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Frederick Goodall Collection

Frederick Goodall, a renowned artist of the 19th century, left an indelible mark on the art world with his captivating works

Background imageFrederick Goodall Collection: William Edward Dighton (1822-1853) in Middle Eastern Dress, ca. 1852-53. Creator

William Edward Dighton (1822-1853) in Middle Eastern Dress, ca. 1852-53. Creator
William Edward Dighton (1822-1853) in Middle Eastern Dress, ca. 1852-53

Background imageFrederick Goodall Collection: The Post-Office - painted by F. Goodall, 1850. Creator: Unknown

The Post-Office - painted by F. Goodall, 1850. Creator: Unknown
The Post-Office - painted by F. Goodall, 1850. Painting in the Exhibition of the British Institution, ...meant to indicate the arrival of an Indian Mail with the news of a dear-bought victory....It

Background imageFrederick Goodall Collection: 'The First-Born', by F. Goodall, A.R.A. in the International Exhibition, 1862. Creator: E. Skill

"The First-Born", by F. Goodall, A.R.A. in the International Exhibition, 1862. Creator: E. Skill
"The First-Born", by F. Goodall, A.R.A. in the International Exhibition, 1862. Engraving of a painting. "The First-born" is distinguished for its splendour

Background imageFrederick Goodall Collection: Cranmer at Traitors Gate, 1553

Cranmer at Traitors Gate, 1553
3782299 Cranmer at Traitors Gate, 1553; (add.info.: Cranmer at Traitors Gate, 1553. Thomas Cranmer was archbishop of Canterbury during the reigns of Henry VIII and Edward VI)

Background imageFrederick Goodall Collection: Pictures of the Year VIII, By the Sea of Galilee, 1888. Creator: Frederick Goodall

Pictures of the Year VIII, By the Sea of Galilee, 1888. Creator: Frederick Goodall
Pictures of the Year VIII, By the Sea of Galilee, 1888. From, The Graphic. An Illustrated Weekly Newspaper Volume38. July to December, 1888

Background imageFrederick Goodall Collection: The Grace, from 'Illustrated London News', June 14, 1851. Creator: Unknown

The Grace, from "Illustrated London News", June 14, 1851. Creator: Unknown
The Grace, from " Illustrated London News", June 14, 1851

Background imageFrederick Goodall Collection: Memphis, by the Nile, 1882 (oil on canvas)

Memphis, by the Nile, 1882 (oil on canvas)
659925 Memphis, by the Nile, 1882 (oil on canvas) by Goodall, Frederick (1822-1904); 114.6x304.8 cm; Private Collection; (add.info.: Memphis, by the Nile. Frederick Goodall (1822-1904)

Background imageFrederick Goodall Collection: The Heathcart, 1850 (oil on panel)

The Heathcart, 1850 (oil on panel)
5938139 The Heathcart, 1850 (oil on panel) by Goodall, Frederick (1822-1904); 30.2 x40.6 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; English, out of copyright

Background imageFrederick Goodall Collection: Frederick Goodall, Esquire, RA (engraving)

Frederick Goodall, Esquire, RA (engraving)
1102604 Frederick Goodall, Esquire, RA (engraving) by English School, (19th century); Private Collection; (add.info.: Frederick Goodall, Esquire, RA)

Background imageFrederick Goodall Collection: Old Maid, 1886 (oil on canvas)

Old Maid, 1886 (oil on canvas)
658244 Old Maid, 1886 (oil on canvas) by Goodall, Frederick (1822-1904); 110.5x97.8 cm; Private Collection; (add.info.: Old Maid. Frederick Goodall (1822-1904). Oil on canvas. Signed and dated 1886

Background imageFrederick Goodall Collection: The Head of the House at Prayer, 1872 (oil on canvas)

The Head of the House at Prayer, 1872 (oil on canvas)
658691 The Head of the House at Prayer, 1872 (oil on canvas) by Goodall, Frederick (1822-1904); 99x248.8 cm; Private Collection; (add.info.: The Head of the House at Prayer)

Background imageFrederick Goodall Collection: The Declaration, from 'Illustrated London News', August 29, 1868

The Declaration, from "Illustrated London News", August 29, 1868
The Declaration, from " Illustrated London News", August 29, 1868

Background imageFrederick Goodall Collection: [Frederick Goodall], 1860s. Creator: John & Charles Watkins

[Frederick Goodall], 1860s. Creator: John & Charles Watkins
[Frederick Goodall], 1860s

Background imageFrederick Goodall Collection: An Episode in the Happier Days of Charles I, 1853, (c1902). Creator: Unknown

An Episode in the Happier Days of Charles I, 1853, (c1902). Creator: Unknown
An Episode in the Happier Days of Charles I, 1853, (c1902). After a painting in the Bury Art Museum. 19th century depiction of King Charles I (1600-1649)

Background imageFrederick Goodall Collection: A New Light in the Hareem, 1884, (c1902). Creator: Unknown

A New Light in the Hareem, 1884, (c1902). Creator: Unknown
A New Light in the Hareem, 1884, (c1902). After a painting in the Walker Art Gallery, Liverpool. European imagining of a scene in an eastern seraglio

Background imageFrederick Goodall Collection: Raising the May Pole, c1862. Artist: E Goodall

Raising the May Pole, c1862. Artist: E Goodall
Raising the May Pole, c1862. Men haul the pole into position for May Day, an annual European tradition thought to have originated as a pagan fertility rite

Background imageFrederick Goodall Collection: The School of Sooltan Hassan, c1869. Artist: Edward Goodall

The School of Sooltan Hassan, c1869. Artist: Edward Goodall
The School of Sooltan Hassan, c1869. Boys seated on a carpet, studying with teachers using books on wooden stands. Thought to be Sultan Hassans School, Cairo, Egypt

Background imageFrederick Goodall Collection: Early morning in the wilderness of Shur, 1860. Artist: Frederick Goodall

Early morning in the wilderness of Shur, 1860. Artist: Frederick Goodall
Early morning in the wilderness of Shur, 1860. Scene set at the Well of Moses on the western shore of the Red Sea. A family group are sitting outside a tent on the far left

Background imageFrederick Goodall Collection: Conscription, 1851. Artist: Frederick Goodall

Conscription, 1851. Artist: Frederick Goodall
Conscription, 1851; a man who has just been conscripted into the army sits unhappily in a chair next to a soldier with a glass and a pipe in each hand, whilst beside him his family grieves their loss

Background imageFrederick Goodall Collection: The subsiding of the Nile, 1873. Artist: Frederick Goodall

The subsiding of the Nile, 1873. Artist: Frederick Goodall
The subsiding of the Nile, 1873. A woman fills a water-jug from the River Nile. Others lead sheep and cattle, while camels drink. The long shadows indicate that it is evening

Background imageFrederick Goodall Collection: Cranmer at the Traitors Gate, 1886. Artist: CW Sharpe

Cranmer at the Traitors Gate, 1886. Artist: CW Sharpe
Cranmer at the Traitors Gate, 1886. Thomas Cranmer (1489-1556) was the Archbishop of Canterbury during the reigns of the English kings Henry VIII and Edward VI

Background imageFrederick Goodall Collection: Thomas Cranmer at the Traitors Gate, 1553 (1926). Artist: Frederick Goodall

Thomas Cranmer at the Traitors Gate, 1553 (1926). Artist: Frederick Goodall
Thomas Cranmer at the Traitors Gate, 1926. Cranmer (1489-1556) was the archbishop of Canterbury during the reigns of the English kings Henry VIII and Edward VI

Background imageFrederick Goodall Collection: Raising the May-Pole, c1854. Artist: E Goodall

Raising the May-Pole, c1854. Artist: E Goodall
Raising the May-Pole, c1854. Villagers raise a traditional maypole

Background imageFrederick Goodall Collection: Frederick Goodall, painter, 1878. Artist: Lock & Whitfield

Frederick Goodall, painter, 1878. Artist: Lock & Whitfield
Frederick Goodall, painter, 1878. Goodall was only 14 years old when he exhibited water-colour paintings of Willesden Church and Lambeth Palace at the Society of Arts

Background imageFrederick Goodall Collection: The Distaff Worker

The Distaff Worker
Artist: Goodhall, Frederick - Title: The Distaff Worker - Date: 1878 - Original Medium and Size: Oil on Canvas 55.6 x 45.1

Background imageFrederick Goodall Collection: Drawings Prints, Drawing, Study Baby, Artist, Frederick Goodall, British, London 1822-1904 London

Drawings Prints, Drawing, Study Baby, Artist, Frederick Goodall, British, London 1822-1904 London
Drawings and Prints, Drawing, Study of a Baby, Artist, Frederick Goodall, British, London 1822-1904 London, Goodall, Frederick, British, 1822, 1904, 1868, 1868

Background imageFrederick Goodall Collection: Drawings Prints, Print, Grace, Artist, Frederick Goodall, British, London 1822-1904 London

Drawings Prints, Print, Grace, Artist, Frederick Goodall, British, London 1822-1904 London
Drawings and Prints, Print, The Grace, from the Illustrated London News, Artist, After, Frederick Goodall, British, London 1822-1904 London, Goodall, Frederick, 1822, 1904, June 14, 1851

Background imageFrederick Goodall Collection: Drawings Prints, Print, Declaration, Engraver, Artist, William Luson Thomas, Frederick Goodall

Drawings Prints, Print, Declaration, Engraver, Artist, William Luson Thomas, Frederick Goodall
Drawings and Prints, Print, The Declaration, from the Illustrated London News, Engraver, Artist, After, William Luson Thomas, Frederick Goodall, British, London 1830-1900 Chertsey, Surrey, British

Background imageFrederick Goodall Collection: Frederick Goodall 1860s Albumen silver print

Frederick Goodall 1860s Albumen silver print
Frederick Goodall, 1860s, Albumen silver print, Approx, 10.2 x 6.3 cm, 4 2 1/2, Photographs, 1, AM170720 027332


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Frederick Goodall, a renowned artist of the 19th century, left an indelible mark on the art world with his captivating works. Born in London, England in 1822, he displayed immense talent from a young age and quickly gained recognition for his exceptional skills. One of Goodall's notable pieces is "William Edward Dighton (1822-1853) in Middle Eastern Dress, " created around 1852-53. This painting showcases his ability to capture intricate details and transport viewers to distant lands through his artistry. In "Cranmer at Traitors Gate" painted in 1553, Goodall demonstrates his versatility by depicting historical events with great accuracy and emotion. His attention to detail allows us to relive significant moments from the past. "The Song of the Nubian Slave, " completed in 1864, reveals Goodall's mastery of oil painting on panel. The piece exudes both beauty and melancholy as it tells a story that resonates deeply within our hearts. Goodall's talent extended beyond traditional paintings; he also excelled at capturing scenes from daily life. In "Pictures of the Year VIII: By the Sea of Galilee" (1888), he transports us to serene shores where we can almost feel the gentle breeze against our skin. "The Grace, " published in "Illustrated London News" in June 1851 but creator unknown, showcases Goodall's ability to evoke emotions through simple yet powerful imagery. It serves as a reminder that sometimes less is more when it comes to artistic expression. Another masterpiece by Frederick Goodall is "Memphis, by the Nile" (1882). This oil-on-canvas painting immerses us into ancient Egyptian civilization and highlights his skillful use of color and light. "The Heathcart" (1850) displays Goodall's proficiency with oils on panel once again.