Film Title Collection

An Allegory of Wisdom, 1879 (oil on canvas)
823605 An Allegory of Wisdom, 1879 (oil on canvas) by Vital Luminais, Helene (late 19th Century); 64x50 cm; Private Collection; (add.info.: An Allegory of Wisdom)

The Ipcress File, 1965 (colour lithograph)
1195057 The Ipcress File, 1965 (colour lithograph) by American School, (20th century); 104x69 cm; Private Collection; Photo © Christies Images

Poster for the silent film Strike by Sergei Eisenstein, 1925 (colour lithograph)
1198215 Poster for the silent film Strike by Sergei Eisenstein, 1925 (colour lithograph) by Biro, Mihaly (1886-1948); 186x127 cm; Private Collection; Photo © Christies Images

A Belgian poster advertising the film Casablanca (1942), 1942 (colour lithograph)
1770160 A Belgian poster advertising the film Casablanca (1942), 1942 (colour lithograph) by Belgian School, (20th century); 41x28 cm; Private Collection; (add.info)

Untitled, 1962 (oil on masonite)
987579 Untitled, 1962 (oil on masonite) by I.V.Borcht, 17th century; 45.8x35.3 cm; Private Collection; (add.info.: Untitled; Sans Titre. Wilson Bigaud (1931-2010). Oil on masonite. Painted in 1962

Top of the Mooring Mast, Empire State Building (1931), 1931; 1939 (gelatin silver print)
991497 Top of the Mooring Mast, Empire State Building (1931), 1931; 1939 (gelatin silver print) by Hine, Lewis Wickes (1874-1940); 34.29x26.67 cm; Private Collection; (add.info)

The Piazza Navona, Rome, with a Commedia dell Arte Performance, (oil on canvas)
990104 The Piazza Navona, Rome, with a Commedia dell Arte Performance, (oil on canvas) by Tironi, Francesco (1750-1800); 89x149 cm; Private Collection; (add.info.: The Piazza Navona, Rome)

Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas)
991620 Bonaparte in Egypt, 21st July, 1798, 1911 (oil on canvas) by Woodville, Richard Caton II (1856-1927); 96.5x122 cm; Private Collection; (add.info.: Bonaparte in Egypt, 21st July, 1798)

Go West Young Man, 1910 (oil on canvas)
822949 Go West Young Man, 1910 (oil on canvas) by Brown, John George (1831-1913); 101.5x79.5 cm; Private Collection; (add.info.: Go West Young Man. John George Brown (1831-1913). Oil on canvas

A Girl in an Orange Shawl holding Turnips, A Girl in a green Bonnet and Dress
827689 A Girl in an Orange Shawl holding Turnips, A Girl in a green Bonnet and Dress and a Gentleman in black Tricorn Hat, (pastel on paper laid on canvas) by Tiepolo

The Centaur; Le Centaure, c. 1910 (oil on panel)
825300 The Centaur; Le Centaure, c.1910 (oil on panel) by Redon, Odilon (1840-1916); 30.2x27 cm; Private Collection; (add.info.: The Centaur; Le Centaure. Odilon Redon (1840-1916). Oil on panel

Rebirth, c. 1908 (oil on canvas)
987350 Rebirth, c.1908 (oil on canvas) by Redon, Odilon (1840-1916); 143x62 cm; Private Collection; (add.info.: Rebirth; La Renouveau. Odilon Redon (1840-1916). Oil on canvas. Painted circa 1908

Trouville, General View of the Beach; Trouville, Vue Generale de la Plage
656326 Trouville, General View of the Beach; Trouville, Vue Generale de la Plage, 1890 (oil on canvas) by Boudin, Eugene Louis (1824-98); 55.5x90 cm; Private Collection; (add.info.: Trouville)

Blue Above, 1935 (oil on canvas)
822799 Blue Above, 1935 (oil on canvas) by Bluemner, Oscar Florianus (1867-1938); 128.3x91.5 cm; Private Collection; (add.info.: Blue Above. Oscar Florianus Bluemner (1867-1938). Oil on canvas

The Green House, Venice, 1905 (oil on canvas)
988648 The Green House, Venice, 1905 (oil on canvas) by Signac, Paul (1863-1935); 46x55.2 cm; Private Collection; (add.info.: The Green House, Venice; La Maison Verte, Venise)

Great Turn, Male, Spring Plumage, 1836 (hand-coloured etching with aquatint engraving)
985899 Great Turn, Male, Spring Plumage, 1836 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info.: Great Turn)

Le Chimborazo vu depuis le Plateau de Tapia, 1810-1814 (colour-printed aquatint)
985716 Le Chimborazo vu depuis le Plateau de Tapia, 1810-1814 (colour-printed aquatint) by Humboldt, Friedrich Alexander, Baron von (1769-1859) (after); 57.5x83 cm; Private Collection; (add.info)

Portrait of an Ottoman Prince, Half Length, in Red and Gold, (oil on canvas)
651241 Portrait of an Ottoman Prince, Half Length, in Red and Gold, (oil on canvas) by La Fond, Francois Henri Alexandre (1815-1901); 81.2x64.7 cm; Private Collection; (add.info)

The Arch of Titus, (oil on canvas)
657737 The Arch of Titus, (oil on canvas) by Lawson, James Kerr (1864-1939); Private Collection; (add.info.: The Arch of Titus. James Kerr Lawson (1864-1939). Oil on canvas

Supply Wagons, 1905 (oil on canvas)
823093 Supply Wagons, 1905 (oil on canvas) by Wyeth, Newell Convers (1882-1945); 96.5x65.4 cm; Private Collection; (add.info.: Supply Wagons. Newell Convers Wyeth (1882-1945). Oil on canvas

The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink)
985777 The Terror Answered, mid 1790s (relief-etched engraving, bluish-grey ink) by Blake, William (1757-1827); 36.4x25.5 cm; Private Collection; (add.info.: The Terror Answered)

Cockatoo, 1750-1800 (pen, ink, and watercolour)
986123 Cockatoo, 1750-1800 (pen, ink, and watercolour) by German School, (18th century); 47x31.5 cm; Private Collection; (add.info.: Cockatoo)

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"Captivating Artistry: Exploring the Cinematic World Through Iconic Works" Step into a realm where art and film intertwine, as we delve into a collection of captivating masterpieces that have left an indelible mark on the silver screen. From allegorical wisdom to thrilling spy tales, each artwork offers a glimpse into the essence of its corresponding film title. An Allegory of Wisdom, 1879 (oil on canvas), sets the stage for intellectual depth and philosophical musings that await within this enigmatic film. The Ipcress File, 1965 (colour lithograph), hints at intrigue and espionage, promising audiences an enthralling journey through secret intelligence operations. Transporting us back in time is Poster for the silent film Strike by Sergei Eisenstein, 1925 (colour lithograph). This vibrant artwork captures the revolutionary spirit of early cinema while showcasing Eisenstein's innovative storytelling techniques. Meanwhile, A Belgian poster advertising the film Casablanca (1942), 1942 (colour lithograph) evokes nostalgia for one of Hollywood's most beloved classics. Untitled, 1962 (oil on masonite) invites viewers to interpret its abstract beauty much like they would unravel a mysterious plotline. Top of the Mooring Mast, Empire State Building (1931), 1931; 1939 (gelatin silver print) captures both architectural grandeur and historical significance—an emblematic image that could be associated with countless cinematic narratives set against iconic cityscapes. The Piazza Navona, Rome, with a Commedia dell Arte Performance transports us to Italy's bustling streets filled with theatrical charm—a setting ripe for romantic encounters or comedic escapades. Bonaparte in Egypt, 21st July 1798 portrays an epic tale from history brought to life through vivid brushstrokes—promising adventure amidst ancient ruins. Go West Young Man takes us on a visual odyssey through the American frontier, where untamed landscapes and pioneering spirits collide.