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Flinck Collection

Govaert Flinck, a renowned Dutch painter from the 17th century, left behind an impressive body of work that continues to captivate art enthusiasts today

Background imageFlinck Collection: Portrait of a Man Wearing a Gorget and a Plumed Hat, 1636

Portrait of a Man Wearing a Gorget and a Plumed Hat, 1636. Private Collection

Background imageFlinck Collection: A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660

A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660

Background imageFlinck Collection: A Young Woman as a Shepherdess. Creator: Govaert Flinck

A Young Woman as a Shepherdess. Creator: Govaert Flinck
A Young Woman as a Shepherdess

Background imageFlinck Collection: Bearded Man with a Velvet Cap, 1645. Creator: Govaert Flinck

Bearded Man with a Velvet Cap, 1645. Creator: Govaert Flinck
Bearded Man with a Velvet Cap, 1645

Background imageFlinck Collection: Portrait of a young man, 1637. Creator: Flinck, Govaert (1615-1660)

Portrait of a young man, 1637. Creator: Flinck, Govaert (1615-1660)
Portrait of a young man, 1637. Found in the Collection of State Hermitage, St. Petersburg

Background imageFlinck Collection: Isaac Blessing Jacob, c1638, (1914). Creator: Govaert Flinck

Isaac Blessing Jacob, c1638, (1914). Creator: Govaert Flinck
Isaac Blessing Jacob, c1638, (1914). Biblical scene: Jacob, pretending to be his brother Esau, tricked their blind father into bestowing Esaus rightful blessing on him

Background imageFlinck Collection: The Company of the Civic Guard of Amsterdam... in 1645, (1914). Creator: Govaert Flinck

The Company of the Civic Guard of Amsterdam... in 1645, (1914). Creator: Govaert Flinck
The Company of the Civic Guard of Amsterdam, Under Captain Albert Bas and Lieutenant Conyn, in 1645, (1914). Militia Company of District XVIII under the Command of Captain Albert Bas

Background imageFlinck Collection: Self-Portrait, c. 1640

Self-Portrait, c. 1640. Found in the collection of Wallraf-Richartz-Museum, Cologne

Background imageFlinck Collection: The Repudiation of Hagar, c. 1615

The Repudiation of Hagar, c. 1615. Found in the Collection of Staatliche Museen, Berlin

Background imageFlinck Collection: Susanna and the Elders. Artist: Flinck, Govaert (1615-1660)

Susanna and the Elders. Artist: Flinck, Govaert (1615-1660)
Susanna and the Elders. Found in the collection of Staatliche Museen, Berlin

Background imageFlinck Collection: Isaac blessing Jacob, 1638. Artist: Flinck, Govaert (1615-1660)

Isaac blessing Jacob, 1638. Artist: Flinck, Govaert (1615-1660)
Isaac blessing Jacob, 1638. Found in the collection of the Rijksmuseum, Amsterdam

Background imageFlinck Collection: Painting by Govaert Flinck, 17th century. Artist: Govaert Flinck

Painting by Govaert Flinck, 17th century. Artist: Govaert Flinck
Painting by Govaert Flinck, 17th century

Background imageFlinck Collection: Self Portrait at the Age of 24, 1639. Artist: Flinck, Govaert (1615-1660)

Self Portrait at the Age of 24, 1639. Artist: Flinck, Govaert (1615-1660)
Self Portrait at the Age of 24, 1639. Found in the collection of the National Gallery, London

Background imageFlinck Collection: The Lamentation over Christ, 1637. Artist: Flinck, Govaert (1615-1660)

The Lamentation over Christ, 1637. Artist: Flinck, Govaert (1615-1660)
The Lamentation over Christ, 1637. Found in the collection of the National Museum of Western Art, Tokyo

Background imageFlinck Collection: Bathing Bathsheba, 17th century. Artist: Govaert Flinck

Bathing Bathsheba, 17th century. Artist: Govaert Flinck
Bathing Bathsheba, 17th century. The Book of Samuel describes how Bathsheba, the wife of Uriah the Hittite, was seduced by King David after he saw her bathing from the roof of his palace

Background imageFlinck Collection: Isaac Blessing Jacob, 1638. Artist: Govaert Flinck

Isaac Blessing Jacob, 1638. Artist: Govaert Flinck
Isaac Blessing Jacob, 1638. Found in the collection of the Rijksmuseum, Amsterdam

Background imageFlinck Collection: Govert (Or Govaert) Teuniszoon Flinck 1615

Govert (Or Govaert) Teuniszoon Flinck 1615

Background imageFlinck Collection: Militia Company of District XVIII under the Command of Capta

Militia Company of District XVIII under the Command of Capta
Govert Flinck (1615-1660). Dutch painter. Militia Company of District XVIII under the Command of Captain Albert Bas, 1645. Rijksmuseum. Amsterdam. Holland

Background imageFlinck Collection: Govert (Govaert) Teuniszoon Flinck (1615-1660). Dutch Baroqu

Govert (Govaert) Teuniszoon Flinck (1615-1660). Dutch Baroque painter of the Golden Age. Bust of Rembrandt Bust, c. 1633. Oil on board. Gemaldegalerie. Kulturforum. National Museums of Berlin. Germany

Background imageFlinck Collection: Govaert Flinck

Govaert Flinck
GOVAERT FLINCK German-Dutch artist Date: 1615 - 1660

Background imageFlinck Collection: Govaert Flinck (Dutch, 1615 - 1660), Saskia, red chalk on laid paper

Govaert Flinck (Dutch, 1615 - 1660), Saskia, red chalk on laid paper

Background imageFlinck Collection: A Young Man Standing

A Young Man Standing; Govaert Flinck, Dutch, 1615 - 1660; Netherlands, Europe; about 1658; Black and white chalk on blue paper; 40.8 x 21.4 cm (16 1/16 x 8 7/16 in.)


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Govaert Flinck, a renowned Dutch painter from the 17th century, left behind an impressive body of work that continues to captivate art enthusiasts today. His attention to detail and masterful technique are evident in his various portraits and historical scenes. In "Portrait of a Man Wearing a Gorget and a Plumed Hat" (1636), Flinck skillfully captures the essence of his subject's commanding presence. The man's gaze is intense, drawing us into his world with every brushstroke. "A Young Man Seated at a Table (possibly Govaert Flinck)" (c. 1660) showcases Flinck's ability to convey emotion through portraiture. The young man appears lost in thought, perhaps contemplating life's complexities as he sits alone at the table. It also had an eye for capturing feminine beauty, as seen in "A Young Woman as a Shepherdess. " This delicate portrayal radiates innocence and charm, highlighting Flinck's talent for portraying ethereal qualities on canvas. Moving away from portraiture, we encounter "The Company of the Civic Guard of Amsterdam. . in 1645. " Here, Flinck depicts a group portrait filled with vibrant characters who exude confidence and pride. Each figure tells its own story within this grand composition. One cannot overlook Flinck's religious works either; they showcase his ability to depict biblical narratives with great depth and emotion. In "Isaac Blessing Jacob" (c. 1638), we witness the tender moment between father and son as Isaac imparts his blessing upon Jacob—a scene brimming with familial love. It also tackled stories from mythology such as "Susanna and the Elders, " where he portrays Susanna caught in an uncomfortable situation while being observed by two lecherous elders—an unsettling yet powerful depiction that invites contemplation on themes of morality. Throughout these diverse works, Flinck's talent shines through.