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Feeling Collection (page 7)

"Exploring the Depths of Human Emotion: From Rembrandt to Munch" In a world filled with diverse experiences

Background imageFeeling Collection: Welcome, 1903-08 (oil on canvas)

Welcome, 1903-08 (oil on canvas)
7381649 Welcome, 1903-08 (oil on canvas) by Tetmajer, Wlodzimierz (1862-1923); 33 x 47 cm; National Museum, Krakow, Poland; (add.info.: by Włodzimierz Tetmajer (1862-1923))

Background imageFeeling Collection: Sketch to illustration 'The Stationary Baby', 1912 (w/c)

Sketch to illustration "The Stationary Baby", 1912 (w/c)
XOS5887646 Sketch to illustration "The Stationary Baby", 1912 (w/c) by Jacobs, Leroy William (1869-1917); Cleveland Museum of Art, OH, USA; (add.info.: William Leroy Jacobs (1869-1917))

Background imageFeeling Collection: Herring Seller; Heringsverkaufer, 1925 (watercolour and pencil on paper)

Herring Seller; Heringsverkaufer, 1925 (watercolour and pencil on paper)
656563 Herring Seller; Heringsverkaufer, 1925 (watercolour and pencil on paper) by Hell, Johan van (1889-1952); 49.5x43.5 cm; Private Collection; (add.info.: Herring Seller; Heringsverkaufer)

Background imageFeeling Collection: Deposition in the Sepulchre, 1645 (oil on canvas)

Deposition in the Sepulchre, 1645 (oil on canvas)
7352718 Deposition in the Sepulchre, 1645 (oil on canvas) by Casoni, Giovanni Battista (1609-81); 260x170 cm; Parrocchiale di Sant'Antonio Abate, Diano Marina, Liguria

Background imageFeeling Collection: The Persian and the statue, 18th century (oil on canvas)

The Persian and the statue, 18th century (oil on canvas)
7062863 The Persian and the statue, 18th century (oil on canvas) by Lancret, Nicolas (1690-1743); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageFeeling Collection: Statuette of Cupid, 1st/2nd century AD (marble)

Statuette of Cupid, 1st/2nd century AD (marble)
7146639 Statuette of Cupid, 1st/2nd century AD (marble) by Roman, (2nd century); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Statuette of Cupid, 1st/2nd century AD, roman art)

Background imageFeeling Collection: Psyche Abandoned, (marble)

Psyche Abandoned, (marble)
7130051 Psyche Abandoned, (marble) by Tenerani, Pietro (1789-1869); Palazzo Pitti, Florence, Italy; (add.info.: Psyche abandoned, 1819, Pietro Tenerani, Pitti palace, Florence)

Background imageFeeling Collection: Pieta, 16th century, (wood)

Pieta, 16th century, (wood)
7129704 Pieta, 16th century, (wood) by Olivieri, Maffeo (1484-1543); MAG Alto Garda Museum, Italy, Riva del Garda, Trentino-Alto Adige, Italy; (add.info.: Pieta, 16th century)

Background imageFeeling Collection: Winter Sadness (Tristezza invernale), 1884, Marco Calderini (painting)

Winter Sadness (Tristezza invernale), 1884, Marco Calderini (painting)
7062956 Winter Sadness (Tristezza invernale), 1884, Marco Calderini (painting) by Calderini, Marco (1850-1941) ; Galleria Nazionale d'Arte Moderna e Contemporanea, Rome, Lazio

Background imageFeeling Collection: 7388011

7388011

Background imageFeeling Collection: Celebrations in the streets of London following the news of the conclusion of peace in

Celebrations in the streets of London following the news of the conclusion of peace in the Transvaal, May 1902 (print)
XIR182123 Celebrations in the streets of London following the news of the conclusion of peace in the Transvaal, May 1902 (print) by French School, (20th century); Bibliotheque Nationale, Paris

Background imageFeeling Collection: Ouder geluk (parents happiness), 1891 (pastel on paper)

Ouder geluk (parents happiness), 1891 (pastel on paper)
868160 Ouder geluk (parents happiness), 1891 (pastel on paper) by Toorop, Jan Theodore (1858-1928); 28x30 cm; Vatican Museums and Galleries, Vatican City; Photo © Stefano Baldini

Background imageFeeling Collection: Domine, quo vadis? (oil on canvas)

Domine, quo vadis? (oil on canvas)
7352779 Domine, quo vadis? (oil on canvas) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Private Collection; (add.info.: Artist: Photographer: Luigino Visconti/Gaulli)

Background imageFeeling Collection: Uhlans, Uhlans, the Boys Pretty a Picture... 1916 (oil on panel)

Uhlans, Uhlans, the Boys Pretty a Picture... 1916 (oil on panel)
7386952 Uhlans, Uhlans, the Boys Pretty a Picture... 1916 (oil on panel) by Janowski, Stanislaw (1866-1942); 47.3 x 65.8 cm; National Museum, Krakow

Background imageFeeling Collection: Theodore Roosevelt laughing, c. 1910 (b/w photo)

Theodore Roosevelt laughing, c. 1910 (b/w photo)
5322718 Theodore Roosevelt laughing, c.1910 (b/w photo) by Duprez, Charles (fl.1912); Private Collection; (add.info.: Theodore Roosevelt (1858-1919) 26th President of the United States.)

Background imageFeeling Collection: Our Lady of sorrows, 1500 circa, (tempera and oil on wood)

Our Lady of sorrows, 1500 circa, (tempera and oil on wood)
7146545 Our Lady of sorrows, 1500 circa, (tempera and oil on wood) by Memling, Hans (c.1433-94) (after); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Our Lady of sorrows, 1500 circa)

Background imageFeeling Collection: The lamentation over the dead Christ, 1550-1575 circa, (oil on wood)

The lamentation over the dead Christ, 1550-1575 circa, (oil on wood)
7130048 The lamentation over the dead Christ, 1550-1575 circa, (oil on wood) by Orsi da Novellara, Lelio (1511-87); Museo Nazionale del Palazzo di Venezia, Rome

Background imageFeeling Collection: Death of the Virgin, 1480-1520 circa, (oil on wood)

Death of the Virgin, 1480-1520 circa, (oil on wood)
7130040 Death of the Virgin, 1480-1520 circa, (oil on wood) by Wolgemut or Wolgemuth, Michael (1434-1519); Museo Nazionale del Palazzo di Venezia, Rome, Italy; (add.info.: Death of the Virgin)

Background imageFeeling Collection: Double portrait. Two friends, c. 1502 (oil on canvas)

Double portrait. Two friends, c. 1502 (oil on canvas)
7130035 Double portrait. Two friends, c.1502 (oil on canvas) by Giorgione (Giorgio da Castelfranco) (1477/78-1510) (attr.to); Museo Nazionale del Palazzo di Venezia, Rome

Background imageFeeling Collection: The denial of St Peter, 1610-1615 circa, (oil on canvas)

The denial of St Peter, 1610-1615 circa, (oil on canvas)
7128817 The denial of St Peter, 1610-1615 circa, (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 98x135 cm; Pinacoteca Nazionale, Bologna

Background imageFeeling Collection: L'addolorata, 1842, (oil on canvas)

L'addolorata, 1842, (oil on canvas)
7129712 L'addolorata, 1842, (oil on canvas) by Hayez, Francesco (1791-1882); MAG Alto Garda Museum, Italy, Riva del Garda, Trentino-Alto Adige, Italy; (add.info.: L'addolorata, 1842)

Background imageFeeling Collection: The entombment of Christ, 16th century, (oil on wood)

The entombment of Christ, 16th century, (oil on wood)
7129538 The entombment of Christ, 16th century, (oil on wood) by Italian School, (16th century); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageFeeling Collection: World War I 1914-1918. German poster for subscribers to War Loan bonds, 1918

World War I 1914-1918. German poster for subscribers to War Loan bonds, 1918
528637 World War I 1914-1918. German poster for subscribers to War Loan bonds, 1918. Blond man holding a sword with his left arm around his blond wife and baby

Background imageFeeling Collection: Mourning the dead Christ (Pieta), the master of Madonna of Manchester, 16th century (panel)

Mourning the dead Christ (Pieta), the master of Madonna of Manchester, 16th century (panel)
7062868 Mourning the dead Christ (Pieta), the master of Madonna of Manchester, 16th century (panel) by Master of the Manchester Madonna (fl.c.1500) (attr)

Background imageFeeling Collection: The deposition, 16th century, ( panel)

The deposition, 16th century, ( panel)
7129389 The deposition, 16th century, ( panel) by Heemskerk, Maarten van (1498-1574); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: The deposition, Marteen van Heemskerk, panel)

Background imageFeeling Collection: Mother of sorrows, 1931, (oil on canvas)

Mother of sorrows, 1931, (oil on canvas)
7129271 Mother of sorrows, 1931, (oil on canvas) by Scrocco Tomescu, Virginia (1886-1950); Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy; (add.info.: Mother of sorrows, 1931)

Background imageFeeling Collection: Lament over the dead Christ, 17th century (painting)

Lament over the dead Christ, 17th century (painting)
7129435 Lament over the dead Christ, 17th century (painting) by Stanzione, Massimo (1585-1656); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Lament over the dead Christ)

Background imageFeeling Collection: Male head, 15th century (bronze)

Male head, 15th century (bronze)
7146214 Male head, 15th century (bronze) by Donatello, (c.1386-1466) (attr. to); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Male head, attributed to Donatello, bronze)

Background imageFeeling Collection: Portrait of Costanza Bonarelli, 1637-38 (marble)

Portrait of Costanza Bonarelli, 1637-38 (marble)
7146210 Portrait of Costanza Bonarelli, 1637-38 (marble) by Bernini, Gian Lorenzo (1598-1680); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Portrait of Costanza Bonarelli)

Background imageFeeling Collection: Perseus rescueing Andromeda, 1554 (bronze)

Perseus rescueing Andromeda, 1554 (bronze)
7146194 Perseus rescueing Andromeda, 1554 (bronze) by Cellini, Benvenuto (1500-71); Museo Nazionale del Bargello, Florence, Tuscany, Italy; (add.info.: Perseus rescueing Andromeda, 1554)

Background imageFeeling Collection: Sunset (colour litho)

Sunset (colour litho)
5228947 Sunset (colour litho) by Tennant, C. Dudley (1867-1952) (after); Private Collection; (add.info.: Sunset. Illustration for Poems Of Passion And Pleasure by Ella Wheeler Wilcox)

Background imageFeeling Collection: A Lovers Quarrel (colour litho)

A Lovers Quarrel (colour litho)
5228938 A Lovers Quarrel (colour litho) by Tennant, C. Dudley (1867-1952) (after); Private Collection; (add.info.: A Lovers Quarrel)

Background imageFeeling Collection: Love's Language (colour litho)

Love's Language (colour litho)
5228937 Love's Language (colour litho) by Tennant, C. Dudley (1867-1952) (after); Private Collection; (add.info.: Love's Language)

Background imageFeeling Collection: Peggy Hopkins Joyce raises a glass of beer to celebrate the end of Prohibition, Hollywood

Peggy Hopkins Joyce raises a glass of beer to celebrate the end of Prohibition, Hollywood, California, 1933 (b/w photo)
1142633 Peggy Hopkins Joyce raises a glass of beer to celebrate the end of Prohibition, Hollywood, California, 1933 (b/w photo) by American Photographer

Background imageFeeling Collection: San Siro wins the Basilisk, Sketch for the Church of San Siro in Genoa, c. 1683 (oil on canvas)

San Siro wins the Basilisk, Sketch for the Church of San Siro in Genoa, c. 1683 (oil on canvas)
7352699 San Siro wins the Basilisk, Sketch for the Church of San Siro in Genoa, c.1683 (oil on canvas) by Carlone, Giovanni Battista (1592-1677); 60x107 cm; Musei di Strada Nuova, Genoa, Liguria

Background imageFeeling Collection: Bacchus and Ariadne, 17th century (painting)

Bacchus and Ariadne, 17th century (painting)
7352774 Bacchus and Ariadne, 17th century (painting) by Fiasella, Domenico Il Sarzana (1589-1669) ; Private Collection; (add.info.: Artist: Domenico Fiasella (1589-1669)); Luisa Ricciarini

Background imageFeeling Collection: Death of Germanicus, c. 1730-40 (oil on canvas)

Death of Germanicus, c. 1730-40 (oil on canvas)
7352763 Death of Germanicus, c.1730-40 (oil on canvas) by Parodi, Domenico (1672-1742); 228x306 cm; Private Collection; (add.info.: Artist: Domenico Parodi (1672-1742)); Luisa Ricciarini

Background imageFeeling Collection: Adoration of the Child, 1619-20 (oil on canvas)

Adoration of the Child, 1619-20 (oil on canvas)
7146897 Adoration of the Child, 1619-20 (oil on canvas) by Honthorst, Gerrit van (1590-1656); Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Adoration of the Child, 1619-20)

Background imageFeeling Collection: Cafe Parisien (Bal Tabarin), (oil on canvas)

Cafe Parisien (Bal Tabarin), (oil on canvas)
1196569 Cafe Parisien (Bal Tabarin), (oil on canvas) by Pissarro, Ludovic-Rodolphe (1878-1952); 46.2x55.2 cm; Private Collection; Photo © Christie's Images

Background imageFeeling Collection: Memory Figure Sitting on a Stool, Akan Culture, Ghana (terracotta)

Memory Figure Sitting on a Stool, Akan Culture, Ghana (terracotta)
HSC181696 Memory Figure Sitting on a Stool, Akan Culture, Ghana (terracotta) by African School; height:44 cm; Private Collection; Photo © Heini Schneebeli

Background imageFeeling Collection: Peasant feast, 16th century (oil on wood)

Peasant feast, 16th century (oil on wood)
7129579 Peasant feast, 16th century (oil on wood) by Cleve, Maerten van (1527-81); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Peasant feast, Marten van Cleve)

Background imageFeeling Collection: Venus mourning the death of Adonis, 16th century (oil on canvas)

Venus mourning the death of Adonis, 16th century (oil on canvas)
7129399 Venus mourning the death of Adonis, 16th century (oil on canvas) by Cambiaso, Luca (1527-85); Galleria Nazionale d'Arte Antica, Rome

Background imageFeeling Collection: Pieta, 16th century (oil on canvas)

Pieta, 16th century (oil on canvas)
7129491 Pieta, 16th century (oil on canvas) by Carracci, Ludovico (1555-1619); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Pieta, Ludovico Carracci, oil on canvas)

Background imageFeeling Collection: Mothers, 1924, (oil on canvas)

Mothers, 1924, (oil on canvas)
7129269 Mothers, 1924, (oil on canvas) by Calcagnadoro, Antonino (1876-1935); Galleria Comunale d'Arte Moderna e Contemporanea, Rome, Italy; (add.info.: Mothers, 1924, Antonio Calcagnadoro)

Background imageFeeling Collection: Pieta, 17th century (painting)

Pieta, 17th century (painting)
7129454 Pieta, 17th century (painting) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Pieta, Baciccio, Giovanni Battista Gaulli)

Background imageFeeling Collection: Allegorical figure, 1575-80, (oil on wood)

Allegorical figure, 1575-80, (oil on wood)
7129029 Allegorical figure, 1575-80, (oil on wood) by Morandini, Francesco (Il Poppi) (1544-97); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Allegorical figure, 1575-80)

Background imageFeeling Collection: Virgin with laughing child, about 1465 (terracotta)

Virgin with laughing child, about 1465 (terracotta)
7146822 Virgin with laughing child, about 1465 (terracotta) by Rossellino, Antonio (Antonio Gamberelli)(1427-1479); Victoria & Albert Museum, London, UK; (add.info.: The virgin and child)



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"Exploring the Depths of Human Emotion: From Rembrandt to Munch" In a world filled with diverse experiences, emotions serve as the universal language that transcends time and culture. Just like the brushstrokes of Rembrandt in "The Return of the Prodigal Son, " we witness the raw vulnerability and longing for redemption. The melancholic hues in Edvard Munch's "Melancholy" evoke a sense of profound sadness, reminding us that even in our darkest moments, there is beauty. From art to nature, emotion manifests itself in unexpected ways. In "The Feast of Venus, " we are captivated by love's intoxicating power as it ignites passion within our souls. As we observe Emperor penguins nurturing their chicks on Snow Hill Island, we witness an overwhelming feeling of parental devotion and sacrifice. History also captures emotional milestones; Princess Elizabeth's betrothal photo at Buckingham Palace transports us back to 1947 when hope and excitement mingled with nervous anticipation. Meanwhile, hands clasped tightly during Za-Zen meditation symbolize inner peace amidst chaos. Religion has long been intertwined with human sentimentality; Saint Mary Magdalene penitent portrays her remorseful spirit seeking forgiveness while highlighting the complexity of faith. However, not all depictions have been fair; a colored photograph showing a black man eating watermelon reminds us how stereotypes can perpetuate hurtful emotions. Political events often stir strong reactions - from arrests during actions against Communists in 1925 to an angry man pointing his finger accusingly - these images reflect anger's ability to fuel change or destruction. Yet amidst turmoil, conceptual artwork explores anger as an abstract concept rather than personal animosity. Lastly, sports unite people through shared exhilaration; "A Game of Football in the Streets of London" transports us back centuries ago when joyous shouts echoed through cobblestone streets – proving that even amid adversity, the thrill of competition can bring us together.