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Foreshortening Collection

Foreshortening is a captivating artistic technique that brings depth and dimension to paintings, sculptures, and even photographs

Background imageForeshortening Collection: Angel playing a lute, Melozzo da Forli

Angel playing a lute, Melozzo da Forli
Melozzo da Forli (1438-1494). Italian painter. Fresco depicting an Angel playing a lute. From the Church of the Twelve Holy Apostles. Pinacoteca Vaticana. Vatican City. Date: circa 1480

Background imageForeshortening Collection: The Bewitched Groom, ca. 1544. Creator: Hans Baldung

The Bewitched Groom, ca. 1544. Creator: Hans Baldung
The Bewitched Groom, ca. 1544

Background imageForeshortening Collection: Lamentation over the Dead Christ, 1470-1474, (1930). Creator: Andrea Mantegna

Lamentation over the Dead Christ, 1470-1474, (1930). Creator: Andrea Mantegna
Lamentation over the Dead Christ, 1470-1474, (1930). Dramatically foreshortened view of the body of Jesus Christ, showing his stigmata. Painting in the Pinacoteca di Brera, Milan, Italy

Background imageForeshortening Collection: Sunset hidden on the vineyards, Treiso, Piedmont, Italy

Sunset hidden on the vineyards, Treiso, Piedmont, Italy

Background imageForeshortening Collection: Foreshortening of Treiso and a Nebbiolo Grape, Treiso, Piedmont, Italy

Foreshortening of Treiso and a Nebbiolo Grape, Treiso, Piedmont, Italy

Background imageForeshortening Collection: Classic Italian foreshortening in Alberobello, with Trulli, Garlic and Cherry tomatoes

Classic Italian foreshortening in Alberobello, with Trulli, Garlic and Cherry tomatoes, Alberobello, Apulia, Italy

Background imageForeshortening Collection: Foreshortening of Fushimi Inari-taisha Temple, Kyoto, Japan

Foreshortening of Fushimi Inari-taisha Temple, Kyoto, Japan

Background imageForeshortening Collection: The Trinity (oil on panel)

The Trinity (oil on panel)
3470320 The Trinity (oil on panel) by Rubens, Peter Paul (1577-1640); 152x158 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders, photo Hugo Maertens

Background imageForeshortening Collection: Emperor Charles V (1500-58) and Francis I (1494-1547) Make Peace under the Auspices of Pope Paul

Emperor Charles V (1500-58) and Francis I (1494-1547) Make Peace under the Auspices of Pope Paul Farnese III (1546-92)
IND133346 Emperor Charles V (1500-58) and Francis I (1494-1547) Make Peace under the Auspices of Pope Paul Farnese III (1546-92), from the Sala dei Fasti Farnese

Background imageForeshortening Collection: Foreshortened (engraving)

Foreshortened (engraving)
3653624 Foreshortened (engraving) by English School, (19th century); Private Collection; (add.info.: Foreshortened (after figure by Raphael)

Background imageForeshortening Collection: Iris, poster for opera by Pietro Mascagni, 1898 (lithograph)

Iris, poster for opera by Pietro Mascagni, 1898 (lithograph)
FGL5482210 Iris, poster for opera by Pietro Mascagni, 1898 (lithograph) by Metlicovitz, Leopoldo (1868-1944); (add.info.: Art nouveau)

Background imageForeshortening Collection: Figure of Christ (oil on canvas)

Figure of Christ (oil on canvas)
1067489 Figure of Christ (oil on canvas) by Spanish School, (18th century); 86.7x86.7 cm; Dallas Museum of Art, Texas, USA; gift of Algur H. Meadows; Spanish, out of copyright

Background imageForeshortening Collection: Mythological Scene with the Zodiac (fresco)

Mythological Scene with the Zodiac (fresco)
2906625 Mythological Scene with the Zodiac (fresco) by Italian School, (18th century); Palazzo Soranzo Piovene, Venice, Italy; Italian, out of copyright

Background imageForeshortening Collection: Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche

Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche
BEN78444 Psyche eating in the house of Cupid, ceiling caisson from the Sala di Amore e Psyche, 1528 (oil on stucco) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua

Background imageForeshortening Collection: A nymph pouring water from a jug, a putto urinating and another putto holding an urn

A nymph pouring water from a jug, a putto urinating and another putto holding an urn
BEN78441 A nymph pouring water from a jug, a putto urinating and another putto holding an urn, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco) by Romano

Background imageForeshortening Collection: Putti from the Loggia of Cupid and Psyche, 1510-17 (fresco)

Putti from the Loggia of Cupid and Psyche, 1510-17 (fresco)
BEN119428 Putti from the Loggia of Cupid and Psyche, 1510-17 (fresco) by Romano, Giulio (1492-1546) (and workshop); Villa Farnesina, Rome, Italy; (add.info.: also assisted by Penni)

Background imageForeshortening Collection: Saint John the Baptist (oil on panel)

Saint John the Baptist (oil on panel)
AII135279 Saint John the Baptist (oil on panel) by Bronzino, Agnolo di Cosimo (1503-72); Galleria Borghese, Rome, Lazio, Italy; Italian, out of copyright

Background imageForeshortening Collection: An Angel Saving a Falling Craftsman from Collapsing Scaffolding

An Angel Saving a Falling Craftsman from Collapsing Scaffolding
FTB95843 An Angel Saving a Falling Craftsman from Collapsing Scaffolding, from the Sala Capitolare (Hall of Surrender) c.1749 (fresco) by Tiepolo

Background imageForeshortening Collection: The Whitehall Ceiling: The Apotheosis of James I (1566-1625) 1632-34 (oil on canvas)

The Whitehall Ceiling: The Apotheosis of James I (1566-1625) 1632-34 (oil on canvas)
BBC211032 The Whitehall Ceiling: The Apotheosis of James I (1566-1625) 1632-34 (oil on canvas) by Rubens, Peter Paul (1577-1640); Banqueting House, Whitehall, London

Background imageForeshortening Collection: Triumph in the Name of Jesus (fresco)

Triumph in the Name of Jesus (fresco)
BBC186498 Triumph in the Name of Jesus (fresco) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Gesu, Rome, Italy; (add.info.: Baciccia; Giovan; Il Baciccio); Italian, out of copyright

Background imageForeshortening Collection: I have grown a couple of feet since I saw you last (colour litho)

I have grown a couple of feet since I saw you last (colour litho)
3641552 I have grown a couple of feet since I saw you last (colour litho) by English School, (20th century); Private Collection; (add.info.: I have grown a couple of feet since I saw you last)

Background imageForeshortening Collection: The Gods of Olympus, trompe l oeil ceiling from the Sala dei Giganti, 1528 (fresco)

The Gods of Olympus, trompe l oeil ceiling from the Sala dei Giganti, 1528 (fresco)
BEN78594 The Gods of Olympus, trompe l oeil ceiling from the Sala dei Giganti, 1528 (fresco) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te, Mantua

Background imageForeshortening Collection: Trompe l oeil oculus in the centre of the vaulted ceiling of the Camera Picta or

Trompe l oeil oculus in the centre of the vaulted ceiling of the Camera Picta or
BEN72245 Trompe l oeil oculus in the centre of the vaulted ceiling of the Camera Picta or Camera degli Sposi, 1465-74 (fresco) (for detail see 78525) by Mantegna

Background imageForeshortening Collection: A nymph pouring water from an urn aided by putti, ceiling caisson from the Sala di Amore

A nymph pouring water from an urn aided by putti, ceiling caisson from the Sala di Amore
BEN78443 A nymph pouring water from an urn aided by putti, ceiling caisson from the Sala di Amore e Psiche, 1528 (oil on stucco) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua

Background imageForeshortening Collection: Apollo driving the Chariot of the Sun, ceiling decoration in the Camera del Sole

Apollo driving the Chariot of the Sun, ceiling decoration in the Camera del Sole
BEN78595 Apollo driving the Chariot of the Sun, ceiling decoration in the Camera del Sole, 1527 (fresco) by Romano, Giulio (1492-1546); Palazzo del Te, Mantua

Background imageForeshortening Collection: Scenes from the myth of Cupid and Psyche taken from Apuleiuss Metamorphoses

Scenes from the myth of Cupid and Psyche taken from Apuleiuss Metamorphoses
BEN78448 Scenes from the myth of Cupid and Psyche taken from Apuleiuss Metamorphoses, ceiling painting from the Sala di Amore e Psiche, 1528 (oil on stucco) by Romano

Background imageForeshortening Collection: Triumph in the Name of Jesus (oil on canvas) (b / w photo)

Triumph in the Name of Jesus (oil on canvas) (b / w photo)
ALI224430 Triumph in the Name of Jesus (oil on canvas) (b/w photo) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Galleria Spada, Rome, Lazio

Background imageForeshortening Collection: Camillus breaking the treaty with Brenno and the Allegories of Glory, Ceiling of the Entrance Hall

Camillus breaking the treaty with Brenno and the Allegories of Glory, Ceiling of the Entrance Hall
930931 Camillus breaking the treaty with Brenno and the Allegories of Glory, Ceiling of the Entrance Hall, Galleria Borghese (fresco) by Rossi

Background imageForeshortening Collection: Man lying on his stomach, 1910 (w / c & charcoal on paper)

Man lying on his stomach, 1910 (w / c & charcoal on paper)
1126871 Man lying on his stomach, 1910 (w/c & charcoal on paper) by Schiele, Egon (1890-1918); 48x31 cm; Private Collection; Photo eChristies Images; Austrian, out of copyright

Background imageForeshortening Collection: Inv no. 38 recto Sketch of Horses, c. 1460-70 (pen and ink)

Inv no. 38 recto Sketch of Horses, c. 1460-70 (pen and ink)
SNM135635 Inv no.38 recto Sketch of Horses, c. 1460-70 (pen and ink) by Verrocchio, Andrea del (1435-88) (school of); 8.6x12.5 cm; National Museum, Stockholm

Background imageForeshortening Collection: Two winged putti climbing over a balustrade, roundels from the sacristy (fresco)

Two winged putti climbing over a balustrade, roundels from the sacristy (fresco)
KAB146976 Two winged putti climbing over a balustrade, roundels from the sacristy (fresco) by Veronese, (Paolo Caliari) (1528-88); Duomo, Castelfranco, Veneto, Italy; eDario Grimaldi; Italian

Background imageForeshortening Collection: Elijah Receiving Bread from the widow of Zarepath, 1621-24 (oil on canvas)

Elijah Receiving Bread from the widow of Zarepath, 1621-24 (oil on canvas)
5242280 Elijah Receiving Bread from the widow of Zarepath, 1621-24 (oil on canvas) by Lanfranco, Giovanni (1582-1647); 203.2x243.8 cm; J

Background imageForeshortening Collection: Triumph in the Name of Jesus (fresco)

Triumph in the Name of Jesus (fresco)
991628 Triumph in the Name of Jesus (fresco) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Gesu, Rome, Italy; Italian, out of copyright

Background imageForeshortening Collection: Moses and the Messengers from Canaan, 1621-24 (oil on canvas)

Moses and the Messengers from Canaan, 1621-24 (oil on canvas)
3545785 Moses and the Messengers from Canaan, 1621-24 (oil on canvas) by Lanfranco, Giovanni (1582-1647); 217.8x246.4 cm; J

Background imageForeshortening Collection: Virgin and Child with an Angel, 1475-85 (tempera on panel)

Virgin and Child with an Angel, 1475-85 (tempera on panel)
2970640 Virgin and Child with an Angel, 1475-85 (tempera on panel) by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); 85.8x59.1 cm; The Art Institute of Chicago, IL

Background imageForeshortening Collection: Study after Veroneses Allegory of Love, 1837 (pen & ink and wash on paper)

Study after Veroneses Allegory of Love, 1837 (pen & ink and wash on paper)
AMO110707 Study after Veroneses Allegory of Love, 1837 (pen & ink and wash on paper) by Delacroix, Ferdinand Victor Eugene (1798-1863); Ashmolean Museum, University of Oxford

Background imageForeshortening Collection: Mythological Scene with the Zodiac (fresco)

Mythological Scene with the Zodiac (fresco)
FTB96861 Mythological Scene with the Zodiac (fresco) by Italian School, (18th century); Palazzo Soranzo Piovene, Venice, Italy; Italian, out of copyright

Background imageForeshortening Collection: Wealth and Benefits of the Spanish Monarchy under Charles III, 1762

Wealth and Benefits of the Spanish Monarchy under Charles III, 1762

Background imageForeshortening Collection: The Draughtsman of the Lute. n. d. Creator: Albrecht Durer

The Draughtsman of the Lute. n. d. Creator: Albrecht Durer
The Draughtsman of the Lute.n.d

Background imageForeshortening Collection: Zaragoza a Pamplona y Barcelona - Puente de Zuera, ca. 1867. Creator: Juan Laurent

Zaragoza a Pamplona y Barcelona - Puente de Zuera, ca. 1867. Creator: Juan Laurent
Zaragoza a Pamplona y Barcelona - Puente de Zuera, ca. 1867

Background imageForeshortening Collection: Denial of St Peter, 1610 (oil on canvas)

Denial of St Peter, 1610 (oil on canvas)
3432850 Denial of St Peter, 1610 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 94x125.4 cm; Metropolitan Museum of Art, New York

Background imageForeshortening Collection: Saint John the Baptist in the Wilderness, 1604-5 (oil on canvas)

Saint John the Baptist in the Wilderness, 1604-5 (oil on canvas)
3106606 Saint John the Baptist in the Wilderness, 1604-5 (oil on canvas) by Caravaggio, Michelangelo Merisi da (1571-1610); 172x138 cm; Nelson-Atkins Museum of Art, Kansas City

Background imageForeshortening Collection: Italy, Basilicata, potenza, old alley, 1920

Italy, Basilicata, potenza, old alley, 1920



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Foreshortening is a captivating artistic technique that brings depth and dimension to paintings, sculptures, and even photographs. It involves the distortion of perspective to create an illusion of objects receding into space or appearing closer than they actually are. This skillful manipulation can be seen in various masterpieces throughout history. In Melozzo da Forli's "Angel playing a lute, " the angel's outstretched arm seems to reach towards us as if inviting us into its heavenly melody. Similarly, Hans Baldung's "The Bewitched Groom" showcases foreshortening in the twisted figure of the groom, adding drama and intensity to the scene. Melozzo da Forli strikes again with his painting of an angel playing a violin, where the instrument appears elongated due to foreshortening techniques. Meanwhile, Andrea Mantegna's "Lamentation over the Dead Christ" employs this method brilliantly by emphasizing Christ's lifeless body through exaggerated proportions. Moving away from figures, we find examples like an old alley in Potenza, Italy captured in 1920. The narrow pathway seemingly extends far beyond what meets our eye thanks to cleverly applied foreshortening techniques. A hidden sunset amidst vineyards in Treiso further demonstrates how this technique can enhance natural landscapes by creating an immersive sense of distance. Italian charm continues with classic Italian foreshortening found in Alberobello featuring Trulli houses adorned with garlic and cherry tomatoes. These architectural wonders appear almost three-dimensional due to their distorted perspectives. Traveling across continents takes us to Fushimi Inari-taisha Temple in Kyoto, Japan where foreshortened torii gates lead our gaze towards infinity within limited physical space. Even historical events come alive through art using this technique.