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François Collignon Collection

François Collignon, a renowned artist of the 17th and 18th centuries, left an indelible mark on the art world with his exquisite creations

Background imageFrançois Collignon Collection: Mocking of Christ, 1680-1743. Creator: Robert van Audenaerde

Mocking of Christ, 1680-1743. Creator: Robert van Audenaerde
Mocking of Christ, 1680-1743. After Carlo Maratti

Background imageFrançois Collignon Collection: Nativity, 1680-1743. Creator: Robert van Audenaerde

Nativity, 1680-1743. Creator: Robert van Audenaerde
Nativity, 1680-1743. After Carlo Maratti

Background imageFrançois Collignon Collection: An allegory of painting, 17th century. Creator: Francois Collignon

An allegory of painting, 17th century. Creator: Francois Collignon
An allegory of painting, 17th century

Background imageFrançois Collignon Collection: Title Page Designed for the Sale of the Series of Paysages Gravé

Title Page Designed for the Sale of the Series of Paysages Gravé
Title Page Designed for the Sale of the Series of Paysages Graves pour Jean de Medicis, from Paysages Graves pour Jean de Medicis appelees aussi Paysages Dessines a Florence, Vues de Florence

Background imageFrançois Collignon Collection: Mater Dolorum, 1701. Creator: Robert van Audenaerde

Mater Dolorum, 1701. Creator: Robert van Audenaerde
Mater Dolorum, 1701. After Carlo Maratti

Background imageFrançois Collignon Collection: Agony in the Garden, 1680-1743. Creator: Robert van Audenaerde

Agony in the Garden, 1680-1743. Creator: Robert van Audenaerde
Agony in the Garden, 1680-1743. After Carlo Maratti

Background imageFrançois Collignon Collection: Angel appearing to Peter in Prison, 1680-1743. Creator: Robert van Audenaerde

Angel appearing to Peter in Prison, 1680-1743. Creator: Robert van Audenaerde
Angel appearing to Peter in Prison, 1680-1743. After Carlo Maratti

Background imageFrançois Collignon Collection: Crucifixion, 1670-90. Creator: Robert van Audenaerde

Crucifixion, 1670-90. Creator: Robert van Audenaerde
Crucifixion, 1670-90. After Carlo Maratti

Background imageFrançois Collignon Collection: Plate 6: view of a village with a horse trough in center, horses and houses to either s

Plate 6: view of a village with a horse trough in center, horses and houses to either side, a church in center background, 1636-61

Background imageFrançois Collignon Collection: St. Carlo Borromeo surrounded by angels, 1650-70. Creator: Unknown

St. Carlo Borromeo surrounded by angels, 1650-70. Creator: Unknown
St. Carlo Borromeo surrounded by angels, 1650-70

Background imageFrançois Collignon Collection: Self-Portrait, ca. 1645. Creator: Pietro Testa

Self-Portrait, ca. 1645. Creator: Pietro Testa
Self-Portrait, ca. 1645

Background imageFrançois Collignon Collection: An allegory of painting, who as a child in the centre left draws on a tablet, surrou

An allegory of painting, who as a child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing, 1650-1700

Background imageFrançois Collignon Collection: Plate 8 cartouche head old man top center scrollwork

Plate 8 cartouche head old man top center scrollwork
Artokoloro

Background imageFrançois Collignon Collection: Plate 9 cartouche head ram top center flowers

Plate 9 cartouche head ram top center flowers
Artokoloro

Background imageFrançois Collignon Collection: Plate 11 cartouche fruits flowers leaves top

Plate 11 cartouche fruits flowers leaves top
Artokoloro

Background imageFrançois Collignon Collection: Plate 2 cartouche child back left front right

Plate 2 cartouche child back left front right
Artokoloro

Background imageFrançois Collignon Collection: Festa Fatta Roma Alli 25 Febraio MDCXXXIV February 25

Festa Fatta Roma Alli 25 Febraio MDCXXXIV February 25
Artokoloro

Background imageFrançois Collignon Collection: Plate 7 cartouche mask ogre top center scrollwork

Plate 7 cartouche mask ogre top center scrollwork
Artokoloro

Background imageFrançois Collignon Collection: Naval battle ruined ship smoking battlements

Naval battle ruined ship smoking battlements
Artokoloro

Background imageFrançois Collignon Collection: Plate 1 cartouche lion head wings top center

Plate 1 cartouche lion head wings top center
Artokoloro

Background imageFrançois Collignon Collection: Plate 6 view village horse trough center horses

Plate 6 view village horse trough center horses
Artokoloro

Background imageFrançois Collignon Collection: Plate 4 cartouche head cherub top center leaves

Plate 4 cartouche head cherub top center leaves
Artokoloro

Background imageFrançois Collignon Collection: Plate 5 cartouche blank escutcheon top center

Plate 5 cartouche blank escutcheon top center
Artokoloro

Background imageFrançois Collignon Collection: Plate 3 cartouche woman wings ending serpent

Plate 3 cartouche woman wings ending serpent
Artokoloro

Background imageFrançois Collignon Collection: Plate 6 cartouche ram skull top center grapes

Plate 6 cartouche ram skull top center grapes
Artokoloro

Background imageFrançois Collignon Collection: Landscape water-mill figures fishing boat left river

Landscape water-mill figures fishing boat left river
Artokoloro

Background imageFrançois Collignon Collection: Plate 10 cartouche heads two lions profile left

Plate 10 cartouche heads two lions profile left
Artokoloro

Background imageFrançois Collignon Collection: Plate 12 cartouche empty escutcheon top center

Plate 12 cartouche empty escutcheon top center
Artokoloro

Background imageFrançois Collignon Collection: Franazois Collignon after Pietro Testa, French (c. 1609-1657), The Resurrection, etching

Franazois Collignon after Pietro Testa, French (c. 1609-1657), The Resurrection, etching

Background imageFrançois Collignon Collection: Attributed to Franazois Collignon, French (c

Attributed to Franazois Collignon, French (c. 1609-1657), Title Page for Callots " Various Italian Landscapes", probably c. 1630, etching and engraving

Background imageFrançois Collignon Collection: Franazois Collignon after Stefano Della Bella (French, c. 1609 - 1657), Cartouche

Franazois Collignon after Stefano Della Bella (French, c. 1609 - 1657), Cartouche, probably 1646, etching

Background imageFrançois Collignon Collection: View of Tours, France, caption and excudit Parisiis, Francois Collignon, 1619 - 1657

View of Tours, France, caption and excudit Parisiis, Francois Collignon, 1619 - 1657

Background imageFrançois Collignon Collection: Wanted in Nantes, Francois Collignon, 1619 - 1657

Wanted in Nantes, Francois Collignon, 1619 - 1657

Background imageFrançois Collignon Collection: Francois Collignon after Israel Silvestre, Veue de temple de Soleil a Rome, French, c

Francois Collignon after Israel Silvestre, Veue de temple de Soleil a Rome, French, c. 1609-1657, etching

Background imageFrançois Collignon Collection: Francois Collignon after Stefano Della Bella (French, c

Francois Collignon after Stefano Della Bella (French, c. 1609-1657), Cartouche, probably 1646, etching


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François Collignon, a renowned artist of the 17th and 18th centuries, left an indelible mark on the art world with his exquisite creations. While he may not be as well-known as some of his contemporaries, his talent shines through in every piece he crafted. One such masterpiece is "Mocking of Christ, " a poignant portrayal of Jesus' suffering at the hands of those who mocked him. Created by Robert van Audenaerde, this painting captures the raw emotions and agony that Christ endured during his crucifixion. Collignon's artistic prowess extended beyond religious themes to encompass various subjects. In "Nativity, " also painted by van Audenaerde, we witness the birth of Jesus in all its divine glory. The attention to detail and use of light make this artwork truly captivating. An allegory of painting is another notable work attributed to François Collignon himself. This piece showcases his ability to convey complex ideas through symbolism and imagery. It serves as a testament to Collignon's skill in capturing abstract concepts within tangible forms. In addition to these remarkable paintings, Collignon also contributed to other artistic endeavors like designing title pages for series such as Paysages Gravés. His creativity knew no bounds as he seamlessly merged visual elements with textual information. "The Martyrs of Gorchum" stands out among Collignon's oeuvre due to its historical significance. Depicting a tragic event from Dutch history, this painting immortalizes the bravery and sacrifice shown by those who fought for their beliefs against oppressive forces. Collaborating once again with van Audenaerde, Collignon created "Mater Dolorum. " This emotionally charged artwork portrays Mary grieving over her son's crucifixion—a powerful representation that resonates with viewers even today. The Garden of Gethsemane comes alive in "Agony in the Garden, " where Christ grapples with impending suffering while seeking solace from his heavenly father.