Francisco Goya Collection (#7)

La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Artist: Francisco Goya
La Gallina Ciega, (Blind Mans Buff), 1788, (c1934). Rococo cartoon produced by Spanish artist Francisco de Goya for tapestries at the Royal Palace of El Pardo

El Pelele, (The Straw Manikin), 1791-1792, (c1934). Artist: Francisco Goya
El Pelele, (The Straw Manikin), 1791-1792, (c1934). Four young women laugh and play, blanket-tossing a doll or manikin. The blanket-tossing of a doll is used here by Goya as a clear allegory of

Do not shout you idiot, 1799. Artist: Francisco Goya
Do not shout you idiot, 1799. Published in Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

The Shamefaced One, 1799. Artist: Francisco Goya
The Shamefaced One, 1799. Plate 54 of Los Caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain The series is evidence of the artists political

Self-Portrait, 1799. Artist: Goya, Francisco, de (1746-1828)
Self-Portrait, 1799. Found in the collection of the Museo Lazaro Galdiano, Madrid

The Marquesa de Pontejos, c1786. Artist: Francisco Goya
The Marquesa de Pontejos, c1786. The painting is part of the Mellon Collection, National Gallery of Art, Washington DC. From Masterpieces of Painting, edited by Huntington Cairns and John Walker

A Procession of Flagellants, 1812-1819 (1939). Artist: Francisco Goya
A Procession of Flagellants, 1812-1819 (1939). A procession of Roman Catholic men dressed in white, wearing pointed hats and whipping their bared backs in penitence

Powder production in the Sierra de Tardienta, 1814 (1939). Artist: Francisco Goya
Powder production in the Sierra de Tardienta, 1814 (1939). From Les Chefs-D Ouevre Du Musee Du Prado. [Les Editions Holbein, Switzerland, 1939]

General Jose de Urrutia, c1798 (1939). Artist: Francisco Goya
General Jose de Urrutia, c1798 (1939). Jose Ramon de Urrutia y de las Casas (1739-1803), Spanish captain general and military engineer

The Painter Francisco Bayeu, 1795 (1939). Artist: Francisco Goya
The Painter Francisco Bayeu, 1795 (1939). Francisco Bayeu y Subias (1734-1795), Spanish Neoclassic painter. The painting is held at the Museo del Prado, Madrid

The San Isidro Meadow, 1788 (1939). Artist: Francisco Goya
The San Isidro Meadow, 1788 (1939). The sensations of life and hustle and bustle of crowds sitting in a meadow with landscape opening onto the Manzanares River with panoramic view of Madrid

The Military Man and the Lady, 1779 (1939). Artist: Francisco Goya
The Military Man and the Lady, 1779 (1939). An overly adorned lady accompanied by her suitor, glances up at a couple leaning on a wall. The painting is held at the Museo del Prado, Madrid

A Fair in Madrid, 1779 (1939). Artist: Francisco Goya
A Fair in Madrid, 1779 (1939). A seller displays vessels, furniture, used clothing and paintings in the Plaza de la Cebada, Madrid with the dome of San Francisco el Grande in distance

Self-Portrait, 1815 (1939). Artist: Francisco Goya
Self-Portrait, 1815 (1939). Spanish romantic painter and printmaker, considered the most important Spanish artist of late 18th and early 19th centuries as a commentator and chronicler of his era

Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Artist: Vicente Lopez y Portana
Retrato Del Pintor Don Francsico Goya, (The painter Francisco de Goya), 1826, (c1934). Francisco de Goya y Lucientes (1746-1828 ) was a Spanish painter and engraver

La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). Artist: Francisco Goya
La Maja Vestida, (The Clothed Maja), 1800-1808, (c1934). First owned by Prime Minister Manuel de Godoy, who was known as a womaniser

La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Artist: Francisco Goya
La Vendimia, (The Grape Harvest or Autumn), 1786, (c1934). Dressed in yellow clothes symbolising autumn, a young man offers a cluster of black grapes to a lady

El Cacharrero, (The Crockery), 1778-1778, (c1934). Artist: Francisco Goya
El Cacharrero, (The Crockery), 1778-1778, (c1934). A complex scene of city and street life. A Valencian crockery seller distributes his wares on the street

La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Artist: Francisco Goya
La Familia de Carlos IV (Grupo central), (The Family of Charles IV), 1800, (c1934). Portrait of the family of King Carlos IV (1748-1819)

El Medico, 1779. Artist: Francisco Goya
El Medico, 1779. Painting held in the National Galleries Scotland. From The Studio Volume 90. [London Offices of the Studio, London, 1925]

Witch hunt: witches, c1799 (1956). A print from Ideas, a volume about the origin and early history of many things, common and less common, essential and inessential, by Readers Union

Portrait of the Actress Antonia Zarate, c1810. Artist: Francisco Goya
Portrait of the Actress Antonia Zarate, c1810. Goya, Francisco, de (1746-1828). Found in the collection of the State Hermitage, St. Petersburg

Skaters, between 1812 and 1823. Artist: Francisco Goya
Skaters, between 1812 and 1823. Goya, Francisco, de (1746-1828). Found in the collection of the State Hermitage, St. Petersburg

The Florists or Spring, 1786. Artist: Francisco Goya
The Florists or Spring, 1786. Located in the collection at, Prado Museum, Madrid, Spain

The Puppet, 1792. Artist: Francisco Goya
The Puppet, 1792. Located in the collection at, Prado Museum, Madrid, Spain

Bull fight in a village, 1812-1814. Artist: Francisco Goya
Bull fight in a village, 1812-1814. Located in the collection at, Academy San Fernando, Madrid

Wonderful advice, 1799. Artist: Francisco Goya
Wonderful advice, 1799. Plate 15 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

And his house is on fire, 1799. Artist: Francisco Goya
And his house is on fire, 1799. Plate 18 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

It is nicely stretched, 1799. Artist: Francisco Goya
It is nicely stretched, 1799. Plate 17 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

There they go, plucked, 1799. Artist: Francisco Goya
There they go, plucked, 1799. Plate 20 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

All will fall, 1799. Artist: Francisco Goya
All will fall, 1799. Plate 19 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Poor little girls!, 1799. Artist: Francisco Goya
Poor little girls!, 1799. Plate 22 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

How they pluck her!, 1799. Artist: Francisco Goya
How they pluck her!, 1799. Plate 21 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Sleep overcomes them, 1799. Artist: Francisco Goya
Sleep overcomes them, 1799. Plate 34 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

The Devout Profession, 1799. Artist: Francisco Goya
The Devout Profession, 1799. Plate 70 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

To the Count Palatine, 1799. Artist: Francisco Goya
To the Count Palatine, 1799. To the Count Palatine, or Count of the Palate, plate 33 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Pretty teacher!, 1799. Artist: Francisco Goya
Pretty teacher!, 1799. Plate 68 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Wait till you ve been anointed, 1799. Artist: Francisco Goya
Wait till you ve been anointed, 1799. Plate 67 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Where is mother going?, 1799. Artist: Francisco Goya
Where is mother going?, 1799. Plate 65 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

There it goes, 1799. Artist: Francisco Goya
There it goes, 1799. Plate 66 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Look how solemn they are!, 1799. Artist: Francisco Goya
Look how solemn they are!, 1799. Plate 63 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Bon Voyage, 1799. Artist: Francisco Goya
Bon Voyage, 1799. Plate 64 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

It is better to be lazy, 1799. Artist: Francisco Goya
It is better to be lazy, 1799. Plate 73 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Is this your Excellency?, 1799. Artist: Francisco Goya
Is this your Excellency?, 1799. Is this your excellency?..well, as I say, eh!, Look out!, plate 76 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression

Can t anyone unite us?, 1799. Artist: Francisco Goya
Can t anyone unite us?, 1799. Plate 75 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

What one does to another, 1799. Artist: Francisco Goya
What one does to another, 1799. Plate 77 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

Be quick, they are waking up, 1799. Artist: Francisco Goya
Be quick, they are waking up, 1799. Plate 79 Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

It is time, 1799. Artist: Francisco Goya
It is time, 1799. Plate 80 of Los caprichos. Los Caprichos were published in 1799 at a time of social repression and economic crisis in Spain

All Professionally Made to Order for Quick Shipping

Francisco Goya, a renowned Spanish artist, left an indelible mark on the art world with his diverse and captivating works. One of his most famous paintings is "The Naked Maja, " created around 1800. This provocative piece showcases Goya's ability to capture sensuality and beauty in a bold manner. In contrast, Goya also demonstrated his talent for portraiture with his painting of Field Marshal Arthur Wellesley, the 1st Duke of Wellington. Completed in 1814, this portrait exudes power and authority, showcasing Goya's skill in capturing the essence of his subjects. Goya's creativity knew no bounds as he delved into surrealism with "Ridiculous Dream" from 1819-1823. This artwork reflects the artist's exploration of dreams and subconscious thoughts through vivid imagery that challenges conventional reality. However, it was not only through paintings that Goya expressed himself; he also used printmaking to convey powerful messages. Plate 80 from Los Caprichos series titled "It is time" (Ya es hora) depicts societal criticism by highlighting the need for change during turbulent times in Spain. Similarly, Plate 60 from Los Caprichos called "Trials" (Ensayos) portrays human folly and ignorance through satirical illustrations that provoke contemplation about society's flaws. Plate 25 from Los Caprichos titled "If he broke the pot" (Si quebro el Cantaro) presents a cautionary tale about consequences resulting from one's actions or choices. Goya's fascination with female figures is evident in artworks such as "La Maja Desnuda" (The Naked Maja), painted between c. 1797-1800. This controversial masterpiece celebrates feminine beauty while challenging societal norms surrounding nudity at that time.