George Eliot Collection

George Eliot, c1850, (1942). Creator: Francois d Albert Durade
George Eliot, c1850, (1942). Portrait of British author George Eliot (1819-1880), born Mary Ann Evans. Painting in the National Portrait Gallery, London

Poets and Novelists of the Victorian Era, late 19th century. Charlotte Bronte; William Makepeace Thackeray; George Eliot; Robert Browning; Elizabeth Barrett Browning; Tom Hood; Charles Dickens;

Scene from Silas Marner by George Eliot, 1882. Artist: Mary L Gow
Scene from Silas Marner by George Eliot, 1882. Eppie, the orphan adopted by the lonely miser and linen-weaver, Silas Marner

It is coming, Maggie! Tom said, in a deep hoarse voice, loosing the oars and clasping her (engraving)
725508 It is coming, Maggie! Tom said, in a deep hoarse voice, loosing the oars and clasping her (engraving) by English School, (19th century); Private Collection; (add.info.: It is coming, Maggie)

George Elliot's house, Cheyne Walk, Chelsea Embankment, London (coloured photo)
8635436 George Elliot's house, Cheyne Walk, Chelsea Embankment, London (coloured photo) by English Photographer, (20th century); Private Collection; (add.info.: George Elliot's house)

Portrait of George Eliot
2604131 Portrait of George Eliot; (add.info.: George Eliot (1819 - 1880) pen name of Mary Ann Evans. Important British novelist

The Matron of George Eliot Hospital, Nuneaton, Miss A. Barry(centre), and her assistant, Mrs. M. Jones(left) give some of the nurses instruction on the more important points to be raised when they

Surgeons perform an operation at George Eliot Hospital, Nuneaton. 20th December 1992

Tessa at Home. From George Eliots Romola, 1862-63, (1923). Artist: Frederic Leighton
Tessa at Home. From George Eliots Romola, 1862-63, (1923). Romola (1862-63) is a historical novel by George Eliot set in the fifteenth century

George Eliot grave, Highgate Cemetery, London, England

George Eliot (litho)
5219551 George Eliot (litho) by Ross, Gordon (1872-1946); Private Collection; (add.info.: George Eliot. Illustration for Living Biographies of Famous Women (Halcyon House)

Scene from Silas Marner, by George Eliot (engraving)
7184944 Scene from Silas Marner, by George Eliot (engraving) by Cowper, Max (1860-1911); Private Collection; (add.info.: Eppie had quietly passed her arm behind Silass head: scene from Silas Marner)

Illustration for Silas Marner by George Eliot (colour litho)
6022097 Illustration for Silas Marner by George Eliot (colour litho) by Tarrant, Percy (1855-1934); Private Collection; (add.info.: " There they come, then, " said Eppie)

Maggie Tulliver with the gypsies, scene from The Mill on the Floss, by George Eliot (colour litho)
7185278 Maggie Tulliver with the gypsies, scene from The Mill on the Floss, by George Eliot (colour litho) by Charleson, Malcolm Daniel (1888-1943); Private Collection; (add.info)

Illustration for Silas Marner by George Eliot (colour litho)
6022095 Illustration for Silas Marner by George Eliot (colour litho) by Tarrant, Percy (1855-1934); Private Collection; (add.info)

Illustration for Silas Marner by George Eliot (colour litho)
6022091 Illustration for Silas Marner by George Eliot (colour litho) by Tarrant, Percy (1855-1934); Private Collection; (add.info)

Scene from The Mill on the Floss, by George Eliot (engraving)
7184945 Scene from The Mill on the Floss, by George Eliot (engraving) by Hatherell, William (1855-1928) (after); Private Collection; (add.info.: Maggie neared the front of the house)

Scene from Romola, by George Eliot (engraving)
7184943 Scene from Romola, by George Eliot (engraving) by Shaw, Byam (1872-1919); Private Collection; (add.info.: It was Tito Melema who felt that touch: scene from Romola)

Middlemarch (colour litho)
3622043 Middlemarch (colour litho) by English School, (19th century); Private Collection; (add.info.: Middlemarch. Illustration for George Eliot)

George Eliot, Mary Ann Evans, 1880-81 (oil on canvas)
3506537 George Eliot, Mary Ann Evans, 1880-81 (oil on canvas) by Albert-Durade, FranAzois d (1804-1886); 32.5x27 cm; Herbert Art Gallery & Museum, Coventry

"Thats Ended!"(colour litho)
727731 " Thats Ended!" (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: " Thats Ended)

Here sat Eppie (colour litho)
727726 Here sat Eppie (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Here sat Eppie. Illustration for Silas Marner by George Eliot (Macmillan)

The Young Squire leading off Wi Miss Nancy for Partners (colour litho)
727723 The Young Squire leading off Wi Miss Nancy for Partners (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Young Squire leading off Wi Miss Nancy for Partners)

Dr. Kimble making himself Agreeable to his Feminine Patients (colour litho)
727722 Dr. Kimble making himself Agreeable to his Feminine Patients (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Dr)

Arrivals at the Red House (colour litho)
727719 Arrivals at the Red House (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Arrivals at the Red House)

Arbury Hall, Nuneaton (photo)
727563 Arbury Hall, Nuneaton (photo) by English Photographer, (20th century); Private Collection; (add.info.: Arbury Hall, Nuneaton)

The Old Mill at Arbury (photo)
727562 The Old Mill at Arbury (photo) by English Photographer, (20th century); Private Collection; (add.info.: The Old Mill at Arbury)

Illustration for Adam Bede
LLM462312 Illustration for Adam Bede by Browne, Gordon Frederick (1858-1932); Private Collection; (add.info.: Illustration for Adam Bede by George Eliot (Chambers, c 1910).); © Look and Learn

He felt his heart begin to beat violently, and for a few moments he was unable to stretch out his hand
725510 He felt his heart begin to beat violently, and for a few moments he was unable to stretch out his hand and grasp the restored treasure (engraving) by English School

She retreated to her fathers chair again, and held him round the neck (engraving)
725509 She retreated to her fathers chair again, and held him round the neck (engraving) by English School, (19th century); Private Collection; (add.info.: She retreated to her fathers chair again)

What does this all mean, Mrs Tulliver? said Mr Wakem (engraving)
725507 What does this all mean, Mrs Tulliver? said Mr Wakem (engraving) by English School, (19th century); Private Collection; (add.info.: What does this all mean, Mrs Tulliver? said Mr Wakem)

My dear-dear-husband-you have been-very-good to me (engraving)
725492 My dear-dear-husband-you have been-very-good to me (engraving) by English School, (19th century); Private Collection; (add.info.: My dear-dear-husband-you have been-very-good to me)

Shepperton Church, as it was (engraving)
725490 Shepperton Church, as it was (engraving) by English School, (19th century); Private Collection; (add.info.: Illustration of Shepperton Church, as it was)

In the wood (engraving)
725484 In the wood (engraving) by Small, William (1843-1931) (after); Private Collection; (add.info.: In the wood. Illustration from Adam Bede)

Gwendolen and the jewels (engraving)
2812119 Gwendolen and the jewels (engraving) by English School, (19th century); Private Collection; (add.info.: Gwendolen and the jewels)

Heinrich Heine (engraving)
2812114 Heinrich Heine (engraving) by English School, (19th century); Private Collection; (add.info.: Heinrich Heine. Illustration for Scenes and Characters from the works of George Eliot)

Silas Marner (engraving)
2812135 Silas Marner (engraving) by English School, (19th century); Private Collection; (add.info.: Silas Marner. Illustration for Scenes and Characters from the works of George Eliot)

Dorothea and Casaubon (engraving)
2812128 Dorothea and Casaubon (engraving) by English School, (19th century); Private Collection; (add.info.: Dorothea and Casaubon)

Goethe (engraving)
2812115 Goethe (engraving) by English School, (19th century); Private Collection; (add.info.: Goethe. Illustration for Scenes and Characters from the works of George Eliot)

The Spanish Gypsy, My father comes (engraving)
2812112 The Spanish Gypsy, My father comes (engraving) by English School, (19th century); Private Collection; (add.info.: The Spanish Gypsy, My father comes)

Dorothea finds her husband in the garden (gravure)
2817240 Dorothea finds her husband in the garden (gravure) by Taylor, William Ladd (1854-1926); Private Collection; (add.info.: Dorothea finds her husband in the garden.); © Look and Learn

Tom is expected (engraving)
2792605 Tom is expected (engraving) by Bradley, Basil (1842-1904); Private Collection; (add.info.: Tom is expected. Illustration for Cassells Penny Readings edited by Tom Hood (Cassell, c 1880)

Illustration for Amos Barton by George Eliot (litho)
3098341 Illustration for Amos Barton by George Eliot (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Amos Barton by George Eliot)

Illustration for Janets Repentance by George Eliot (colour litho)
3098336 Illustration for Janets Repentance by George Eliot (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Janets Repentance by George Eliot)

Illustration for Mr Gilfils Love Story by George Eliot (colour litho)
3098332 Illustration for Mr Gilfils Love Story by George Eliot (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Mr Gilfils Love Story by George Eliot)

South Farm, Arbury, near Nuneaton, George Eliots Birthplace (colour photo)
3093360 South Farm, Arbury, near Nuneaton, George Eliots Birthplace (colour photo) by English Photographer, (20th century); Private Collection; (add.info.: South Farm, Arbury, near Nuneaton)

Cheyne-Walk, Chelsea, the Residence of the late "George Eliot"(engraving)
1590176 Cheyne-Walk, Chelsea, the Residence of the late " George Eliot" (engraving) by English School, (19th century); Private Collection; (add.info.: Cheyne-Walk, Chelsea)

Hetty Sorrel, 1859
1574596 Hetty Sorrel, 1859 by Bradley, Basil (1842-1904); (add.info.: Hetty Sorrel, working in the dairy, visited by Captain Donnitorne, her seducer, while here aunt, Mrs Poyser looks)

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"George Eliot: A Literary Icon of the Victorian Era" In the late 19th century, a voice emerged from the depths of imagination and touched the hearts of readers worldwide. George Eliot, born Mary Ann Evans, was a prominent figure among poets and novelists during this transformative era. Her works resonated with profound emotions and explored the complexities of human nature. One can almost hear Tom's deep hoarse voice in her enchanting stories. In an engraving capturing a scene from one of her novels, he proclaims to Maggie, "It is coming. " as they embark on an unknown journey together. The intensity of their connection is palpable as Tom clasps her tightly while loosing the oars. Eliot's brilliance extended beyond words onto canvas through talented artists like Francois d Albert Durade and Frederic Leighton. Their depictions brought to life characters such as Tessa from "Romola, " showcasing Eliot's ability to create vivid personalities that lingered in readers' minds long after closing her books. But it wasn't just within fictional realms that George Eliot made an impact; she also left a lasting legacy in reality. As seen in photographs, Miss A. Barry stands proudly alongside her assistant at George Eliot Hospital in Nuneaton—a testament to how literature can inspire real-world change. Even in death, George Eliot continues to be revered. Her final resting place lies peacefully within Highgate Cemetery in London—an eternal tribute to her literary contributions and influence on generations past and present. From scenes depicting Silas Marner's solitude to Maggie Tulliver embracing gypsy life by a riverbank—these colorful lithographs bring forth the essence of George Eliot's storytelling prowess. With each stroke of color or engraved line, they invite us into worlds where love intertwines with tragedy and hope battles against adversity. George Eliot remains etched not only upon pages but also within the hearts of those who have been captivated by her words.