Facciata Collection

The lion, symbol of St. Mark, 1329-30 (bronze)
6263006 The lion, symbol of St. Mark, 1329-30 (bronze) by Maitani, Lorenzo (c.1255-1330); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

The bull, symbol of St Luke, 1329-30 (bronze)
6263004 The bull, symbol of St Luke, 1329-30 (bronze) by Maitani, Lorenzo (c.1255-1330); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

The facade, the central lunette: copy of the Madonna with Child and six angels holding a curtain (marble, bronze)
6262878 The facade, the central lunette: copy of the Madonna with Child and six angels holding a curtain (marble, bronze, polychrome, gold and glass paste) by Italian School

The angel, symbol of St. Matthew, 1329-30 (bronze)
6263011 The angel, symbol of St. Matthew, 1329-30 (bronze) by Maitani, Lorenzo (c.1255-1330); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

St. Ambrose, 1388 (mosaic)
6262947 St. Ambrose, 1388 (mosaic) by Puccio, Pietro di (b.1350); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Mosaic with glass and stone tesserae)

St. Jerome, 1388 (mosaic)
6262944 St. Jerome, 1388 (mosaic) by Puccio, Pietro di (b.1350); Museo dell Opera del Duomo (MODO), Orvieto, Umbria, Italy; (add.info.: Mosaic with glass and stone tesserae)

The eagle, symbol of St. John, 1329-30 (bronze)
6263008 The eagle, symbol of St. John, 1329-30 (bronze) by Maitani, Lorenzo (c.1255-1330); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Pisa Baptistery, Pisa Cathedral and Leaning Tower, 1800s
The Pisa Baptistery, Pisa Cathedral and Leaning Tower, 1800s. Some of the Campo Santo cemetery too. Romanesque architecture by the architect Federico Visconti in 1278. Buscheto

Ruins of the stadium at Ephesus, Greece. Used for sports and ceremonies, then later for Roman games and circuses. Rovine dello Stadio di Efeso

Monza, Lombardy, Italy - Facade of the Royal Villa of Monza (Villa Reale). Date: 1903

Parte del prospetto della facciata laterale del Collegio di Propaganda fide, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le

Finestrone di mezzo della facciata del palazzo de Sigri. Conseruatori in Campidoglio, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma

Finestra nel secondo ordine sopra la finestra principale della facciata di detto Collegio, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di

Altra finestra nel mezzo di detta facciata sopra l antecedente finestra, con parapetto che fa ringhiera, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune

fatta con architettura di Carlo Maderno Finestra della
fatta con architettura di Carlo Maderno, Finestra della facciata del Tempio Vaticano nel secondo ordine, fatta con architettura di Carlo Maderno

Finestra principale al primo ordine sopra la porta della facciata del Collegio di Propaganda Fide, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche

Porta nella facciata dell Oratorio de PP di S
Porta nella facciata dell Oratorio de PP. di S. Filippo Neri, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure, piante

Prospetto della facciata laterale del Collegio di Propaganda Fide, Stvdio d architettvra civile sopra gli ornamenti di porte e finestre tratti da alcune fabbriche insigni di Roma con le misure

Veduta posteriore del medemo Palazzo Barberino con facciata e scala che porta al giardino et al piano della sala, Il nvovo teatro delle fabriche et edifici in prospettiva di Roma moderna sotto il

View of the rear facade of Santa Maria Maggiore, from the Views of Rome series, c
XJF497250 View of the rear facade of Santa Maria Maggiore, from the Views of Rome series, c.1760 (etching) by Piranesi, Giovanni Battista (1720-78); Private Collection; (add.info.: Vedute di Roma)

(Italian, 1663 - 1729), Facciata della Chiesa del Ospitaletto (plate 33), published 1703, 1 vol: ill: 97 etchings by Carlevariis

Johann Andreas Pfeffel (German 1674-1748) after Giuseppe Galli Bibiena (Italian, 1696-1756). Ball Celebrating the Marriage of Archduchess Marianne and Charles

Facciata del castello nuovo illuminato di trasparenti

Veduta della facciata della chiesa di S. Eustachio spora il canal grande di venetia

Italy Rome Medici
Terrazzo e facciata (facade) della villa Medici

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The stunning "facciata" of this architectural masterpiece is a sight to behold. Adorned with intricate details and exquisite craftsmanship, it tells a story that spans centuries. At the very heart of this facade, we are greeted by the majestic lion, symbolizing St. Mark. Crafted from bronze in 1329-30, it stands as a testament to the strength and power associated with this saint. Not far behind, the bull emerges as the symbol of St. Luke. Also cast in bronze during the same period, it embodies qualities such as determination and resilience. As our eyes wander further up the facade's central lunette, we encounter a mesmerizing copy of Madonna with Child and six angels holding a curtain. This composition crafted from marble, bronze, polychrome elements, gold accents, and glass paste showcases divine beauty at its finest. Moving closer towards the entrance doors reveals another marvel - detailed coverings on four pillars dating back to 1320-1330. These bas reliefs depict scenes that transport us back in time while showcasing incredible artistry. Adding to this symphony of religious symbolism is an angel representing St. Matthew made from bronze in 1329-30. Its presence adds an ethereal touch to an already awe-inspiring ensemble. Venturing beyond these religious depictions brings us face-to-face with two mosaic masterpieces: St Ambrose (1388) and St Jerome (1388). These mosaics capture their respective saints' wisdom and devotion through vibrant colors that have stood against time's test. Completing this grand narrative is none other than the eagle - symbolizing St John - rendered beautifully in bronze during 1329-30. It serves as a reminder of profound spirituality intertwined within every inch of this remarkable facciata. While standing before this architectural wonderment may transport you elsewhere entirely; let us not forget where it resides – Pisa Baptistery alongside Pisa Cathedral and the iconic Leaning Tower.