Frontal Collection (page 3)

The Kamchatka brown bear, Ursus arctos beringianus catches salmons at Kuril Lake in Kamchatka, in the water. Petr Simon

Pere Tanguy. Portrait by Vincent Van Gogh (1853-1890)
Vincent Van Gogh (1853-1890). Dutch post-impressionist painter. Pere Tanguy. Portrait. Oil on canvas (92 x 75 cm), 1887 Rodin Museum. Paris. France. Date: 2008

Altar depicting scenes from the life of St Martin of Tours
Altar frontal depicting scenes from the life of Saint Martin of Tours. Romanesque style. Lleida workshop. Polychromed board. Santa Maria de Palau de Rialb (Lleida province, Catalonia, Spain)

Egyptian skulls
Egypt. Skulls. Initial Late Period. One of them is dated after 664 BC. 26th dynasty or Saite Period (672-525 BC). From cemetery near Tura. The other has uncertain date and unknown origin

Egyptian skull. British Museum. London. United Kingdom

Spanish Civil War (1936-1939). Gun shooting over Navarre

Spanish Civil War (1936-1939). Battle of Brunete (July 1937). Soldiers facing an attack of artillery and red aviation in the point 333. Drawing

On Palm Sunday in front of the Church of Our Lady in Munich, Germany, market woman selling bouquets of palm catkins
1900s, 19th-century, 5 people, allergic, allergies, ament, aments, bavarian, bayern, black, black-and-white, black-white, bloom, blossoms, building, buildings, catkins, church building

Rainy day in front of a tavern in Jena, Germany, Historical, digital reproduction of an original from the 19th century
1900s, 19th-century, art work, arts, artwork, artworks, bad weather, black, black-and-white, black-white, daylight, daytime, depiction, depictions, digital, digitally, drawing, drawings, drawn

Mankind (detail), 1927-28 (hoptonwood stone)
862852 Mankind (detail), 1927-28 (hoptonwood stone) by Gill, Eric (1882-1940); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Study of figures for a narrative scene (charcoal on paper) (recto)
BAL192507 Study of figures for a narrative scene (charcoal on paper) (recto) by Buonarroti, Michelangelo (1475-1564); British Museum, London

DDE-90035510
Sweden, Stockholm. Frontal view of Drottningholm Palace, the residence of the Swedish royal family. Date: 25/06/2003

DDE-90024819
Frontal close-up of poisonous scorpionfish (Scorpaenidae), Raja Ampat, Papua, Indonesia. Date: 12/08/2006

DDE-90024821
Frontal close-up of poisonous scorpionfish (Scorpaenidae) yawning, Raja Ampat, Papua, Indonesia. Date: 12/08/2006

DDE-90024811
Close-up frontal view of colorful squirrelfish (Holocentridae), Raja Ampat, Papua, Indonesia. Date: 12/08/2006

DDE-90022873
Shoebill (Balaeniceps rex) portrait. Uganda, Entebbe, Uganda Wildlife Education Centre Date: 29/11/2008

DDE-90022874
Shoebill (Balaeniceps rex) portrait. Uganda, Entebbe, Uganda Wildlife Education Centre Date: 29/11/2008

DDE-90020321
Maasai Giraffe (Giraffa Camelopardalis Tippelskirchi) in the Maasai Mara Game Reserve, Kenya, Africa. Date: 30/04/2009

Frontal Attack on Llewellyn. A. D. 1282 (colour litho)
670114 Frontal Attack on Llewellyn. A.D. 1282 (colour litho) by Moreland, Arthur (1876-1951); Private Collection; (add.info.: Frontal Attack on Llewellyn. A.D. 1282)

Tammar Wallaby (Macropus eugenii), Australia
alert, animal, animals, attention, australia, australian, camera, coat, curiosity, direct, directly, eugenii, eye, eyes, format, frontal, gaze, gazes, gazing, head, heads, interest, looks, macropus

Coin (obverse) c. 534-548 (gold)
984807 Coin (obverse) c.534-548 (gold) by Ostrogothic (6th century); 1.9x2 cm; Fitzwilliam Museum, University of Cambridge

Visions of the ascension of Saint Francis of Assisi: the friar Augustine getting up
LRI4572455 Visions of the ascension of Saint Francis of Assisi: the friar Augustine getting up from his bed whereas the bishop is still lying in the near room

Frontal bone, outer surface (engraving)
3634209 Frontal bone, outer surface (engraving) by English School, (19th century); Private Collection; (add.info.: Frontal bone, outer surface)

Maurice Maeterlinck, c. 1890s (b / w photo)
498372 Maurice Maeterlinck, c.1890s (b/w photo) by French Photographer, (19th century); Bibliotheque de L Arsenal, Paris, France; (add.info)

Panel #3, c. 1934 (watercolor)
1066570 Panel #3, c.1934 (watercolor) by Tsatoke, Monroe (1904-37); 27.9x16.5 cm; Dallas Museum of Art, Texas, USA; gift of the Public Works of Art Project; American, out of copyright

Frontal View of the Muscles and Glands of the Human Neck, 1906 (engraving)
2622229 Frontal View of the Muscles and Glands of the Human Neck, 1906 (engraving) by German School, (20th century); Private Collection; (add.info)

Plant stand, c. 1880-1910 (wire)
2972923 Plant stand, c.1880-1910 (wire) by English School; The Geffrye Museum of the Home, London, UK; eGeffrye Museum; English, out of copyright

Pole screen, c. 1740 (mahogany, softwood & needlework)
3084503 Pole screen, c.1740 (mahogany, softwood & needlework) by English School, (18th century); 104x63.5x51 cm; The Geffrye Museum of the Home, London

Side chair, c. 1685 (beech & upholstery)
3084421 Side chair, c.1685 (beech & upholstery) by English School, (17th century); 103.5x52x42.5 cm; The Geffrye Museum of the Home, London

Study of the Human Figure, Anterior View, from A Comparative Anatomical Exposition
XYC257405 Study of the Human Figure, Anterior View, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl

Study of the Human Figure, Anterior View, from A Comparative Anatomical Exposition
XYC257404 Study of the Human Figure, Anterior View, from A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl

Joseph-Etienne Roulin, 1889 (oil on canvas)
BRN152410 Joseph-Etienne Roulin, 1889 (oil on canvas) by Gogh, Vincent van (1853-90); 66x54.8 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Rare stele showing Artabanus V, the last Parthian king, investing Khwasak
BOO179129 Rare stele showing Artabanus V, the last Parthian king, investing Khwasak, the satrap of Susa: he hands a ring as emblem of his authority, from Susa, Iran

L Annunciation - tempera on panel, 1344
LRI4572958 L Annunciation - tempera on panel, 1344 by Lorenzetti, Ambrogio (1285-c.1348); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: L Annunciation - The Annunciation (Annunciazione)

Plate 530. Various Poses, 1872-85 (collotype on paper)
3950111 Plate 530. Various Poses, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.2x31.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Portrait of a Girl, c. 1545 (oil on canvas)
488191 Portrait of a Girl, c.1545 (oil on canvas) by Pencz, Georg (1500-50); 61.28 x 49.85 cm; Minneapolis Institute of Arts, MN

Coronation of the Virgin, 1414 (tempera on wood, gold background)
887049 Coronation of the Virgin, 1414 (tempera on wood, gold background) by Lorenzo Monaco, (Piero di Giovanni) (c.1370-1425); Galleria degli Uffizi, Florence, Tuscany

John Ruskin, 1882 (albumen print)
696651 John Ruskin, 1882 (albumen print) by Elliott & Fry Studio (fl.1860-90); Private Collection; (add.info.: John Ruskin (1819-1900) was the leading English art critic of the Victorian era

Portrait of a Woman (oil on canvas)
Ma199973 Portrait of a Woman (oil on canvas) by Calderon, Philip Hermogenes (1833-98); 53.5x43.5 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Human Figure, Anterior View, from A comparative anatomical exposition of
XYC253494 Human Figure, Anterior View, from A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl

Crested shriketit, Falcunculus frontatus (Frontal shrike, Lanius frontatus). Handcoloured copperplate drawn and engraved by John Latham from his own A General History of Birds, Winchester, 1822

Olga de Simard de Pitray, 1841 (gouache on paper)
CHT271744 Olga de Simard de Pitray, 1841 (gouache on paper) by Segur, Louis Gaston de (1820-81); Private Collection; (add.info)

Side chair, c. 1815-20 (rosewood)
2972969 Side chair, c.1815-20 (rosewood) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info.: One of a set of three chairs in imitation rosewood)

Sofa, c. 1830 (mahogany & silk)
2972944 Sofa, c.1830 (mahogany & silk) by English School, (19th century); The Geffrye Museum of the Home, London, UK; (add.info.: Sofa with a mahogany frame on reeded sabre legs with brass paw caps)

Bust of Queen Victoria, 1856 (ivory, marble & glass)
3084463 Bust of Queen Victoria, 1856 (ivory, marble & glass) by Noble, Matthew (1818-76); 23.3x8 cm; The Geffrye Museum of the Home, London

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"Exploring the Frontal: Unveiling the Intricacies of Anatomy and Art" Step into a world where Leonardo da Vinci's meticulous study of skull anatomy intertwines with the beating rhythm of the heart. A person with a camera captures these hidden wonders, revealing them through X-ray images that peel back layers of mystery. In one frame, da Vinci's intricate sketches come to life, showcasing the delicate balance between artistry and science. The portrait of Robert Clive serves as a testament to how art can immortalize historical figures on canvas, capturing their essence for generations to come. As we delve deeper into this journey, we encounter an unexpected sight - the Puffing Devil locomotive emerges from history's shadows. Its mechanical marvel reminds us that progress is not limited to brushstrokes but extends to engineering feats that shape our world. Amidst these diverse subjects lies another masterpiece - an artwork depicting the cardiovascular system in all its complexity. It stands as a reminder of our own fragility and resilience, urging us to cherish each beat within our chests. But just when you think you've seen it all, a tiger approaches stealthily. Its primal presence reminds us that nature's beauty can be both awe-inspiring and fearsome simultaneously. Shifting gears once again, an X-ray reveals a total hip replacement - evidence of medical advancements improving lives every day. And then there it is – a normal skull captured in X-ray form; reminding us that beneath external appearances lie stories waiting to be discovered. The exploration continues as neck and shoulder arteries are unveiled through yet another X-ray image – highlighting the interconnectedness within our bodies like never before. Just when you thought this journey couldn't get any more eclectic or surprising, we stumble upon something unexpected – a nude figure reminiscent of Jean Agelou’s style. Art has always pushed boundaries and challenged societal norms throughout history. Finally, soaring above it all is none other than the majestic Barn Owl, a symbol of wisdom and grace.