Fussli Collection

FUSELI: NIGHTMARE, 1781. The Nightmare. Oil on canvas by Henry Fuseli, 1781

David's Census. Creator: Füssli, Johann Melchior (1677-1736)
David's Census. Private Collection

Absalom's beautiful hair. Creator: Füssli, Johann Melchior (1677-1736)
Absalom's beautiful hair. Private Collection

Self-portrait, ca 1780-1790. Creator: Füssli (Fuseli), Johann Heinrich (1741-1825)
Self-portrait, ca 1780-1790. Found in the Collection of the Victoria and Albert Museum

The Night-Hag Visiting Lapland Witches, 1796. Creator: Henry Fuseli
The Night-Hag Visiting Lapland Witches, 1796

Martha Hess as Silence (recto), (pencil and white chalk on buff paper)
824148 Martha Hess as Silence (recto), (pencil and white chalk on buff paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 54.5x33 cm; Private Collection; (add.info)

An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil)
651822 An Old Woman Wearing a Rosary Cursing a Seated Man; Possibly Queen Margaret Cursing the Duke of Gloucester, (pencil, pen and brown ink, grey wash) by Fuseli, Henry (Fussli)

Sapphic Love, (pencil and pen and brown ink)
651806 Sapphic Love, (pencil and pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 17.2x12.4 cm; Private Collection; (add.info.: Sapphic Love)

Prometheus Freed by Hercules, 1781-1785 (oil on canvas)
1766412 Prometheus Freed by Hercules, 1781-1785 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 63x75 cm; Private Collection; (add.info.: Prometheus Freed by Hercules)

Aufsteigender (indian ink on paper)
1766395 Aufsteigender (indian ink on paper) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 29.4x16.6 cm; Private Collection; (add.info.: Aufsteigender)

A Nude Throwing, (pen and brown ink)
651826 A Nude Throwing, (pen and brown ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 30.5x24.7 cm; Private Collection; (add.info.: A Nude Throwing)

Satan (?) (recto), (pencil)
651825 Satan (?) (recto), (pencil) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 20.2x30.5 cm; Private Collection; (add.info.: Satan (?) (recto)

Portrait of a Gentleman, identified as Franz Joseph Haydn, half-length
990294 Portrait of a Gentleman, identified as Franz Joseph Haydn, half-length, at a Pianoforte (oil on canvas) by Fuseli, Henry (Fussli)

A Mother with her Family in the Countryside, 1806-7 (oil on canvas)
3959956 A Mother with her Family in the Countryside, 1806-7 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 91.5 x 71.3 cm; Kunstmuseum, Basel

The Fairy Queen Appears to Prince Arthur, 1785-88 (oil on canvas)
3588566 The Fairy Queen Appears to Prince Arthur, 1785-88 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 100.5x106.9 cm; Kunstmuseum, Basel, Switzerland; Swiss

Haman, After Michelangelo, (pen and grey ink)
651824 Haman, After Michelangelo, (pen and grey ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 37x24.4 cm; Private Collection; (add.info.: Haman, After Michelangelo)

A Lady Walking, (pencil, pen and brown ink and watercolour)
651818 A Lady Walking, (pencil, pen and brown ink and watercolour) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 32.8x21.1 cm; Private Collection; (add.info.: A Lady Walking)

Undine Enters the House of the Fisherman and His Wife, 1821 (oil on canvas)
3959958 Undine Enters the House of the Fisherman and His Wife, 1821 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 63.5 x 76.4 cm; Kunstmuseum, Basel

Ursula, c. 1789 (oil on canvas)
3959957 Ursula, c.1789 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 26.3 x 24.8 cm; Kunstmuseum, Basel

The Newspaper in the Countryside, 1806-7 (oil on canvas)
3959955 The Newspaper in the Countryside, 1806-7 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 91.3 x 71 cm; Kunstmuseum, Basel

The Apotheosis of Penelope Boothby, 1792 (oil on canvas)
WAG17565 The Apotheosis of Penelope Boothby, 1792 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Wolverhampton Art Gallery, West Midlands

A Threatening Head, (pen and black ink, black wash)
651820 A Threatening Head, (pen and black ink, black wash) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 18x19.5 cm; Private Collection; (add.info.: A Threatening Head)

Study of a Womans Gloved Arms, 1798 (pencil)
651819 Study of a Womans Gloved Arms, 1798 (pencil) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 16.1x31 cm; Private Collection; (add.info.: Study of a Womans Gloved Arms)

The Vision of the Deluge, (oil on canvas)
990304 The Vision of the Deluge, (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 247x206 cm; Private Collection; (add.info.: The Vision of the Deluge)

The Creation of Eve from Milton, Paradise Lost VIII (oil on canvas)
6041568 The Creation of Eve from Milton, Paradise Lost VIII (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); Private Collection; (add.info.: The Creation of Eve)

Tornado-Zeus Battling Typhon (Erasmus Darwin, The Botanic Garden), August 1, 1795

Fertilization of Egypt (Erasmus Darwin, The Botanic Garden), 1791. Creator: William Blake
Fertilization of Egypt (Erasmus Darwin, The Botanic Garden), 1791

La Rascienne Honteuse. Creator: Rudolf Fussli
La Rascienne Honteuse

King Henry IV, ca. 1827. Creator: William Heath
King Henry IV, ca. 1827

Hamlet, Horatio, Marcellus and the Ghost (Shakespeare, Hamlet, Act 1, Scene 4), first published 1796; reissued 1852

King Lear Casting Out His Daughter Cordelia (Shakespeare, King Lear, Act 1, Scene 1), first published 1792; reissued 1852

The Enchanted Island Before the Cell of Prospero - Prospero... first published 1797; reissued 1852
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare, The Tempest, Act 1, Scene 2), first published 1797; reissued 1852

Head of a Bearded Man Looking Right, 1692. Creator: Mathias Fussli
Head of a Bearded Man Looking Right, 1692

The Covent Garden Night Mare, April 20, 1784. April 20, 1784. Creator: Thomas Rowlandson
The Covent Garden Night Mare, April 20, 1784

Portrait of a woman, late 18th-early 19th century, (1943). Creator: Henry Fuseli
Portrait of a woman, late 18th-early 19th century, (1943). Drawing in the Kunstmuseum, Basel, Switzerland. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings)

Dead hero with goddesses, 1778, (1943). Creator: Henry Fuseli
Dead hero with goddesses, 1778, (1943). Drawing in the Kunsthaus, Zurich, Switzerland. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart

Ultima Roboris Simfonici, 1735. Artist: Hieronymus Sperling
Ultima Roboris Simfonici, 1735. Samson pulling down the Philistine Temple of Dagon. From Physica Sacra, by By Johannes Jacobus Scheuchzer and Johannes Andreas Pfeffel

Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare, King Henry IV, Part 2, Act 2, Scene 4), first published 1795; reissued 1852

Study after a Roman Portrait Bust of a Lady (1810). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

Milton when a Boy, Instructed by his Mother (c. 1796-98). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

Two Women with Fans Walking in a Garden; verso, Four pencil Sketches of Women (1795). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825. Date: 1795

Mrs Fuseli in a Large Hat; verso, Mrs. Fuseli in a Hat. Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

Mrs. Fuseli in a Red Cap; verso, Pencil Sketches of Women (1794). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825. Date: 1794

Seated Woman with Finger on Mouth, Study for Il Pensoroso. Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

Studies of Three Courtesans with Extravagant Hairstyles (1807). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825. Date: 1807

Woman at a Dressing Table. Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

Two Courtesans at a Window; verso, Three quarter-length Figure & a Head (both of Mrs Fuseli) (1790). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825. Date: 1790

Pylades & Orestes escaping from Tauris with Iphigenia Euripi
Pylades & Orestes escaping from Tauris with Iphigenia (Euripides Iphigenia in Tauris ). Fuseli, John Henry (Johann Heinrich Fssli) 1741 - 1825

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"Fuseli: Exploring the Depths of Imagination and Emotion" Step into the enigmatic world of Henry Fuseli, a masterful artist who captured the essence of human emotions like no other. In his iconic painting "The Nightmare, " created in 1781, he delves into the realm of dreams and fears, depicting a haunting vision that lingers in our minds. Venturing further into Fuseli's repertoire, we encounter "The Night-Hag Visiting Lapland Witches" from 1796. Here, he unveils a mystical scene where supernatural forces intertwine with earthly beings, blurring the boundaries between reality and fantasy. But Fuseli's artistic prowess extends beyond eerie subjects. In "The Massacre of the Innocents, " rendered with pencil and ink washes, he portrays an intense biblical narrative filled with anguish and despair. The raw emotion conveyed through his strokes leaves us captivated by its tragic beauty. Yet again, Fuseli surprises us with "An Old Woman Wearing a Rosary Cursing a Seated Man. " This intriguing piece hints at historical references while exploring themes of power dynamics and curses – perhaps Queen Margaret cursing the Duke of Gloucester? The ambiguity invites us to ponder its hidden meanings. In contrast to these dark compositions lies "Sapphic Love, " an exploration of sensuality depicted through delicate lines. It reveals another facet of Fuseli's talent as he captures intimate moments with grace and tenderness. Moving on to "A Woman Swooning at a Writing Table, " we witness an unsettling presence lurking behind her. With pen and ink as his tools, Fuseli creates suspense within this mysterious tableau – leaving us wondering about her fate or what ominous force she faces. Fuseli also drew inspiration from classical mythology in works like "Prometheus Freed by Hercules. " Through vivid brushstrokes on canvas, he depicts bravery triumphing over adversity – an eternal theme that resonates with us all.