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François Joullain Collection

François Joullain, a renowned creator from the 18th century, left an indelible mark on the art world with his exquisite works

Background imageFrançois Joullain Collection: Ecce Homo, 1720-62. Creator: Francois Joullain

Ecce Homo, 1720-62. Creator: Francois Joullain
Ecce Homo, 1720-62

Background imageFrançois Joullain Collection: Rinaldo abandoning Armida, 1720-62. Creator: Francois Joullain

Rinaldo abandoning Armida, 1720-62. Creator: Francois Joullain
Rinaldo abandoning Armida, 1720-62

Background imageFrançois Joullain Collection: Heads after the Ecce Homo, 1720-78. Creator: Francois Joullain

Heads after the Ecce Homo, 1720-78. Creator: Francois Joullain
Heads after the Ecce Homo, 1720-78. Principales tetes du Tableau de l oratoire. (Principle heads of the Oratory Painting)

Background imageFrançois Joullain Collection: Venus Catching Love or Venus Flogging Love, ca. 1741. Creators: Caylus

Venus Catching Love or Venus Flogging Love, ca. 1741. Creators: Caylus
Venus Catching Love or Venus Flogging Love, ca. 1741

Background imageFrançois Joullain Collection: Aymon Premier, 1726. Creators: Caylus, Anne-Claude-Philippe de, Francois Joullain

Aymon Premier, 1726. Creators: Caylus, Anne-Claude-Philippe de, Francois Joullain
Aymon Premier, 1726

Background imageFrançois Joullain Collection: Habit de Faune: a faun, a cane in his right h... ca. 1721. Creator: Francois Joullain

Habit de Faune: a faun, a cane in his right h... ca. 1721. Creator: Francois Joullain
Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from New designs for costumes

Background imageFrançois Joullain Collection: Habit d Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one la

Habit d Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from New designs for costumes

Background imageFrançois Joullain Collection: Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban w

Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from New designs for costumes

Background imageFrançois Joullain Collection: Portrait of Jean-Baptiste Lully, 1770. Creator: Augustin de Saint-Aubin

Portrait of Jean-Baptiste Lully, 1770. Creator: Augustin de Saint-Aubin
Portrait of Jean-Baptiste Lully, 1770. After Charles Nicolas Cochin II. After Gaspard Colignon

Background imageFrançois Joullain Collection: Habit de Roy man wearing tonnelet decorated rosettes

Habit de Roy man wearing tonnelet decorated rosettes
Artokoloro

Background imageFrançois Joullain Collection: Habit d Ixion man wearing tonnelet sword belt

Habit d Ixion man wearing tonnelet sword belt
Artokoloro

Background imageFrançois Joullain Collection: Habit de Faune faun wearing tonnelet flute attached

Habit de Faune faun wearing tonnelet flute attached
Artokoloro

Background imageFrançois Joullain Collection: Plate 46 Habit de Folie woman ballet pose wearing

Plate 46 Habit de Folie woman ballet pose wearing
Artokoloro

Background imageFrançois Joullain Collection: Peddler Old Hats 1742 Etching engraving Sheet

Peddler Old Hats 1742 Etching engraving Sheet
Artokoloro

Background imageFrançois Joullain Collection: Franazois Joullain after Claude Gillot, French (1697-1778), Scaramouche, c. 1730

Franazois Joullain after Claude Gillot, French (1697-1778), Scaramouche, c. 1730, etching on laid paper


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François Joullain, a renowned creator from the 18th century, left an indelible mark on the art world with his exquisite works. One of his notable pieces is "Ecce Homo, " created between 1720 and 1762. This masterpiece captures the essence of humanity through its portrayal of Jesus Christ during his crucifixion. Another captivating artwork by Joullain is "Rinaldo abandoning Armida. " Painted around the same period as "Ecce Homo, " this piece depicts a poignant scene from Torquato Tasso's epic poem Jerusalem Delivered. The emotional turmoil and conflict within Rinaldo are beautifully conveyed through Joullain's brushstrokes. Joullain also ventured into sculpting with his series titled "Heads after the Ecce Homo. " These intricately carved heads showcase his exceptional talent in capturing human expressions and emotions, leaving spectators in awe of their lifelike appearance. Collaborating with Caylus, another talented artist, Joullain contributed to the creation of "Venus Catching Love" or alternatively known as "Venus Flogging Love" circa 1741. This sculpture portrays Venus engaging in an intense interaction with Cupid, symbolizing love's complexities and contradictions. In addition to collaborations, Joullain worked independently on projects like "Aymon Premier" in 1726. This work showcases his mastery in creating detailed engravings that depict historical figures such as Aymon I de Bourbon-Charolais. Amongst other notable creations by Joullain are three distinct engravings: "Habit de Faune, " featuring a faun playing a flute; "Habit d'Ixion, " portraying a man wearing a tonnelet belt adorned with a sword; and finally, "Habit de Roy, " showcasing regal attire complete with rosettes and turbans fit for royalty.