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Geoffrey Holme Collection (page 8)

"Geoffrey Holme: A Captivating Journey Through Art and Time" Step into the world of Geoffrey Holme, a man whose life was intertwined with the beauty and allure of art

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Geoffrey Holme Collection: The Letter. Unpublished Pen Drawing, 1890, 1923. Artist: Edwin Austin Abbey
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Geoffrey Holme Collection: The Crew Was Complete. From The Hunting of the Snark (Lewis Carroll), 1874-1876, (1923)
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Geoffrey Holme Collection: Water-Colour Drawing for Colour Wood-Block Print, 1880-1890, (1923). Artist: Catherine Greenaway
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Geoffrey Holme Collection: Juvenile Party, From Punch, 1864, (1923). Artist: John Leech
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Geoffrey Holme Collection: Boxing Night. Pen Drawing on Wood, c1890, (1923). Artist: Luke Fildes
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Geoffrey Holme Collection: The Shepheards Calendar - March, 1898, (1923). Artist: Walter Crane
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Geoffrey Holme Collection: Queen Catherine: Lord Cardinal, -To You I Speak c1890, (1923) Artist: Sir John Gilbert
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Geoffrey Holme Collection: Vanity Fair. From The Pilgrims Progress (Bunyan), c1861, (1923). Artist: Frederic Shields
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Geoffrey Holme Collection: The Trial Sermon, c1862, (1923). Artist: James Abbott McNeill Whistler
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Geoffrey Holme Collection: Vanity Fair. From The Pilgrims Progress (John Bunyan), c1850-1890, (1923)
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Geoffrey Holme Collection: Angelica Kaufman in Joshua Reynoldss Studio, c18560-1923, (1923). Artist: Helen Paterson Allingham
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Geoffrey Holme Collection: The Passion Flowers of Life. c1860-1890, (1923). Artist: John Pettie
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Geoffrey Holme Collection: The Escaped Convict. From Great Expectations (Dickens), c1830-1870, (1923). Artist: James Mahoney
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Geoffrey Holme Collection: Joy. Frontispiece to Golden Thoughts from Golden Fountains, 1867, (1923). Artist: Dalziel Brothers
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Geoffrey Holme Collection: Illustration from poem A Becketts Troth. c1860-1875, (1923). Artist: George John Pinwell
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Geoffrey Holme Collection: Parable of the Unmerciful Servant. c1850-1890, (1923). Artist: John Everett Millais
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Geoffrey Holme Collection: Elijah and the Widows Son, c1840-1890, (1923). Artist: Ford Madox Brown
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Geoffrey Holme Collection: Illustration from Sister Annes Probation, c1850-1890, (1923). Artist: John Everett Millais
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Geoffrey Holme Collection: The Translator Presenting His Book to the Duke of Norfolk. c1500-1520, (1923)
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Geoffrey Holme Collection: Illustrations to The Vicar of Wakefield (Goldsmith). c1800-1860, (1923). Artist: William Mulready
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Geoffrey Holme Collection: The Concert. From Matthew Brambles Trip to Bath. c1780-1820, (1923). Artist: Thomas Rowlandson
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Geoffrey Holme Collection: The Lord Answering Job Out of the Whirlwind. From Job. c1780-1820, (1923). Artist: William Blake
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Geoffrey Holme Collection: The Dystruccion of Jherusalem, by Vaspazian and Tytus, c16th century, (1923)
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Geoffrey Holme Collection: Let Me Think of the Comfortable Family Dinners. 1862, (1923). Artist: Charles Edmund Brock
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Geoffrey Holme Collection: From Christmas. Alexander Smiths Essays Dreamthorp, 1862, (1923). Artist: Charles Edmund Brock
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Geoffrey Holme Collection: But This Course Did Not Please His Subjects. 1899, (1923). Artist: Byam Shaw
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Geoffrey Holme Collection: Viola: Yet A Barful Strife! Whoe er I Woo, Myself Would Be His Wife. 1923. Artist: W Heath Robinson


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"Geoffrey Holme: A Captivating Journey Through Art and Time" Step into the world of Geoffrey Holme, a man whose life was intertwined with the beauty and allure of art. From etchings to paintings, his passion for artistic expression knew no bounds. In "I Make Myself Known to My Aunt, " an exquisite etching from David Copperfield, we catch a glimpse of Holme's appreciation for classic literature brought to life by the talented Hablot Knight Browne. Transporting us further in time, we find ourselves immersed in Crane Company's "The Bathroom. " This 1940 artwork showcases Holme's fascination with everyday scenes that often go unnoticed but hold immense charm and significance. John Singer Sargent's "Gondolas by the Piazzetta" captures Holme's love for travel and exploration. The vibrant colors transport us to Venice, where gondolas gracefully glide through picturesque canals. As we move forward, CRW Nevinson takes center stage with two contrasting pieces. In "Wet Evening, Oxford Street, " Nevinson portrays bustling city life amidst rain-soaked streets—a reflection of Holme's admiration for urban landscapes. Meanwhile, "Lorry-Jumpers" depicts the adrenaline-fueled chaos of war—an era that deeply impacted him. Holme also had an eye for design as seen in Heal & Son Ltd. 's kitchen arrangement from 1942. His interest extended beyond aesthetics; he recognized the importance of functionality and innovation within domestic spaces. "The Elephant and Castle on the Brighton Road" reveals his affinity for historical depictions. This 1826 masterpiece by Peter Schenk transports us back in time while showcasing his appreciation for architectural marvels. Art became a gateway into introspection as well. Charles Edmund Brock's piece titled "Let Me Think of Comfortable Family Dinners" evokes nostalgia and warmth—reminding us that family bonds are timeless and cherished.