Fraud Blocker Skip to main content

Fashiom Collection (page 3)

"Fashion Through the Ages: A Captivating Journey of Style and Elegance" Step into a world where fashion transcends time

Background imageFashiom Collection: Charles de Secondat, Baron de la Brede et de Montesquieu (engraving)

Charles de Secondat, Baron de la Brede et de Montesquieu (engraving)
1730140 Charles de Secondat, Baron de la Brede et de Montesquieu (engraving) by Langlois, Jean Charles (1789-1870); (add.info.: Charles Louis de Secondat)

Background imageFashiom Collection: 398336

398336 by Berchmans, Emile (1867-1947); JMK Archiv, Bremen, Germany; JMK Archiv

Background imageFashiom Collection: Cabaret des Arts / X. Privas, D. Bonnaud, J. Varney, G. Secot, G. Baltha, E

Cabaret des Arts / X. Privas, D. Bonnaud, J. Varney, G. Secot, G. Baltha, E. Lassailly, 1900 (lithography)
398391 Cabaret des Arts/X.Privas, D.Bonnaud, J.Varney, G.Secot, G.Baltha, E.Lassailly, 1900 (lithography) by Lucas, Charles E

Background imageFashiom Collection: Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre

Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho)
1730195 Androgynous Woman, Cover of French Satirical Magazine L Assiette au Beurre, 2nd March 1912 (colour litho) by French School

Background imageFashiom Collection: Opel, The Winner, 1898 (lithography)

Opel, The Winner, 1898 (lithography)
397482 Opel, The Winner, 1898 (lithography) by Wennerberg, Brynolf (1866-1950); JMK Archiv, Bremen, Germany; (add.info.: Opel, Die Winner and Eigenthum by Adam Opel, Russelsheim ); JMK Archiv

Background imageFashiom Collection: Today magazine, 1895 (lithography)

Today magazine, 1895 (lithography)
398371 Today magazine, 1895 (lithography) by Hardy, Dudley (1867-1922); JMK Archiv, Bremen, Germany; (add.info.: Today. A Weekly Magazine Journal Edited by Jermome K. Jerome)

Background imageFashiom Collection: Simplicissimus carnival number, 1912 (lithography)

Simplicissimus carnival number, 1912 (lithography)
397485 Simplicissimus carnival number, 1912 (lithography) by Wennerberg, Brynolf (1866-1950); JMK Archiv, Bremen, Germany; (add.info.: Title page of number 53 from 1912, Preiss: 50 Pfg); JMK Archiv

Background imageFashiom Collection: Dress designed by Henry Van de Velde, c. 1902 (b / w photo)

Dress designed by Henry Van de Velde, c. 1902 (b / w photo)
1730134 Dress designed by Henry Van de Velde, c.1902 (b/w photo) by French Photographer (20th century)

Background imageFashiom Collection: Cinderella, 1897 (lithography)

Cinderella, 1897 (lithography)
398335 Cinderella, 1897 (lithography) by Hardy, Dudley (1867-1922); JMK Archiv, Bremen, Germany; (add.info.: Affiche de Dudley Hardy, Angleterre and Waterlow & Sons Ltd. Lith)

Background imageFashiom Collection: Dress designed by Henry Van de Velde, c. 1902 (b / w photo)

Dress designed by Henry Van de Velde, c. 1902 (b / w photo)
1730133 Dress designed by Henry Van de Velde, c.1902 (b/w photo) by French Photographer (20th century)

Background imageFashiom Collection: The parvenu (colour litho)

The parvenu (colour litho)
7147410 The parvenu (colour litho) by Reznicek, Ferdinand von (1868-1909); Private Collection; (add.info.: The parvenu. Illustration from Galante Welt (Albert Langen, Munich)

Background imageFashiom Collection: Man with his mistress (litho)

Man with his mistress (litho)
7147403 Man with his mistress (litho) by Reznicek, Ferdinand von (1868-1909); Private Collection; (add.info.: Man with his mistress)

Background imageFashiom Collection: George Berkeley (engraving)

George Berkeley (engraving)
1729067 George Berkeley (engraving) by Irish School; (add.info.: George Berkeley (12 March 1685 - 14 January 1753) - known as Bishop Berkeley (Bishop of Cloyne of the Anglican Church of Ireland)

Background imageFashiom Collection: Portrait of Gustave Eiffel. 1889 (photo)

Portrait of Gustave Eiffel. 1889 (photo)
7224510 Portrait of Gustave Eiffel. 1889 (photo) by Walery (Stanislaw Julian Ignacy, Lucien Walery) (1863-1935); Private Collection; (add.info)

Background imageFashiom Collection: Maria Letizia Bonaparte (engraving)

Maria Letizia Bonaparte (engraving)
1729035 Maria Letizia Bonaparte (engraving) by French School, (19th century); (add.info.: Maria Letizia Bonaparte, nee Maria Letizia Ramolino (1750-1836))

Background imageFashiom Collection: Pierre-Augustin Caron de Beaumarchais (coloured engraving)

Pierre-Augustin Caron de Beaumarchais (coloured engraving)
1729051 Pierre-Augustin Caron de Beaumarchais (coloured engraving) by Bayard, Emile Antoine (1837-91) (after); (add.info)

Background imageFashiom Collection: Midday at the sea, 1884 (oil on canvas)

Midday at the sea, 1884 (oil on canvas)
7262387 Midday at the sea, 1884 (oil on canvas) by Corcos, Vittorio Matteo (1859-1933); 86.4x66 cm; Private Collection; (add.info.: by Vittorio Matteo Corcos (1859-1933))

Background imageFashiom Collection: After the Dance, 1883 (oil on canvas)

After the Dance, 1883 (oil on canvas)
7262386 After the Dance, 1883 (oil on canvas) by Lavery, John (1856-1941); 112.4x86.8 cm; Private Collection; (add.info.: by John Lavery (1856-1941))

Background imageFashiom Collection: Madame Arthur Fontaine, 1901 (pastel on paper)

Madame Arthur Fontaine, 1901 (pastel on paper)
7262355 Madame Arthur Fontaine, 1901 (pastel on paper) by Redon, Odilon (1840-1916); 72.4x57.2 cm; Metropolitan Museum of Art, New York, USA; (add.info.: by Odilon Redon (1840-1916))

Background imageFashiom Collection: A woman in a red dress sitting on a terrace in an Italian landscape, 1909 (oil on canvas)

A woman in a red dress sitting on a terrace in an Italian landscape, 1909 (oil on canvas)
7262383 A woman in a red dress sitting on a terrace in an Italian landscape, 1909 (oil on canvas) by Bang, Christian (1868-1950); 139x116 cm; Private Collection; (add.info)

Background imageFashiom Collection: George Barbier illustration

George Barbier illustration
7261201 George Barbier illustration. by Barbier, Georges (1882-1932); Private Collection; (add.info.: Entre deux foux. Between two fools)

Background imageFashiom Collection: Lambs, Nantucket, 1874 (oil on board)

Lambs, Nantucket, 1874 (oil on board)
7262385 Lambs, Nantucket, 1874 (oil on board) by Johnson, Eastman (1824-1906); 48.2--39.6 cm; National Gallery of Art, Washington DC, USA; (add.info.: Eastman Johnson (1824-1906))

Background imageFashiom Collection: Mademoiselle Duthe, 1776 (oil on canvas)

Mademoiselle Duthe, 1776 (oil on canvas)
7262377 Mademoiselle Duthe, 1776 (oil on canvas) by Perin-Salbreux, Lie Louis (1753-1817); 55.2x46 cm; Musee Des Beaux-Arts, Reims, France; (add.info.: Lie Louis Perin-Salbreux (1753-1817))

Background imageFashiom Collection: Couple in front of a jewellery shop (oil on canvas)

Couple in front of a jewellery shop (oil on canvas)
7262353 Couple in front of a jewellery shop (oil on canvas) by Beraud, Jean (1849-1935); 32.5x40.5 cm; Private Collection; (add.info.: by Jean Beraud (1849-1935))

Background imageFashiom Collection: Portrait of a Woman Seated at a Table, c. 1896 (w / c, white and red tempera over graphite)

Portrait of a Woman Seated at a Table, c. 1896 (w / c, white and red tempera over graphite)
7262384 Portrait of a Woman Seated at a Table, c.1896 (w/c, white and red tempera over graphite) by Houghton, Will (1816-1916); 30.5x23.8 cm; Metropolitan Museum of Art, New York

Background imageFashiom Collection: Henry VIII, 18th century (Ink)

Henry VIII, 18th century (Ink)
7261409 Henry VIII, 18th century (Ink) by Alexander, James (1770-1870) (attr.to); 14.0x17.7 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: King Henry VIII; Drawing; Alexander, James)

Background imageFashiom Collection: Sunset, Boston, 1895-96 (pastel on paper)

Sunset, Boston, 1895-96 (pastel on paper)
7262380 Sunset, Boston, 1895-96 (pastel on paper) by Prendergast, Maurice Brazil (1858/9-1924); 50.8x27.9 cm; Private Collection; (add.info.: by Maurice Brazil Prendergast (1858/9-1924))

Background imageFashiom Collection: George Barbier illustration

George Barbier illustration
7261234 George Barbier illustration. by Barbier, Georges (1882-1932); Private Collection; (add.info.: Le Langage des Fleurs. The Language of Flowers)

Background imageFashiom Collection: Soiree at the Duchess Anna Amalia of Saxe-Weimar, c. 1795 (w / c)

Soiree at the Duchess Anna Amalia of Saxe-Weimar, c. 1795 (w / c)
3493731 Soiree at the Duchess Anna Amalia of Saxe-Weimar, c.1795 (w/c) by Kraus, Georg Melchior (1737-1806); Zentralbibliothek, Weimar, Germany; (add.info.: H.Meyer, Frau von Fritsch, Goethe)

Background imageFashiom Collection: Margaret, Queen of Navarre, as a child, 1550 (oil on panel)

Margaret, Queen of Navarre, as a child, 1550 (oil on panel)
XAM68683 Margaret, Queen of Navarre, as a child, 1550 (oil on panel) by French School, (16th century); 27.5x23.5 cm; Kunsthistorisches Museum, Vienna

Background imageFashiom Collection: The Promenade (oil on canvas)

The Promenade (oil on canvas)
7262379 The Promenade (oil on canvas) by Paulsen, Fritz (1838-98); 94.2x120.3 cm; Private Collection; (add.info.: Fritz Paulsen (1838-98))

Background imageFashiom Collection: In the fullness of summer (oil on canvas)

In the fullness of summer (oil on canvas)
7262356 In the fullness of summer (oil on canvas) by Downing, Delapoer (fl.1885-1902); 84x65.5 cm; Private Collection; (add.info.: by Delapoer Downing (fl.1885-1902))

Background imageFashiom Collection: Place de la Concorde, c. 1872 (oil on canvas)

Place de la Concorde, c. 1872 (oil on canvas)
7262354 Place de la Concorde, c.1872 (oil on canvas) by Pallares Allustante, Joaquin (1853-1935); 27.6x40 cm; Private Collection; (add.info.: by Joaquin Pallares Allustante (1853-1935))

Background imageFashiom Collection: A Yorkshire Gossip, 1890 (Ink)

A Yorkshire Gossip, 1890 (Ink)
7261433 A Yorkshire Gossip, 1890 (Ink) by May, Philip William (1864-1903); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: A Yorkshire Gossip, c. 1890. Pen drawing)

Background imageFashiom Collection: George Barbier illustration

George Barbier illustration
7261263 George Barbier illustration. by Barbier, Georges (1882-1932); Private Collection; (add.info.: Romance sans paroles. Romance without words)

Background imageFashiom Collection: Selling Rabbits, 1796 (coloured mezzotint)

Selling Rabbits, 1796 (coloured mezzotint)
XYC223181 Selling Rabbits, 1796 (coloured mezzotint) by Ward, James (1769-1859) (after); 47.9x60.3 cm; Yale Center for British Art, Paul Mellon Collection

Background imageFashiom Collection: Antoine Barnave (1761-93) (engraving)

Antoine Barnave (1761-93) (engraving)
XIR241588 Antoine Barnave (1761-93) (engraving) by French School, (18th century); Bibliotheque Nationale, Paris, France; (add.info.: leader of Club des Feuillants; )

Background imageFashiom Collection: Portrait of Madame Louise of France (1737-87), c. 1770 (oil on canvas)

Portrait of Madame Louise of France (1737-87), c. 1770 (oil on canvas)
XIR66177 Portrait of Madame Louise of France (1737-87), c.1770 (oil on canvas) by Nattier, Jean-Marc (1685-1766); 224x146 cm; Chateau de Versailles, France

Background imageFashiom Collection: Louis Philippe, Duke of Orleans, Signing the Proclamation of the Lieutenant Generalship of the Realm

Louis Philippe, Duke of Orleans, Signing the Proclamation of the Lieutenant Generalship of the Realm
XIR189513 Louis Philippe, Duke of Orleans, Signing the Proclamation of the Lieutenant Generalship of the Realm, 31st July 1830 (oil on canvas) by Court

Background imageFashiom Collection: The Charmer, 1707-08 (oil on panel)

The Charmer, 1707-08 (oil on panel)
XAV204959 The Charmer, 1707-08 (oil on panel) by Watteau, Jean Antoine (1684-1721); 79.5x39 cm; Musee des Beaux-Arts, Valenciennes, France

Background imageFashiom Collection: The Entrance of Charles X (1757-1836) into Reims, 28th May 1825 (w / c on paper)

The Entrance of Charles X (1757-1836) into Reims, 28th May 1825 (w / c on paper)
XIR59965 The Entrance of Charles X (1757-1836) into Reims, 28th May 1825 (w/c on paper) by Develly, Jean-Charles (1783-1849); Musee National de Ceramique, Sevres

Background imageFashiom Collection: Passing Fancy (oil on panel)

Passing Fancy (oil on panel)
XAV212567 Passing Fancy (oil on panel) by Mallet, Jean Baptiste (1759-1835) (attr. to); 27.5x21.5 cm; Musee des Beaux-Arts, Valenciennes, France; (add.info.: by Jean Baptiste Mallet (1759-1835))

Background imageFashiom Collection: The First Meeting between Louis XVIII (1755-1824) and Marie-Caroline-Ferdinande (1798-1870)

The First Meeting between Louis XVIII (1755-1824) and Marie-Caroline-Ferdinande (1798-1870) of Bourbon
XIR165566 The First Meeting between Louis XVIII (1755-1824) and Marie-Caroline-Ferdinande (1798-1870) of Bourbon, at the Croix de St

Background imageFashiom Collection: Gentleman at the court of King Charles IX of France, 1575. 1825 (lithograph)

Gentleman at the court of King Charles IX of France, 1575. 1825 (lithograph)
7236736 Gentleman at the court of King Charles IX of France, 1575. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857) (after); Private Collection; (add.info)

Background imageFashiom Collection: Young French woman in town costume, 1784. 1825 (lithograph)

Young French woman in town costume, 1784. 1825 (lithograph)
7237206 Young French woman in town costume, 1784. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info.: Young French woman in town costume, 1784)

Background imageFashiom Collection: Young French woman in morning dress, mid-18th century. 1825 (lithograph)

Young French woman in morning dress, mid-18th century. 1825 (lithograph)
7237204 Young French woman in morning dress, mid-18th century. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info.: Young French woman in morning dress)

Background imageFashiom Collection: French woman in casual outfit, late 18th century. 1825 (lithograph)

French woman in casual outfit, late 18th century. 1825 (lithograph)
7237203 French woman in casual outfit, late 18th century. 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info.: French woman in casual outfit, reign of King Louis XVI)

Background imageFashiom Collection: Costume of a fashionable woman or Merveilleuse, Directoire era, 1825 (lithograph)

Costume of a fashionable woman or Merveilleuse, Directoire era, 1825 (lithograph)
7237192 Costume of a fashionable woman or Merveilleuse, Directoire era, 1825 (lithograph) by Lecomte, Hippolyte (1781-1857); Private Collection; (add.info)



All Professionally Made to Order for Quick Shipping

"Fashion Through the Ages: A Captivating Journey of Style and Elegance" Step into a world where fashion transcends time, as illustrated in "Railway Ribaldry" by W Heath Robinson. The lithograph captures the whimsical essence of an era long gone, where even railway travel was adorned with sartorial charm. Travel further back to 1808, where a French noble dons formal clothes in a lithograph from 1825. The intricate details showcase the opulence and refinement that defined aristocratic fashion during this period. Regency-era window curtains frame scenes of grandeur and sophistication. These delicate drapes evoke images of Jane Austen's heroines, their gowns flowing gracefully amidst romantic encounters and societal gatherings. "The Merchant of Venice, " depicted in an oil on canvas masterpiece from 1892, transports us to Shakespearean times. The characters' attire reflects the richness and flamboyance associated with Renaissance fashion. The cover of "The Sketch, " Christmas number from 1906, showcases vibrant colors through lithographic artistry. It encapsulates the festive spirit while hinting at evolving trends that captivated society during this period. An elegant lady glides across calm waters in a rowing boat—an oil on canvas painting that epitomizes gracefulness and leisurely pursuits. Her fashionable ensemble speaks volumes about her social status and refined taste. In stark contrast stands "A Lady in Black, " another captivating oil on canvas artwork that exudes mystery and allure. This enigmatic figure leaves room for imagination as we ponder her story behind the dark veil she wears so elegantly. Deborah Worsley of Platt comes alive through an exquisite oil on canvas portrait dating back to 1765-70. Her regal presence is enhanced by sumptuous fabrics adorning her gown—a testament to wealth and prestige during this era. A delightful drawing by Bac takes us to a tea reception in 1898.