Fall Of Man Collection (page 2)

Frontispiece portrait of John Milton (1608-1674) from Paradise Lost
5615860 Frontispiece portrait of John Milton (1608-1674) from Paradise Lost by a series of 12 illustrations etched by William Strang (1859-1921) by Strang

The Fall of Man in the Garden of Eden (oil on copper)
491565 The Fall of Man in the Garden of Eden (oil on copper) by Oosten, Isaak van (1613-61); 69.5x105.5 cm; Private Collection; Haldane Fine Art; Dutch, out of copyright

Eve with Long Hair, 1878 / 80 (bronze)
874902 Eve with Long Hair, 1878/80 (bronze) by Rodin, Auguste (1840-1917); 41.91 x13.97 x15.24 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Iris and B

Adam and Eve (engraving)
972470 Adam and Eve (engraving) by Floris, Frans the Elder (c.1519-70) (after); Private Collection; (add.info.: Adam and Eve. Illustration for Galerie de Peintres by M Chabert (Paris, 1834)

Adam and Eve, c. 1508-10 (oil and tempera on lime) (see also 159264)
2963091 Adam and Eve, c.1508-10 (oil and tempera on lime) (see also 159264) by Cranach, Lucas, the Elder (1472-1553); 139A--53.9 cm; Musee des Beaux-Arts et d Archeologie, Besancon

The Driving Forth from Eden (engraving)
3646476 The Driving Forth from Eden (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); Private Collection; (add.info.: The Driving Forth from Eden)

Adam and Eve, illustration from the Liber Chronicarum
REV326697 Adam and Eve, illustration from the Liber Chronicarum by Hartmann Schedel (1440-1514) published in Nuremberg, 1493 (woodcut) by Wolgemuth, Michael (1434-1519) & Pleydenwurff, W

Happy State of Adam and Eve from Paradise Lost
5615853 Happy State of Adam and Eve from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Adam and Eve Eating the Forbidden Fruit, early 1460 (tempera
5242303 Adam and Eve Eating the Forbidden Fruit, early 1460 (tempera, gold leaf and ink on parchment) by Flemish School, (15th century); 25.6x17.3 cm; J

The Virgin Mary, mother of Christ the Saviour (litho)
5208235 The Virgin Mary, mother of Christ the Saviour (litho) by Vanni, Francesco (1563-1610); Private Collection; (add.info.: The Virgin Mary, mother of Christ the Saviour)

The Fall of Man, 1592 (oil on canvas)
3545868 The Fall of Man, 1592 (oil on canvas) by Cornelisz. van Haarlem, Cornelis (1562-1638); 273x220 cm; Rijksmuseum, Amsterdam, The Netherlands; Dutch, out of copyright

Adam and Eve expelled from paradise, illustration from L Ancien Testament
REV326530 Adam and Eve expelled from paradise, illustration from L Ancien Testament, published by Jakob Ferdinand Schreiber, Esslingen (colour engraving) by German School

The Fall of Man by Albrecht Durer, 1504 (b / w engraving)
3036378 The Fall of Man by Albrecht Durer, 1504 (b/w engraving) by DAorer or Duerer, Albrecht (1471-1528); (add.info.: The Fall of Man (Adam and Eve) by Albrecht Durer (German, 1471-1528); engraving

The Creation of Eve from Paradise Lost by John Milton (1608-1674
5615852 The Creation of Eve from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

The Creation of the World from Paradise Lost by John Milton (1608-1674
5615862 The Creation of the World from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Adam and Eve Entertain Raphael from Paradise Lost
5615849 Adam and Eve Entertain Raphael from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Illustration 4 to Miltons "Paradise Lost"
5854525 Illustration 4 to Miltons " Paradise Lost" : Satan Spying on Adam and Eve and Raphaels Descent into Paradise, 1807 (pen & ink and w/c on paper) by Blake

Adam and Eve, 1517 (oil on paper)
3956454 Adam and Eve, 1517 (oil on paper) by Holbein the Younger, Hans (1497/8-1543); 30 x 35.5 cm; Kunstmuseum, Basel, Switzerland; German, out of copyright

Eve Offering the Forbidden Fruit to Adam, 1830-35 (pen & brown ink with w / c heightened with body colour over graphite)
995927 Eve Offering the Forbidden Fruit to Adam, 1830-35 (pen & brown ink with w/c heightened with body colour over graphite on wove paper) by Linnell

Satan Exulting over Eve, 1795 (graphite, black ink and watercolour)
3545850 Satan Exulting over Eve, 1795 (graphite, black ink and watercolour) by Blake, William (1757-1827); 42.5x53.5 cm; J. Paul Getty Museum, Los Angeles, USA; English, out of copyright

God Judging Adam, c. 1795 (coloured etching with pen, ink and watercolour)
3493135 God Judging Adam, c.1795 (coloured etching with pen, ink and watercolour) by Blake, William (1757-1827); 42.5x52.7 cm; Metropolitan Museum of Art, New York

Eve Repentente, c, 1865-97 (mixed media on paper laid on canvas)
480796 Eve Repentente, c, 1865-97 (mixed media on paper laid on canvas) by Watts, George Frederick (1817-1904) (after); 75x35 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries

Eve in exile (oil on canvas)
5956405 Eve in exile (oil on canvas) by Schmalz, Herbert Gustave (1856-1935); 185.4x99.1 cm; Private Collection; Photo eChristies Images; English, out of copyright

Adam lamenting his sinfulness, from a French edition of Paradise Lost
STC205078 Adam lamenting his sinfulness, from a French edition of Paradise Lost by John Milton (1608-74) engraved by Goulu and Rensonnette, published 1868 (litho) by Flatters

Detail of a plaque from a South German Kunstcabinet, depicting Adam and Eve, 1690 (ivory)
BAL51320 Detail of a plaque from a South German Kunstcabinet, depicting Adam and Eve, 1690 (ivory) by German School, (17th century); Jacob Stodel Antiques, Germany; German, out of copyright

Paradise Lost, c. 1890 (oil on canvas)
3940998 Paradise Lost, c.1890 (oil on canvas) by Gauguin, Paul (1848-1903); 46 x 54.9 cm; Yale University Art Gallery, New Haven, CT, USA; French, out of copyright

Letterpress title page from Paradise Lost by John Milton (1608-1674
5615856 Letterpress title page from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Eve Tempted by Satan in the Form of a Serpent from Paradise Lost
5615855 Eve Tempted by Satan in the Form of a Serpent from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang

Title page from Paradise Lost by John Milton (1608-1674
5615854 Title page from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) showing Milton playing Cello for his daughters

The Serpent. Adam and Eve in the Garden of Eden (engraving)
5216968 The Serpent. Adam and Eve in the Garden of Eden (engraving) by English School, (19th century); Private Collection; (add.info.: The Serpent. Adam and Eve in the Garden of Eden)

Eve with Long Hair, 1878 / 80 (bronze)
874903 Eve with Long Hair, 1878/80 (bronze) by Rodin, Auguste (1840-1917); 41.91 x13.97 x15.24 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Iris and B

The Creation, Marriage, Temptation and Expulsion of Adam and Eve, 1200 (w / c on vellum)
BRN196639 The Creation, Marriage, Temptation and Expulsion of Adam and Eve, 1200 (w/c on vellum) by German School, (13th century); The Barnes Foundation, Philadelphia, Pennsylvania

The Fall of Man [middle panel], c. 1535. Creator: Workshop of Albrecht Altdorfer
The Fall of Man [middle panel], c. 1535

Adam and Eve (The Family), 1912. Creator: Stuck, Franz, Ritter von (1863-1928)
Adam and Eve (The Family), 1912. Private Collection

Adam and Eve, c. 1895. Creator: Simberg, Hugo (1873-1917)
Adam and Eve, c.1895. Found in the collection of Ateneum, Helsinki

Adam and Eve, 1930. Creator: Oppi, Ubaldo (1889-1942)
Adam and Eve, 1930. Found in the collection of Musei Civici, Vicenza

The Creation of Eve (Sistine Chapel ceiling in the Vatican), 1508-1512. Found in the collection of The Sistine Chapel, Vatican

Eve, 1898-99. Creator: Paul Gauguin
Eve, 1898-99

Delightful Land, 1893-94. Creator: Paul Gauguin
Delightful Land, 1893-94

The Expulsion from the Paradise, after Dürer, ca. 1500-1534
The Expulsion from the Paradise, after Durer, ca. 1500-1534

Adam and Eve with apple and serpent, ca. 1500-1534. Creator: Marcantonio Raimondi
Adam and Eve with apple and serpent, ca. 1500-1534

The Fall of Man, ca. 1517. Creator: Lucas van Leyden
The Fall of Man, ca. 1517

Fall of Man, (Adam and Eve), ca. 1514. Creator: Lucas van Leyden
Fall of Man, (Adam and Eve), ca. 1514

Fall of Man, 1529. Creator: Lucas van Leyden
Fall of Man, 1529

Fall of Man, 1530. Creator: Lucas van Leyden
Fall of Man, 1530

Adam and Eve after the Expulsion, 1510. Creator: Lucas van Leyden
Adam and Eve after the Expulsion, 1510

Eve, 1528. Creator: Cranach, Lucas, the Elder (1472-1553)
Eve, 1528. Found in the Collection of Galleria degli Uffizi, Florence

Adam, 1528. Creator: Cranach, Lucas, the Elder (1472-1553)
Adam, 1528. Found in the Collection of Galleria degli Uffizi, Florence

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"The Fall of Man: A Visual Journey through Artistic Interpretations" Step into the Garden of Eden, as depicted in the exquisite Les Tres Riches Heures du duc de Berry by the talented Limbourg brothers. Witness Adam and Eve, their innocence radiating from every brushstroke, before temptation took its toll. Fast forward to 1543, where a copperplate engraving captures Adam and Eve's fateful decision. The mosaic on the domed ceiling of St Johns Baptistry in Florence immortalizes their expulsion from paradise - a moment frozen in time for all to see. Paradise Lost comes alive through Gustave Dore's intricate illustrations in John Milton's epic poem. His portrayal of Adam and Eve being expelled from Paradise resonates with raw emotion that tugs at our hearts. Marcantonio Raimondi delves deeper into this tale with his artworks. In one piece, he depicts Adam and Eve flanked by two trees against a backdrop of an idyllic town; while another showcases their expulsion with haunting intensity. Ludwig Krug's masterpiece from ca. 1508-1532 encapsulates the essence of The Fall of Man - capturing both its tragedy and humanity within each stroke. Woodcuts by anonymous artists such as those created in 1519 or 1511 further explore this theme, leaving us captivated by their simplicity yet profound impact. Finally, we encounter Eve herself through a wood engraving dating back to 1926. Her delicate features reflect her role in mankind's downfall - forever etched into history alongside Adam. As we journey through these artistic interpretations spanning centuries, it becomes clear that "The Fall of Man" is not just a biblical narrative but also an enduring source of inspiration for countless artists throughout history.