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Giampietro Zanotti Collection

Giampietro Zanotti was an Italian artist known for his intricate and detailed engravings

Background imageGiampietro Zanotti Collection: The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master

The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master
827583 The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master, the Farnese Hercules beyond (black chalk, pen and brown ink with brown wash) by Zanotti

Background imageGiampietro Zanotti Collection: Roman alphabet against architectural backgrounds, from G. P

Roman alphabet against architectural backgrounds, from G. P. Zanottis Il Claustro di San Michele in Bosco di Bologna, 1776

Background imageGiampietro Zanotti Collection: Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Background imageGiampietro Zanotti Collection: Plate 1: cross-section of the Hall of the Institute of Bologna

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756

Background imageGiampietro Zanotti Collection: Plate 7: the blinded Polyphemus, guarding the entrance of his cavern

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Background imageGiampietro Zanotti Collection: Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Background imageGiampietro Zanotti Collection: Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Background imageGiampietro Zanotti Collection: Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Background imageGiampietro Zanotti Collection: Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Background imageGiampietro Zanotti Collection: Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Background imageGiampietro Zanotti Collection: Plate 19: figure seen from behind with left hand raised, 1756

Plate 19: figure seen from behind with left hand raised, 1756

Background imageGiampietro Zanotti Collection: Plate 18: two nude figures wearing veils, seen from behind, 1756

Plate 18: two nude figures wearing veils, seen from behind, 1756

Background imageGiampietro Zanotti Collection: Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Background imageGiampietro Zanotti Collection: Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Background imageGiampietro Zanotti Collection: Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Background imageGiampietro Zanotti Collection: Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Background imageGiampietro Zanotti Collection: Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari

Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari
Plate 16: mythological figure holding a mirror, 1756

Background imageGiampietro Zanotti Collection: Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Background imageGiampietro Zanotti Collection: Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 1756

Background imageGiampietro Zanotti Collection: Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling

Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Three bearded men, one wearing fur, 1756

Background imageGiampietro Zanotti Collection: A standing man in a niche reaching forward with one arm, 1756

A standing man in a niche reaching forward with one arm, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
A standing man in a niche reaching forward with one arm, 1756

Background imageGiampietro Zanotti Collection: Plate 40: the division of the elect from the reprobate, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Background imageGiampietro Zanotti Collection: Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Background imageGiampietro Zanotti Collection: Accademia Clementina Bologna Nude Positioned

Accademia Clementina Bologna Nude Positioned
The Accademia Clementina, Bologna, with a Nude Being Positioned by the Drawing Master, the Farnese Hercules beyond; Giampietro Zanotti (Italian)


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Giampietro Zanotti was an Italian artist known for his intricate and detailed engravings. One of his notable works is "The Academia Clementina, Bologna, with a Nude being Positioned by the Drawing Master, " which showcases his skill in capturing human anatomy. Another masterpiece by Zanotti is "Roman alphabet against architectural backgrounds, " where he combines letters with architectural elements to create visually stunning compositions. In Plate 6 of his collection, Zanotti depicts Ulysses driving a burning stake into Polyphemus' eye. The intensity and drama of this scene are brought to life through Zanotti's meticulous engraving technique. Plate 1 offers a cross-section view of the Hall of the Institute of Bologna, showcasing Zanotti's attention to detail in architectural rendering. Plate 7 portrays the blinded Polyphemus guarding the entrance of his cavern, displaying Zanotti's ability to capture emotion even in non-human subjects. In Plate 27, we see Ulysses received by Alcinous king of Phaeacia and Queen Areta after his shipwreck; this piece demonstrates collaboration between Zanotti and fellow artists Bartolomeo Crivellari and Gabriel Soderling. Zanotti continues to impress with Plate 2, another cross-section view of the Hall at Bologna Institute. In Plate 26, he illustrates Ulysses escaping on a raft with help from sea deity Leucothea—a testament to both mythological storytelling and artistic skill. Plate 24 showcases Ulysses's companions stealing sacred oxen from Apollo—an example of how Zanotti captures movement within static images. In Plate 22, two nude figures wearing veils intrigue viewers with their mysterious allure while maintaining gracefulness. Zanotti further explores form and composition in Plates 19 and 18—both featuring figures seen from behind—one raising their left hand, creating a sense of intrigue and curiosity.