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Forest Areas Collection

"Exploring the Enchanting Forest Areas

Background imageForest Areas Collection: Woodsman during a break from forest work, Historic, digitally restored reproduction of an original

Woodsman during a break from forest work, Historic, digitally restored reproduction of an original from the 19th
7279735 Woodsman during a break from forest work, Historic, digitally restored reproduction of an original from the 19th century by Unknown Artist

Background imageForest Areas Collection: Le pave de Chailly 1865 (Oil on Canvas)

Le pave de Chailly 1865 (Oil on Canvas)
7212095 Le pave de Chailly 1865 (Oil on Canvas) by Monet, Claude (1840-1926); Musee d Orsay, Paris, France; (add.info.: Le pave de Chailly 1865. Oil on Canvas)

Background imageForest Areas Collection: The Coming of Spring, 1899 (oil on canvas)

The Coming of Spring, 1899 (oil on canvas)
GLS314072 The Coming of Spring, 1899 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 196.6x166 cm; Glasgow Museums, UK; © CSG CIC Glasgow Museums Collection

Background imageForest Areas Collection: Just So Stories by Rudyard Kipling (drawing)

Just So Stories by Rudyard Kipling (drawing)
3760761 Just So Stories by Rudyard Kipling (drawing) by Kipling, Joseph Rudyard (1865-1936); (add.info.: Just So Stories by Rudyard Kipling)

Background imageForest Areas Collection: Beethoven in the Forest (litho)

Beethoven in the Forest (litho)
3102327 Beethoven in the Forest (litho) by Schmid, Julius (1854-1935); Private Collection; (add.info.: Beethoven in the Forest. Postcard, early 20th century.); Look and Learn / Elgar Collection

Background imageForest Areas Collection: A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper)

A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper)
PNH356244 A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper) by Nash, Paul (1889-1946); 35.8x20.5 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries

Background imageForest Areas Collection: The Spirit of Delight - illustration by Dorothy Chilcott

The Spirit of Delight - illustration by Dorothy Chilcott
3783655 The Spirit of Delight - illustration by Dorothy Chilcott; (add.info.: The Spirit of Delight - illustration by Dorothy Chilcott)

Background imageForest Areas Collection: Hunters Pursuing a Deer, c.1430-40 (tempera colours, gold paint, silver paint & gold leaf)

Hunters Pursuing a Deer, c.1430-40 (tempera colours, gold paint, silver paint & gold leaf)
8678061 Hunters Pursuing a Deer, c.1430-40 (tempera colours, gold paint, silver paint & gold leaf) by French School, (15th century); J

Background imageForest Areas Collection: Installation of an explorers camp in Guatemala (1882), 1898 (engraving)

Installation of an explorers camp in Guatemala (1882), 1898 (engraving)
8672353 Installation of an explorers camp in Guatemala (1882), 1898 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info)

Background imageForest Areas Collection: Chew Valley, Greenfield, 1897 (oil on canvas)

Chew Valley, Greenfield, 1897 (oil on canvas)
8615154 Chew Valley, Greenfield, 1897 (oil on canvas) by Wimpenny, George (1857-1939); 29x19 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imageForest Areas Collection: Maternal Solicitude, 1873 (oil on wood)

Maternal Solicitude, 1873 (oil on wood)
XOS5885365 Maternal Solicitude, 1873 (oil on wood) by Tait, Arthur Fitzwilliam (1819-1905); 49.5x61 cm; Cleveland Museum of Art, OH

Background imageForest Areas Collection: Autumn in the Catskills, 1873 (oil on canvas)

Autumn in the Catskills, 1873 (oil on canvas)
XOS5885360 Autumn in the Catskills, 1873 (oil on canvas) by McEntee, Jervis (1828-91); 61x51.4 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Jervis McEntee)

Background imageForest Areas Collection: Autumn, a Wood Path, 1876 (oil on canvas)

Autumn, a Wood Path, 1876 (oil on canvas)
XOS5885341 Autumn, a Wood Path, 1876 (oil on canvas) by Gifford, Sanford Robinson (1823-80); 38x31.8 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by Sanford Robinson Gifford)

Background imageForest Areas Collection: Waidhofen an der Ybbs, Austria

Waidhofen an der Ybbs, Austria
3781915 Waidhofen an der Ybbs, Austria.; (add.info.: Waidhofen an der Ybbs, Austria. 1920s. Boys punting. (Lower Austria). Wien und Niederosterreich); Lebrecht History

Background imageForest Areas Collection: The Woods, Betts-Y-Coed, 1929 (oil on canvas)

The Woods, Betts-Y-Coed, 1929 (oil on canvas)
8615145 The Woods, Betts-Y-Coed, 1929 (oil on canvas) by Wimpenny, George (1857-1939); 59.7x89.3 cm; Gallery Oldham, UK; (add.info.: By George Wimpenny (1857-1939)); Oldham Collection

Background imageForest Areas Collection: June Day, 1870 (oil on canvas)

June Day, 1870 (oil on canvas)
XOS5885359 June Day, 1870 (oil on canvas) by Richards, William Trost (1833-1905); 61x50.9 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Trost Richards)

Background imageForest Areas Collection: Autumn Scene in the Adirondacks, 1877 (oil on canvas)

Autumn Scene in the Adirondacks, 1877 (oil on canvas)
XOS5885353 Autumn Scene in the Adirondacks, 1877 (oil on canvas) by Hart, William (1823-94); 32x26.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: Painting by William Hart)

Background imageForest Areas Collection: Maharaja Chattarsol of Kotah Shooting Lions, c. 1860 (ink, colour & gold on paper)

Maharaja Chattarsol of Kotah Shooting Lions, c. 1860 (ink, colour & gold on paper)
XOS5884524 Maharaja Chattarsol of Kotah Shooting Lions, c. 1860 (ink, colour & gold on paper) by Indian School, (19th century); 30x22.5 cm; Cleveland Museum of Art, OH, USA; (add.info.: India)

Background imageForest Areas Collection: The frog prince or Iron Henry, ca 1900 (postcard)

The frog prince or Iron Henry, ca 1900 (postcard)
7422818 The frog prince or Iron Henry, ca 1900 (postcard) by Hey, Paul (1867-1952); (add.info.: Literature. Fairy tales. The frog prince or Iron Henry. Postcard by P)

Background imageForest Areas Collection: Sylvie flees the wolf she has injured, 1756 (oil on canvas)

Sylvie flees the wolf she has injured, 1756 (oil on canvas)
7413381 Sylvie flees the wolf she has injured, 1756 (oil on canvas) by Boucher, Francois (1703-70); 124--118 cm; Musee des Beaux-Arts, Tours

Background imageForest Areas Collection: No. 8: Eldorado Creek. Klondike, Early Spring, 1897-1903 (b/w photo)

No. 8: Eldorado Creek. Klondike, Early Spring, 1897-1903 (b/w photo)
3671325 No. 8: Eldorado Creek. Klondike, Early Spring, 1897-1903 (b/w photo) by Unknown photographer, (19th-20th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: Wm. Douglas Johns, taken summer of 1897 on way to creeks - taken by E.A.Sather, 1897 (b/w photo)

Wm. Douglas Johns, taken summer of 1897 on way to creeks - taken by E.A.Sather, 1897 (b/w photo)
3671480 Wm. Douglas Johns, taken summer of 1897 on way to creeks - taken by E.A.Sather, 1897 (b/w photo) by Sather, E. A. (19th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: Route de Paris II, 1877 (oil on canvas)

Route de Paris II, 1877 (oil on canvas)
8610337 Route de Paris II, 1877 (oil on canvas) by Hill, Carl Fredrik (1849-1911); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Carl Fredrik Hill)

Background imageForest Areas Collection: Morning, 1894 (oil on canvas)

Morning, 1894 (oil on canvas)
8610325 Morning, 1894 (oil on canvas) by Liljefors, Bruno Andreas (1860-1939); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Bruno Liljefors)

Background imageForest Areas Collection: Camping in the Woods 'A Good Time Coming'. By Arthur Tait (Currier & Ives), 1863 (lithograph)

Camping in the Woods "A Good Time Coming". By Arthur Tait (Currier & Ives), 1863 (lithograph)
5669488 Camping in the Woods "A Good Time Coming". By Arthur Tait (Currier & Ives), 1863 (lithograph) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Universal History Archive/UIG

Background imageForest Areas Collection: No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo)

No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo)
3671321 No. 7: Eldorado Creek, Prospect Hole, Winter, 1896-1897-1912 (b/w photo) by Unknown photographer, (19th-20th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: The Quantock Hills, c.1870 (watercolour on paper)

The Quantock Hills, c.1870 (watercolour on paper)
7528583 The Quantock Hills, c.1870 (watercolour on paper) by North, John William (1842-1924); 44.5x28 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By J.W)

Background imageForest Areas Collection: Landscape, 1841 (watercolour on paper)

Landscape, 1841 (watercolour on paper)
7528570 Landscape, 1841 (watercolour on paper) by Danby, Francis (1793-1861); 29x22 cm; Gallery Oldham, UK; (add.info.: From the Charles Lees Collection By Francis Danby (1793-1861)

Background imageForest Areas Collection: Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper)

Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper)
7528568 Scene from a Midsummer Night's Dream, c.1832 (watercolour on paper) by Danby, Francis (1793-1861); 28x19.5 cm; Gallery Oldham

Background imageForest Areas Collection: Landscape, c.1840 (watercolour on paper)

Landscape, c.1840 (watercolour on paper)
7528515 Landscape, c.1840 (watercolour on paper) by Nicholson, Francis (1753-1844); 23x34.7 cm; Gallery Oldham, UK; (add.info)

Background imageForest Areas Collection: Floris V, Count of Holland and Zeeland. (print)

Floris V, Count of Holland and Zeeland. (print)
7420022 Floris V, Count of Holland and Zeeland. (print) by Rochussen, Charles (1824-94) (after); (add.info.: Floris V, Count of Holland and Zeeland, 1256 - 1296)

Background imageForest Areas Collection: The Earth in the liassic period, 1864 (engraving)

The Earth in the liassic period, 1864 (engraving)
7355535 The Earth in the liassic period, 1864 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info.: The Earth in the liassic period)

Background imageForest Areas Collection: Frognerseter Forest, 1903 (painting)

Frognerseter Forest, 1903 (painting)
7431598 Frognerseter Forest, 1903 (painting) by Onsager, Soren (1878-1946); 51x71 cm; Private Collection; (add.info.: Soren Onsager (1878-1946)); Photo © O. Vaering

Background imageForest Areas Collection: Winter's Day at Uggleviken, 1900-1 (oil on canvas)

Winter's Day at Uggleviken, 1900-1 (oil on canvas)
8610328 Winter's Day at Uggleviken, 1900-1 (oil on canvas) by Nordstrom, Karl Fredrick (1855-1923); Thiel Gallery, Stockholm, Sweden; (add.info.: Painting by Karl Fredrick Nordstrom)

Background imageForest Areas Collection: The Penitent's Vision: The Owl, 1865 (oil on canvas)

The Penitent's Vision: The Owl, 1865 (oil on canvas)
NGW344330 The Penitent's Vision: The Owl, 1865 (oil on canvas) by Whaite, Henry Clarence (1828-1912); 30.1x22.8 cm; National Museum Wales; (add.info)

Background imageForest Areas Collection: The Old Trysting Tree Or Waiting A Letter, 1877 (print)

The Old Trysting Tree Or Waiting A Letter, 1877 (print)
3672974 The Old Trysting Tree Or Waiting A Letter, 1877 (print) by American School, (19th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: Silver Heels, c.1770-1959 (print)

Silver Heels, c.1770-1959 (print)
3674016 Silver Heels, c.1770-1959 (print) by Jerome H. Remick & Co. (early 20th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: The Indian Hunter, c.1770-1959 (print)

The Indian Hunter, c.1770-1959 (print)
3674006 The Indian Hunter, c.1770-1959 (print) by Firth, Hall & Pond (1833-1847); Newberry Library, Chicago, Illinois, USA; (add.info)

Background imageForest Areas Collection: My Mothers Song, c.1770-1959 (print)

My Mothers Song, c.1770-1959 (print)
3673734 My Mothers Song, c.1770-1959 (print) by White, Smith & Company (19th-early 20th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: Pioneer Limited, c.1770-1959 (print)

Pioneer Limited, c.1770-1959 (print)
3673187 Pioneer Limited, c.1770-1959 (print) by Vandersloot Music Publishing Company (1899-1931); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: Landscape [The Return Home], date unknown (watercolour on paper)

Landscape [The Return Home], date unknown (watercolour on paper)
7528523 Landscape [The Return Home], date unknown (watercolour on paper) by Barret, George the Younger (1767-1842); 32x21.5 cm; Gallery Oldham

Background imageForest Areas Collection: The Iguanodon and the Megalosaurus, 1864 (engraving)

The Iguanodon and the Megalosaurus, 1864 (engraving)
7355543 The Iguanodon and the Megalosaurus, 1864 (engraving) by Riou, Edouard (1833-1900); Private Collection; (add.info.: Lower cretaceous period.The Iguanodon and the Megalosaurus Design by Riou)

Background imageForest Areas Collection: Forty three drawings of Neapolitan costume, 18th century (print)

Forty three drawings of Neapolitan costume, 18th century (print)
3671801 Forty three drawings of Neapolitan costume, 18th century (print) by Castelli, Costanzo (18th century); Newberry Library, Chicago, Illinois

Background imageForest Areas Collection: Adelina Patti (1843-1919) (oil on canvas)

Adelina Patti (1843-1919) (oil on canvas)
NGW184224 Adelina Patti (1843-1919) (oil on canvas) by Marko, Karoly II (1822-91); 95.2x76.9 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageForest Areas Collection: Bois de Boulogne, 1780 (pencil & ink)

Bois de Boulogne, 1780 (pencil & ink)
901795 Bois de Boulogne, 1780 (pencil & ink) by Sarazin, Jean Philippe (1695-1795) ; Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: By Jean Philippe Sarazin)

Background imageForest Areas Collection: The Truffle Seeker and His Pig, 19th century (colour engraving)

The Truffle Seeker and His Pig, 19th century (colour engraving)
ELD4905096 The Truffle Seeker and His Pig, 19th century (colour engraving) by Decamps, Alexandre Gabriel (1803-60) (after); Private Collection; (add.info)

Background imageForest Areas Collection: Field near Pencerrig, 1776 (oil on paper)

Field near Pencerrig, 1776 (oil on paper)
NGW405360 Field near Pencerrig, 1776 (oil on paper) by Jones, Thomas (1743-1803); 23x30.5 cm; National Museum Wales; National Museums & Galleries of Wales

Background imageForest Areas Collection: Landscape with Arched Gateway, c.1654 (oil on canvas)

Landscape with Arched Gateway, c.1654 (oil on canvas)
NGW238913 Landscape with Arched Gateway, c.1654 (oil on canvas) by Pynacker, Adam (1622-73); 97.5x129.5 cm; National Museum Wales; National Museums & Galleries of Wales



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"Exploring the Enchanting Forest Areas: A Captivating Journey Through Art and History" Immerse yourself in the mesmerizing world as depicted in various artworks throughout history. From Rudyard Kipling's vivid descriptions in "Just So Stories" to intricate illustrations like "A Wood - Illustration for King Lear, Act 2 Scene III, " these depictions transport us into the heart of nature's wonders. In "Stag at Bay - Scene near Taplow, Berks, " we witness a thrilling encounter between man and beast, capturing the raw beauty and power of wildlife within forested landscapes. Meanwhile, the delicate strokes of ink and watercolor bring to life scenes such as "Creation of Eve" or Sewessissing, chief of the Eowahs' portrait from North America's Sioux nation. Delving deeper into history, lithographs like "Site of the Battle of Gaines Mill" offer glimpses into significant events that unfolded amidst dense woodland settings. The battle-scarred landscape serves as a reminder that forests have witnessed both triumphs and tragedies throughout time. The allure continues with masterpieces like "Landscape, " an exquisite hanging scroll showcasing vibrant colors dancing across paper. In contrast, engravings such as "The Vision of St Eustace" evoke a sense of mysticism through their intricate details. Artistic interpretations also take us on whimsical adventures; prints like "Little Tom Thumb" invite us to explore enchanted forests where anything is possible. Similarly, paintings such as "Figures in the Woods" capture moments frozen in time—a glimpse into hidden narratives waiting to be discovered. History intertwines with art once again through Major Allan Wilson's heroic last stand during the First Matabele War depicted by Allan Stewart. This poignant portrayal reminds us not only of bravery but also how forests can bear witness to human struggles against adversity.