Fraud Blocker Skip to main content

Galleries Collection (page 3)

Galleries have the power to transport us through time and space, allowing us to explore different cultures, eras, and perspectives

Background imageGalleries Collection: Shoreham, England

Shoreham, England
An oil painting of the coastal town of Shoreham, in West Sussex, England, with a cluster of houses, looked upon by the tallest building, a church. Date: circa 1910

Background imageGalleries Collection: Dort Caravan

Dort Caravan
A photograph of a Dort caravan, The caravan of art, which was used by Gayfield Shaw to represent the country's best artists across the more rural areas of Australia

Background imageGalleries Collection: Busy Town Centre

Busy Town Centre
Oil painting of a busy town centre, filled with lots of people in brown and white robes. Date: circa 1930

Background imageGalleries Collection: Sculpture

Sculpture of an unknown woman standing on a cushion plinth. Date: circa 1929

Background imageGalleries Collection: Portrait of an unknown woman

Portrait of an unknown woman
Oil portrait of a seated woman, whose identity is unknown. The artist, Ethel Walker would be having an Exhibition at the Leicester Galleries at this time. Date: circa 1929

Background imageGalleries Collection: Director of the Tate Gallery, inspecting damage

Director of the Tate Gallery, inspecting damage
John Rothenstein (1901-1992), the Director of London's Tate Gallery, inspecting bomb damage. Th museum suffered this fate several times during the war

Background imageGalleries Collection: Tate Gallery bomb damage

Tate Gallery bomb damage
The Tate Gallery initially sustained damage on 16 September 1940, when it was hit by a bomb, the first of several such incidents. Date: 1940

Background imageGalleries Collection: Advert for Treadwin Dobbs, The Pottery Galleries, Bath

Advert for Treadwin Dobbs, The Pottery Galleries, Bath - china, glass and pottery. Date: 1902

Background imageGalleries Collection: Cartoon, Welcome! Britannia: Come in, ladies and gentlemen! Glad to give you a decent roof over

Cartoon, Welcome! Britannia: Come in, ladies and gentlemen! Glad to give you a decent roof over your heads at last!'. A comment on the opening of the National Portrait Gallery on Saturday 4 April

Background imageGalleries Collection: Zacheta National Gallery of Art, detailed view, Warsaw, Masovian Voivodeship, Poland, Europe

Zacheta National Gallery of Art, detailed view, Warsaw, Masovian Voivodeship, Poland, Europe

Background imageGalleries Collection: Cercul Militar National, Officers Mess, Bucharest, Romania

Cercul Militar National, Officers Mess, Bucharest, Romania
architectural photograph, architectural view, arts, balkan, balkan peninsula, building, buildings, cities, city portrait, city scape, city view, collections, cultural monument, cultural monuments

Background imageGalleries Collection: Gallery and Theatre in the Old Town of Dresden, Saxony, Germany, Historical

Gallery and Theatre in the Old Town of Dresden, Saxony, Germany, Historical, Photochrome print from the 1890s
1 person, arts, black, black-and-white, black-white, building, buildings, center, centers, centre, cities, city center, city centre, contemporary, copy, cultural site, cultural sites, depiction

Background imageGalleries Collection: In a picture gallery, the Cabinet de M. de Scuderi, France, Historic

In a picture gallery, the Cabinet de M. de Scuderi, France, Historic, digitally restored reproduction of an original
1900s, 19th-century, 2 people, art collection, art collections, art work, arts, artwork, artworks, black, black-and-white, black-white, depiction, depictions, digital, digitally, drawing, drawings

Background imageGalleries Collection: The Proclamation of the German Empire in the Gallery of Mirrors at the Palace of Versailles on 18

The Proclamation of the German Empire in the Gallery of Mirrors at the Palace of Versailles on 18 January 1871, France
18, 1900s, 19th-century, accurate, attraction, attractions, battles, building, buildings, castles, chateau versailles, cultural monument, cultural monuments, cultural site, cultural sites, digital

Background imageGalleries Collection: Royal Galleries of Ostend

Royal Galleries of Ostend
Gilbert Claes

Background imageGalleries Collection: Paintings in the 'Terninckgesticht' in Antwerp (oil on canvas)

Paintings in the "Terninckgesticht" in Antwerp (oil on canvas)
471374 Paintings in the "Terninckgesticht" in Antwerp (oil on canvas) by Braekeleer, Henri de (1840-88); 64x80 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageGalleries Collection: The Collection of Paintings of Sebastian Leerse, c. 1610 (oil on panel)

The Collection of Paintings of Sebastian Leerse, c. 1610 (oil on panel)
471306 The Collection of Paintings of Sebastian Leerse, c.1610 (oil on panel) by Francken, Frans II the Younger (1581-1642); 78x115.2 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

Background imageGalleries Collection: The Interior of the Old Museum, 1886 (oil on canvas)

The Interior of the Old Museum, 1886 (oil on canvas)
471382 The Interior of the Old Museum, 1886 (oil on canvas) by Van Dyck, Henri (fl.1886); 87x114 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Background imageGalleries Collection: View over Schirn Art Hall to the skyline of Frankfurt am Main, Hesse, Germany, Europe

View over Schirn Art Hall to the skyline of Frankfurt am Main, Hesse, Germany, Europe

Background imageGalleries Collection: The Connoisseur - Possibly a portrait of Mons. Julien, c. 1890 (charcoal & white chalk on paper)

The Connoisseur - Possibly a portrait of Mons. Julien, c. 1890 (charcoal & white chalk on paper)
2617381 The Connoisseur - Possibly a portrait of Mons. Julien, c.1890 (charcoal & white chalk on paper) by Rothenstein, William (1872-1945); 36x22 cm; Private Collection; © Liss Fine Art

Background imageGalleries Collection: Ruined Cities of Ceylon: Remains of the Galleries of Sigiri (b / w photo)

Ruined Cities of Ceylon: Remains of the Galleries of Sigiri (b / w photo)
6009247 Ruined Cities of Ceylon: Remains of the Galleries of Sigiri (b/w photo) by Cave, Henry W. (1854-1913); Private Collection; (add.info.: Remains of the Galleries of Sigiri)

Background imageGalleries Collection: Visitors flock to the Great Exhibition in 1851 to view art and science exhibits, 1851 (colour litho)

Visitors flock to the Great Exhibition in 1851 to view art and science exhibits, 1851 (colour litho)
3245503 Visitors flock to the Great Exhibition in 1851 to view art and science exhibits, 1851 (colour litho) by British School, (19th century); Private Collection; Peter Newark Pictures

Background imageGalleries Collection: George Washingtons wine cooler (sheffield-plated silver)

George Washingtons wine cooler (sheffield-plated silver)
692770 George Washingtons wine cooler (sheffield-plated silver) by English School, (18th century); Private Collection; (add.info)

Background imageGalleries Collection: The Alchymist (engraving)

The Alchymist (engraving)
5220334 The Alchymist (engraving) by Ostade, Adriaen Jansz. van (1610-85); Private Collection; (add.info.: The Alchymist. Illustration for Royal Gems from the Galleries of Europe engraved after)

Background imageGalleries Collection: The Vicar of Wakefield (engraving)

The Vicar of Wakefield (engraving)
5220326 The Vicar of Wakefield (engraving) by Newton, Gilbert Stuart (1794-1835) (after); Private Collection; (add.info.: The Vicar of Wakefield)

Background imageGalleries Collection: The Writing-Master (engraving)

The Writing-Master (engraving)
5220324 The Writing-Master (engraving) by English School, (19th century); Private Collection; (add.info.: The Writing-Master)

Background imageGalleries Collection: The Young Cavalier (engraving)

The Young Cavalier (engraving)
5220320 The Young Cavalier (engraving) by English School, (19th century); Private Collection; (add.info.: The Young Cavalier)

Background imageGalleries Collection: St Martin Dividing His Cloak (engraving)

St Martin Dividing His Cloak (engraving)
5220318 St Martin Dividing His Cloak (engraving) by Rubens, Peter Paul (1577-1640) (after); Private Collection; (add.info.: St Martin Dividing His Cloak)

Background imageGalleries Collection: Robinet (engraving)

Robinet (engraving)
5220314 Robinet (engraving) by Reynolds, Joshua (1723-92) (after); Private Collection; (add.info.: Robinet. Illustration for Royal Gems from the Galleries of Europe engraved after the Great Masters)

Background imageGalleries Collection: Laocoon and His Sons (marble)

Laocoon and His Sons (marble)
3433290 LaocoAon and His Sons (marble) by Roman, (2nd century BC); Musei e Gallerie Pontificie, Musei Vaticani, Vatican City; (add.info.: LaocoAon, son of Acoetes, was a Trojan priest who)

Background imageGalleries Collection: The Seventh Day of the Decameron (colour litho)

The Seventh Day of the Decameron (colour litho)
6020551 The Seventh Day of the Decameron (colour litho) by Poole, Paul Falconer (1807-79); Private Collection; (add.info.: The Seventh Day of the Decameron)

Background imageGalleries Collection: Office and Galleries, Charterhouse Street (engraving)

Office and Galleries, Charterhouse Street (engraving)
6018844 Office and Galleries, Charterhouse Street (engraving) by English School, (19th century); Private Collection; (add.info.: Office and Galleries, Charterhouse Street)

Background imageGalleries Collection: Round the World Yachting in the 'Ceylon', II at Gibraltar (engraving)

Round the World Yachting in the "Ceylon", II at Gibraltar (engraving)
1054741 Round the World Yachting in the " Ceylon", II at Gibraltar (engraving) by Fripp, Charles Edwin (1854-1906); Private Collection; (add.info)

Background imageGalleries Collection: A Guide to the Sights and Amusements of London, for the year 1844 (engraving)

A Guide to the Sights and Amusements of London, for the year 1844 (engraving)
609776 A Guide to the Sights and Amusements of London, for the year 1844 (engraving) by English School, (19th century); Private Collection; (add.info.: A Guide to the Sights and Amusements of London)

Background imageGalleries Collection: Opening of the New Walker Art Gallery at Liverpool (engraving)

Opening of the New Walker Art Gallery at Liverpool (engraving)
1049645 Opening of the New Walker Art Gallery at Liverpool (engraving) by English School, (19th century); Private Collection; (add.info.: Opening of the New Walker Art Gallery at Liverpool)

Background imageGalleries Collection: Vanishing London (engraving)

Vanishing London (engraving)
1049192 Vanishing London (engraving) by Brewer, Henry William (fl.1858-d.1903); Private Collection; (add.info.: Vanishing London)

Background imageGalleries Collection: Ceiling of the Galleria Corsini, Rome (fresco)

Ceiling of the Galleria Corsini, Rome (fresco)
704460 Ceiling of the Galleria Corsini, Rome (fresco) by Zuccari, or Zuccaro, Federico (1540-1609); Galleria Corsini, Rome, Italy; Italian, out of copyright

Background imageGalleries Collection: Detail of the ceiling of the Gallery of the Candelabra (fresco)

Detail of the ceiling of the Gallery of the Candelabra (fresco)
703294 Detail of the ceiling of the Gallery of the Candelabra (fresco) by Seitz, Ludovico (1844-1908) & Torti, Domenico (19th century); Vatican Museums and Galleries, Vatican City; Italian

Background imageGalleries Collection: The Panklibanon Polka (colour litho)

The Panklibanon Polka (colour litho)
558601 The Panklibanon Polka (colour litho) by English School, (19th century); Private Collection; (add.info.: The Panklibanon Polka. Sheet music.); Look and Learn / Peter Jackson Collection

Background imageGalleries Collection: Kings Head Inn Yard, Southwark, c. 1881 (b / w photo)

Kings Head Inn Yard, Southwark, c. 1881 (b / w photo)
JHL394916 Kings Head Inn Yard, Southwark, c.1881 (b/w photo) by Dixon, Henry (1820-92); Private Collection; (add.info.: From a series of 120 photographs by the Society for Photographing Relics of Old)

Background imageGalleries Collection: The Oxford Arms, Warwick Lane, 1875 (b / w photo)

The Oxford Arms, Warwick Lane, 1875 (b / w photo)
JHL394911 The Oxford Arms, Warwick Lane, 1875 (b/w photo) by Bool, Alfred & Bool, John (fl.1870s); Private Collection; (add.info)

Background imageGalleries Collection: National Assembly meeting in Versailles for the election of the new President of the French

National Assembly meeting in Versailles for the election of the new President of the French Republic (colour litho)
2815510 National Assembly meeting in Versailles for the election of the new President of the French Republic (colour litho) by Beltrame

Background imageGalleries Collection: The best attended private view: society and Sir John and Lady Laverys pictures

The best attended private view: society and Sir John and Lady Laverys pictures. The show of pictures by Sir John and Lady Lavery at the Alpine Galleries was the smartest private view imaginable

Background imageGalleries Collection: Sir John and Lady Lavery at the exhibition of their pictures at the Alpine Club Galleries

Sir John and Lady Lavery at the exhibition of their pictures at the Alpine Club Galleries in 1921. Sir John is busy varnishing one of his canvases. Date: 1921

Background imageGalleries Collection: A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho)

A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho)
2783621 A deranged man who was shooting in the galleries of the Louvre in Paris suddenly... (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageGalleries Collection: The Great Hall and its Galleries (b / w photo)

The Great Hall and its Galleries (b / w photo)
3103207 The Great Hall and its Galleries (b/w photo) by Latham, Charles (d.1912); Private Collection; (add.info.: The Great Hall and its Galleries)



All Professionally Made to Order for Quick Shipping

Galleries have the power to transport us through time and space, allowing us to explore different cultures, eras, and perspectives. From the iconic painting "Scotland Forever" depicting a heroic charge during the Battle of Waterloo, to Wandsworth Prison in south west London that once held notorious criminals, galleries hold stories that captivate our imagination. The Guggenheim Museum on 5th Avenue in Manhattan stands as a testament to architectural brilliance and houses some of the most renowned contemporary art collections worldwide. In contrast, Batchelor's "The Picture of the Year" at Raven Gallery in Tucson's Barrio Historico District captures raw emotions frozen in time. Even plans like the Crystal Palace Plan showcase visionary ideas for urban spaces. Meanwhile, Lowry Centre at dusk paints a mesmerizing picture of Salford Quays' vibrant skyline in Manchester and can not limited by geographical boundaries; they can be found even in unexpected places like The Galleries nestled within Gibraltar's unique landscape. Another Guggenheim Museum also graces New York City with its presence—two distinct locations sharing artistic wonders. Delving into history takes us back to 1945 when Kansas City Museum stood as a beacon of knowledge and culture amidst post-war chaos. And who could forget an advert for White City Greyhound Racing from 1932—a glimpse into popular entertainment during that era? Lastly, The Courtauld Institute offers intellectual nourishment with its extensive collection of masterpieces spanning centuries. These galleries serve as gateways into worlds unknown or forgotten—an invitation for all to appreciate beauty and expand their horizons. In essence, they can windows into humanity's past triumphs and struggles while simultaneously inspiring future generations towards creativity and innovation.