Fevret De Saint M And Xe9 Collection
"Capturing History: The Portraits of Fevret de Saint-Memin" Step into the past through the remarkable portraits created by Charles Balthazar Julien Fevret de Saint-Memin
James Cuyler, 1796-1797. Creator: Charles Balthazar Julien Fevret de Saint-Mé
James Cuyler, 1796-1797
Chauncey Goodrich, 1799. Creator: Charles Balthazar Julien Fevret de Saint-Mé
Chauncey Goodrich, 1799
John Thurman, 1797-1798. Creator: Charles Balthazar Julien Fevret de Saint-Mé
John Thurman, 1797-1798
Theodore Sedgwick, 1801. Creator: Charles Balthazar Julien Fevret de Saint-Mé
Theodore Sedgwick, 1801
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"Capturing History: The Portraits of Fevret de Saint-Memin" Step into the past through the remarkable portraits created by Charles Balthazar Julien Fevret de Saint-Memin, a talented artist who immortalized prominent figures of his time. In 1806, he skillfully captured John Cassin's essence, showcasing his distinguished features and commanding presence. Continuing his artistic journey, Fevret de Saint-Memin painted Thomas Truxtun in 1799, revealing the resilience and determination etched on the face of this renowned naval officer. In 1802, Gray became another subject for Fevret de Saint-Memin's brushstrokes; his portrait exudes an air of wisdom and experience that only comes with age. John Savage's likeness was masterfully rendered by Fevret de Saint-Memin in the same year. This captivating portrait showcases Savage's strong character and unwavering resolve. Moving forward to 1808, we encounter John Richards Triplett—a man whose image is brought to life through delicate strokes and intricate details by Fevret de Saint-Memin or possibly an unknown artist from the 19th century when it comes to Daniel Kemper. Charles Stewart's portrait from 1802 captures not only his physical appearance but also hints at his inner strength as a military leader. James Breckinridge's portrayal in 1808 reveals both intelligence and confidence emanating from every stroke made by Fevret de Saint-Mémin himself or possibly someone else using their techniques. Brumaud becomes a mesmerizing subject under Fevret de Saint-Memin’s hand in 1800; this painting radiates elegance while highlighting Brumaud’s refined taste. Lastly, Andrew Sterett is depicted with great precision in 1803 – a testament to both Sterett’s accomplishments as well as Fevret De-Saint Memin’s artistic prowess.