Franz Kellerhoven Collection

The Sower, 19th century. Creator: Franz Kellerhoven
The Sower, 19th century

The Annunciation
3782234 The Annunciation; (add.info.: The Annunciation, reproduced from a miniature in The Great Hours of Anne of Brittany)

The Vintage and Drunkenness of Noah, 1469-1484 (1870). Artist: Franz Kellerhoven
The Vintage and Drunkenness of Noah, 1469-1484 (1870). After a copy belonging to Mr Ambroise Firmin Didot. From the Camposanto, Pisa

Last Communion of Saint Jerome, 1614 (1870). Artist: Franz Kellerhoven
Last Communion of Saint Jerome, 1614 (1870). Found in the collection of the Vatican Museum, Rome. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

The Mystic Marriage of St Catherine, 1526-1527 (1870). Artist: Franz Kellerhoven
The Mystic Marriage of St Catherine, 1526-1527 (1870). St Catherine of Alexandria with the Virgin and Child, watched by St Sebastian. From the collection of the Musee du Louvre, Paris

Madonna del sacco ( Madonna with the Sack ), 1525 (1870). Artist: Franz Kellerhoven
Madonna del sacco ( Madonna with the Sack ), 1525 (1870). Found in the Basilica della Santissima Annunziata, Florence. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris

The Visitation, 1518-1519 (1870). Artist: Franz Kellerhoven
The Visitation, 1518-1519 (1870). Found in the collection of the Musee du Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Madonna of the Blue Diadem, 1510-1511 (1870). Artist: Franz Kellerhoven
Madonna of the Blue Diadem, 1510-1511 (1870). Also known as The Virgin of the Veil and The Virgin, Child and young St John. From the collection of the Musee du Louvre, Paris

The Manchester Madonna, c1497 (1870). Artist: Franz Kellerhoven
The Manchester Madonna, c1497 (1870). The painting, which is also known by the title The Madonna and Child with St John and Angels is unfinished

The Virgin and Child with St Anne, c1510 (1870). Artist: Franz Kellerhoven
The Virgin and Child with St Anne, c1510 (1870). Found in the collection of the Musee du Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Aeneas Piccolomini Introduces Eleonora of Portugal to Frederick III, 1502-1508, (1870). Artist: Franz Kellerhoven
Aeneas Piccolomini Introduces Eleonora of Portugal to Frederick III, 1502-1508, (1870). Piccolomini successfully arranged the marriage of Eleonore of Portugal to the Holy Roman Emperor Frederick III

The Ascension of Christ, 1496-1498 (1870). Artist: Franz Kellerhoven
The Ascension of Christ, 1496-1498 (1870). Found in the collection of the Musee Municipal des Beaux-Arts, Lyon. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Madonna of Victory, 1496 (1870). Artist: Franz Kellerhoven
Madonna of Victory, 1496 (1870). Found in the collection of the Louvre, Paris. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

San Giobbe Altarpiece, c1478 (1870). Artist: Franz Kellerhoven
San Giobbe Altarpiece, c1478 (1870). Found in the collection of the Gallerie dell Accademia, Venice. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Obsequies of St Francis, 1482-1485 (1870). Artist: Franz Kellerhoven
Obsequies of St Francis, 1482-1485 (1870). Found in the collection of the Santa Trinita, Florence. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

The Calumny of Apelles, 1494-1495 (1870). Artist: Franz Kellerhoven
The Calumny of Apelles, 1494-1495 (1870). Botticelli spainting is based on a picture by the Ancient Greek artist Apelles. Found in the collection of the Galleria degli Uffizi, Florence

Mosess Testament and Death, 1481-1482 (1870). Artist: Franz Kellerhoven
Mosess Testament and Death, 1481-1482 (1870). Found in the collection of the Sistine Chapel, the Vatican, Rome. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Artist: Franz Kellerhoven
Madonna and Child with St Fredianus and St Augustine, 1437-1438 (1870). Found in the collection of the Louvre. A print from Les Chef D oeuvre de la Peinture Italienne by Paul Mantz, Paris, 1870

Madonna delle ombre ( Madonna of the Shadows ), c1450 (1870). Artist: Franz Kellerhoven
Madonna delle ombre ( Madonna of the Shadows ), c1450 (1870). Found in the collection of the Museo di San Marco, Florence, Italy

Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Artist: Franz Kellerhoven
Scenes from the Life of Christ: Raising of Lazarus, 1304-1305 (1870). Fresco in the Cappella Scrovegni (Arena Chapel), Padua

A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). Artist: Franz Kellerhoven
A copper plaque from Minster Abbey and Church, Isle of Sheppey, Kent, 1337 (1849). From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. Artist: Franz Kellerhoven
Fragment of a stained glass window in Le Mans Cathedral, Mans, France, 1849. From Le Moyen Age et la Renaissance, volume V, by Paul Lacroix, Ferdinand Sere and A Rivaud, volume V (Paris, 1849)

Paris, 15th century, 1870. Artist: Franz Kellerhoven
Paris, 15th century, 1870. A 19th century version of an extract from an earlier Beauvais tapestry. From The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix (London, 1870)

Marguerite de Valois (1553-1615), queen consort of Henry IV of France, 16th century (1849). Artist: Franz Kellerhoven
Marguerite de Valois (1553-1615), queen consort of Henry IV of France, 16th century (1849). A 19th century version based on a 16th century original found in the collection of Bibliotheque St

Louise de Lorraine-Vaudemont (1553-1601), 16th century (1849). Artist: Franz Kellerhoven
Louise de Lorraine-Vaudemont (1553-1601), 16th century (1849). Louise de Lorraine-Vaudemont was a member of the House of Lorraine who became queen consort of King Henry III of France from 1575 until

Dukes of Bavaria, Germany, 16th century (1849). Artist: Franz Kellerhoven
Dukes of Bavaria, 16th century (1849). A 19th century version based on an original 16th century manuscript illustration held by the Bibliotheque Nationale, Paris

A brewery, 15th century (1849). Artist: Franz Kellerhoven
A brewery, 15th century (1849). Stained glass from the Cathedral of Tournai. From Le Moyen Age et la Renaissance, by Paul Lacroix, Ferdinand Sere and A Rivaud, Volume III (Paris, 1849)

Building construction, France, 15th century (1849). Artist: Franz Kellerhoven
Building construction, France, 15th century (1846). A 19th century version based on an original 15th century manuscript illustration in From Le Moyen Age et la Renaissance, by Paul Lacroix

Representation of The Last Supper on enamelled copper, 16th century (1849). Artist: Franz Kellerhoven
Representation of The Last Supper on enamelled copper, 16th century (1849). A 19th century version based on an original 16th century engraving found in the collection of Mr Quedeville, Paris

Coronation of Charles V, King of France, 14th century, (1870). Artist: Franz Kellerhoven
Coronation of Charles V, King of France, 14th century, (1870). A 19th century illustration after a miniature in Froissarts Chronicles in the collection of the Bibliotheque Imperiale, Paris

Gold crosses of a king of the Goths, 7th century, (1870). Artist: Franz Kellerhoven
Gold crosses of a king of the Goths, 7th century, (1870). Part of the so-called Treasure of Guarrazar, found in Guadamur (Toledo, Spain) in 1853 and 1861

Decoration of the Sainte Chapelle, Paris, 13th century, (1870). Artist: Franz Kellerhoven
Decoration of the Sainte Chapelle, Paris, 13th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Clovis I and Clotilde his wife, 12th century, (1870). Artist: Franz Kellerhoven
Clovis I and Clotilde his wife, 12th century, (1870). Illustrated from statues of the early Frankish king and queen, formerly at the entrance of the Church of Notre Dame, Corbeil

St Catherine and St Agnes, 15th century, (1870). Artist: Franz Kellerhoven
St Catherine and St Agnes, 15th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul LaCroix, London, 1870

The Dream of Life, 14th century, (1870). Artist: Franz Kellerhoven
The Dream of Life, 14th century, (1870). A chromolithographic print after a painting in the cloister of the Campo Santo, Pisa

Francis I and Eleonore at their Devotions, 1515-1547, (1870). Artist: Franz Kellerhoven
Francis I and Eleonore at their Devotions, 1515-1547, (1870). Portion of a stained glass window in the church of St Gudule, Brussels

German table ornament of enamelled and gilt copper, late 16th century, (1870). Artist: Franz Kellerhoven
German table ornament of enamelled and gilt copper, late 16th century, (1870). Ornament in the form of a man carrying a barrel, and holding a staff entwined with a vine

Entrance of the Queen Isabeau of Bavaria into Paris, c1500, (1870). Artist: Franz Kellerhoven
Entrance of the Queen Isabeau of Bavaria into Paris, c1500, (1870). Isabel was Queen Consort of France (1385-1422) after marrying Charles VI

Helmets from the Armeria Real, Madrid, (1870). Artist: Franz Kellerhoven
Helmets from the Armeria Real, Madrid, (1870). Casque, morion and other types of helmet, with and without visors, from the Royal Armoury in Madrid

Vessel of Henri II ware, 16th century, (1870). Artist: Franz Kellerhoven
Vessel of Henri II ware, 16th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

Paving tiles of the 14th and 15th century, (1870). Artist: Franz Kellerhoven
Paving tiles of the 14th and 15th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London, 1870)

The Adoration of the Magi, the tapestry of Berne, 14th century, (1870). A chromolithographic print from The Arts of the Middle Ages and at the Period of the Renaissance, by Paul Lacroix, (London)

The Annunciation, c1503, (1870). Artist: Franz Kellerhoven
The Annunciation, c1503, (1870). A facsimile of a miniature from the Hours of Anne de Bretagne, formerly beloning to Catherine de Medici

All Professionally Made to Order for Quick Shipping

Franz Kellerhoven, a renowned artist of the 19th century, left an indelible mark on the art world with his exquisite masterpieces. His works encompassed various themes and subjects, showcasing his exceptional talent and artistic vision. In "The Annunciation, " Kellerhoven beautifully captures the moment when Mary receives news of her divine destiny. The delicate brushstrokes and ethereal colors transport viewers to this sacred encounter. "The Vintage and Drunkenness of Noah" portrays a biblical scene with vivid details that bring the story to life. Kellerhoven's attention to realism is evident in every stroke, making us feel as if we are witnessing Noah's intoxicated state ourselves. Another notable piece by Kellerhoven is "Last Communion of Saint Jerome. " This painting depicts a deeply spiritual moment as Saint Jerome prepares for his final communion before departing from this earthly realm. The artist's ability to convey emotion through facial expressions is truly remarkable. In "The Mystic Marriage of St Catherine, " Kellerhoven presents a mystical union between St Catherine and Christ. The intricate details in their garments and the serene atmosphere evoke a sense of awe and wonder. Kellerhoven's "Madonna del sacco" showcases his mastery in portraying religious figures with tenderness and grace. The Madonna's gentle gaze towards her child creates an intimate connection that resonates with viewers across time. "The Visitation" captures the meeting between Mary and Elizabeth during their pregnancies. Through careful composition, Kellerhoven emphasizes their bond while highlighting each woman's unique expression of joyous anticipation. One cannot overlook "Madonna of the Blue Diadem, " where Kellerhoven skillfully depicts Mary adorned in regal blue attire, symbolizing her purity and divinity. This masterpiece exudes serenity while inviting contemplation on motherhood and faith. "The Manchester Madonna" stands out for its portrayal of maternal love as Mary cradles baby Jesus tenderly against her chest.