Female Nude Collection

Reclining woman in red trousers and standing female nude, 1912 (gouache
CH398595 Reclining woman in red trousers and standing female nude, 1912 (gouache, w/c & pencil on paper) by Schiele, Egon (1890-1918); 45.2x31.6 cm; Private Collection; (add.info)

Sands of Time - 23-03-24
Corné Akkers

Golden Orange - 29-11-22
Corné Akkers

Nude Leaning Forward (2011)
Corné Akkers

Kali - 23-03-22
Corné Akkers

Darja Collin - 27-09-22
Corné Akkers

Nude - 07-10-15
Corné Akkers

The Return of Bettie Page - 12-08-15
Corné Akkers

A 4th Tribute to Man Ray
Corné Akkers

Art Deco Nude - 06-08-22
Corné Akkers

Art Deco Nude - 20-08-22
Corné Akkers

Bedside Moonlighting
Corné Akkers

Art Deco Nude - 29-08-22
Corné Akkers

Bathing Nude
Corné Akkers

A Metallurgical Approach to Bettie Page
Corné Akkers

Risque - 17-02-22
Corné Akkers

Woman in a Red Kimono - 10-11-22
Corné Akkers

Bastet - 04-10-19
Corné Akkers

Sienna
Corné Akkers

Cleopatra
Corné Akkers

Cubistic Woman (2011)
Corné Akkers

Between the Sheets
Corné Akkers

Cubist Nude 01 (2013)
Corné Akkers

Cubistic Nude 07 (2013)
Corné Akkers

Cubist Nude 04 (2013)
Corné Akkers

Cubistic Sitting Nude (2014)
Corné Akkers

Apollo and the Muses, c. 1520-99 (graphite, pen & wash on paper)
7343336 Apollo and the Muses, c.1520-99 (graphite, pen & wash on paper) by Caron, Antoine (1520-99); 227x179 cm; Fitzwilliam Museum, University of Cambridge, UK; © Fitzwilliam Museum

Eve, 1926 (wood engraving, black carbon ink on paper)
5938069 Eve, 1926 (wood engraving, black carbon ink on paper) by Gill, Eric (1882-1940); 23.6x11.6 (image); 34.2x20.9 (sheet) cm; Fitzwilliam Museum, University of Cambridge

Madonna and Child 1 - feet crossed, 1909-10 (portland stone)
LMG109242 Madonna and Child 1 - feet crossed, 1909-10 (portland stone) by Gill, Eric (1882-1940); 62.2x20.3x17.1 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; Leeds Museums and Galleries

Vertumnus and Pomona, 1615 (oil on canvas)
5938199 Vertumnus and Pomona, 1615 (oil on canvas) by Goltzius, Hendrik (1558-1617); 70.8x101.2 (original size); 90.4x104.2 (extended size) cm; Fitzwilliam Museum, University of Cambridge

Frontispiece to an Encyclopaedia of Surgical Thought
XJF140230 Frontispiece to an Encyclopaedia of Surgical Thought by John Dolaeus (engraving) (b/w photo) by English School, (18th century); Private Collection; English, out of copyright

The Three Fates, c. 1670 (oil on canvas)
BI88649 The Three Fates, c.1670 (oil on canvas) by Mazzoni, Sebastiano (1611-78); 210.5x153. cm; The Henry Barber Trust, The Barber Institute of Fine Arts

Bacchus and Ceres, not after 1710 (oil on canvas)
5938164 Bacchus and Ceres, not after 1710 (oil on canvas) by Ricci, Sebastiano (1658-1734); 86.4x109.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; Italian

A wooded lanscape with Pan and Syrinx, before 1648 (oil on panel)
5938216 A wooded lanscape with Pan and Syrinx, before 1648 (oil on panel) by Uyttenbroeck, Moyses or Moses Matheusz. van (c.1595/1600-48); Fitzwilliam Museum, University of Cambridge

Iris, 1886 (oil on canvas) (for detail see 100957)
LMG100956 Iris, 1886 (oil on canvas) (for detail see 100957) by Grimshaw, John Atkinson (1836-93); 81.3x121.9 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Adam and Eve in Paradise, 1629 (oil on copper)
5938230 Adam and Eve in Paradise, 1629 (oil on copper) by Konig, Johann or Hans (1586-1642); 17.0x23.3 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; German

Judgement of Paris, before 1632 (oil on copper)
5938162 Judgement of Paris, before 1632 (oil on copper) by Balen, Hendrick van (1575-1632) and Brueghel, Jan (1568-1625); 24.8x36.5 cm; Fitzwilliam Museum, University of Cambridge

Full-length standing nude of a woman, from behind (detail)
5938086 Full-length standing nude of a woman, from behind (detail), before 1903 (pastels on pink paper) by Pissarro, Camille (1830-1903); 24.3x47.5 cm; Fitzwilliam Museum, University of Cambridge

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"Exploring the Allure of the Female Nude: A Tribute to Man Ray" In this captivating collection, we delve into the mesmerizing world of the female nude. From a reclining woman in red trousers to a standing figure exuding grace and confidence, these artworks from 1912 transport us back in time. Gouache paintings like "The Return of Bettie Page - 12-08-15" and "A 4th Tribute to Man Ray" showcase the artist's skillful use of color and form, capturing both sensuality and vulnerability. The art deco style takes center stage with pieces such as "Art Deco Nude - 06-08-22, " where sleek lines meet bold geometric shapes, creating an aesthetic that is both elegant and modern. As we move through this exhibition, we encounter various moods and themes. In "Bedside Moonlighting, " shadows dance across a reclining figure, evoking a sense of intimacy and mystery. Meanwhile, "Bathing Nude" invites us into a serene moment of solitude as water cascades over bare skin. Taking inspiration from metallurgy, "A Metallurgical Approach to Bettie Page" adds an unexpected twist by blending industrial elements with feminine beauty. This juxtaposition challenges traditional notions while celebrating individuality. With titles like "Risque - 17-02-22, " we are reminded that these works push boundaries and challenge societal norms surrounding nudity. They invite viewers to question preconceived notions about femininity while embracing their own desires for self-expression. Amongst this diverse collection lies gems such as "Woman in a Red Kimono - 10-11-22. " Here, Eastern influences merge seamlessly with Western aesthetics resulting in an exquisite portrayal that transcends cultural boundaries. Finally, our journey concludes with "Bastet - 04-10-19, " paying homage to ancient Egyptian mythology through its depiction of goddess-like beauty.