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Fabric Collection (page 3)

"Unraveling the Threads of History: A Journey through the World of Fabric" From the intricate details of the Shroud of Turin in Chiesa della SS

Background imageFabric Collection: Intricate batik wax resist floral pattern on traditional Javanese sarong, Pekalongan, Java

Intricate batik wax resist floral pattern on traditional Javanese sarong, Pekalongan, Java, Indonesia, Southeast Asia, Asia

Background imageFabric Collection: NAVAJO WEAVER, c1915. A Navajo woman weaving a blanket on a loom

NAVAJO WEAVER, c1915. A Navajo woman weaving a blanket on a loom, with a herd of sheep in the background. Photograph, c1915

Background imageFabric Collection: Buddhist prayer flags hanging near the Mahakal Buddhist Monastery, Observatory Hill

Buddhist prayer flags hanging near the Mahakal Buddhist Monastery, Observatory Hill, Darjeeling, West Bengal, India, Asia

Background imageFabric Collection: Clown in American Outfit

Clown in American Outfit
A clown wearing an outfit made from stars and stripes fabric (as in the American flag)

Background imageFabric Collection: Social / Night on Town

Social / Night on Town
She wears an evening coat by Worth: oriental cherry blossom fabric, wide full sleeves, fur cuffs & collar. He wears a black tailcoat & white tie

Background imageFabric Collection: Woman / Mode Illustre / 1923

Woman / Mode Illustre / 1923
Barrel-line dress with fold over scarf collar & apron front in an orange & white rose print fabric with a tie belt worn low on the hips. She holds a hat with a broad brim

Background imageFabric Collection: Rolls of fabric, market day, Salon-de-Provence, Provence, France, Europe

Rolls of fabric, market day, Salon-de-Provence, Provence, France, Europe

Background imageFabric Collection: Detail of ikat blanket, Sumba Island, Indonesia, Southeast Asia, Asia

Detail of ikat blanket, Sumba Island, Indonesia, Southeast Asia, Asia

Background imageFabric Collection: Friendship bracelets

Friendship bracelets, Panajachel, Lake Atitlan, Guatemala, Central America

Background imageFabric Collection: Shopping for Fabric 1809

Shopping for Fabric 1809
A throng of mostly feminine customers scrutinize the stock at Messrs. Harding, Howell & Co. at 89 Pall Mall. Fabrics cascade from displays in the drapery department

Background imageFabric Collection: Male Type / Bowness C1850S

Male Type / Bowness C1850S
Man wearing a tweed lounge suit consisting of a lounging jacket, waistcaot & trousers all of the same fabric. He holds a straw boater across his knee

Background imageFabric Collection: Fur Trimmed Wrap 1928

Fur Trimmed Wrap 1928
Blonde model in a fur trimmed wrap / jacket in a highly ornate fabric which like her dress is based on ethnic or archaeological textiles. Her shoes are in silver kid

Background imageFabric Collection: Five girls on a wall on a fabric Christmas card

Five girls on a wall on a fabric Christmas card
Five girls sitting on a wall on a fabric Christmas card. Date: circa 1890s

Background imageFabric Collection: Detail of rolled carpets on display at store, Avanos, Avanos District, Nevsehir Province, Cappadocia

Detail of rolled carpets on display at store, Avanos, Avanos District, Nevsehir Province, Cappadocia, Central Anatolia Region, Turkey

Background imageFabric Collection: Detail of rolled carpets on display at store, Avanos, Avanos District, Nevsehir Province, Cappadocia

Detail of rolled carpets on display at store, Avanos, Avanos District, Nevsehir Province, Cappadocia, Central Anatolia Region, Turkey

Background imageFabric Collection: Detail of rolled carpets on display at store, Avanos, Avanos District, Nevsehir Province, Cappadocia

Detail of rolled carpets on display at store, Avanos, Avanos District, Nevsehir Province, Cappadocia, Central Anatolia Region, Turkey

Background imageFabric Collection: Different cotton fabric is pictured in the manufactory of the Textile company TRIGEMA

Different cotton fabric is pictured in the manufactory of the Textile company TRIGEMA
Different cotton fabric is pictured in the manufactory of the Textile company " TRIGEMA" in Burladingen, Germany March 12, 2018. REUTERS/Michaela Rehle

Background imageFabric Collection: Men are seen wearing the gho, the tradional and national dress for men in Bhutan

Men are seen wearing the gho, the tradional and national dress for men in Bhutan, as they gathered along a hill to see King Jigme Khesar Namgyel Wangchuck

Background imageFabric Collection: Colourful cotton fabrics for sale in Souk Waqif, Doha, Qatar

Colourful cotton fabrics for sale in Souk Waqif, Doha, Qatar

Background imageFabric Collection: Colourful cotton fabric in shop, Little India, Kuala Lumpur, Malaysia

Colourful cotton fabric in shop, Little India, Kuala Lumpur, Malaysia

Background imageFabric Collection: Africa, Ghana, Volta Region. In the Kente weavers village

Africa, Ghana, Volta Region. In the Kente weavers village

Background imageFabric Collection: Burundi. A woman uses traditional pots to transport her goods to market

Burundi. A woman uses traditional pots to transport her goods to market

Background imageFabric Collection: Flag or hanging depicting Ziwei Dadi, 1849 (cotton)

Flag or hanging depicting Ziwei Dadi, 1849 (cotton)
7340527 Flag or hanging depicting Ziwei Dadi, 1849 (cotton) by Unknown Artist, (19th century); 221x284.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Background imageFabric Collection: Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons

Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons, Archivo Historico Nacional
AIS5385613 Franc maconnerie : tablier de maitre maconnique. Il est decore des symboles francs macons, Archivo Historico Nacional, Madrid; © Iberfoto.

Background imageFabric Collection: Machines in the textile factory of the brand 'La Lanera Espanola' in Sabadell, near Barcelona

Machines in the textile factory of the brand "La Lanera Espanola" in Sabadell, near Barcelona, Spain, c
AIS5380086 Machines in the textile factory of the brand "La Lanera Espanola" in Sabadell, near Barcelona, Spain, c. 1920 (b/w photo); © Iberfoto.

Background imageFabric Collection: Mozarabic art: representation of two Mozarabic monks, 9th century (miniature)

Mozarabic art: representation of two Mozarabic monks, 9th century (miniature)
AIS5365296 Mozarabic art: representation of two Mozarabic monks, 9th century (miniature); Biblioteca Nacional, Madrid, Spain; (add.info.: Mozarabic art)

Background imageFabric Collection: Arethusa 1802 (Oil on canvas)

Arethusa 1802 (Oil on canvas)
8766661 Arethusa 1802 (Oil on canvas) by West, Benjamin (1738-1820); 54.5--40 cm; High Museum of Art, Atlanta, Georgia, USA; © High Museum of Art .

Background imageFabric Collection: Still Life with Bust of Dante 1883 (Oil on panel)

Still Life with Bust of Dante 1883 (Oil on panel)
8766636 Still Life with Bust of Dante 1883 (Oil on panel) by Harnett, William Michael (1848-92); 26.2--35.1 cm; High Museum of Art, Atlanta, Georgia

Background imageFabric Collection: Chinese pirate flag, c.1849 (cotton)

Chinese pirate flag, c.1849 (cotton)
7339172 Chinese pirate flag, c.1849 (cotton) by Unknown Artist, (19th century); 220.9x284.4 cm; National Maritime Museum, London

Background imageFabric Collection: Fish-skin helmet, c.1800-1900 (fish skin)

Fish-skin helmet, c.1800-1900 (fish skin)
7264988 Fish-skin helmet, c.1800-1900 (fish skin); Manchester Museum, The University of Manchester, England; (add.info.: Helmet made from a large Porcupine fish)

Background imageFabric Collection: A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk)

A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool)
7295423 A doll made in Quebec, Canada from a corn husk and leaves. Iroquois culture., 1827 (corn husk, cotton, wool, glass beads, deer skin); 4x27x12 cm; National Maritime Museum, London

Background imageFabric Collection: Elizabeth I (the 'Armada Portrait'), c.1588 (oil on oak panel)

Elizabeth I (the 'Armada Portrait'), c.1588 (oil on oak panel)
7342330 Elizabeth I (the 'Armada Portrait'), c.1588 (oil on oak panel) by English School, (16th century); 112.5x127 cm; National Maritime Museum, London

Background imageFabric Collection: Royal Naval Uniform, c.1904-19 (doeskin)

Royal Naval Uniform, c.1904-19 (doeskin)
7340750 Royal Naval Uniform, c.1904-19 (doeskin) by British School, (20th century) ; 99x56 cm; National Maritime Museum, London

Background imageFabric Collection: Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass)

Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass)
7340081 Lord Rosse's Great Reflecting Telescope, at Parsonstown, Ireland, 1853 (cotton, brass) by British School, (19th century); 118.3x89.2 cm; National Maritime Museum, London

Background imageFabric Collection: Wall hanging showing two star clusters, 1850-60 (cotton, brass)

Wall hanging showing two star clusters, 1850-60 (cotton, brass)
7340080 Wall hanging showing two star clusters, 1850-60 (cotton, brass) by British School, (19th century); 89.5x120.5 cm; National Maritime Museum, London

Background imageFabric Collection: Royal Naval uniform: pattern 1843, c.1843 (textile)

Royal Naval uniform: pattern 1843, c.1843 (textile)
7339914 Royal Naval uniform: pattern 1843, c.1843 (textile) by British School, (19th century); 99.5x49.3 cm; National Maritime Museum, London

Background imageFabric Collection: Royal Naval uniform: pattern 1843, c.1843 (textile)

Royal Naval uniform: pattern 1843, c.1843 (textile)
7339913 Royal Naval uniform: pattern 1843, c.1843 (textile) by British School, (19th century); 99.5x49.3 cm; National Maritime Museum, London

Background imageFabric Collection: Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta)

Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta)
7339910 Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base meta) by Unknown Artist, (19th century); 122.5x60.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Background imageFabric Collection: Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal)

Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal)
7339909 Royal Naval uniform: pattern 1836, c.1836 (wool, silk, cotton, base metal) by Unknown Artist, (19th century); 122.5x60.5 cm; National Maritime Museum, London, UK; (add.info.: Unknown Artist)

Background imageFabric Collection: Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha)

Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha)
7339908 Non-regulation folding cap, c.1836 (wool, leather, linen, silk, canvas, gutta percha) by Unknown Artist, (19th century); 16x18.5x25 cm; National Maritime Museum, London

Background imageFabric Collection: A young woman seated, reading, 1802 (graphite)

A young woman seated, reading, 1802 (graphite)
7339871 A young woman seated, reading, 1802 (graphite) by Baxter, Thomas (1782-1821); 15.4x9.2 cm; National Maritime Museum, London

Background imageFabric Collection: A group seated at a table, 1802 (pen, ink)

A group seated at a table, 1802 (pen, ink)
7339867 A group seated at a table, 1802 (pen, ink) by Baxter, Thomas (1782-1821); 12.9x9.3 cm; National Maritime Museum, London

Background imageFabric Collection: Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend)

Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend)
7339840 Royal Naval uniform: pattern 1748-1767, 1748 (wool, wood, brass, linen/wool blend) by Unknown artist, (18th century); 108x41x28 cm; National Maritime Museum, London

Background imageFabric Collection: An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards

An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards, B roving's, 19th century
5311368 An engraving depicting a Jersey spinning wheel used for wool or cotton - A are hand cards, B roving's, 19th century; (add.info.: Date: 1836); Universal History Archive/UIG.

Background imageFabric Collection: A diagram of Arkwright's water frame

A diagram of Arkwright's water frame
5310187 A diagram of Arkwright's water frame; (add.info.: Engraving depicting a diagram Richard Arkwright's water frame)

Background imageFabric Collection: James Hargreaves' Spinning Jenny

James Hargreaves' Spinning Jenny
5311928 James Hargreaves' Spinning Jenny; (add.info.: Engraving depicting James Hargreaves' Spinning Jenny. The spinning jenny is a multi-spindle spinning frame)

Background imageFabric Collection: Sledge flag with anchor design and embroidered 'Hope On' 'Hope Ever', 1852 (silk, felt, hand sewn)

Sledge flag with anchor design and embroidered 'Hope On' 'Hope Ever', 1852 (silk, felt, hand sewn)
7295647 Sledge flag with anchor design and embroidered 'Hope On' 'Hope Ever', 1852 (silk, felt, hand sewn) by Franklin, Jane (1792-1875); 60.96x93.98 cm; National Maritime Museum

Background imageFabric Collection: Sealskin suit, 1875 (sealskin)

Sealskin suit, 1875 (sealskin)
7295773 Sealskin suit, 1875 (sealskin); 160x610x880 cm; National Maritime Museum, London, UK; (add.info.: This sealskin suit)



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"Unraveling the Threads of History: A Journey through the World of Fabric" From the intricate details of the Shroud of Turin in Chiesa della SS. Annunziata church, Turin to the iconic Bayeux Tapestry depicting scenes from 1066-1077, it has woven its way into our cultural heritage. In Paris, France, Europe, one can't help but marvel at the historical significance and religious symbolism behind these ancient textiles. The Shroud of Turin is believed by many to be Jesus Christ's burial cloth, while the Bayeux Tapestry vividly portrays events like the Battle of Hastings. But fabric isn't just a medium for storytelling; it also reflects societal changes and artistic expressions. Take Harvey Nichols' advertisement from 1953 - a testament to fashion's evolving trends and consumer desires. Traveling further afield brings us to Cairo's bustling streets captured by Charles Robertson's brushstrokes. Here we witness vibrant fabrics adorning locals as they go about their daily lives - an explosion of colors that mirrors Egypt's rich culture. Across continents, fabric continues to inspire creativity. Barribal's "A Golden Girl" showcases how this versatile material can be transformed into stunning works of art that transcend time and place. Delving deeper into different cultures reveals unique uses for fabric. From Muslim prayer carpets in Palestine Authority that provide comfort during worship to Costa Rican art celebrating indigenous traditions in Central America - each piece tells a story steeped in tradition and identity. Even closer to home lies everyday life captured through various lenses. Whether it be capturing moments with beloved pets or showcasing innovative designs like Art Gout Beaute’s 1924 creation Rubans de Paris on Maddox Street / St George Street – fabric becomes an integral part of our surroundings. Fabric threads together history, culture, artistry, and personal narratives across centuries and continents. It reminds us that beyond its practicality, a tapestry of human experiences.