Gabriel Collection (page 10)

Annunciation
FTB59855 Annunciation by Previtali, Andrea (c.1470-1528); Santa Maria in Meschio, Vittorio Veneto, Italy; Italian, out of copyright

Evangeline is an epic poem by Henry Wadsworth Longfellow published in 1847 which describes the separation of Evangeline and her beloved Gabriel during the expulsion of the Acadian community from Nova

Multiflora rose or Japanese rose, Rosa multiflora, Rosier multifore
6336981 Multiflora rose or Japanese rose, Rosa multiflora, Rosier multifore by Bessa, Pancrace (1772-1846) (after); (add.info.: Multiflora rose or Japanese rose, Rosa multiflora, Rosier multifore)

Dog rose, Rosa canina, Rosier des chiens 1, and small-leaved sweet-briar, Rosa sepium, Rosa agrestis
6336980 Dog rose, Rosa canina, Rosier des chiens 1, and small-leaved sweet-briar, Rosa sepium, Rosa agrestis, Rosier des haies 2 by Bessa, Pancrace (1772-1846) (after); (add.info.: Dog rose)

Dutch bourgeoise and page, 17th century, from a painting by Gabriel Metzu
5855354 Dutch bourgeoise and page, 17th century, from a painting by Gabriel Metzu. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Dutch bourgeoise housewife with milk pail and page)

Franklinia tree, Gordonia pubescens (engraving)
5855008 Franklinia tree, Gordonia pubescens (engraving) by Redoute, Pierre-Joseph (1759-1840); (add.info.: Flower, leaves, seed vessel and seed of the Franklinia tree)

Large magnolia tree, big laurel, Magnolia grandiflora (engraving)
5855000 Large magnolia tree, big laurel, Magnolia grandiflora (engraving) by Redoute, Pierre-Joseph (1759-1840); (add.info.: Leaf, cone and flower of the large magnolia tree, big laurel)

Triptych: The Annunciation (oil on panel) (see also 477850)
477849 Triptych: The Annunciation (oil on panel) (see also 477850) by Utrecht, Jacob Claesz. von (c.1480-1524); 93.3x135.9 cm; Private Collection; (add.info.: Left wing: portrait of Hermann Plonnies)

The Annunciation (oil on panel)
interior, archangel, saint, garden, window, reading, textile, early renaissance, shutters, bedroom, wings, drapery, walled garden, dove, kneeling, angel, decor, tapestry, bed, cushions, red, lectern

Gabriel Varden, Barnaby Rudge
Charles Dickens Characters by Frank Reynolds for Buchanans Whisky - Gabriel Varden, Barnaby Rudge. 1912

The Vendramin Family, 1543-47 (oil on canvas) (detail of 146860)
REV358800 The Vendramin Family, 1543-47 (oil on canvas) (detail of 146860) by Titian (Tiziano Vecellio) (c.1488-1576); 205.7x301 cm; National Gallery, London

Gabriel and Evangeline (colour litho)
833223 Gabriel and Evangeline (colour litho) by Copping, Harold (1863-1932); Private Collection; (add.info.: illustration from Childrens Stories from Longfellow)

Detail of the Annunciation of the Virgin Mary from the Isenheim altarpiece. outer wing, c. 1512-16, (oil on panel)
898683 Detail of the Annunciation of the Virgin Mary from the Isenheim altarpiece. outer wing, c.1512-16, (oil on panel) by Grunewald

Choral miniature with the Annunciation (pigment on vellum)
703209 Choral miniature with the Annunciation (pigment on vellum) by Italian School; Abbey of Monte Cassino, Cassino, Italy; Italian, out of copyright

Annunciation, 500-700 (linen embroidered with silk)
BAL11431 Annunciation, 500-700 (linen embroidered with silk) by Coptic (6th Century); 19 cm; Victoria & Albert Museum, London

Annunciation, 1512 (panel)
AII79475 Annunciation, 1512 (panel) by Sarto, Andrea del (1486-1530); 181.6x181. cm; Palazzo Pitti, Florence, Italy; Italian, out of copyright

Blessed Osanna Andreasi
AII78777 Blessed Osanna Andreasi by Bonsignori, Francesco (c.1455-1519); Palazzo Ducale & Museo, Mantua, Lombardy, Italy; Italian, out of copyright

Annunciation (tempera on panel)
AII80524 Annunciation (tempera on panel) by Mariotto di Nardo, (fl.1394-1424); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

The Angel Annunciant, 14th century (tempera on panel)
AMO99107 The Angel Annunciant, 14th century (tempera on panel) by Orcagna, Andrea di Cione (fl.1343 d.1368) (studio of); diameter: 6.5 cm; Ashmolean Museum, University of Oxford

The Annunciation, detail from a polytych depicting The Lives of the Saints
KAB87028 The Annunciation, detail from a polytych depicting The Lives of the Saints, from the Salone del II Piano, 1353-63 (tempera on panel) (see 87034) by Giovanni da Milano (fl.1350-70)

The Adoration of the Shepherds, c. 1400 (tempera on wood)
BFM286567 The Adoration of the Shepherds, c.1400 (tempera on wood) by Paolo di Giovanni Fei (fl.1372-1411); 22.2x33.5 cm; Lindenau Museum, Altenburg, Germany; Bildarchiv Foto Marburg

Medieval helmets and shields
Knights helms 287-9, chainmail hood worn under the helm 290, shields for knights on horseback 291-293, and shields for knights on foot 294, 295

Lady receiving a rose from a gentleman in a park under a statue. She says, Its not a favor, its only fair. She thinks, You intrigue me

Gentleman tipping a servant in a hotel room, 19th century. He says, By God, maybe its not so urgent. He thinks, Finally! I ve already done my grieving

Lady and gentleman wearing a wig in a parlor, 19th century. She says, A wig? Really, I never guessed... She thinks, Its a plain as the nose on your face

Lady and old gentleman in a parlor, 19th century. She says, But how can you live on 6, 000 francs? She thinks, Its enough, you old miser

A line of people bringing boxes and crates to a porter. He says, Of course, with pleasure. He thinks, These animals take me for a conveyor belt

Two gentlemen standing in front of the stock market talking. A handsome cab behind them. One says, God, you mock everything, have you no conscience? He thinks, Of good composition

Gentleman presenting a lady with a necklace in a parlor. She says, Its madness, my friend! Am I worth it? She thinks, The stones are so tiny

Two gentlemen composers in a music room before a piano, 19th century. The portly man says, I d give three operas to have created your romance

Gentleman and old lady standing at a table in a restaurant. He says, Madame, you are leaving your fortune to fate. He thinks, If she catches me

Two ladies dressing before a mirror in a parlor, 19th century. She says, The pink really suits you dear. She thinks, And makes you look 10 years older

Man and woman in a restaurant with a glutton, 19th century
Man and woman in a restaurant with a glutton. He says, But you don t eat? He thinks, He inhales! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel

Two mothers in a parlor with their sons, 19th century. She says, My little Charles isn t in the best of health. She thinks, Nor so common and clumsy

Two ladies talking in a parlor watching a woman paint in oils. She says, How many more virtues and talents... She thinks, To remain a woman

Gentleman and lady on a date in a garden, 19th century. She says, Scandalous! You hardly know me! She thinks, My feelings are running ahead of me

Bookish woman in a library talking to an author. She says, Your last novel is delicious with an indescribable charm. She thinks, Although I only read a few pages

Gentlemen and lady playing cards in a parlour, while others dance in the next room. He says, You ve hit a vein. I congratulate you Madame! He thinks, The devil take you

Widow and young man taking coffee in a restaurant talking to a stone mason. She says, And don t forgot in large letters, A good father, fine spouse, he leaves an inconsolable widow

Lady and her gentleman caller writing and reading in a garden terrace, 19th century. She says, Farewell, I count on you giving us a few days. She thinks, I will tremble if he doesn t come

Gentlemen in a French garden admiring a rose, 19th century
Gentlemen in a French garden admiring a rose. He says, Its like paradise on earth. He thinks, It has less grace than an onion

Gentleman being attacked by naughty children in a parlour. He says, They are really charming. He thinks, They are out of control

Lady playing the piano in a parlour to guests. Another lady says, Shes very talented. She thinks, Now we have to swallow a concerto

Gentleman and lady with portrait in a parlour
Gentleman and ugly lady with beautiful portrait in a parlour. He flatters her with, It looks like you, but you are more beautiful in the flesh

Lady saying goodbye to a gentleman in a parlour. She says, Bon voyage, and hurry back! She thinks, Good riddance! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist

Two ladies on a sofa in a parlour. She says, You know theres no hurry. She thinks, She won t move! Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel

Gentleman and old lady in a hotel room watched by a porter. He says, You can count on me to use all my credit. He thinks, Shes old, ugly and shes soliciting me

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Gabriel, a name that echoes through time and art, holds within it the essence of beauty and divine inspiration. From the brushstrokes Cornelius Ritter von Max in "The Lions Bride, " to Dante Gabriel Rossetti's ethereal masterpiece "The Day Dream, " this name carries an artistic legacy. In the depths of history, we find ourselves captivated by "THE ANNUNCIATION" portrayed by the Moscow School in 16th-century Russia. The delicate strokes on panel in the 1489 tempera painting titled "Annunciation" transport us to a realm where angels speak and miracles unfold. But Gabriel is not confined to canvas alone; he transcends into reality as well. Meet Gabriel Masselin, a waiter who serves with grace and charm, making every dining experience memorable. His dedication reflects his commitment to excellence. Nature too pays homage to this illustrious name. The vulnerable Great Bustard, Otis tarda, roams freely across landscapes like a living testament to Gabriel's presence. Just as Rossetti's graphic works leave an indelible mark on our minds, so does this majestic bird on its habitat. Gabriel intertwines with historical figures such as Count D'Orsay and Maclise or Tupac Amaru II captured in portraiture—a symbol of resistance against oppression. Even Archangel Gabriel himself stands tall among them all—an embodiment of strength and divine messages. From Persian miniatures depicting Mohammad on horseback to contemporary oil paintings like COUNT VON WALDSTEIN (1762-1823), Ferdinand Ernst Gabriel—each stroke tells a story unique unto itself but connected by their shared muse: Gabriel. In these diverse expressions lies the power behind this name—a force that ignites creativity and touches souls across centuries. Whether it be through art or real-life encounters, there is something magical about encountering someone named Gabriel—their very existence becomes an invitation for inspiration and wonder.