Flirting Collection (page 14)

A Chat at the Fountain, Seville, (oil on canvas)
659737 A Chat at the Fountain, Seville, (oil on canvas) by Pelham, Thomas Kent (c.1831-1907); 71.7x91.4 cm; Private Collection; (add.info.: A Chat at the Fountain, Seville)

A Spanish Beauty, (oil on canvas)
658301 A Spanish Beauty, (oil on canvas) by Jopling, Louise, nee Goode (1843-1933); 60.5x50.5 cm; Private Collection; (add.info.: A Spanish Beauty. Louise Jopling (1843-1933). Oil on canvas

Flirtation (oil on canvas)
615843 Flirtation (oil on canvas) by Soulacroix, Joseph Frederick Charles (1825-79); Private Collection; Photo eChristies Images; French, out of copyright

Flirtation, (oil on panel)
651300 Flirtation, (oil on panel) by Lazerges, Jean Raymond Hippolyte (1817-87); 61x42.5 cm; Private Collection; (add.info.: Flirtation. Jean Raymond Hippolyte Lazerges (1817-1887). Oil on panel

Beauty Teasing a Young Man Fishing, c. 1768 (colour woodblock print)
3504364 Beauty Teasing a Young Man Fishing, c. 1768 (colour woodblock print) by Harunobu, Suzuki (1725-70); 28.5x21.5 cm; The Art Institute of Chicago, IL

Alfonso XIII, driver. Illustration for Le Rire (colour litho)
2786009 Alfonso XIII, driver. Illustration for Le Rire (colour litho) by French School, (20th century); Private Collection; (add.info.: Alfonso XIII, driver)

George du Maurier, 1880
3479246 George du Maurier, 1880 by Du Maurier, George (1834-96); (add.info.: George du Mauriers of how Bells photo phone could be used by courting couples)

Two young couples practising palmistry
3734087 Two young couples practising palmistry. by Du Maurier, George (1834-96); (add.info.: Illustration depicting two young couples practising palmistry used as cover for an afternoon of)

Nothing Like Prudence (engraving)
668360 Nothing Like Prudence (engraving) by Leech, John (1817-64); Private Collection; (add.info.: Nothing Like Prudence. Illustration for John Leechs Pictures of Life and Character (c 1890)

Two Figures: a girl seated and a man on the ground at her left, c
FSG324596 Two Figures: a girl seated and a man on the ground at her left, c.1855-59 (pencil on off-white paper) by Whistler, James Abbott McNeill (1834-1903); 12.7x9 cm; Freer Gallery of Art

I ve been flirting! The batchelors lament. Sheet music (engraving)
559322 I ve been flirting! The batchelors lament. Sheet music (engraving) by English School, (19th century); Private Collection; (add.info.: I ve been flirting! The batchelors lament)

Flirtation, 1910 (oil on panel)
BOU202960 Flirtation, 1910 (oil on panel) by Pannett, Reginald (fl.1850-1910); 12.7x17.8 cm; Private Collection; Bourne Gallery, Reigate, Surrey; English, out of copyright

Dutch Courtship, c. 1661 (oil on panel)
450130 Dutch Courtship, c.1661 (oil on panel) by Sorgh, Hendrik Martensz (1611-70); 29.8x25.4 cm; The Holburne Museum, Bath, UK; eHolburne Museum; Dutch, out of copyright

The Lantern Makers Courtship, A Street Scene in Cairo, 1861 (oil on canvas)
BIR104478 The Lantern Makers Courtship, A Street Scene in Cairo, 1861 (oil on canvas) by Hunt, William Holman (1827-1910); 54.8x34.7 cm; Birmingham Museums and Art Gallery; English, out of copyright

Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table
FLO4999736 Johnny sneaking the maid Molly a glass of wine in the parlour as Sir Jeffery Gourmand sleeps at the dining table. Almost caught by another servant at the door

The gallant Deputy and the ambitious Farm girl. Illustration for Le Rire (colour litho)
2786507 The gallant Deputy and the ambitious Farm girl. Illustration for Le Rire (colour litho) by Morin, Louis (1855-1938); Private Collection; (add.info)

Man interrupts his tennis game to talk to a young woman (colour litho)
6001417 Man interrupts his tennis game to talk to a young woman (colour litho) by Fisher, Harrison (1875-1934); Private Collection; (add.info)

At the inn. Painting by Ricardo Canals Y Llambi (1876-1931), 1891-1931
AIS5389164 At the inn. Painting by Ricardo Canals Y Llambi (1876-1931), 1891-1931. by Canals y Llambi, Ricardo (1876-1931); Museu Nacional d Art de Catalunya, Barcelona, Spain; Spanish

Flirt, c. 1895-1900 (colour litho)
5642668 Flirt, c.1895-1900 (colour litho) by Mucha, Alphonse Marie (1860-1939); 59.06 A-- 25.08 cm; Los Angeles County Museum of Art, CA, USA; Czech, out of copyright

Advertisement for the 1st Carnaval masked ball at the Theatre National de l Opera
1770055 Advertisement for the 1st Carnaval masked ball at the Theatre National de l Opera, in 1892, 1892 (colour lithograph) by Cheret

The Preparations (oil on panel)
1769801 The Preparations (oil on panel) by Vibert, Jean or Jehan Georges (1840-1902); 63.5x81.5 cm; Private Collection; (add.info.: The Preparations; Les Apprets. Jehan Georges Vibert (1840-1902)

La Camargo Dancing (detail), c. 1730 (oil on canvas)
4073444 La Camargo Dancing (detail), c.1730 (oil on canvas) by Lancret, Nicolas (1690-1743); National Gallery of Art, Washington DC

La Camargo Dancing, c. 1730 (oil on canvas)
4073379 La Camargo Dancing, c.1730 (oil on canvas) by Lancret, Nicolas (1690-1743); 76.2x106.7 cm; National Gallery of Art, Washington DC, USA; (add.info.: Marie-Anne de Cupis de Camargo)

The Swing, 1729 (oil on canvas)
5037535 The Swing, 1729 (oil on canvas) by Lancret, Nicolas (1690-1743); 37x47 cm; National Museum, Stockholm, Sweden; French, out of copyright

There was a young Woman of Herting (engraving)
3622939 There was a young Woman of Herting (engraving) by English School, (19th century); Private Collection; (add.info.: There was a young Woman of Herting)

The Little Tongue of Columbine, 1913 (w / c & gouache on paper)
SRM96592 The Little Tongue of Columbine, 1913 (w/c & gouache on paper) by Somov, Konstantin Andreevic (1869-1939); 29.3x22.5 cm; State Russian Museum, St

Interior of a Bedchamber with a Couple Cavorting
RAF57947 Interior of a Bedchamber with a Couple Cavorting by Troost, Cornelis (1697-1750) (circle of); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Arras Tapestry, Offering of the Heart (tapestry)
BAL1118 Arras Tapestry, Offering of the Heart (tapestry) by French School, (15th century); Musee National du Moyen Age et des Thermes de Cluny, Paris; French, out of copyright

The Grape Harvest, c. 1750 (panel) (pair to 87638)
PAR87637 The Grape Harvest, c.1750 (panel) (pair to 87638) by Le Clerc, Sebastien II (1676-1763); 42x53.5 cm; Private Collection; ePartridge Fine Arts, London, UK; French, out of copyright

Bohemia, 1831
RAF80074 Bohemia, 1831 by Dulac, Sebastien (1802-p.1849); Private Collection; Photo eRafael Valls Gallery, London, UK; French, out of copyright

The language of feet, flirting by playing footsie (chromolitho)
6030652 The language of feet, flirting by playing footsie (chromolitho) by English School, (20th century); Private Collection; (add.info.: The language of feet)

Couple of lovers in a rowing boat (b / w photo)
5999997 Couple of lovers in a rowing boat (b/w photo) by European Photographer, (19th century); Private Collection; (add.info.: Couple of lovers in a rowing boat)

A company at the Edge of the Forest, 1720 (oil on canvas)
BAL37532 A company at the Edge of the Forest, 1720 (oil on canvas) by Lancret, Nicolas (1690-1743); 64x79 cm; Pushkin Museum, Moscow, Russia; French, out of copyright

Courtship in the Park, 1797 (oil on canvas)
NTS28414 Courtship in the Park, 1797 (oil on canvas) by Opie, John (1761-1807); Fyvie Castle, Scotland, UK; eNational Trust for Scotland; Photo eNational Trust for Scotland; English, out of copyright

Portrait of a Woman, c. 1890
WH75190 Portrait of a Woman, c.1890 by Roberts, Edwin Thomas (1840-1917); Private Collection; Photo eWhitford & Hughes, London, UK; English, out of copyright

The Judgement of Paris
CH139948 The Judgement of Paris by Koch, Hermann (1856-94); 90x135 cm; Private Collection; Photo eChristies Images; German, out of copyright

Before our time: where are you going my pretty maid? (chromolitho)
5207471 Before our time: where are you going my pretty maid? (chromolitho) by Payne, Gilbert Morris (1879-1947); Private Collection; (add.info.: Before our time: where are you going my pretty maid)

High life in the Bois de Boulogne, L allee des cavaliers in 1842, 1898 (litho)
5913072 High life in the Bois de Boulogne, L allee des cavaliers in 1842, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: High life in the Bois de Boulogne, L allee des cavaliers, 1842)

On the Balcony, 1889 (oil on canvas)
989544 On the Balcony, 1889 (oil on canvas) by Bls, Eugen von (1843-1931); 106.4x65.5 cm; Private Collection; (add.info.: On the Balcony. Eugen von Bls (1843-1931). Oil on canvas. Painted in 1889

Les Sabots [The Wooden Shoes], 1768 (oil on canvas)
996176 Les Sabots [The Wooden Shoes], 1768 (oil on canvas) by Boucher, Francois (1703-70); 62.2x52.1 cm; Art Gallery of Ontario, Toronto, Canada; © Art Gallery of Ontario; Purchase, Frank P

Literature. L amant des danseuses, (the dancerss lover)
3434877 Literature. L amant des danseuses, (the dancerss lover), novel by Felicien Champsaur. Poster by Jules Cheret, France, 1888 (poster) by Cheret, Jules (1836-1932); (add.info.: Litterature)

Actresses at the Theatre des Varietes, Paris, after a performance (b / w photo)
3101198 Actresses at the Theatre des Varietes, Paris, after a performance (b/w photo) by French Photographer, (19th century); Private Collection; (add.info.: Actresses at the Theatre des Varietes)

Woman in a walking dress (colour litho)
3104350 Woman in a walking dress (colour litho) by English School, (20th century); Private Collection; (add.info.: Woman in a walking dress)

Couple singing from a hymn book (colour litho)
3102765 Couple singing from a hymn book (colour litho) by English School, (20th century); Private Collection; (add.info.: Couple singing from a hymn book)

Woman in riding dress (colour litho)
3104352 Woman in riding dress (colour litho) by English School, (20th century); Private Collection; (add.info.: Woman in riding dress)

Fete champetre (Pastoral Gathering), 1718-21 (oil on panel)
2970644 Fte champtre (Pastoral Gathering), 1718-21 (oil on panel) by Watteau, Jean Antoine (1684-1721); 48.6x64.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: Jean-Antoine Watteau (French)

Caught!, (oil on panel)
651410 Caught!, (oil on panel) by Detti, Cesare-Auguste (1847-1914); 35.6x26 cm; Private Collection; (add.info.: Caught! Cesare Auguste Detti (1847-1914). Oil on panel

Intermezzo, (oil on canvas)
650555 Intermezzo, (oil on canvas) by Frieseke, Frederick Carl (1874-1939); 91.5x72.7 cm; Private Collection; (add.info.: Intermezzo. Frederick Carl Frieseke (1874-1939). Oil on canvas

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"Flirting: A Timeless Art of Seduction" In the roaring 1920s, amidst the Kayser Bondor Nylons advertisement and the enchanting pages of "The It Girl" by George Whitelaw, flirting became an exquisite dance of charm and wit. Picture a smoky bar where a dapper gentleman from Polo - Its Social Aspect by Higgins catches the eye of a vivacious flapper in her shimmering gown. Just like Jeeves guiding Wooster through life's escapades in Wodehouse's tales, tenderly flirting was an art mastered by few but admired by all. As illustrated in Pride & Prejudice by Jane Austen, it was a delicate balance between coy glances and playful banter that set hearts ablaze. Fred and Adele Astaire were no strangers to this captivating game as they mesmerized audiences with their electrifying chemistry in Stop Flirting. Their graceful moves on stage mirrored the intricate steps taken when two souls intertwine. Even Hollywood embraced flirtation's allure as Diana Dors and Bonar Colleano sizzled on screen in Maurice Elveys' Is Your Honeymoon Really Necessary? Love bloomed under bright lights, leaving audiences yearning for more. Yet, long before these modern romances unfolded, William Holman Hunt captured the essence of courtship in his masterpiece The Hireling Shepherd. Amidst lush landscapes, lovers whispered sweet nothings while adorned in traditional Burmese attire or Princess Beatrice of Saxe-Coburg reveled with her family. Flirting transcends time; it is an age-old language spoken across generations. From London to Myanmar, its power remains undeniable. So next time you find yourself caught up in its tantalizing embrace remember: flirting is not just about words or gestures—it is about creating moments that ignite passion and leave lasting imprints on our hearts.