Frederick Christian Lewis Collection

A Group of Auriculas, from The Temple of Flora, 1803. Creator: Frederick Christian Lewis
A Group of Auriculas, from The Temple of Flora, 1803

Part of the Alhambra from the Darro, n.d. Creator: Richard Ford
Part of the Alhambra from the Darro, n.d. Moorish palace in Granada with river in foreground. Note mill wheels on right. Possibly by Richard Ford, possibly after Frederick Christian Lewis

Sin Pursued by Death (John Milton, Paradise Lost, Book 2, 787, 790-792), November 27, 1804

Portrait of Lady Emma Hamilton, mistress of Horatio Nelson, 1765-1815. In see-through dress, looking up
5912841 Portrait of Lady Emma Hamilton, mistress of Horatio Nelson, 1765-1815. In see-through dress, looking up, with loose turban

Miss O Neill as Juliet, May 30, 1816. Creator: Frederick Christian Lewis
Miss O Neill as Juliet, May 30, 1816

Portrait of two children. The elder holding a reluctant younger child in bonnet and dress
5912849 Portrait of two children. The elder holding a reluctant younger child in bonnet and dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence

Portrait of Mary Isabella Bloxam, niece to Sir Thomas Lawrence. In bonnet with ribbon
5912846 Portrait of Mary Isabella Bloxam, niece to Sir Thomas Lawrence. In bonnet with ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence

Portrait of Rowland Bloxam, nephew to Sir Thomas Lawrence. Chubby boy in dress tied with blue ribbon
5912844 Portrait of Rowland Bloxam, nephew to Sir Thomas Lawrence. Chubby boy in dress tied with blue ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas

Portrait of Lady Augusta Lowther, Countess of Fane, wife of the 1st Earl of Lonsdale
5912850 Portrait of Lady Augusta Lowther, Countess of Fane, wife of the 1st Earl of Lonsdale. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G

Portrait bust of artist Sir Thomas Lawrence. Engraving by Frederick Christians Lewis after an illustration by Sir
5912839 Portrait bust of artist Sir Thomas Lawrence. Engraving by Frederick Christians Lewis after an illustration by Sir Thomas Lawrence from P.G. Patmores Cabinet of Gems, Ackermann, London, 1837

Portrait of the Calmeady children in an embrace. Hand-tinted engraving by Frederick Christian Lewis after an
5912848 Portrait of the Calmeady children in an embrace. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence from P.G

Portrait of Lucy Meredith, niece of Sir Thomas Lawrence. Young pre-teen girl in white dress with pink ribbon belt
5912845 Portrait of Lucy Meredith, niece of Sir Thomas Lawrence. Young pre-teen girl in white dress with pink ribbon belt

Portrait of Sir Thomas Lawrences mother Lucy Read close to death. In bonnet and high-neck dress
5912842 Portrait of Sir Thomas Lawrences mother Lucy Read close to death. In bonnet and high-neck dress. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas

Portrait of Mary Isabella Bloxam as a young woman, niece to Sir Thomas Lawrence
5912851 Portrait of Mary Isabella Bloxam as a young woman, niece to Sir Thomas Lawrence. With her hair up and curled, in an off-the-shoulder dress

Portrait of Henry Bloxam, nephew to Sir Thomas Lawrence. Boy in dress with blue ribbon
5912847 Portrait of Henry Bloxam, nephew to Sir Thomas Lawrence. Boy in dress with blue ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas Lawrence

Portrait of Thomas Lawrence Bloxam, nephew to Sir Thomas Lawrence. In dress tied with a pink ribbon
5912843 Portrait of Thomas Lawrence Bloxam, nephew to Sir Thomas Lawrence. In dress tied with a pink ribbon. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas

Portrait of Sir Thomas Lawrences father, innkeeper Thomas Lawrence. Portly man in wig seated on a chair
5912840 Portrait of Sir Thomas Lawrences father, innkeeper Thomas Lawrence. Portly man in wig seated on a chair. Hand-tinted engraving by Frederick Christian Lewis after an illustration by Sir Thomas

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton, 1803, printed 1810 or after

A Selection of Twenty of the Most Picturesque Views in Paris: View of Belle Vue &
A Selection of Twenty of the Most Picturesque Views in Paris: View of Belle Vue & Pont de Seve, 1802

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Village of Chaillot, &c Taken from Pont de la Concorde, 1803, printed 1810 or after

A Selection of Twenty of the Most Picturesque Views in Paris: View of St. Cloud and Mount Calvary taken from Pont de Seve, 1802

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1803

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Gate of St. Denis taken from the Suburbs, 1803

A Selection of Twenty of the Most Picturesque Views in Paris: View of St. Cloud & Mount Calvary taken from Pont de Seve, 1802, printed 1810 or after

Fulham Park School, London, 1813. Artist: Frederick Christian Lewis
Fulham Park School, London, 1813. View as seen from the grounds, with boys playing cricket

The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. Artist
The coronation of King George IV in Westminster Abbey, London, 19th July, 1821. In the foreground the Archbishop of Canterbury is crowning the king, who sits in St Edwards chair

St Andrew Holborn, London, 1804. Artist: Frederick Christian Lewis
St Andrew Holborn, London, 1804. North east view of St Andrew Holborn incorporating a street scene in the foreground with figures, including soldiers and a lamplighter

Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, London, 1826
Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, Greenwich, London, 1826. He is dressed in uniform and exudes an imposing air through expression

Smithfield Market, London, c1840. Artist: Frederick Christian Lewis
Smithfield Market, London, c1840. A busy scene with prospective buyers examining the horses for sale. A man looks at the hind quarters of a dappled grey shire horse

Selection Twenty Picturesque Views Paris Water Mill
A Selection of Twenty of the Most Picturesque Views in Paris: The Water Mill above the Bridge at Charenton, 1803, printed 1810 or after

Selection Twenty Picturesque Views Paris View
A Selection of Twenty of the Most Picturesque Views in Paris: View of the Pantheon taken from the Arsenal, 1803. Thomas Girtin (British, 1775-1802), Frederick Christian Lewis (British, 1779-1856)

Frederick Christian Lewis I and Moses Haughton II after Henry Fuseli (British, 1779 - 1856), Lycidas, aquatint and etching

Frederick Christian Lewis I after Sir Thomas Lawrence (British, 1779 - 1856), Lucy Lawrence, 1831, hand-colored engraving

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Frederick Christian Lewis: Capturing Beauty and Emotion through Engravings Frederick Christian Lewis, a talented engraver of the 19th century, left an indelible mark on the art world with his exquisite hand-tinted engravings. Born on November 27, 1804, Lewis collaborated with renowned artists such as Moses Haughton and Sir Thomas Lawrence to create captivating portraits that continue to captivate audiences today. One of Lewis's notable works is "Sin Pursued by Death, " inspired by John Milton's epic poem Paradise Lost. In this haunting depiction, he skillfully portrays the eternal struggle between sin and death. The intricate details in every stroke reveal Lewis's mastery of his craft. Another remarkable piece is the portrait of Lady Emma Hamilton, mistress of Horatio Nelson. Dressed in a sheer gown and gazing upwards with a loose turban adorning her head, she exudes both sensuality and vulnerability. This hand-tinted engraving showcases Lewis's ability to capture beauty in its most delicate form. Lewis also immortalized Miss O'Neill as Juliet in one of his creations. With meticulous precision, he brings out the essence of Shakespeare's tragic heroine through her expressive eyes and graceful posture, and is evident that Lewis possessed an exceptional talent for portraying emotions through his engravings. In addition to these portraits, Lewis created enchanting images of children captured in moments frozen in time. One particular engraving depicts two siblings—the elder holding onto a reluctant younger child dressed in bonnet and dress—a testament to familial bonds beautifully rendered by both Frederick Christian Lewis and Sir Thomas Lawrence. His collaboration with Sir Thomas Lawrence extended beyond family portraiture; they also worked together on various other projects like depicting Mary Isabella Bloxam—niece to Lawrence—in stunning detail wearing a bonnet adorned with ribbons or capturing Rowland Bloxam—a chubby boy tied up with a blue ribbon—in all his youthful innocence.