Feeling Collection (page 91)

The Munden mariners destroyed the "steamboat"by Denis Papin (1647-1712)
XEE4164508 The Munden mariners destroyed the " steamboat" by Denis Papin (1647-1712), a French physicist and inventor

Appearance of the famous comete (1811) seen from the Quai de la Vallee in Paris - song
LSE4088917 Appearance of the famous comete (1811) seen from the Quai de la Vallee in Paris - song sur l air de la Gripette by Unknown Artist, (19th century); Musee de la Ville de Paris

HE. EX. EX. Motoredons: Cartoon of transport in the city
LSE4088619 HE. EX. EX. Motoredons: Cartoon of transport in the city. A bourgeois who asked the coach to take him Gare de l Est is transported to Neuilly. Drawing by Moloch (1849-1909), around 1860

Rage - treatment of bites made by an enrage animal - hurts pressing his wound - engraving
XEE4151322 Rage - treatment of bites made by an enrage animal - hurts pressing his wound - engraving in " La Sante Universelle - Medical Guide for Families" 1852 by Unknown Artist

Maruf in the cave: Tale of Ma ruf (Maruf) the saver "
XEE4143805 Maruf in the cave: Tale of Ma ruf (Maruf) the saver " The thousand and one nights" (the 1001 nights or Le mille e una notte, Arabian Nights)

A man surprises an intruder at home in the middle of the night. Illustration of F
XEE4136969 A man surprises an intruder at home in the middle of the night. Illustration of F. Meaulle after B. Borione for " Who knows? " by Guy de Maupassant (1850-1893)

Allegory of anger represented in a restless attitude, a blindfold
XEE4136047 Allegory of anger represented in a restless attitude, a blindfold, a sword and a torch in the hands. It is clothed with bear skin and the lion behind it is furiositis

Charles Dickenss The Adventures of Oliver Twist
3755274 Charles Dickenss The Adventures of Oliver Twist by Mahoney, James (1810-79); (add.info.: Charles Dickenss The Adventures of Oliver Twist, first Published 1838. Caption: Stop thief)

WATTEAU, Jean-Antoine (1684-1721). An Embarrasing Proposal. 1715 - 1716. (65 x 84, 5 cm. )
CUL4847219 WATTEAU, Jean-Antoine (1684-1721). An Embarrasing Proposal. 1715 - 1716. (65 x 84, 5 cm.). Rococo. Oil on canvas. RUSSIA. SAINT PETERSBURG. St. Petersburg

Illustration of Cham (1819-1879) in The Charivari, 1872-11-27 - The inconvenient wooden
ICA4871780 Illustration of Cham (1819-1879) in The Charivari, 1872-11-27 - The inconvenient wooden paving Great God! the bugs that put in my street - Architecture Urbanism, Floor lamp

La destinee (sculpture)
JEB4870894 La destinee (sculpture) by Saint-Marceaux, Renede (1845-1915); 31x16 cm; Palais de Longchamp, Marseille, France; eJean Bernard; French, out of copyright

Genre scene A family in an interior. The mother keeps her son playing with the dog
JLJ4572605 Genre scene A family in an interior. The mother keeps her son playing with the dog. Painting by Job Berckheyden (1630-1696) 17th century Avignon, Calvet Museum by Berckheyde

Portrait of Napoleon I at Fontainebleau on 03 / 31 / 1814 (1840 oil on canvas)
JLJ4649356 Portrait of Napoleon I at Fontainebleau on 03/31/1814 (1840 oil on canvas) by Delaroche, Hippolyte (Paul) (1797-1856); 180x130 cm; Musee de l Armee, Paris

Dantes boat, from Divina Commedia by Dante Alighieri (oil on canvas, 1822)
LRI4620876 Dantes boat, from Divina Commedia by Dante Alighieri (oil on canvas, 1822) by Delacroix, Ferdinand Victor Eugene (1798-1863); Louvre, Paris

The bride is prying. Painting by Pierre Antoine Baudouin (1723-1769)
GIA4711084 The bride is prying. Painting by Pierre Antoine Baudouin (1723-1769). Paris, Museum of Decorative Arts by Baudouin, Pierre Antoine (1723-69); Musee des Arts Decoratifs, Paris

Large Crouching Bather; Grande baigneuse accroupie, 1906-1907 (bronze with green patina)
1768203 Large Crouching Bather; Grande baigneuse accroupie, 1906-1907 (bronze with green patina) by Bourdelle, Emile-Antoine (1861-1929); 101.6x121.9x78.1 cm; Private Collection; (add.info)

A Passing Cloud (oil on canvas)
1772137 A Passing Cloud (oil on canvas) by Hughes, Arthur (1832-1915); 98x62 cm; Private Collection; (add.info.: A Passing Cloud. Arthur Hughes (1830-1915). Oil on canvas

Weary (oil on canvas)
1769873 Weary (oil on canvas) by Sani, David (19th century); 54.6x75.6 cm; Private Collection; (add.info.: Weary; Passettini. David Sani (1864-1889). Oil on canvas

Happy Quartet; Heureux quator, 1902 (oil on canvas)
1768500 Happy Quartet; Heureux quator, 1902 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 95x58.1 cm; Private Collection; (add.info.: Happy Quartet; Heureux quator)

Reflections (engraving)
1597241 Reflections (engraving) by French School, (19th century); Private Collection; (add.info.: Reflections. Illustration for The Illustrated London News, 6 March 1897)

His Majesty, at the Savoy Theatre (engraving)
1597200 His Majesty, at the Savoy Theatre (engraving) by English School, (19th century); Private Collection; (add.info.: His Majesty, at the Savoy Theatre)

5324960 by Botticelli, Sandro (Alessandro di Mariano di Vanni Filipepi) (1444/5-1510); Photo eFine Art Images; Italian, out of copyright

"Samson menace son beau-pere"(Samson threatened his father-in-law
FIA5379030 " Samson menace son beau-pere" (Samson threatened his father-in-law) Peinture de Rembrandt van Rhijn (1606-1669) 1635 Staatliche Museen, Berlin by Rembrandt Harmensz

The Minuet, 1756 (painting)
AIS5376358 The Minuet, 1756 (painting) by Tiepolo, Giandomenico (Giovanni Domenico) (1727-1804); Museu Nacional d Art de Catalunya, Barcelona, Spain; eIberfoto; Italian, out of copyright

"A little boy sluggisher in a chair "(oil on canvas)
AIS5353148 " A little boy sluggisher in a chair " (oil on canvas) by Pinazo Camarlech, Ignacio (1849-1916); Museo de San Pio V, Valencia, Spain; eIberfoto; Spanish, out of copyright

Happy as a Queen, sculptured by Thomas Earle (engraving)
1609552 Happy as a Queen, sculptured by Thomas Earle (engraving) by English School, (19th century); Private Collection; (add.info.: Happy as a Queen, sculptured by Thomas Earle)

The Pursuit of the Well Beloved, by Thomas Hardy (litho)
1603592 The Pursuit of the Well Beloved, by Thomas Hardy (litho) by Paget, Walter (1863-1935); Private Collection; (add.info.: The Pursuit of the Well Beloved, by Thomas Hardy)

Romeo and Juliet (marble)
1766777 Romeo and Juliet (marble) by Italian School, (19th century); Private Collection; (add.info.: Romeo and Juliet. Italian School, 19th century. Inscribed Biggi Faust Carrara)

Study for Feeling I, 1901 (India ink on paper)
1765176 Study for Feeling I, 1901 (India ink on paper) by Hodler, Ferdinand (1853-1918); 53x34 cm; Private Collection; (add.info.: Study for Feeling I ; Studie zu Empfindung I)

Armorel of Lyonesse, A Romance of To-Day, by Walter Besant (engraving)
1626662 Armorel of Lyonesse, A Romance of To-Day, by Walter Besant (engraving) by Barnard, Frederick (1846-96) (after); Private Collection; (add.info.: Armorel of Lyonesse, A Romance of To-Day)

St Columbas Farewell to the White Horse, 1865-1868 (oil on board)
1767287 St Columbas Farewell to the White Horse, 1865-1868 (oil on board) by Boyd, Alice (1825-1897); 35.3x49.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

Ecce Homo (engraving)
5198451 Ecce Homo (engraving) by Dolci, Carlo (1616-87) (after); Private Collection; (add.info.: Ecce Homo. Illustration for The Illustrated Family Bible with notes by John Kitto (James Sangster)

Seeing, Hearing, Smelling, Tasting, Feeling (coloured engraving)
5211991 Seeing, Hearing, Smelling, Tasting, Feeling (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Seeing, Hearing, Smelling, Tasting, Feeling)

Feeling his Bumps (engraving)
5212836 Feeling his Bumps (engraving) by Browne, Gordon Frederick (1858-1932) (after); Private Collection; (add.info.: Feeling his Bumps)

Group of children playing outdoors (colour litho)
5208478 Group of children playing outdoors (colour litho) by Pletsch, Oskar (1830-88); Private Collection; (add.info.: Group of children playing outdoors)

A bachelors supper (litho)
5209538 A bachelors supper (litho) by Gibson, Charles Dana (1867-1944); Private Collection; (add.info.: A bachelors supper)

Dancing on the Street (colour litho)
5214932 Dancing on the Street (colour litho) by American School, (19th century); Private Collection; (add.info.: Dancing on the Street)

Three children chatting over a garden fence (colour litho)
5208481 Three children chatting over a garden fence (colour litho) by Pletsch, Oskar (1830-88); Private Collection; (add.info.: Three children chatting over a garden fence)

Young boy playing on his hobby horse and scaring a group of geese (colour litho)
5208459 Young boy playing on his hobby horse and scaring a group of geese (colour litho) by Pletsch, Oskar (1830-88); Private Collection; (add.info)

Men are heroes - less than half are bachelors (litho)
5209531 Men are heroes - less than half are bachelors (litho) by Gibson, Charles Dana (1867-1944); Private Collection; (add.info.: Men are heroes - less than half are bachelors)

Jesus Christ, The Fruit Of The Spirit (engraving)
5229049 Jesus Christ, The Fruit Of The Spirit (engraving) by English School, (19th century); Private Collection; (add.info.: Jesus Christ, The Fruit Of The Spirit)

The Christmas Pudding (litho)
5229040 The Christmas Pudding (litho) by Clark, James (1858-1943) (after); Private Collection; (add.info.: The Christmas Pudding.); © Look and Learn

Lovers Quarrel (litho)
5230171 Lovers Quarrel (litho) by Underwood, Clarence F. (1871-1929); Private Collection; (add.info.: Lovers Quarrel. Illustration from Girls of Today (Frederick A Stokes Company, New York)

"Hooray! I believe I ve broken my arm"(colour litho)
818363 " Hooray! I believe I ve broken my arm" (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: " Hooray! I believe I ve broken my arm")

Friday discovers his father (chromolitho)
968970 Friday discovers his father (chromolitho) by American School, (19th century) (after); Private Collection; (add.info.: Friday discovers his father. Scene from Robinson Crusoe)

Epistle IV, Of the Nature and State of Man, With Respect to Happiness by Alexander Pope (engraving)
964848 Epistle IV, Of the Nature and State of Man, With Respect to Happiness by Alexander Pope (engraving) by English School, (18th century); Private Collection; (add.info.: Epistle IV)

X-rays (chromolitho)
972126 X-rays (chromolitho) by French School, (19th century); Private Collection; (add.info.: X-rays. Educational card.); © Look and Learn

All Professionally Made to Order for Quick Shipping

"Exploring the Depths of Human Emotion: From Rembrandt to Munch" In a world filled with diverse experiences, emotions serve as the universal language that transcends time and culture. Just like the brushstrokes of Rembrandt in "The Return of the Prodigal Son, " we witness the raw vulnerability and longing for redemption. The melancholic hues in Edvard Munch's "Melancholy" evoke a sense of profound sadness, reminding us that even in our darkest moments, there is beauty. From art to nature, emotion manifests itself in unexpected ways. In "The Feast of Venus, " we are captivated by love's intoxicating power as it ignites passion within our souls. As we observe Emperor penguins nurturing their chicks on Snow Hill Island, we witness an overwhelming feeling of parental devotion and sacrifice. History also captures emotional milestones; Princess Elizabeth's betrothal photo at Buckingham Palace transports us back to 1947 when hope and excitement mingled with nervous anticipation. Meanwhile, hands clasped tightly during Za-Zen meditation symbolize inner peace amidst chaos. Religion has long been intertwined with human sentimentality; Saint Mary Magdalene penitent portrays her remorseful spirit seeking forgiveness while highlighting the complexity of faith. However, not all depictions have been fair; a colored photograph showing a black man eating watermelon reminds us how stereotypes can perpetuate hurtful emotions. Political events often stir strong reactions - from arrests during actions against Communists in 1925 to an angry man pointing his finger accusingly - these images reflect anger's ability to fuel change or destruction. Yet amidst turmoil, conceptual artwork explores anger as an abstract concept rather than personal animosity. Lastly, sports unite people through shared exhilaration; "A Game of Football in the Streets of London" transports us back centuries ago when joyous shouts echoed through cobblestone streets – proving that even amid adversity, the thrill of competition can bring us together.