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Flame Collection (page 100)

"Flame: Igniting the Past, Illuminating the Future" In 1985 Monaco GP, the roaring engines and scorching tires set the track ablaze with a fiery passion

Background imageFlame Collection: Seebecks experiment

Seebecks experiment

Background imageFlame Collection: Lady Macbeth Sleepwalking, 1783 (oil on canvas)

Lady Macbeth Sleepwalking, 1783 (oil on canvas)
XIR903191 Lady Macbeth Sleepwalking, 1783 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 221x160 cm; Louvre, Paris, France; (add.info.: Lady Macbeth somnambule)

Background imageFlame Collection: Salon of the Print-maker Gilles Demarteau, above the door: columns, a basket of roses

Salon of the Print-maker Gilles Demarteau, above the door: columns, a basket of roses
XIR903162 Salon of the Print-maker Gilles Demarteau, above the door: columns, a basket of roses and a torch by Huet, Jean-Baptiste (1745-1811); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageFlame Collection: Salon of the Print-maker Gilles Demarteau, above the door: doves and sheet music, c

Salon of the Print-maker Gilles Demarteau, above the door: doves and sheet music, c
XIR903157 Salon of the Print-maker Gilles Demarteau, above the door: doves and sheet music, c.1750-65 (oil on canvas) by Boucher, Francois (1703-70) (studio of); Musee de la Ville de Paris

Background imageFlame Collection: Allegory of Peace (oil on canvas)

Allegory of Peace (oil on canvas)
XIR901456 Allegory of Peace (oil on canvas) by Lepicie, Nicolas-Bernard (1735-84); Musee Ingres, Montauban, France; (add.info.: Allegorie de la Paix); French, out of copyright

Background imageFlame Collection: St John the Evangelist, c. 1633-39 (oil on canvas)

St John the Evangelist, c. 1633-39 (oil on canvas)
XIR899094 St John the Evangelist, c.1633-39 (oil on canvas) by Stomer, (Stom) Matthias (c.1600-p.1650); Musee des Beaux-Arts, Rennes

Background imageFlame Collection: St. Sebastian Tended by St. Irene (oil on canvas)

St. Sebastian Tended by St. Irene (oil on canvas)
XIR71317 St. Sebastian Tended by St. Irene (oil on canvas) by Tour, Georges de la (1593-1652); 167x131 cm; Louvre, Paris, France; (add.info.: Saint Sebastien Soigne par Irene; ); French

Background imageFlame Collection: Jerusalem The Emanation of The Giant Albion;Such visions have appeared to me'

Jerusalem The Emanation of The Giant Albion;Such visions have appeared to me"
XND70246 Jerusalem The Emanation of The Giant Albion; " Such visions have appeared to me", 1804 (relief etching, white line engraving, w/c) by Blake

Background imageFlame Collection: Jerusalem The Emanation of the Giant Albion: plate 99 All Human Forms'

Jerusalem The Emanation of the Giant Albion: plate 99 All Human Forms"
XND70240 Jerusalem The Emanation of the Giant Albion: plate 99 " All Human Forms" (the reunion of Jerusalem, representing Man, and a God who unites the elements of Jesus and Jehovah)

Background imageFlame Collection: America a Prophecy; Thus wept the Angel voice, the emergence of Orc (the

America a Prophecy; Thus wept the Angel voice, the emergence of Orc (the
XND70218 America a Prophecy; Thus wept the Angel voice, the emergence of Orc (the embodiment of Energy) from captivity to which he had been submitted by his parents Los and Enitharmon

Background imageFlame Collection: The Marriage of Heaven and Hell; As a new heaven is begun, c

The Marriage of Heaven and Hell; As a new heaven is begun, c
XND70215 The Marriage of Heaven and Hell; " As a new heaven is begun", c.1790 (relief etching tinted with w/c) by Blake, William (1757-1827); 15.2x10.8 cm; Private Collection; English

Background imageFlame Collection: A Captain burnt alive on board his ship, back cover illustration from Le Petit Journal

A Captain burnt alive on board his ship, back cover illustration from Le Petit Journal
XIR661439 A Captain burnt alive on board his ship, back cover illustration from Le Petit Journal, supplement illustre, 10th May 1914 (colour litho) by French School

Background imageFlame Collection: Winter, those who enjoy it, those who suffer from it, front cover illustration

Winter, those who enjoy it, those who suffer from it, front cover illustration
XIR661384 Winter, those who enjoy it, those who suffer from it, front cover illustration from Le Petit Journal, supplement illustre, 1st February 1914 (colour litho) by French School

Background imageFlame Collection: Fire, 1566 (oil on wood)

Fire, 1566 (oil on wood)
XAM66136 Fire, 1566 (oil on wood) by Arcimboldo, Giuseppe (1527-93); 67x51 cm; Kunsthistorisches Museum, Vienna, Austria; (add.info)

Background imageFlame Collection: Caulking a galley, twentieth demonstration, plate 21, illustration from Demonstrations

Caulking a galley, twentieth demonstration, plate 21, illustration from Demonstrations
XIR661355 Caulking a galley, twentieth demonstration, plate 21, illustration from Demonstrations de toutes les pieces de bois, cloux et ferremens qui entrent dans la construction d une galere

Background imageFlame Collection: The Destruction of the Turkish Fleet at the Bay of Chesma, 1772 (oil on canvas)

The Destruction of the Turkish Fleet at the Bay of Chesma, 1772 (oil on canvas)
BAL496189 The Destruction of the Turkish Fleet at the Bay of Chesma, 1772 (oil on canvas) by Hackert, Jacob-Philippe (1737-1807); Peterhof Palace, Petrodvorets, St

Background imageFlame Collection: Poster for la Societe francaise d Incandescence par le Gaz, Systeme Auer

Poster for la Societe francaise d Incandescence par le Gaz, Systeme Auer. French Society for Incandescent Gas, Maurice Joseph Realier-Dumas, (1860-1928), French Illustrator, painter, graphic artist

Background imageFlame Collection: Official robes of a knight of the French chivalric order of the Holy Spirit (velvet

Official robes of a knight of the French chivalric order of the Holy Spirit (velvet
XIR430468 Official robes of a knight of the French chivalric order of the Holy Spirit (velvet and precious metal embroidery) by French School, (18th century); Musee de la Ville de Paris

Background imageFlame Collection: I do begin to perceive that I am made an ass, 1890 (colour litho)

I do begin to perceive that I am made an ass, 1890 (colour litho)
KW428120 I do begin to perceive that I am made an ass, 1890 (colour litho) by Cruikshank, George (1792-1878); Private Collection; (add.info.: Falstaff speaks in The Merry Wives of Windsor, Act V)

Background imageFlame Collection: Bristol, England, during the Riots in 1831, 1883 (engraving)

Bristol, England, during the Riots in 1831, 1883 (engraving)
KW417905 Bristol, England, during the Riots in 1831, 1883 (engraving) by English School, (19th century); Private Collection; (add.info.: illustration from The Age We Live In)

Background imageFlame Collection: Fanatic Buddhist monks set their temple on fire and throw themselves into the flames

Fanatic Buddhist monks set their temple on fire and throw themselves into the flames
XIR414783 Fanatic Buddhist monks set their temple on fire and throw themselves into the flames, Island of Formosa, back cover illustration from Le Petit Journal, supplement illustre

Background imageFlame Collection: Catching, packing and sending snakes, India, back cover illustration from Le

Catching, packing and sending snakes, India, back cover illustration from Le
XIR414774 Catching, packing and sending snakes, India, back cover illustration from Le Petit Journal, supplement illustre, 20th April 1913 (colour litho) by French School

Background imageFlame Collection: Trying to save her child from the fire, a mother throws him through the window, back

Trying to save her child from the fire, a mother throws him through the window, back
XIR414766 Trying to save her child from the fire, a mother throws him through the window, back cover illustration from Le Petit Journal, supplement illustre

Background imageFlame Collection: Paris firemen centenary, illustration from Le Petit Journal, supplement illustre

Paris firemen centenary, illustration from Le Petit Journal, supplement illustre
XIR414752 Paris firemen centenary, illustration from Le Petit Journal, supplement illustre, 8th October 1911 (colour litho) by French School

Background imageFlame Collection: Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights

Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights
XIR414648 Fire of Moscow in September 1812 (pen & brown ink & grey wash & gouache highlights on paper) by Gros, Baron Antoine Jean (1771-1835); 57x84 cm; Louvre (Cabinet de dessins), Paris

Background imageFlame Collection: Camp of the Prussian army, 1813, 1814, 1815, 19th century, cooking, open fire, dish

Camp of the Prussian army, 1813, 1814, 1815, 19th century, cooking, open fire, dish, smoking pipe, drinking, glass, barrel, man, woman, militay uniform, militay, food and drink

Background imageFlame Collection: The Academy of Baccio Bandinelli, 1547 (etching)

The Academy of Baccio Bandinelli, 1547 (etching)
XOT361268 The Academy of Baccio Bandinelli, 1547 (etching) by Vico, Enea (1523-1567); Gabinetto dei Disegni e Stampe, Uffizi, Florence

Background imageFlame Collection: Frontispiece to Francis Quarless Emblems, engraved by William Faithorne

Frontispiece to Francis Quarless Emblems, engraved by William Faithorne
XJF359061 Frontispiece to Francis Quarless Emblems, engraved by William Faithorne and William Marshall, 1635 (engraving) by English School

Background imageFlame Collection: A prehistoric man using fire to fashion a canoe from a log (litho)

A prehistoric man using fire to fashion a canoe from a log (litho)
KW353666 A prehistoric man using fire to fashion a canoe from a log (litho) by English School, (19th century); Private Collection; (add.info)

Background imageFlame Collection: Tragic fire in a workshop at Newark, New Jersey, illustration from Le Petit Journal

Tragic fire in a workshop at Newark, New Jersey, illustration from Le Petit Journal
XIR346397 Tragic fire in a workshop at Newark, New Jersey, illustration from Le Petit Journal, supplement illustre, 11th December 1910 (colour litho) by French School

Background imageFlame Collection: Moroccan artillerymen using cannons under the command of French instructors, illustration

Moroccan artillerymen using cannons under the command of French instructors, illustration
XIR346332 Moroccan artillerymen using cannons under the command of French instructors, illustration from Le Petit Journal, supplement illustre, 26th March 1911 (colour litho) by French School

Background imageFlame Collection: Winter in Paris, around the brazier, illustration from Le Petit Journal

Winter in Paris, around the brazier, illustration from Le Petit Journal
XIR346315 Winter in Paris, around the brazier, illustration from Le Petit Journal, supplement illustre, 17rd February 1907 (colour litho) by French School

Background imageFlame Collection: To his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence

To his royal highness Fredrick Duke of York, this plate of Satan holding th prepondrence of power or Bounapartes threat, is most humbly inscribed, by E

Background imageFlame Collection: Napoleon I (1769-1821) arriving at the Tuileries on 20th March 1815, Paris, engraved by Roemhild

Napoleon I (1769-1821) arriving at the Tuileries on 20th March 1815, Paris, engraved by Roemhild
XIR326600 Napoleon I (1769-1821) arriving at the Tuileries on 20th March 1815, Paris, engraved by Roemhild (engraving) (b/w photo) by French School, (19th century); Bibliotheque Nationale, Paris

Background imageFlame Collection: The Great Fire in the Old Town Hall, Amsterdam, 1652, 17th century

The Great Fire in the Old Town Hall, Amsterdam, 1652, 17th century
BAL31879 The Great Fire in the Old Town Hall, Amsterdam, 1652, 17th century by Beerstraten, Jan (1622-66); Private Collection; Johnny Van Haeften Ltd. London; Dutch, out of copyright

Background imageFlame Collection: The Marriage of Heaven and Hell; The Voice of the Devil, c

The Marriage of Heaven and Hell; The Voice of the Devil, c
XND70216 The Marriage of Heaven and Hell; The Voice of the Devil, c.1790 (relief etching tinted with watercolour) by Blake, William (1757-1827); 13.3x10 cm; Private Collection; English

Background imageFlame Collection: The speculator (engraving) (b / w photo)

The speculator (engraving) (b / w photo)
XIR287758 The speculator (engraving) (b/w photo) by French School, (18th century); Bibliotheque Nationale, Paris, France; (add.info.: L Agioteur; agioteur; ); French, out of copyright

Background imageFlame Collection: RL 27835 Rounding a Bend on the Mississippi Steamboat Queen of the West (litho)

RL 27835 Rounding a Bend on the Mississippi Steamboat Queen of the West (litho)
BAL32898 RL 27835 Rounding a Bend on the Mississippi Steamboat Queen of the West (litho) by Currier, N. (1813-88) and Ives, J.M. (1824-95); Private Collection; American, out of copyright

Background imageFlame Collection: Hymen and Cupid, from The Works of William Hogarth, published 1833 (litho)

Hymen and Cupid, from The Works of William Hogarth, published 1833 (litho)
KW281829 Hymen and Cupid, from The Works of William Hogarth, published 1833 (litho) by Hogarth, William (1697-1764); Private Collection; Ken Welsh; English, out of copyright

Background imageFlame Collection: Cooking in a Pot (w / c on paper)

Cooking in a Pot (w / c on paper)
XCF268094 Cooking in a Pot (w/c on paper) by White, John (fl.1570-93); British Museum, London, UK; English, out of copyright

Background imageFlame Collection: A medieval knight carrying a fire lance, or fire spear, one of the first gunpowder

A medieval knight carrying a fire lance, or fire spear, one of the first gunpowder
KW2619056 A medieval knight carrying a fire lance, or fire spear, one of the first gunpowder weapons in the world, from Les Merveilles de la Science, published c.1870 (engraving) by French School

Background imageFlame Collection: A Greek fire ship, after a drawing in a 13th century Latin manuscript, from Les Merveilles

A Greek fire ship, after a drawing in a 13th century Latin manuscript, from Les Merveilles
KW2619054 A Greek fire ship, after a drawing in a 13th century Latin manuscript, from Les Merveilles de la Science, published c.1870 (engraving) by French School

Background imageFlame Collection: Steam, c. 1889 (plaster) (b / w photo)

Steam, c. 1889 (plaster) (b / w photo)
XIR253096 Steam, c.1889 (plaster) (b/w photo) by Chapu, Henri Michel Antoine (1833-91); Paris, France; (add.info.: La Vapeur; displayed at the Galerie des Machines; the Galerie was built for)

Background imageFlame Collection: Scene from the Apocalypse, The Opening of the Seventh Seal, The Seven Angels with the trumpets

Scene from the Apocalypse, The Opening of the Seventh Seal, The Seven Angels with the trumpets
XIR253279 Scene from the Apocalypse, The Opening of the Seventh Seal, The Seven Angels with the trumpets, Latin edition, 1511 (woodcut) (b/w photo) by DAOErer or Duerer

Background imageFlame Collection: Tin workshop, engraved by Benard, Robert (fl. 1734) (engraving) (b / w photo)

Tin workshop, engraved by Benard, Robert (fl. 1734) (engraving) (b / w photo)
XIR224678 Tin workshop, engraved by Benard, Robert (fl.1734) (engraving) (b/w photo) by Goussier, Louis-Jacques (1722-99) (after); Bibliotheque Nationale, Paris

Background imageFlame Collection: The insatiable animal of the National Assembly (engraving) (b / w photo)

The insatiable animal of the National Assembly (engraving) (b / w photo)
XIR215530 The insatiable animal of the National Assembly (engraving) (b/w photo) by German School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageFlame Collection: Sacred Grove, 1886 (oil on panel)

Sacred Grove, 1886 (oil on panel)
XKH146441 Sacred Grove, 1886 (oil on panel) by Bocklin, Arnold (1827-1901); 100x150 cm; Hamburger Kunsthalle, Hamburg, Germany; Swiss, out of copyright

Background imageFlame Collection: A female figure as the personification of obsequiousness in a niche, with her right

A female figure as the personification of obsequiousness in a niche, with her right hand in a candle holder with a burning candle, print maker: Arnold Houbraken, Dating 1710 - 1719



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"Flame: Igniting the Past, Illuminating the Future" In 1985 Monaco GP, the roaring engines and scorching tires set the track ablaze with a fiery passion. Like a Mandelbrot fractal, flames dance in intricate patterns, showcasing their mesmerizing beauty and infinite complexity. From Nikola Tesla's groundbreaking experiments in 1899 to present-day innovations, fire has been harnessed as a powerful force of energy and progress. The Jabberwock Colour ignites imagination with its vibrant hues that mimic the flickering flames of creativity. An illustration captures the awe-inspiring moment when an iconic US space rocket Saturn 5's second stage soars through mid-air, leaving trails of fire behind. "Burning the candle at both ends C014 / 1258" symbolizes relentless determination and tireless pursuit of one's goals amidst life's challenges. Volcanic eruption near Iceland's Myrdalsjokull glacier in April 2010 reminds us of nature's raw power as molten lava engulfs everything in its path with an unstoppable flame. Monks lighting khom loy candles for Loi Krathong festival represents spiritual enlightenment and unity as communities come together to celebrate light overcoming darkness. "Fudo Myoo Threatening a Novice" by Tsukioka Yoshitoshi depicts fierce determination to overcome obstacles on the path towards enlightenment - like walking through fire unscathed. "The Burning Of Cranmer" serves as a haunting reminder of historical events where flames were used to silence dissenting voices but also kindled resilience within individuals fighting for their beliefs. The Great Fire of London in 1666 devastated entire neighborhoods but ultimately led to urban planning reforms that shaped modern cities worldwide – rising from ashes like phoenixes reborn.