Gethsemene Collection

Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of Gethsemane, 1671
7227323 Milan, Church of San Francesco da Paola, Andrea Pozzo, The Angels support Jesus in the Garden of Gethsemane, 1671 by Pozzo, Andrea (1642-1709); Chiesa di San Francesco di Paola, Milan

Jesus in mont Olivarum egressus (chromolitho)
7188653 Jesus in mont Olivarum egressus (chromolitho) by Austrian School, (19th century); Private Collection; (add.info.: Jesus in mont Olivarum egressus)

Jardin des Oliviers (engraving)
7194027 Jardin des Oliviers (engraving) by French School, (19th century); Private Collection; (add.info.: Jardin des Oliviers)

Christs agony in the garden of Gethsemene (colour litho)
7153787 Christs agony in the garden of Gethsemene (colour litho) by English School, (19th century); Private Collection; (add.info.: Christs agony in the garden of Gethsemene)

Jerusalem from the Mount of Olives (engraving)
7180815 Jerusalem from the Mount of Olives (engraving) by English School, (19th century); Private Collection; (add.info.: Jerusalem from the Mount of Olives)

Flemish tapestry. Series The passion of Christ (De vierkante passie). Christ in the Mount of Olives
7209462 Flemish tapestry. Series The passion of Christ (De vierkante passie). Christ in the Mount of Olives (Christus in de Hof van Olijven). Manufacture Pieter de Pannemaeker, Brussels

Non mea voluntas sed tua fiat (chromolitho)
7188654 Non mea voluntas sed tua fiat (chromolitho) by Austrian School, (19th century); Private Collection; (add.info.: Non mea voluntas sed tua fiat)

Window depicting the Agony in the Garden of Gethsemene (stained glass)
1278774 Window depicting the Agony in the Garden of Gethsemene (stained glass) by French School, (14th century); St. Jean-Baptiste, Niederhaslach, France; (add.info.: St)

Window depicting the Arrest in Gethsemene (stained glass)
1278393 Window depicting the Arrest in Gethsemene (stained glass) by French School, (16th century); Eglise Saint Jean Baptiste, Elbeuf, France; (add.info.: Elbeuf, Eglise St Jean Baptiste)

Window depicting Christ arrested in Gethsemene (stained glass)
1279306 Window depicting Christ arrested in Gethsemene (stained glass) by French School, (13th century); Eglise Saint Urbin, Troyes, France; (add.info.: Troyes, Eglise St Urbin)

Window depicting the Betrayal in Gethsemene (stained glass)
1277826 Window depicting the Betrayal in Gethsemene (stained glass) by French School, (16th century); Eglise Saint Lo, Bourg-Achard, France; (add.info.: Bourg-Achard, Eglise St Lo)

Christ agony garden Gethsemene Song nian zhu
Christs agony in the garden of Gethsemene, Song nian zhu gui cheng, Rocha, Joao da, 1868-1921, Woodcut, between 1619 and 1623

Christ Gethsemene early 19th century Lithograph
Artokoloro

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In the depths of darkness, amidst the ancient olive trees, a profound betrayal unfolded. Judas, consumed by greed and deceit, approached Jesus Christ in the Garden of Gethsemane. This poignant moment is captured in vivid detail through various engravings and lithographs. One such coloured engraving portrays the heart-wrenching scene as Judas betrays Jesus with a kiss. The anguish on Christ's face is palpable, his eyes filled with sorrow and resignation. Another engraving showcases the agony endured by Jesus as he grapples with his impending fate, surrounded by disciples who slumber unaware. A colour lithograph depicts Milan's Church of San Francesco da Paola where Andrea Pozzo masterfully illustrates angels offering solace to Jesus in this sacred garden. Their ethereal presence serves as a reminder that even in moments of immense suffering, divine support can be found. The chromolitho "Jesus in mont Olivarum egressus" transports us to that fateful night when Jesus sought solace amongst nature's embrace before his crucifixion. The serenity of the garden contrasts starkly with the turmoil within Christ's soul. Through these artistic renditions, we are transported back to witness an event that shaped history forever - Christs' agony in Gethsemane. Each stroke captures not only physical pain but also emotional torment; reminding us of sacrifice and redemption offered through unwavering faith. As we gaze upon these engravings and lithographs depicting this pivotal moment from different perspectives and styles, let us reflect on our own capacity for betrayal or steadfastness during times of trial.