Face Making Collection

Letters and T: monkey, bellows, sigh, saw and drum, turtle, top, stool, c.1920 (print)
DUV4202592 Letters and T: monkey, bellows, sigh, saw and drum, turtle, top, stool, c.1920 (print); 16x24.5 cm; Private Collection; (add.info.: ABC de Guignol by Griff (French illustrator)

Letres G: patty, c.1920 (print)
DUV4205950 Letres G: patty, c.1920 (print); 15.5x24.5 cm; (add.info.: image from "The alphabet of Mimi" Illustrations by J. M. Porta. 8 pages.); Photo © Duvallon

Letres G and H: patty and lobster, c.1920 (print)
DUV4205946 Letres G and H: patty and lobster, c.1920 (print); 15.5x24.5 cm; (add.info.: image from "The alphabet of Mimi" Illustrations by J. M. Porta. 8 pages.); Photo © Duvallon

Letter Q and R: discharge, keels, four, tail and rake, tap, rat, roses, wheel, c.1920 (print)
DUV4202585 Letter Q and R: discharge, keels, four, tail and rake, tap, rat, roses, wheel, c.1920 (print); 16x24.5 cm; Private Collection; (add.info.: ABC de Guignol by Griff (French illustrator)

Comedy postcard of the Mona Lisa after the artwork's theft in 1911 (postcard)
LSE4104075 Comedy postcard of the Mona Lisa after the artwork's theft in 1911 (postcard); Private Collection; (add.info.: La Joconde)

Letter X, Y and Z: xylophone and eyes then zouave, zebra, c.1920 (print)
DUV4202602 Letter X, Y and Z: xylophone and eyes then zouave, zebra, c.1920 (print); 16x24.5 cm; Private Collection; (add.info.: ABC de Guignol by Griff (French illustrator)

Christ carrying the Cross - Peinture de Hieronymus (Jerome, Jheronimus) Bosch (c)
FIA5397725 Christ carrying the Cross - Peinture de Hieronymus (Jerome, Jheronimus) Bosch (c. 1450-1516) - 1515-1516 - Oil on wood - 76, 7x83, 5 - Museum voor Schone Kunsten, Ghent by Bosch

The High Bailiff gargoyle (photo)
7268864 The High Bailiff gargoyle (photo) by English School, (15th century); (add.info.: St Peters C of E Church, Winchcombe, near Cheltenham (1453)

Study of a smiling girl (drawing)
JEB4868833 Study of a smiling girl (drawing) by Torrents y de Amat, Stanislas (1839-1916); 52x44 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

Head of Moroccan Portrait of man with pierced ears and red hat, with a flower in the ear
JEB4864545 Head of Moroccan Portrait of man with pierced ears and red hat, with a flower in the ear and a tattoo on the temple 1892 (painting) by Silbert

La langue de Colombine. Oeuvre de Konstantin (Constantin) Andreyevich Somov (1869-1939)
FIA5352917 La langue de Colombine. Oeuvre de Konstantin (Constantin) Andreyevich Somov (1869-1939), aquarelle et gouache sur carton, 1915. Art russe, 20e siecle, modernisme

Self-Portrait, Grimacing - Schiele, Egon (1890-1918) - 1910 - Gouache on paper - 45, 3x30, 7 - Leopold Museum, Vienna
FIA5394841 Self-Portrait, Grimacing - Schiele, Egon (1890-1918) - 1910 - Gouache on paper - 45, 3x30, 7 - Leopold Museum, Vienna by Schiele, Egon (1890-1918); Leopold Museum, Vienna

Democrite (460-370 BC). and the Abderitans. (Letter from Hippocrates
DUV4214593 Democrite (460-370 BC). and the Abderitans. (Letter from Hippocrates) - Fables by La Fontaine, 19th century (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

Detail of "The Virgin and Child Jesus"(oil on canvas)
JEB4901337 Detail of " The Virgin and Child Jesus" (oil on canvas) by Vouet, Simon (1590-1649); 80x62 cm; Palais de Longchamp, Marseille, France; eJean Bernard; French, out of copyright

Portrait of a comedian of Molieres troupe (oil on canvas)
JEB4862865 Portrait of a comedian of Molieres troupe (oil on canvas) by Elle, Louis Ferdinand (the Elder) (c.1612-89); 103x81 cm; Palais de Longchamp, Marseille

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Face making is an art form that allows us to express a wide range of emotions without saying a word. From the subtle raise of an eyebrow to the dramatic contortion of our features, our faces are powerful tools for communication. Whether we're smiling with joy, frowning in frustration, or squinting in concentration, each expression tells a story about how we're feeling in that moment. So next time you catch yourself making a face, remember that it's not just a random gesture – it's a window into your soul. Embrace the power and let your expressions speak volumes without uttering a single word.