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Forest Land Collection

"Exploring the Enchanting Forest Land: A Journey Through Art and History" Immerse yourself in the captivating world of forest land, where imagination meets reality

Background imageForest Land Collection: Woodsman during a break from forest work, Historic, digitally restored reproduction of an original

Woodsman during a break from forest work, Historic, digitally restored reproduction of an original from the 19th
7279735 Woodsman during a break from forest work, Historic, digitally restored reproduction of an original from the 19th century by Unknown Artist

Background imageForest Land Collection: Le pave de Chailly 1865 (Oil on Canvas)

Le pave de Chailly 1865 (Oil on Canvas)
7212095 Le pave de Chailly 1865 (Oil on Canvas) by Monet, Claude (1840-1926); Musee d Orsay, Paris, France; (add.info.: Le pave de Chailly 1865. Oil on Canvas)

Background imageForest Land Collection: The Coming of Spring, 1899 (oil on canvas)

The Coming of Spring, 1899 (oil on canvas)
GLS314072 The Coming of Spring, 1899 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 196.6x166 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageForest Land Collection: Just So Stories by Rudyard Kipling (drawing)

Just So Stories by Rudyard Kipling (drawing)
3760761 Just So Stories by Rudyard Kipling (drawing) by Kipling, Joseph Rudyard (1865-1936); (add.info.: Just So Stories by Rudyard Kipling)

Background imageForest Land Collection: Norma, opera by Vincenzo Bellini, sheet music cover (colour litho)

Norma, opera by Vincenzo Bellini, sheet music cover (colour litho)
7149592 Norma, opera by Vincenzo Bellini, sheet music cover (colour litho) by English School, (19th century); Private Collection; (add.info.: Norma, opera by Vincenzo Bellini)

Background imageForest Land Collection: Beethoven in the Forest (litho)

Beethoven in the Forest (litho)
3102327 Beethoven in the Forest (litho) by Schmid, Julius (1854-1935); Private Collection; (add.info.: Beethoven in the Forest. Postcard, early 20th century.); Look and Learn / Elgar Collection

Background imageForest Land Collection: A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper)

A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper)
PNH356244 A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper) by Nash, Paul (1889-1946); 35.8x20.5 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries

Background imageForest Land Collection: The Spirit of Delight - illustration by Dorothy Chilcott

The Spirit of Delight - illustration by Dorothy Chilcott
3783655 The Spirit of Delight - illustration by Dorothy Chilcott; (add.info.: The Spirit of Delight - illustration by Dorothy Chilcott)

Background imageForest Land Collection: Hunters Pursuing a Deer, c.1430-40 (tempera colours, gold paint, silver paint & gold leaf)

Hunters Pursuing a Deer, c.1430-40 (tempera colours, gold paint, silver paint & gold leaf)
8678061 Hunters Pursuing a Deer, c.1430-40 (tempera colours, gold paint, silver paint & gold leaf) by French School, (15th century); J

Background imageForest Land Collection: Installation of an explorers camp in Guatemala (1882), 1898 (engraving)

Installation of an explorers camp in Guatemala (1882), 1898 (engraving)
8672353 Installation of an explorers camp in Guatemala (1882), 1898 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info)

Background imageForest Land Collection: Chew Valley, Greenfield, 1897 (oil on canvas)

Chew Valley, Greenfield, 1897 (oil on canvas)
8615154 Chew Valley, Greenfield, 1897 (oil on canvas) by Wimpenny, George (1857-1939); 29x19 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imageForest Land Collection: Maternal Solicitude, 1873 (oil on wood)

Maternal Solicitude, 1873 (oil on wood)
XOS5885365 Maternal Solicitude, 1873 (oil on wood) by Tait, Arthur Fitzwilliam (1819-1905); 49.5x61 cm; Cleveland Museum of Art, OH

Background imageForest Land Collection: Autumn in the Catskills, 1873 (oil on canvas)

Autumn in the Catskills, 1873 (oil on canvas)
XOS5885360 Autumn in the Catskills, 1873 (oil on canvas) by McEntee, Jervis (1828-91); 61x51.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Jervis McEntee)

Background imageForest Land Collection: Autumn, a Wood Path, 1876 (oil on canvas)

Autumn, a Wood Path, 1876 (oil on canvas)
XOS5885341 Autumn, a Wood Path, 1876 (oil on canvas) by Gifford, Sanford Robinson (1823-80); 38x31.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Sanford Robinson Gifford)

Background imageForest Land Collection: Waidhofen an der Ybbs, Austria

Waidhofen an der Ybbs, Austria
3781915 Waidhofen an der Ybbs, Austria.; (add.info.: Waidhofen an der Ybbs, Austria. 1920s. Boys punting. (Lower Austria). Wien und Niederosterreich); Lebrecht History

Background imageForest Land Collection: The Woods, Betts-Y-Coed, 1929 (oil on canvas)

The Woods, Betts-Y-Coed, 1929 (oil on canvas)
8615145 The Woods, Betts-Y-Coed, 1929 (oil on canvas) by Wimpenny, George (1857-1939); 59.7x89.3 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imageForest Land Collection: June Day, 1870 (oil on canvas)

June Day, 1870 (oil on canvas)
XOS5885359 June Day, 1870 (oil on canvas) by Richards, William Trost (1833-1905); 61x50.9 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Trost Richards)

Background imageForest Land Collection: Autumn Scene in the Adirondacks, 1877 (oil on canvas)

Autumn Scene in the Adirondacks, 1877 (oil on canvas)
XOS5885353 Autumn Scene in the Adirondacks, 1877 (oil on canvas) by Hart, William (1823-94); 32x26.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Hart)

Background imageForest Land Collection: Maharaja Chattarsol of Kotah Shooting Lions, c. 1860 (ink, colour & gold on paper)

Maharaja Chattarsol of Kotah Shooting Lions, c. 1860 (ink, colour & gold on paper)
XOS5884524 Maharaja Chattarsol of Kotah Shooting Lions, c. 1860 (ink, colour & gold on paper) by Indian School, (19th century); 30x22.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: India)

Background imageForest Land Collection: The frog prince or Iron Henry, ca 1900 (postcard)

The frog prince or Iron Henry, ca 1900 (postcard)
7422818 The frog prince or Iron Henry, ca 1900 (postcard) by Hey, Paul (1867-1952); (add.info.: Literature. Fairy tales. The frog prince or Iron Henry. Postcard by P)

Background imageForest Land Collection: Sylvie flees the wolf she has injured, 1756 (oil on canvas)

Sylvie flees the wolf she has injured, 1756 (oil on canvas)
7413381 Sylvie flees the wolf she has injured, 1756 (oil on canvas) by Boucher, Francois (1703-70); 124--118 cm; Musee des Beaux-Arts, Tours

Background imageForest Land Collection: No. 8: Eldorado Creek. Klondike, Early Spring, 1897-1903 (b/w photo)

No. 8: Eldorado Creek. Klondike, Early Spring, 1897-1903 (b/w photo)
3671325 No. 8: Eldorado Creek. Klondike, Early Spring, 1897-1903 (b/w photo) by Unknown photographer, (19th-20th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: Wm. Douglas Johns, taken summer of 1897 on way to creeks - taken by E.A.Sather, 1897 (b/w photo)

Wm. Douglas Johns, taken summer of 1897 on way to creeks - taken by E.A.Sather, 1897 (b/w photo)
3671480 Wm. Douglas Johns, taken summer of 1897 on way to creeks - taken by E.A.Sather, 1897 (b/w photo) by Sather, E. A. (19th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: Route de Paris II, 1877 (oil on canvas)

Route de Paris II, 1877 (oil on canvas)
8610337 Route de Paris II, 1877 (oil on canvas) by Hill, Carl Fredrik (1849-1911); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Carl Fredrik Hill)

Background imageForest Land Collection: Morning, 1894 (oil on canvas)

Morning, 1894 (oil on canvas)
8610325 Morning, 1894 (oil on canvas) by Liljefors, Bruno Andreas (1860-1939); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Bruno Liljefors)

Background imageForest Land Collection: Camping in the Woods 'A Good Time Coming'. By Arthur Tait (Currier & Ives), 1863 (lithograph)

Camping in the Woods "A Good Time Coming". By Arthur Tait (Currier & Ives), 1863 (lithograph)
5669488 Camping in the Woods "A Good Time Coming". By Arthur Tait (Currier & Ives), 1863 (lithograph) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Universal History Archive/UIG

Background imageForest Land Collection: No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo)

No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo)
3671321 No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo) by Unknown photographer, (19th-20th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: The Quantock Hills, c.1870 (watercolour on paper)

The Quantock Hills, c.1870 (watercolour on paper)
7528583 The Quantock Hills, c.1870 (watercolour on paper) by North, John William (1842-1924); 44.5x28 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By J.W)

Background imageForest Land Collection: Landscape, 1841 (watercolour on paper)

Landscape, 1841 (watercolour on paper)
7528570 Landscape, 1841 (watercolour on paper) by Danby, Francis (1793-1861); 29x22 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By Francis Danby (1793-1861)

Background imageForest Land Collection: Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper)

Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper)
7528568 Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper) by Danby, Francis (1793-1861); 28x19.5 cm; Gallery Oldham

Background imageForest Land Collection: Landscape, c.1840 (watercolour on paper)

Landscape, c.1840 (watercolour on paper)
7528515 Landscape, c.1840 (watercolour on paper) by Nicholson, Francis (1753-1844); 23x34.7 cm; Gallery Oldham, UK; (add.info)

Background imageForest Land Collection: Floris V, Count of Holland and Zeeland. (print)

Floris V, Count of Holland and Zeeland. (print)
7420022 Floris V, Count of Holland and Zeeland. (print) by Rochussen, Charles (1824-94) (after); (add.info.: Floris V, Count of Holland and Zeeland, 1256 - 1296)

Background imageForest Land Collection: The Earth in the liassic period, 1864 (engraving)

The Earth in the liassic period, 1864 (engraving)
7355535 The Earth in the liassic period, 1864 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info.: The Earth in the liassic period)

Background imageForest Land Collection: Frognerseter Forest, 1903 (painting)

Frognerseter Forest, 1903 (painting)
7431598 Frognerseter Forest, 1903 (painting) by Onsager, Soren (1878-1946); 51x71 cm; Private Collection; (add.info.: Soren Onsager (1878-1946)); Photo © O. Vaering

Background imageForest Land Collection: Winter's Day at Uggleviken, 1900-1 (oil on canvas)

Winter's Day at Uggleviken, 1900-1 (oil on canvas)
8610328 Winter's Day at Uggleviken, 1900-1 (oil on canvas) by Nordstrom, Karl Fredrick (1855-1923); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Karl Fredrick Nordstrom)

Background imageForest Land Collection: The Penitent's Vision: The Owl, 1865 (oil on canvas)

The Penitent's Vision: The Owl, 1865 (oil on canvas)
NGW344330 The Penitent's Vision: The Owl, 1865 (oil on canvas) by Whaite, Henry Clarence (1828-1912); 30.1x22.8 cm; National Museum Wales; (add.info)

Background imageForest Land Collection: The Old Trysting Tree Or Waiting A Letter, 1877 (print)

The Old Trysting Tree Or Waiting A Letter, 1877 (print)
3672974 The Old Trysting Tree Or Waiting A Letter, 1877 (print) by American School, (19th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: Silver Heels, c.1770-1959 (print)

Silver Heels, c.1770-1959 (print)
3674016 Silver Heels, c.1770-1959 (print) by Jerome H. Remick & Co. (early 20th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: The Indian Hunter, c.1770-1959 (print)

The Indian Hunter, c.1770-1959 (print)
3674006 The Indian Hunter, c.1770-1959 (print) by Firth, Hall & Pond (1833-1847); Newberry Library, Chicago, Illinois, USA; (add.info)

Background imageForest Land Collection: My Mothers Song, c.1770-1959 (print)

My Mothers Song, c.1770-1959 (print)
3673734 My Mothers Song, c.1770-1959 (print) by White, Smith & Company (19th-early 20th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: Pioneer Limited, c.1770-1959 (print)

Pioneer Limited, c.1770-1959 (print)
3673187 Pioneer Limited, c.1770-1959 (print) by Vandersloot Music Publishing Company (1899-1931); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: Landscape [The Return Home], date unknown (watercolour on paper)

Landscape [The Return Home], date unknown (watercolour on paper)
7528523 Landscape [The Return Home], date unknown (watercolour on paper) by Barret, George the Younger (1767-1842); 32x21.5 cm; Gallery Oldham

Background imageForest Land Collection: The Iguanodon and the Megalosaurus, 1864 (engraving)

The Iguanodon and the Megalosaurus, 1864 (engraving)
7355543 The Iguanodon and the Megalosaurus, 1864 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info.: Lower cretaceous period.The Iguanodon and the Megalosaurus Design by Riou)

Background imageForest Land Collection: Forty three drawings of Neapolitan costume, 18th century (print)

Forty three drawings of Neapolitan costume, 18th century (print)
3671801 Forty three drawings of Neapolitan costume, 18th century (print) by Castelli, Costanzo (18th century); Newberry Library, Chicago, Illinois

Background imageForest Land Collection: Adelina Patti (1843-1919) (oil on canvas)

Adelina Patti (1843-1919) (oil on canvas)
NGW184224 Adelina Patti (1843-1919) (oil on canvas) by Marko, Karoly II (1822-91); 95.2x76.9 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageForest Land Collection: Bois de Boulogne, 1780 (pencil & ink)

Bois de Boulogne, 1780 (pencil & ink)
901795 Bois de Boulogne, 1780 (pencil & ink) by Sarazin, Jean Philippe (1695-1795) ; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Jean Philippe Sarazin)

Background imageForest Land Collection: The Truffle Seeker and His Pig, 19th century (colour engraving)

The Truffle Seeker and His Pig, 19th century (colour engraving)
ELD4905096 The Truffle Seeker and His Pig, 19th century (colour engraving) by Decamps, Alexandre Gabriel (1803-60) (after); Private Collection; (add.info)

Background imageForest Land Collection: Field near Pencerrig, 1776 (oil on paper)

Field near Pencerrig, 1776 (oil on paper)
NGW405360 Field near Pencerrig, 1776 (oil on paper) by Jones, Thomas (1743-1803); 23x30.5 cm; National Museum Wales; National Museums & Galleries of Wales



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"Exploring the Enchanting Forest Land: A Journey Through Art and History" Immerse yourself in the captivating world of forest land, where imagination meets reality. From Rudyard Kipling's Just So Stories to King Lear's Act 2 Scene III, this collection of artworks takes you on a visual odyssey through lush greenery and mystical landscapes. Ink on paper brings to life the intricate details of A Wood - an illustration that transports us into Shakespearean times, evoking a sense of intrigue and drama. Meanwhile, Stag at Bay captures a moment frozen in time, as pen strokes delicately depict nature's raw power amidst serene surroundings. Travel back centuries with Creation of Eve's miniature artwork from the 15th century. This masterpiece showcases divine beauty emerging from the heart of an ancient forest, reminding us of our connection to nature since time immemorial. Sewessissing, chief of the Eowahs, invites us into Native American culture through vibrant watercolors. The Sioux nation comes alive as we witness their deep reverence for forests and their harmonious existence within them. The Battle of Gaines Mill lithograph transports us to a different kind - one marred by conflict but still retaining its haunting beauty. It serves as a poignant reminder that even amidst chaos, nature endures with resilience. Landscape painting in 1892 offers tranquility and serenity; it is like stepping into a dreamy oasis where colors blend seamlessly on paper scrolls. The Vision of St Eustace engraving adds another layer to this journey with its ethereal depiction merging spirituality and natural elements effortlessly. Little Tom Thumb print reminds us that forests are not only grandiose but also home to enchanting tales woven by human imagination throughout history. Figures in the Woods oil painting further accentuates this notion by capturing mysterious silhouettes concealed among trees' embrace.