames, London (oil on canvas)
1766785 Old Somerset House from the River Thames, London (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); Private Collection; (add.info.: Old Somerset House from the River Thames)

The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas)
659310 The Grand Canal, Venice, Looking East from the Campo S. Vio, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 47x78.5 cm; Private Collection; (add.info.: The Grand Canal)

A View of the Molo from the Bacino di San Marco, Venice, (oil on canvas)
659376 A View of the Molo from the Bacino di San Marco, Venice, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 100.5x126.4 cm; Private Collection; (add.info)

The Campo Santi Giovanni e Paolo, Venice, 1738-9 (oil on canvas)
991415 The Campo Santi Giovanni e Paolo, Venice, 1738-9 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 47x77.8 cm; Private Collection; (add.info)

The Grand Canal, Venice, Looking East from the Campo di San Vio, (oil on canvas)
990340 The Grand Canal, Venice, Looking East from the Campo di San Vio, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 46.5x76.8 cm; Private Collection; (add.info)

A Capriccio of a Piazza in front of a Palace with the Column of Marcus Aurelius
991419 A Capriccio of a Piazza in front of a Palace with the Column of Marcus Aurelius, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 110x144 cm; Private Collection; (add.info)

The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S
990132 The Piazzetta, Venice, with the Bacino di S. Marco and the Isola di S. Giorgio Magiore, (oil on canvas) by Canaletto

The Church and Campo of Santo Maria Zobenigo, Venice, (oil on canvas)
990130 The Church and Campo of Santo Maria Zobenigo, Venice, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 29x38 cm; Private Collection; (add.info)

A capriccio of a Venetian Palace Overlooking a Piazza with an Obelisk, (black chalk
990016 A capriccio of a Venetian Palace Overlooking a Piazza with an Obelisk, (black chalk, pen and brown ink, grey wash) by Canaletto

A Capriccio of the Scuola di San Marco, Venice, from the Palazzo Grifalconi-Loredan
659334 A Capriccio of the Scuola di San Marco, Venice, from the Palazzo Grifalconi-Loredan, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768)

The Molo, Venice, from the Bacino di S. Marco, (oil on canvas)
990129 The Molo, Venice, from the Bacino di S. Marco, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 48x85.5 cm; Private Collection; (add.info.: The Molo, Venice)

A Capriccio of a ruined Renaissance Arcade and Pavillion by a Waterway crossed by a
827796 A Capriccio of a ruined Renaissance Arcade and Pavillion by a Waterway crossed by a wooden Footbridge, an Oriental in an exotically decorated boat in the foreground

The Grand Canal, Venice, looking South-East from San Stae to the Fabbriche Nuove di
827673 The Grand Canal, Venice, looking South-East from San Stae to the Fabbriche Nuove di Rialto, (oil on canvas) by Canaletto

The Interior of a Church, with Figures at Prayer, (pen and brown ink, grey wash. 32
659188 The Interior of a Church, with Figures at Prayer, (pen and brown ink, grey wash. 32.4 x 45.7cm.) by Canaletto, (Giovanni Antonio Canal) (1697-1768)

San Marco and the Doges Palace, Venice, (oil on canvas)
827855 San Marco and the Doges Palace, Venice, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 56.8x102.3 cm; Private Collection; (add.info.: San Marco and the Doges Palace)

San Marco and the Doges Palace, Venice, from the Piazza San Marco, c
827828 San Marco and the Doges Palace, Venice, from the Piazza San Marco, c.1740s (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 58.5x103 cm; Private Collection; (add.info)

Giovanni Antonio de Sacchis called Il Pordenone (engraving)
812741 Giovanni Antonio de Sacchis called Il Pordenone (engraving) by French School, (18th century); Private Collection; (add.info.: Giovanni Antonio de Sacchis called Il Pordenone (1484-1539)

The Palazzo Pesaro from the Grand Canal, Venice, (oil on canvas)
990399 The Palazzo Pesaro from the Grand Canal, Venice, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 38.4x48 cm; Private Collection; (add.info)

The Piazza San Marco, Venice, looking East, (oil on canvas)
990167 The Piazza San Marco, Venice, looking East, (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 48.8x73.7 cm; Private Collection; (add.info.: The Piazza San Marco, Venice)

The Assumption of the Virgin, who is seated in the clouds with arms outstretched, angels surrounding her, 1685-1720

The Porta Portello, Padua, c. 1741 / 1742. Creator: Canaletto
The Porta Portello, Padua, c. 1741/1742

English Landscape Capriccio with a Palace, c. 1754. Creator: Canaletto
English Landscape Capriccio with a Palace, c. 1754

English Landscape Capriccio with a Column, c. 1754. Creator: Canaletto
English Landscape Capriccio with a Column, c. 1754

Entrance to the Grand Canal from the Molo, Venice, 1742 / 1744. Creator: Canaletto
Entrance to the Grand Canal from the Molo, Venice, 1742/1744

Warwick Castle, East Front from the Courtyard, 1752. Creator: Canaletto
Warwick Castle, East Front from the Courtyard, 1752

Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects, 1606

Title plate of Vedute altre prese da i luoghi altre ideate, with title and publication information inscribed into a wall plaque at the edge of a canal, 1735-46

Moses defending the daughters of Jethro, 1732-50. Creator: Pietro Monaco
Moses defending the daughters of Jethro, 1732-50

Daniel argues with the elders while Susanna stands at left, 1732-50

Woman drawing water from a well beneath an arcade at left, with a landscape at right, 1717-68

Le porte del Dolo: the oval basin of the locks at Dolo, with a barge moored to the quay, 1735-46

Pradella Valle: the right half of the square of Pradella Valle in Padua
Pra della Valle: the right half of the square of Pra della Valle in Padua, with the Collegio Universitario at right, 1735-46

Piazza San Marco with the Procuratie Nuove on the left and the church of San Geminiano in the background, 1735-46

The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground

Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background

Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground

View of Mestre, an inn at left and other various buildings lining the canal, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

All Professionally Made to Order for Quick Shipping

"Giovanni Antonio: Capturing the Essence of Venice and Beyond" Step into the enchanting world of Giovanni Antonio, a masterful artist who beautifully depicted the timeless allure of Venice and other captivating landscapes. With his skilled brushstrokes, he transported viewers to iconic locations such as The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right in the 1730s. The intricate details in his work allowed one to immerse themselves in scenes like The Square of Saint Mark's, Venice in 1742/1744. Giovanni Antonio's talent shone through as he captured breathtaking views of The Grand Canal, Venice, Looking South toward the Rialto Bridge during the same period. His ability to convey light and perspective brought these scenes to life before our eyes. Beyond Venetian vistas, Giovanni Antonio explored various subjects with equal finesse. In Les Trois Graces (The Three Graces), created around 1785 but rediscovered in 1913 by Jean Francois Janinet, we witness elegance personified through graceful figures intertwined harmoniously. Delving into religious themes as well, Giovanni Antonio showcased his versatility with works like The Death of Saint Peter Martyr rendered delicately using red chalk. This piece reflects both his technical mastery and emotional depth. Returning once more to Venetian splendor is The Rialto Bridge from a unique vantage point - from the south with the Embarkation of Prince Saxony - capturing not only architectural grandeur but also moments filled with anticipation and movement. Giovanni Antonio's artistry extended beyond cityscapes; he skillfully portrayed serene spots such as The Piazzetta, Venice overlooking Bacino di S. Marco and Isola di S. , evoking a sense of tranquility that transports us far away from everyday worries.